Worn by Martin Balsarini, in WW1Martin Balsarini was a Chiltern Valley resident, who fought in WW1, including at the Battle of Beersheba.3 AIF Shoulder epaulettes 2 Jacket buttons 2 Lighthorse insignia 1 Field Ambulance insignia 2 4th Battalion Insignia 1 Infantry Insignia Epaulettes pins chiltern, chiltern valley, martin balsarini, military accoutrements

This is part of a contemporary traditional costume worn by males in parades and theatre productions these days, however worn by soldiers in battle during war times in Greece in the 18th - 19th centuryThis is a jacket for boys that is worn as part of the six piece traditional costume. It is navy blue in color and has gold and silver embroidery along the edges. It has silver buttons and a silky orange liningcostume, jacket, tsiolia, τσολιάς, στολή

From Mitcham RSLArmy field jacket (winter) M65, removable insulating lining, Zip and button front fastening,$ pockets Draw string waist. Epaulets on both shoulders, label instructions re useLabel (instructions only)uniforms, army

Christmas and New Year Card from Beth Williams to her relatives and friendsBlack and white photograph of a building at a mine. Three men are standing on the veranda of the building, two wearing hats and jackets, and one in a butcher's apron. At the right of the photo is dark skinned man on a horse.At foot of photo: "With Best Wishes for a Happy Christmas and a Bright New Year"christmas, card

The Power Of Humanity, 100 years of Australian Red Cross 1914-2014, hard cover with dust jacket, 327 pages published by Harper Collins contains black and white & colour photographs.Melanie Oppenheimerbooks, technical, red cross

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Hand-woven woollen jacket with white bands interspersed with diamond patterned bands in shades of green and pink. The kneck and a band down the front uses the dark pink wool. There is a matching belt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), woven jumpers

Hard cover with Jacket, HMAS Mk11. Has 200 pages with colour drawings of vessels and other Navy equipment/personnel. Book was published to present the work in WW2 of the ships and men of the RAN.

The purpose and existence of the Tramway Fidelity Club is not known at the time of cataloguing.Demonstrates a name badge.Name badge - Tramway Fidelity Club - white plastic with a green front, engraved with the MMTB logo and the name of Fred Turner. Has a spring clip on the rear to be pinned onto a jacket or shirt.tramways, mmtb, fred turner, fidelity club

This dress is of uncertain provenance. BHS records indicate that it was owned by Marion Jane Ellen Devlin, nee Stokes (1845-1936), who married Oliver Devlin on 2 April 1877 in Victoria. The dress is believed to have been worn on the Bendigo goldfields circa 1878. It may have been worn as a wedding dress. However, additional documentation discovered in August 2019 suggest that the dress belonged to Margaret Cocking, nee Carr (1850-1936), who married Gustavus Cocking in Bendigo in 1877.A grey-green circa 1878 dress comprising a matching jacket and skirt. The jacket (.1) features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding. This peplum-like shape features two decorative flaps and six covered buttons. The skirt (.2) is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.wedding dress, 1870s fashion, marion jane ellen stokes, oliver devlin, margaret carr, gustavus cocking, bendigo

Post Office on corner of Thompson Avenue and The Esplanade. Brick above concrete building with two brick chimneys. Iron roofing, fenced verandah. Group of 12 people, males suited, with collars and ties, ladies all in long skirts, jackets and hats.Post Office with group of people standing and seated in front of buildingP.O.Cowes (written on back of photograph)local history, photographs, post office, cowes, black & white photograph, ann brown collection, bruce bennett

Letter sent by Legatee James Gillespie, Deputy Chairman of the Committee for the Biography, to the Presidents of all the Legacy Clubs enclosing dust jackets of the book 'There goes a Man' for distribution through the Clubs and Groups, together with instructions for ordering the book. See also 00875.Part of the story of how the book 'There goes a Man' came to be created.Typewritten foolscap letter, black on white paper.savige book, biography

Medium red buckram covers with dark maroon plastic covered dust jackets. .2) Dust jacket is lighter shade of puce. Titles on front & spines. Illustrated with photos & maps. .1) Vol I Clinical Problems of War, 726 pages .2) Vol II Middle East and Far East, 701 pages .3) Vol III The Island Campaigns, 426 pages .4) Vol IV Medical Services of the RAN and RAAF, 574 pages.3) Fly leaf stamped in ink, oval shape: Returned Services League Memorial Hall Bendigobooks - history, military, medical

Ludwig Becker. Artist & Naturalist with the Burke & Wills Expedition. Brown Dust jacket and clear plastic jacket. Publisher: Melbourne University Press, Carlton. Edited with an Introduction by Marjorie Tipping. Sketches & paintings. Markings/Inscriptions: Bendigo Historical Society stamp. Book signed by Marjorie Tipping. 21st Birthday gift card (business card size): With all Best Wishes on this most important occasion, H C Lee-Archer, Nov 1979. Pres RHSVMarjorie Tippingbook, burke & wills, ludwig becker, burke & wills expedition, h c lee-archer rhsv, australia history, flora fauna

Small book of instructions for knitting and making clothing for soldiers, pages 3 to 16 only Memorabilia, 1942 - 1948, of Lillian Doble. Handmade binding of printed instructions. Written for those helping the Red Cross. Instructions are for the making or knitting of socks, a cardigan jacket, a knitted waistcoat, a flannel cholera belt, a knitted cholera belt, a woollen helmet, mittens, mufflers, a flannel vest or undershirt, flannel underpants, a shirt and a pyjama jacket. The Lillian Doble collection.personal effects

Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female

This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards

T. Woolman, Volunteers Defence Group1. Shirt - cotton, Khaki. long sleeved, no collar. 2. Jacket - wool, Khaki, black metal buttons, Rising Sun Badge on each collar, embroidered VDC emblem on upper sleeves.2. Embroidered VDC emblem, round red background, black embroidery.uniform, khaki

These trousers, along with the rest of the dress uniform, belonged to an individual named H.E. Schulze. It is believed to have been dropped off to the RSL, so no additional information is known.This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Khaki trousers with pleats and a series of belt loops at the waist; two front pockets; and three buttons positioned at the left, right, and centre of the back of the trousers (for attaching a jacket to the trousers). There is a large tear in the seat.lara, rsl, royal australian army, royal australian artillery, war

Brown wooden frame with glass front & cardboard backing. Sepia photo of soldier in uniform - jacket, peaked cap, seated with arms folded. Photo on white background with tan / brown striped border. In black texta on back: “Stan Philps ? Ron Phelps?” Handwritten on bottom RHS: “Swiss? Melbourne”photographs, framed