Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A colour photograph of Hat Dich, South Vietnam, December 1969, United Press International, War Correspondent Denis Gibbons, as he moves out of a night harbour position with members of the 8th Battalion, Royal Australian Regiment.photograph, hat dich, united press international, war correspondents, 8th battalion, royal australian regiment, gibbons collection catalogue, photographer, vietnam war, denis gibbons

ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX. REV. JOHN DOWNES WAS INDUCTED AS THE FIRST MINISTER OF THE CLUNES PRESBYTERIAN CHURCH IN JULY 1862. REV. DOWNES DIED 1866 AT THE AGE OF 63.PHOTOGRAPHS (COPIES) 1 SEPIA & 1 BLACK AND WHITE - OF THE REV. JOHN DOWNES. HE WAS THE FIRST MINISTER OF THE CLUNES PRESBYTERIAN CHURCH, INDUCTED IN JULY 1862 AND DIED IN 1866. .3 FRAMED COPY OF REV. JOHN DOWNESlocal history, photography, photographs, churches, presbyterian.

Member of Geelong Amateur Cycling ClubBlack and white photograph. Man standing next to bicycle facing the camera, with large trees in background and small brick garden bed. He is wearing a short sleeve t-shirt with two stripes and GACC on the front and pants.On back 'Neil Wilson'neil wilson

Rev Robert Hodgson: His father was Robert Hodgson Snr, of Congleton, and Mildred (née Porteus) in early 1773. He was baptised on 22 September 1773 at St Peter's Church, Congleton. Hodgson was a close relative (by marriage on his father's side and by blood on his mother's side) of Beilby Porteus, Bishop of London of whom Hodgson wrote a biography of Porteus. On his mother's side, he was a descendant of Augustine Warner Jnr., who presided as the Speaker of the Virginia House of Burgesses during the time of Bacon's Rebellion (Warner served before the Rebellion in 1676, and after the Rebellion in 1677.) Hodgson was educated at Macclesfield School and Peterhouse, Cambridge, where he graduated with a BA as 14th Wrangler in 1795. He was appointed rector of St George's, Hanover Square for over forty years, from 1803 until his death in 1844. Bishop Beilby Porteus: Beilby Porteus 8 May 1731 – 13 May 1809), successively Bishop of Chester and London was a Church of England reformer and a leading abolitionist in England. He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery. Porteus was born in York on 8 May 1731, the youngest of the 19 children of Elizabeth Jennings and Robert Porteus ( 1758/9), a planter. Although the family was of Scottish ancestry, his parents were Virginian planters who had returned to England in 1720 as a result of the economic difficulties in the province and for the sake of his father's health. Educated at York and Ripon Grammar School, he was a classics scholar at Christ's College, Cambridge, becoming a fellow in 1752. In 1759 he won the Seatonian Prize for his poem Death: A Poetical Essay, a work for which he is still remembered. He was ordained as a priest in 1757, and in 1762 was appointed as domestic chaplain to Thomas Secker, Archbishop of Canterbury, acting as his assistant at Lambeth Palace for six years. It was during these years that it is thought he became more aware of the conditions of the enslaved Africans in the American colonies and the British West Indies. He corresponded with clergy and missionaries, receiving reports on the appalling conditions facing the slaves from Rev James Ramsay in the West Indies and from Granville Sharp, the English lawyer who had supported the cases of freed slaves in England. In 1769 Beilby Porteus was appointed as chaplain to King George III. He was also Rector of Lambeth (a living shared between the Archbishop of Canterbury and the Crown) from 1767 to 1777, and later Master of St Cross, Winchester (1776–77). He was concerned about trends within the Church of England towards what he regarded as the watering-down of the truth of Scripture and stood for doctrinal purity. He was, however, happy to work with Methodists and dissenters and recognised their major contributions in evangelism and education. In 1776, Porteus was nominated as Bishop of Chester, taking up the appointment in 1777. He was Renowned as a scholar and a popular preacher, it was in 1783 that the young bishop was to first come to national attention by preaching his most famous and influential sermon. In 1787, Porteus was translated to the bishopric of London on the advice of Prime Minister William Pitt, a position he held until his death in 1809. As is customary, he was also appointed to the Privy Council, and Dean of the Chapel Royal. In 1788, he supported Sir William Dolben's Slave Trade Bill from the bench of bishops, and over the next quarter-century, he became the leading advocate within the Church of England for the abolition of slavery, lending support to such men as Wilberforce, Granville Sharp, Henry Thornton, and Zachary Macaulay to secure the eventual passage of the Slave Trade Act in 1807.Beilby Porteus was one of the most significant, albeit under-rated church figures of the 18th century. His sermons continued to be read by many, and his legacy as a foremost abolitionist was such that his name was almost as well known in the early 19th century as those of Wilberforce and Thomas Clarkson but 100 years later he had become one of the 'forgotten abolitionists', and today his role has largely been ignored and his name has been consigned to the footnotes of history. His primary claim to fame in the 21st century is for his poem on Death and, possibly unfairly, as the supposed prototype for the pompous Mr. Collins in Jane Austen's novel ”Pride and Prejudice”. But, ironically, Porteus' most lasting contribution was one for which he is little-known, the Sunday Observance Act of 1781 (a response to what he saw as the moral decay of England), which legislated how the public were allowed to spend their recreation time at weekends these laws continued for the following 200 years until the passing of the Sunday Trading Act of 1994.Book of sermons cover is brown with gold border and decoration Beilby Porteus (or Porteous; 8 May 1731 – 13 May 1809), successively Bishop of Chester and of London, was a Church of England reformer and a leading abolitionist in England. He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery. The Works of The Right Reverend Beilby Porteus Vol 2” . Spine has “Porteus’ Works, Vol. II Sermons”. The works of the Right Reverend Beilby Porteus, D.D., late Bishop of London; with his life, by the Rev. Robert Hodgson, A.M.F.R.S. and one of the Chaplains in Ordinary to His Majesty. A New Edition in Six Volumes. Vol. II – Sermons. Published in 1811 for T. Cadell and W., Davies, in The Strand, London. Printed by G. Sidney, Northumberland-street. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, right reverend beilby porteous, sermons, london reverend

(Ms) Berres Hoddle Colville is a local Surrey Hills resident and is a descendant of Robert Hoddle. Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Front endpaper: SURREY HILLS HISTORICAL / SOCIETY / PURCHASED FROM / THE AUTHOR ON THE OCCASION / OF HER TALK ON ROBERT HODDLE / TO THIS SOCIETY ON 17-10-[20]05 Title page: signed by the author: Berres Hoddle Colville / 17 October 2005 /(mr) robert hoddle, surveyors, (ms) berres hoddle colville

2 photographs (1 black and white, 1 sepia)Image shows building on Maroondah Highway with two horse driven carts at front, and another gentleman holding a horse. Louis Herry had a bakery and general store in Lilydale and opened another in Mount Dandenong Road, opposite the Club Hotel. His wife, Kate, mostly ran the Ringwood store. The store was previously owned by the Blood Bros, after they moved premises closer to the railway station. From the Place of Many Eagles book, "Louis was born in Purdu, France, in 1855, and came to Ringwood from Walhalla in 1887 and erected a weatherboard house and shop opposite the Club Hotel, using a Miner's Right to secure the land. When he arrived, Louis was a married man with three children, Leopold (1882), Marie (1884), John (1886). He had married Kate Handforth at Walhalla in 1879. In later years Elizabeth, Minellia, Louis and Denise were born. Kate's father was known as the midwife of the Gippsiand township because he had once been a fourth year medical student in England, but earnt a living as a goldbuyer in Victoria. Marie Herry would grow up remembering her grandfather calling sometimes at Ringwood; he would bring the children jubilee Mixture to eat and he carried a revolver in his pocket. Often he would play the violin while Marie would stepdance on the kitchen table." Leo served in WWI, whose name appears on the Ringwood Clocktower.

From Information Book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Original painting polyvinyl acetate on hard board. Depicts five soldiers in vivid cobalt blue. The soldiers stand huddled together, one wearing an emu plume in his slouched hat, another has Corporal's stripes and one is holding a rifle. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print. "SIDNEY NOLAN - (1917 - 1992) Soldiers 1959". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period.framed accessories, prints, ww1, gallipoli, centenary

The memorial plaque was also known as the “Dead Man's Penny” or “Death Penny”. In normal issue to families the rear is not engraved with any details.Bronze plaque for WWII Soldier George Frederick GRANT VX68675 2/5 Battalion AIF.Front stamped outer edge “HE DIED FOR FREEDOM AND HONOUR GEORGE F GRANT” Rear engraved: VX68675 AGE 27, DIED FOR HIS COUNTRY 5 JULY 1945”memorabilia, plaque, memorial

M72 LAW 66mm Rocket Launcher Anti Tank Cylinder Housing. Round cylinder with a 2 clip on end caps adjustable sites & trigger mechanism rubber. All metal construction, has a fabric shoulder strap. Firing instructions drawn in white on one side.Rocket HE 66 mm Anti Tank M72 A3 Lot RAN90 E 001 - 018, Operating and Storage Temp 40oF to + 140oF - Danger near blast area.arms-ordnance, military history, m 72, rocket

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Portrait of Surgeon George Bass seated facing half on with hands crossed at wrist and cane in left hand"Surgeon George Bass". Sailing from Sydney in an open Whale Boat with six chosen seamen. He discovered Phillip Island on January 5th, 1798 at 7 o'clock in the morning.local history, photography, photographs, exploration, maritime, phillip island, george bass, john jenner, bryant west

Displayed at History House.Black and white photograph of large crowd of people outside a wooden building. They are not posed for the camera. All adults are wearing semi-formal dress with hats.Front: (no inscriptions) Back: This was taken at the school at Portland. Wal is the only one of us in the photo. He is the second from the left (ink, left), Otway Street (blue pen, centre).

The Medals, Plaque and Scroll are the original items presented to 2952 N H V Powell's Family. 2952 N H V Powell enlisted in the AMF on 12 October 1915 and was Killed in Action on 25 July 1916 in FranceThe items are the originals of 2952 N H V Powell as presented to his family.A collection of Medals and Memorial Plaque and cloth scroll in a wooden frame. Medals are - 1914-1915 Star, British War Medal, Victory Medal, Plaque, cloth scroll.The Medals are behind glass, inscriptions cannot be confirmed. Plaque is inscribed - He Died for Freedom and Honour - Norman Henry Victor Powell Cloth Scroll - Australian Military Forces - For Australiaww1, france, killed in action, 2952 n h v powell

W. Membrey Blacksmith Shop in Patrick Street beside the sale yards which later became the Technical School Gold Reef Campus. W. Membrey died when young leaving a large family. The business was then rented to Mr. G. Brehaut for 12/6 (twelve shillings six pence) per week. The Membrey family lived in Skene St. Stawell for many years. Notes record that a copy was make by Mark Dadswell, Stawell. Also the notes record in 1996 a copy was made and donated to the Society by Melbourne Museum. 76.1 - V.W. Membrey blacksmith at Marnoo. Donated by Alan Membrey June 2003 Beecroft, NSW.Sepia photograph depicting W. Membrey Black Smith shop. Standing in front of the wooden building are 10 men and 3 young boys. W. Membrey is holding a horse in the door way with 2 other horses either side of the building. A timber cart is to the left of the photograph. W. Membrey Black Smith is written on the front of the building W. Membrey General Smith & Farrier is on the side of the building. There are 3 copies or duplicates of the original photo, one small and 2 large. The second black and white photo (76.1) is of V.W. Membrey Blacksmith & Horseshoer. Three people are standing outside the door to the shed. Written on the back is "Marnoo". Photo donated by Alan Membrey NSW. Patrick Street Stawell Our fathers Black smith shop. he is holding the horse near the door. Wm. E. Membrey. This photo was taken over 100 years ago.stawell

Colour photo of a group of Legacy widows in Beijing China. Melbourne Legacy would help arrange tours and day trips for the Widows clubs. This was a tour in 1993 that went to China. There appears to be about 50 ladies in the photo with a two tour guides. From the sign it appears it was taken on 23 June 1993. The tour was run by Interasia Tours and advertised in The Answer. It was an 8 day tour to Beijing and covered places such as Temple of Heaven, Tiananmin Square, Forbidden City, Summer Palace, Ming Tombs and the Great Wall of China. It was fully inclusive and only $1,449 per person twin share.A record of outings and activities being provided for the widows.Colour photo of widows in Beijing China in 1993, in a souvenir folder.Cardboard folder is labelled 'China Beijing Swan Promotion Co Ltd.' Photo includes a sign saying 'The Palace Museum Tai He Dian Hall 1993/6/23'.widows, souvenir, beijing, answer

Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.A computer generated artwork on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

Josh MUIR (1991- 2022) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. Computer generated image on canvas.josh muir, aboriginal, artwork, artist, hutchinson indigenous fellowship

Loaned to the Geelong Football Club by Mr Geoff Williams for the purposes of digitisation. Geoff Williams Born: 18/11/1930 From: East Geelong via Warragul Height: 183cm Weight: 83kg Natural kicking foot: Right Guernsey number: 21 First senior match: Round 1, 1952 v Melbourne at the MCG The fast mover quickly established himself as a top half-back flanker. His ball-winning skill, judgment and ability to concentrate were obvious. He always played the game fairly but strongly, and no player tried harder to perform well. His kicking wasn’t stylish but generally it was effective. He liked to knock the ball clear of opponents and shoot after it at great speed. He won the club Best and Fairest award in his first season – an outstanding achievement in a Premiership year. Total Brownlow Medal votes: 22 Premiership team selection: 1952 Club Best & Fairest: 1952, 1955 GFC Hall of Fame inductee (2002) GFC Life Membership (1959) Career span: 1952-59 Total matches: Premiership 121, Night/Pre-Season Series 4 Total goals: Premiership 1, Night/Pre-Season Series 0 Finals matches: 9 Finals goals: 0 Last senior match: Round 5, 1959 v Essendon at Windy Hill Information provided by Mr Col Hutchinson GFC Historian Scrapbook detailing the recruitment and career of Geelong Champion Geoff Williams. 54 pages in totalgeoff williams, half back, premiership player, geelong cats

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 26 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. Here the photographer takes a snapshot of one of the bush tracks on which he walked.Inscription on page illegiblehenry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 26 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. On a trip to Marysville in 1926, he focuses on a huge eucalypt beside a bush hut."Marysville / 1-1926"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, marysville

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 26 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. On a trip to Marysville in 1926, he focuses on hydrangeas and tree ferns within a horizontal oval frame."Marysville / 1-1926"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, marysville

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-44: Captain Johan Jansson. Capatain Jansson was born in 1862 and came to Australia on the ship "Nosstaljee" in 1886. In 1887 he came to the Island and started work with Captain Lock. He bought land at Rhyll in 1891 and built a house two years later, now known as Jansson's Cottage. Johan married Evelyn Power.. a daughter of Captain Powell. He purchased the ketch "Swan" and later :Stephen" in 1914. They took chicory, seaweed, hay and other farm produce to Melbourne, returning with general cargo. Captain Jansson died in 1928 aged 66 years. 466-45: Evelyn Jansson. Evelyn was the daughter of Captain Powell. She married Johan Jansson on her 18th birthday. She died 1971 aged 95 years. Their daughter Mavis is buried with Evelyn - died 1971 aged 72 years.phillip island cemetery, johan jansson, evelyn jansson, mavis jansson, nancy mchaffie, edith jeffery

(Copy of ) photo of John Boyd Watson. On reverse, detail of birth and death (Place & date) and reference ''Town and Country Journal 15/6/1880, p. 19) Handwritten also on reverse: Frank Cusack, 75 Russell St Bendigo. Newspaper clipping from The Bendigo Advertiser, Date Unknown, 'The Way We Were'. Grand. John Boyd Watson made a fortune from gold in Bendigo, but he is less well known than George Lansell for two reasons. He died well before Lansell and he invested his money outside Bendigo. His Home on the corner of Rowan and Wattle Streets, 'Kent House', is about to be restored and the owners want to put back the veranda the way it was before this photo was taken. If anyone can help, please phone John Launder on 0438 544 268or email [email protected], individual, john boyd watson

Diggers & Mining. Stores at the diggings. (Continued) . . . At Ballarat in more lawless days, when Mr Armstrong had it entirely his own way, he used to collect a bundle of faggots, pile them up in the middle of the forfeited tent, and set the whole concern in a blaze - burning them out, furniture, merchandise, and clothing; and yet, even to this, unauthorised as it was, they never offered serious resistance. On the present occasion the culprit seemed to fear that Mr. Armstrong was going to do the, and humbly begged and exemption for his ''traps'', which was graciously granted. In the course of the day this man was fined 100pound (it being a second offence), which he paid before the night; such are the profits of illicit trade . . . These seizures are pretty frequent; Mr. Armstrong tells me he had as many as nine bonfires blazing together at night in various parts. Markings: 34 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Reverend Dr. J. Davis McCaughey (12/07/1914 - 25/03/2005) was ordained in 1942 in Northern Ireland. He served at the YMCA, Fisherwick Belfast, United Kingdom, Professor of New Testament Studies at the Theological Hall, Master of Ormond College and retired in 1979. In 1986 he became Governor of Victoria, an office he held for six years.(F455-1) seated at table; (F455-2) head and body seated; (F455-3) head and body standing; (F455-4) seated at desk; (F455-5) seated at desk; (F455-6) head and body seated; (F455-7) head and body seated.(F455-1) "ACC 29th General Meeting Adelaide Justice Elizabeth Evatt addressed the meeting on the report on Human Relationships. Chairman of the session was the Rev Professor Davis McCaughey. Photo Rollason ACC"; (F455-2) no details; (F455-3) "Dr and Mrs McCaughey Rev Ian Steer Reg News 20 December"; (F455-4) "Rev Dr. Davis McCaughey"; (F455-5) "HE Dr Davis McCaughey, AC Governor of Victoria C&N 22/7/1987 page 19"; (F455-6) "Please return to C&N Credit Roger Mitchell Church and Nation C&N Feb 86 page1 front cover"; (F455-7) "C&N 12/2/1986 page 17".mccaughey, davis, rev., presbyterian minister, theological hall, ormond college, governor of victoria

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Religion played a significant part in daily life at the time.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts the scene of Mark 10: 13-16 from the bible, where Christ meetings a group of children.On front, printed under image: 'Christ Blessing Little Children / St. Mark 10: 13-16' On back, printed above line: 'Christ Blessing Little Children' On back, printed below line: 'THEY brought young children to / Jesus, that He should touch them: / and His disciples rebuked those that / brought them. / But when Jesus saw it, He was much / displeased, and said unto them, "Suffer / the little children to come unto me, and / forbid them not; for of such is the / kingdom of God. Verily I say unto you, / Whosoever shall not receive the kingdom / of God as a little child, he shall not enter / therein." / And He took them up in His arms, / put His hands on them, and blessed / them. / So that day the mother helped the / disciples to learn about Jesus. The dis- / ciples thought the children would be a / trouble, but the mothers knew that Jesus / loved the little and helpless ones, and / would bless them, for one day He had / said, " All who seek to enter the kingdom / of heaven must become like little chil- / dren." So they were not afraid to draw / near.'postcard, 1900s, "green postcard album"

A small white paperback volume with a cover attached by yellow ribbon and covered by tissue paper. Its title is, 'A Bit o' Worn Khaki and other Poems,' by Fred P. Morris.' Above the title is an illustration of a woman sitting at her table with her cat and an open window beside her. Beneath the illustration are the words, 'They sent me home his Bible And a bit o' worn khaki.' Eaglehawk : F.P. Morris, Barrell Street. Melbourne : M.L. Hutchinson, 305-7 Little Collins Street. Bendigo : A.M. Drummond, Arcade Press. 52 p.Fred P. Morrispoetry, war, lydia chancellor, collection, war, poetry, war poetry, poems, literature, book, books

The spade is a memento of the planting of a tree by the responseible Commonealth Minister to recognise the contribution of ATCV and ATCV volunteers to repair of the Australian environment. At the time ATCV had been operating in Ballarat for six years. ATCV volunteers had planted 192,000 trees from April 1987- March 1988. Senator Richardson was then Minister for the Arts and the Environment in the Hawke ALP Government and on 17 November 1988 he planted a tree using this spade at Sovereign Hill Outdoor Museum (at which ATCV volunteers had planted trees which are (by 2010) fully grown and a significant feature of the site). Peter Hiscock was director of Sovereign Hill as well as President of ATCV and among the most significant leaders of ATCV (now CVA). The spade also symbolises the recovery of ATCV (then a small and struggling community group) from near closure owing to the effects of the 1987 recession. The Cyclone Sylvaspade concept was component project of the Australian Bicentennial celebrations aimed at recognising organisations which had contributed positively to conservation of Australia's environment. The concept was originated and driven by Dr Wilf Crane of the CSIRO Division of Forestry and a highly regarded forester and environmentalist and champion of the cause of rejuvenating Australia's degraded landscape with trees. At the naming of a road after him in Canberra he was described as a: "enthusiast, a man of conviction, action, humility and simplicity". Wilf conceived the project, developed the tree planting spade with Boral Cyclone and the Institute of Foresters of Australia and launched it with the then Governor-General Sir Ninian Stephens at the new Parliament House. Cyclone has been a brand name for a manufacturer of good quality hand tools for over a century. It is likely manufacturing was still done in Australia at the time of manufacture of the Sylvaspade. Much of it has now moved offshore, particuarly to China and Taiwan.This object is historically significant because it is a memento of a significant national event, the 200th anniversary of European settlement and the start of a process of environmental change which has had negative consequences and which demands a commitment to conserving the uniques Australian national environment. It recognised the achievement of ATCV in tree planting over six years. The Cyclone Sylvaspade is a practical memento and having the responsible Commonwealth Minister plant a tree with it was highly symbolic of ATCV's practical commitment to repair of our environment all over Australia. It was also used by the Victorian Premier, Hon John Brumby, to plant a tree at the reopening of the Boral Asphalt plant, Ballarat, in April 2010. The spade is No. 12 of a limited edition. This item is a functional tree planting spade called a "Cyclone Sylvaspade", mounted on a block of wood with a plaque. The handle of the spade is made of grey plastic, the haft is light, stained wood, and the blade is manufactured to resemble silver and has engravings. It was donated by the Boral company and presented to ATCV by the Minister of Arts and the Environment, Senator Graham Richardson after he had planted a tree to mark the occasion at Sovereign Hill Outdoor Museum, BallaratOn the stem of the spade here is a label showing the logo of the Boral company which reads "SYLVASPADE Tree Planting Spade - Made in Australia." On the blade is engraved "Cyclone - NUMBER 0012 - SYLVASPADE - 1788-1988" together with the logo of the Australian Bicentennial Authority. The spade is mounted on a sturdy polished wooden board on which there is a brass-coloured plate bearing the words: "PRESENTED BY SENATOR THE HON GRAHAM RICHARDSON TO AUSTRALIAN TRUST FOR CONSERVATION VOLUNTEERS IN RECOGNITION OF THEIR CONTRIBUTION TO THE ENVIRONMENT 17TH NOVEMBER 1988 DONATED BY BORAL LIMITED"of, trust, ballarat, memento, australian, australia, environment, conservation, atcv, for, volunteers, cyclone, sylvaspade, senator graham richardson, 1788 1988 australian, bicentennial, boral, spade, sovereign hill, 17th november 1988, 1988, minister for arts and environment, tree planting, institute, foresters, dr, wilf, crane