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Clunes Museum
Photograph, BEAUCHAMP PHOTO 104 STURT STREET, BALLARAT, 1890
SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CLUNES TOWN HALL AND POST OFFICE, TELEGRAPH HOTEL AND OTHER BUILDINGS. BAILEY STREET, CLUNES POINTS OF INTEREST NOTED AROUND EDGE PHOTO TAKEN ABOUT 1890BAILEY STREET, CLUNES LOOKING EAST BEAUCHAMP PHOTOS 104 STURT STREET, BALLARATphotography, photographs, , town hall, post office -
Clunes Museum
Photograph, 1866 - 1867
.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CRITERION QUARTZ MINE, CLUNES. .2 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .3 SMALL BLACK AND WHITE PHOTO PRINT .4 ONE MEDIUM SIZE BLACK AND WHITE COPY .5 BLACK AND WHITE PHOTO PRINT .6 MOUNTED BLACK AND WHITED PRINT CRITERION QUARTZ MINING COMPANY, REGISTERED, CLUNES. HANDWRITTEN NOTES: PERIOD 1865, ON FLAT GROUND BELOW PORT PHILLIP HILL CREEK BROKE THROUGH INTO WORKINGS ABOUT 1861 VARIOUS NOTATIONS MARKING LOCATION OF BUILDINGS IN CLUNES, INCLUDING PICKFORDS STORE, VICTORIA HOTEL, CAMP HILL, ALBION HOTEL, CRITERION HOTEL, COMMERCIAL HOTEL, BOOT SHOPlocal history, photography, photographs, mining -
Clunes Museum
Photograph, C. NETTLETON, PHOTO, MELBOURNE [ORIGINAL SEPIA PHOTOGRAPH]
.1 SEPIA PHOTOGRAPH OF CLUNES UNITED QUARTZ MINE .2 BLACK AND WHITE PHOTO PRINT .3 SMALL BLACK AND WHITE PHOTO PRINT WITH HISTORY WRITTEN ON BACK BY F C WEICKHARDT .4 SMALL BLACK AND WHITE PHOTO PRINT .5 SMALL SEPIA PRINTCLUNES UNITED QUARTZ MINING COMPANY, REGISTERED, CLUNES. WITH HANDWRITTEN NOTES: LOOKING FROM NORTH SIDE OF CREEK NEAR PORT PHILLIP HILL OVER LOWER FRASER STREET VARIOUS NOTATIONS INCLUDING LOCATION OF BUILDINGS, INCLUDING ALBION HOTEL, CRITERION HOTELlocal history, photography, photographs, mining -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. J. GORDON. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, CIRCA 1895 - 1900
PHOTOGRAPH OF SOUTH CLUNES BATTERY, SEPIA PHOTOGRAPH MOUNTED ON CARDBOARDHANDWRITTEN NOTES: LOOKING TOWARDS RAILWAY STATION, SOUTH CLUNES BATTERY FROM HILL ABOVE CREEK PARADElocal history, photography, photographs, mining -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. G.C. SYMONDS ESQ. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. R.W.NICHOL. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. J. WOOLCOCK. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, ROGER PURCELL, COPY 1997
THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. H. SAMPSON. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club -
Clunes Museum
Photograph, C. NETTLETON. MELBOURNE, PORT PHILLIP AND COLONIAL GOLD MINING COMPANY, CLUNES, CIRCA 1865
CLUNES QUARTZ MINING COMPANY'S. SOUTH SHAFT. PERIOD 1865. SMALL SEGMENTS OF PHOTOGRAPH INCLUDED.PHOTOGRAPH .1 SEPIA PHOTOGRAPH OF PORT PHILLIP AND COLONIAL GOLD MINING COMPANY CLUNES. - POPPET HEAD AND BUILDINGS. .2 & .3 BLACK AND WHITE PHOTO PRINT OF PHOTOGRAPHPORT PHILLIP GOLD MINING CO. CLUNES. SOUTH SHAFT.local history, photography, photographs, mining -
Clunes Museum
Photograph, C. NETTLETON, MELBOURNE, CIRCA 1865
SEPIA PHOTOGRAPH AND PHOTOCOPY OF CLUNES UNITED QUARTZ MINING COMPANY, TALL CHIMNEY ON RIGHT HAND SIDE.CLUNES UNITED QUARTZ MINING COMPANY REGISTERED CLUNES HANDWRITTEN NOTES: PERIOD 1865 TAKEN FROM HILLSIDE BELOW PORT PHILLIP MINE (SOUTH) LOCATIONS OF VARIOUS BUILDINGSlocal history, photography, photographs, mining -
Broadmeadows Historical Society & Museum
Equipment - Camera, Zenit, 1965 - 1968
Russian CameraRussian Camera which adds to Context of PhotographyZenit - E Camera, Black with white metal knobs and switches, Zenit camera case - Black LeatherCamera Front - Zenit - E, Lens: Focus / Aperture / Exposure Markings Top: Knobs with various Markings, Case: Front: Зенит/Zenit (Plus Logo)photography, camera, russian, professional -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Segerberg and Bulmer, 1910c
Photo taken by Segerberg and Bulmer. TS363Large wooden framed photograph / mounted of Lakes Entrancephotography, photographs, slides, film -
Bendigo Military Museum
Photograph - Photo Troop Equipment, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, c1970s
This collection of five photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in c1970s. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of five photographs of Photo Troop equipment was taken in Lithographic Squadron, at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1970s, WILD U4A Diapositive Camera. .2) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor. .3) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, SGT Christopher Wardley. .4) - Photo, colour, c1970s, Hass-Labortechnik Film and Paper Roller Transport Processor, unidentified technician. .5) - Photo, colour, c1970s, Pako Film Processor..1P to .5P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, asr, fortuna, litho -
Bendigo Military Museum
Photograph - Photo Troop, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, c1983
This collection of seven photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in c1983. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of seven photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1983. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1983, Photo Troop work area, SGT Garran Hill. .2) - Photo, black & white, c1983, Photo Troop work area, L to R: SPR Steve Burke, SGT Garran Hill. .3) - Photo, black & white, c1983, Photo Troop work area, SPR Steve Burke. .4) - Photo, black & white, c1983, Photo Troop work area, WO1 Noel ‘Nesty’ Coulthard. .5) - Photo, black & white, c1983, Photo Troop work area, WO1 Noel ‘Nesty’ Coulthard. .6) - Photo, black & white, c1983, Photo Troop work area, CPL Gary Tremain. .7) - Photo, black & white, c1983, Photo Troop work area, CPL Neville Carr. No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Military Museum
Photograph - Photo Troop, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, 1986
This collection of 18 photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1986. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of 18 photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, 1986. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1986, Film developer. .2) - Photo, black & white, 1986, Chromalin Proof equipment. .3) - Photo, black & white, 1986, KLIMSCH Commodore camera. .4) - Photo, black & white, 1986, KLIMSCH Commodore camera operator’s console. .5) - Photo, black & white, 1986, Film contact frame. .6) - Photo, black & white, 1986, Film processing chemicals. .7) - Photo, black & white, 1986, Unidentified technician. .8) - Photo, black & white, 1986, L to R: Unidentified technician, SPR Russell Pajank, SPR Carmel (Butler) Fauth. .9) - Photo, black & white, 1986, SPR Carmel (Butler) Fauth. .10) - Photo, black & white, 1986, SPR Carmel (Butler) Fauth. .11) - Photo, black & white, 1986, L to R: CPL Paul Baker, SGT Rob Bougumil. .12) - Photo, black & white, 1986, CPL Paul Baker. .13) - Photo, black & white, 1986, CPL Paul Baker. .14) - Photo, black & white, 1986, L to R: CPL Paul Baker, CPL Brian Paul. .15) - Photo, black & white, 1986, L to R: CPL Frank Lenane, SGT Rob Bougumil. .16) - Photo, black & white, 1986, CPL Brian Fauth. .17) - Photo, black & white, 1986, WO1 Trevor Osborne. .18) - Photo, black & white, 1986, L to R: SPR Kerron South, SGT Rob Bogumil.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Military Museum
Photograph - Photo Troop, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, 1988
This collection of 10 photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. The main tasks undertaken by technicians in Photo Troop were most likely enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a set of 10 photographs of Photo Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1988, BARCRO work area, SPR Gary Sievers. .2) - Photo, black & white, 1988, KLIMSCH Commodore camera, CPL Mick Gillham. .3) - Photo, black & white, 1988, KLIMSCH Commodore camera, CPL Mick Gillham. .4) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .5) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .6) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .7) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .8) - Photo, black & white, 1988, WILD U4A Diapositive Camera, SPR Rob Jones. .9) - Photo, black & white, 1988, Photographic camera enlarger, unidentified technician. .10) - Photo, black & white, 1988, SUPER CHROMEGA F Photographic camera enlarger. No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bialik College
Mixed media (Item) - 4 Shakespeare Grove, Hawthorn, 1965, 1965
Letter sent from Creative Photography Ltd. to Principal Chowers, with photos taken at the College's new building at 4 Shakespeare Grove. In original envelope marked 'Proofs of house purchased as addition to Bialik College'. Please contact [email protected] to request access to this record.facilities, campuses, 1960s -
National Wool Museum
Book, Knitting, Hand Knits by Villawool
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Villawood Textile Company of Sydney and contains knitting patterns for womens garments. It is the first edition of 'Hand Knits' and is dated Autumn / Winter 1959. This introduction mentions "the continued trend of quick-to-knit casuals, partly attributable to television...", thus the models used are TV personalities and stage actors (Bettina Welch, Pat Firman, Ronald Frazer, Lyle O'Hara, Wilson Irving, Kevin Colson, Del Cartwright) and some of the photography took place in the studios of Channel 7 in Sydney. The photography was by Herbert Brown of the Max Dupain Studios and Ingrid Robinson Pty Ltd provided the slacks and skirts.Hand Knits / by / Villawool / 3'6knitting handicrafts - history, villawood textile company ingrid robinson pty ltd, brown, mr herbert, knitting, handicrafts - history -
Bendigo Military Museum
Postcard - POSTCARDS & PHOTOGRAPHS WW1, Various, c.1914 - 1918
9 Rectangular black & white photos of various groups of members of the AIF during WWI. Photography: .1) One of our big guns, 10" Howitzer gun on the Somme in France. .2) Names Cotton Osmond, Drury & Chris. .5) St Power AT, Sgt Whelan F, L/Sgt Bruce DD. .6) L Bryant, WBT Maysey, Richards AJ, Wilson LR, Ronald AF, Jamieson D, Bohun CA. .7) Lt Heathcote, Lt Taylor, Lt Rider, Lt Smith, Lt Hutton, Lt Foster, Lt Ridgway, Cap Fitzgerald, C & ? Burison, Lt Hier, Lt McNichol.Various names written on the rear.documents-postcards, military history, photography-photographs, passchendaele barracks trust -
Dandenong/Cranbourne RSL Sub Branch
Framed Photograph "Roulettes", 2004
Wooden framed picture of 6 roulette planes flying upside down in formation. Message Roulettes on the picture " To Dandenong RSL Keep the spirit alive ! Roulettes '04".Signed on picture by 6 pilots R1 R2 R3 R4 R5 Fly Navy R6 (Signatures hard to accurately read). 4 small pictures at bottom of main picture-: 1 maintenance personal working on plane 2 a roulette pilot with children 3 roulette pilot with children 4 maintenance personal working on plane. On bottom of picture "The Royal Australian Air Force aerobatic team THE ROULETTES July-December 2004. Photography by Warrant officer Ray Bennell..See physical description above. -
Melbourne Tram Museum
Postcard, Kangaroo Gifts, three images of Melbourne Trams, c1990
Colour postcard divided back, featuring three images of Melbourne Trams, produced by Kangaroo Gifts of Melbourne with Photography by Wayne Zerbe Collectors Range. Has space for name and address, stamp and a message. features: 1 - decorated tram St Kilda Road, tram 682, see Reg item 671 - by Merrin Eirth. 2 - W6 923 in Swanston St 3 - Z8 Elizabeth St in the "Libraries are for everyone" all over advertising livery - 1/12/1989 - accessed from Vicsig site - 15/12/17 - http://vicsig.net/index.php?page=trams&article=adtrams 2nd copy added 15/9/2020.trams, tramways, postcards, transporting art, swanston st, elizabeth st, advertising trams, tram 682, tram 923, tram 8 -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1918, 1918
Editorial, Items of interest, Fumes from the Lab, Motion Picture Photography, The Chemlab, The S.M.B. Students' Excursion to the Lead and Copper mining centres, Arts & Crafts gossip, Answers to correspondents, Sport, Shun Military Notes - S.M.B. Roll of Honour, The Junior Techs, Trade notes.Seven orange soft covered magazine.Signed by 'Harold Jolly'.ballarat school of mines, magazine, editorial, items of interest, fumes from the lab, motion picture photography, the chemlab, ballarat school of mines students' excursion to the lead and copper mining centres, arts & crafts gossip, answers to correspondents, sport, military notes, ballarat junior technical school, trade notes, memoriam, henry j. hall, arthur m. lilburne, wallaroo, werribee gorge, werribee gorge excursion, world war one, graham hopwood, brown coal deposits, briquette factory, james pount, henry hum yuen -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Printers and Bookbinders, Ballarat School of Mines Students' Magazine, 1918, 1918
Editorial, Items of interest, Fumes from the Lab, Motion Picture Photography, The Chemlab, The S.M.B. Students' Excursion to the Lead and Copper mining centres, Arts & Crafts gossip, Answers to correspondents, Sport, Shun Military Notes - S.M.B. Roll of Honour, The Junior Techs, Trade notes.Orange soft covered magazine.Signed by Harold Jolly, 1918.ballarat school of mines, magazine, in memoriam, henry j. hall, arthur m. lilburne, a. t. bernaldo, a. h. hoskin, m. williamson, o. fricke, c. a. schache, a. e. williams, l. leroux, c. lukies, h. herbert, mr murphy, g. j. brelaz, w. h. shattock, d. g. mcgrath, p. chatham, h. jolly, editorial, items of interest, fumes from the lab, motion picture photography, the chemlab, the s.m.b. students' excursion to the lead and copper mining centres, arts & crafts gossip, answers to correspondents, sport, shun military notes, the junior techs, trade notes., henry hall, henry hall obituary -
Bendigo Military Museum
Photograph - Photo Troop, Lithographic Squadron - Army Survey Regiment, Bendigo, 1989
This is a photograph of Photo Troop, Lithographic Squadron; one of the Army Survey Regiment’s four squadrons, at Fortuna, Bendigo, December 1989. The main tasks undertaken by Photo Troop’s technicians were most likely photographic enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a photograph of Photo Troop Lithographic Squadron, Army Survey Regiment at Fortuna, Bendigo, 1989. The colour photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. Back Row L to R: Rob Bogumil, Kevin ‘Chuck’ Berry, Andrew ‘Morrie’ Morrison-Evans, unidentified, Greg Howell, unidentified, Damien Cole, unidentified, Warren ‘Waldo’ Shirley, Steve Burke, Paul Baker, Bob Garritty, Frank Lenane, Bill Jones. Front Row L to R: John Bragg, Ken Peters, Gavin Craggs, Michelle Withers, Penny Knott, Di Chalmers, Geoff Webb, unidentified, Darren ‘Barney’ Maher, Kim Reynolds. No personnel are identified. Annotated on back with ‘Photo Troop Dec 1989’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Greensborough Historical Society
Photograph - Digital image, Emily A T Maygar, 1897c
A member of the Maygar family who came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. The family farmed along the Plenty River. [In The Melbourne Punch of 27/05/1897 the Vanderwyde Photo Studio Bourke Street featured and promoted their 'Head Study' photography.]Digital copy of black and white studio photograph.maygar family, emily maygar -
Kew Historical Society Inc
Photograph, J F C Farquhar, The Post Office, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, High Street, Kew, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic) -
Kew Historical Society Inc
Photograph, J F C Farquhar, Bird's Eye View Looking North, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Wellington Street From High Street, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett