In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Demonstrates domestic items manufactured soon after the establishment of the tramway systems in Ballarat.Ash Tray - white glazed on front, unglazed rear with gold edge trim, light weight China in the shape of a "spade" with an image of the intersection of Sturt St and Lydiard St from the Post Office looking at the buildings on the south side of Sturt St including the Town Hall with two electric trams and the tram lines in the view. One of the trams is hauling a trailer. Possibly made mid to late 1900's. On rear has the makers stamp of "W&R Stoke on Trent" http://nicholnack.com.au/wiltshaw-robinson-patterns/index.php - accessed details that it is the mark of Wiltshaw and Robinson.tramways, trams, ash tray, sturt st, lydiard st, town hall

Photo shows Ballarat 34 at the Australian Electric Traction Museum (AETM) at St Kilda Adelaide. Standing in front of the AETM's depot, showing the destination of City Oval. Behind the tram is Ballarat 21. Yields information about Ballarat 34 soon after its arrival in Adelaide and removal of the dash canopy lighting.Black and white photograph printTMSV Shop stamptrams, tramways, tram 34, aetm, st kilda tramway museum, adelaide

Yields information about the Ballarat Power Station B soon after construction and the precinct.Colour digital images taken by W. J. Llewelyn of Ballarat B Power Station, Norman St with a view showing some of the roof mounted equipment and looking towards the Wendouree suburb with Norman St in the view.. Could be early 1954, given the works at Johns Valves - Photo taken at the same time as btm6845i.. Note the surveyor and level in the middle bottom of the photograph.trams, tramways, ballarat b power station, secv, manufacturing, norman st

Yields information about the appearance of the ex Melbourne bogie trams, soon after they came to Ballarat and Victoria Park.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 34 westbound in Sturt St west, with Victoria Park in the background. Has a lady passenger walking to board the tram. Photo mid to late 1940's.trams, tramways, sturt st west, victoria park, tram 34

Yields information about construction of Ballarat Tramways from a newspaper / magazine soon after the system opened, along with photographs of two of the tramcars and the power station.763 - Copy negative of page 454 of "The Australasian" paper, dated August 19, 1905, featuring an article on the opening of the Ballarat Electric Trams and magician, "The Great Thurston" Includes four photos of the trams and equipment and one of the magician. See Reg. Items No. 754, 759, and 2142. Tram photos of toastrack trams, power station, tram construction and of the single truckers in Wendouree Parade. 763.1 - print made by State Library for Alan Bradley, from Alan Bradley 5/2007. Has sticker on rear "Reproduction Rights Reserved, Copied by State Library"trams, tramways, esco, opening, ballarat, toastrack tram

Shows 671, a BTPS acquired tram prior to repainting soon after it commenced operations for the BTPS in 10/1980.Kodak slide, white cardboard of No. 671, Wendouree Parade, cMay 1981. Photo by Carolyn Dean. Slide dated May 1981. Tram has the destination of "University" and route number "8". Tram commenced running for the BTPS in October the previous year. . .tramways, trams, ballarat, wendouree parade, btps, tram 671

Yields information about the appearance of one of Ballarat's single truck trams, soon after it was repainted to the more uniform green colour scheme in 1946.Black and white photograph of the Ballarat Bogie tram No. 16, in the new colour scheme, (that is without a cream rocker panel), Lake Wendouree, July 1946. Photo by Wal Jack. Image rescanned from copy neg and updated 1/6/2020.On rear in pencil, "Ballarat No. 16 (New colours) Lake Wendouree July 1946.tramways, trams, wendouree parade, livery, colour schemes, tram 16

Yields information about the appearance of one of Ballarat's bogie tram No. 15 soon after its arrival in Ballarat and the type of motor vehicle in use at the time.Black and white photograph of the Ballarat Bogie tram No. 15, Sturt St, July 1946. Photo by Wal Jack. A motor car is alongside the tram. Has the post office in the background. On Kodak Velox paper. Original negative scanned at hi res and image updated 1/6/2020.On rear in pencil, "Ballarat No. 15, Sturt St, July 1946."tramways, trams, bogie trams, sturt st, tram 15

Demonstrates publication of postcards by the BTPS soon after opening Wendouree Parade, yields information about the appearance of the tram s at the time and has a strong association with Bill Kingsley.Colour postcard of SECV Ballarat No. 14 and 40, photographed in Wendouree Parade during possibly during 1975 by W.J.Kingsley for the BTPS postcard. No. 14 has the destination of Sturt St West and no "tram rides" signs and No. 40 has the destination of Carlton St and the re-opening sign on the rear of the tram. Photographed at depot junction. On rear is a note regarding the tram, the BTPS and its operations, printers name and photographers name. Postcard has a serrated edge. Four copies held.trams, tramways, wendouree parade, btps, postcards

Demonstrates aspects of the development of the Bendigo tramways by ESCo prior to undertaking the Ballarat system. Yields information about Charing Cross soon after the electric tramway was opened.Black and White postcard, early 1900's view of Charing Cross, Bendigo looking towards the north, Pall Mall. Has three tram cars in the view, the fountain, centre poles, horse drawn cabs and vehicles, a poppet head and building on the east side of the Pall Mall. Divided back postcard with areas for message, address, and the stamp. Has "67)" in the top left hand corner of the back of the card, a circled "13" crossed out, "early 1900's" in ink. In the top right hand corner "$8" in pencil. On the front of the card has "67)" in the top left hand corner in ink.trams, tramways, bendigo, pall mall, charing cross, tram 4

Yields information about Ryrie St Geelong, soon after the opening of the Geelong system and tram No. 7, Yields information about Ryrie St Geelong, soon after the opening of the Geelong system and tram No. 7Black and White Photograph of Geelong No.4 at the time of the opening of the Geelong tramways 1912, at Newtown with two crew members - driver / motorman George Winstanley and a conductor with bag and other equipment. Note the trailer tow bar coupler arrangement shown in detail on the photograph. Can see the fares notice inside the tram above the window. Printed on Canon hyper photo paper. Two copies held.In hand writing on the rear "15)" in top left hand corner. In the body of the photograph "Newtown Geelong Tramways, Geelong 1912, copy from print in the David O'Neil collection. Motorman: George Winstanley. trams, tramways, geelong, newtown, new trams, mesco, tram 4

Yields information about Geelong 19 at the depot soon after the commencement of the closure of the Geelong system.Black and White Photograph of Geelong No. 7 in Ryrie St Geelong, c1913, looking west with the Geelong Post Office tower in the photograph. Photograph made from part of the photograph. Shows centre poles in the street. Printed on Fujifilm paper.In hand writing on the rear "17) Geelong tram in Ryrie St 1913" A circled "26" and along the bottom edge, a "William Scott" address label and "from Marc Fiddian / W. Scott Collection"trams, tramways, geelong, ryrie st, post office, tram 7

Yields information about Geelong 8 at the depot soon after the commencement of the closure of the Geelong system.Black and White Photograph of Geelong No.1, 3/1/1945, Ryrie St and turning into Garden St en route to East. Two copies held. Photo Wal Jack, 3-1-1945, copied onto Kodak Picture maker paper. See Reg Item 5824 for another copy from the Wal Jack album and actual date details.In hand writing on the rear in pencil "Geelong / 'Butterbox' car 1 carrying the first livery of the SEC in Ryrie Street and turning into Garden Street en route to East." / "Mid 1930s Walter Jack / Randall Wilson Collection / Kodak digital copy. This copy William F Scott Collection"trams, tramways, geelong, ryrie st, secv, tram 1

Yields information about the appearance of Sturt St and an ESCo tram soon after opening of the Ballarat tramway system and demonstrates postcard printing.Digital image of a postcard of an ESCo tram westbound in Sturt St Ballarat after crossing over Armstrong St. 1905c as the tram has not been fitted with destination boxes. Has the Snows store on the left hand side of the photograph along with people crossing the street and telegraph and power wires. Has the buildings on the north side of Sturt St in the view. Has the title "Sturt St Ballarat". Sourced by Ron Scholten 31/1/2016.trams, tramways, sturt st, armstrong st, esco, postcards

Yields information about the appearance of the Ballarat Railway Station, c1905/06 and ESCo trams soon after opening of the tramway.Black and White Photograph of Les Edwards polishing No. 18 decorated for the Centenary of Sebastopol, 1964 in the depot yard. The Courier Ballarat photograph. Has the depot buildings in the background including the Bundy Clock. Tram has the destination of Sebastopol. Note the damage showing through the Apron. Alan Bradley advised 22/7 - The caption on the "Courier" of 31/10/1964 was: "Les Edwards puts the final polish on a tram which the SEC has decorated to mark the Sebastopol centenary. Gold, blue and white, the tram is decorated with 100 electric light globes and flags".On rear on one edge "Ballarat Courier - Alan Bradley"trams, tramways, sebastopol, centenary, depot, tram 18

Yields information about the appearance of one of Ballarat Scrubber tram soon after it was converted from a Ballarat Sebastopol car in Wendouree Parade.Digital image from the Wal Jack Ballarat Album of the Ballarat Scrubber, in Wendouree Parade mid to late 1930's. Could have been photographed after completion. Wal's album notes "Water & Scrubber car ex "Sebastopol Type No. 23 converted 1935". Has a broom inside the tram. Lake Wendouree in the background. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeon rear of photo in ink, "Ballarat Tramways water car"trams, tramways, scrubber tram, lake wendouree, scrubber

Yields information about the Ballarat's bogie trams, in particular the one that was converted to one-man operation that was no used in traffic soon after it re-entered serviceDigital image from the Wal Jack Ballarat Album of Ballarat 38 after its conversion to a one man tram in Wendouree Parade. Has date 15 Feb. 1953. See Reg Item 5295 for a photograph prior to conversion. Wal Jack photo. Tram has the destination of Victoria St. Tram was converted to one-man form in 1953, so possibly a very early photograph of it as such. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear in ink "SEC Ballarat No. 38 bogie converted to one man tram - Wendouree Parade Ballarat" In top right hand corner is Wal Jack stamp with negative number "T42/PC" written in. Has been dated with a hand stamp "15 Feb. 1953".trams, tramways, wendouree parade, conversion, one man trams, bogie trams, tram 38

Yields information about the appearance of the depot building soon after completion of the construction and prior to the relocation of the tramcars.Set of three Black and white photographs of the depot fan early 1974 and during the construction of No. 3 road extension, ski jump for tramcar inspection later on. Taken after the ballasting of the depot fan. .1 - No. 26 on three road - after the ballasting of the depot fan and the installation of the overhead. .2 - Lifting and packing 3 road extension .3 - dittotrams, tramways, depot fan, btps, operations, tram 26

Postcard shows an Electric Supply Co. tram turning from Sturt St into Lydiard St North. Has Criag's Hotel, the National Mutual Assurance buildings and the Town Hall in the view, along with the Robbie Burns statue. On the rear is a letter - to Ruby from Harry and a Victorian 1d stamp, but no address. No indication of a publisher.Yields information about the Sturt and Lydiard St intersection, soon after the opening of the electric trams in Ballarat. Postcard, Divided back, coloured with a letter on the rear.See letter.ballarat, postcards, sturt st, lydiard st north, town hall, craigs hotel, esco

An important early photograph of a significant Kew mansion - Hallatrow - dating from 1886, soon after it was constructed.What appears to be a reprint of an earlier photograph of Hallatrow, now mounted, originally listed as A'Beckett Street West or Conran Street, but now 6 Holroyd Street in Studley Park. The photograph was originally taken when the house was occupied by the family of Thomas Brodribb. Pencil: “Hallatrow, Kew, 1886” hallatrow - 6 holroyd street - kew )vic), historic buidlings - studley park - kew (vic)

John was the eldest son of Dr Jack (Frederick John) and Mrs Doris Bennett (nee Willmott). His paternal grandfather, John Henry Bennett, was also a doctor who practiced in St Arnaud and Hawthorn. John was born in Melbourne on 23 October 1924 and attended Scotch College for his early education. The family moved to England shortly before WW2 and he completed his schooling at Mill Hill in Uxbridge (and at St Bees School in Cumberland to which Mill Hill was evacuated). He entered St Bartholomew's Hospital Medical College in 1946. He married Christina Hudson in Cambridge in 1946 and they followed the rest of the family back to Australia in 1948. John was Resident Medical Officer at the Repatriation Hospital in Heidelberg from 1948-1953. He was an Honorary Clinical Assistant at the Royal Melbourne Hospital from 1950-1965 and became a member of the Royal Australasian College of Physicians in 1953. He joined Drs W Langley Carrington, William (Bill) Vorath and Norman Rose at the Surrey Hills Medical Centre in 1953. He lived in Camberwell and had 2 sons and 1 daughter; one son also qualified as a doctor, working in Hobart. His brother Robert, a radiologist, lived in Mont Albert and one of his 4 daughters, Dr Penny Bennett, also worked at Surrey Hills Medical Centre at a later period. Ref: Article in Chiron - Medical Genes: The Bennett Family written by Dr WRC (Robert) Bennett, 1989. The donor was a niece of John Bennett.The Surrey Hills Medical Centre was one of the first, if not the first, general practice to include specialists as partners soon after WW2. Black and white formal head and shoulders photo of Dr John Willmott Bennett who was a general practitioner in the 1950s and 1960s at the Surrey Hills Medical Centre. doctors, surrey hills medical centre, dr john willmott bennett

p.255.fictionWhen Bert Smallways is accidentally whisked off to Germany in a balloon carrying plans for a top-secret aeroplane, he gets involved in Prince Karl Albert's massive airship raid on New York ... first step in a war which soon flares into world wide catastrophe.air warfare - fiction, science fiction - english