Sheep castrator owned by Tom Crocker (former Operations Manager, National Wool Museum), used on father's property in Violet Town.Sheep castrator.Marples Tools Shamrock Brand Wm Marples & Sons Ltd Hibernia Works Sheffield, England Warrantedsheep castrating, crocker, mr tom - national wool museum

Presbyterian Girls’ Association. This photograph belonged to M. Robson, Seaby Street before being donated to the society. The group of ladies belong to the Presbyterian Girls Association. J. Ure (Mrs. David Phillips) Miss M. Williams (Sister of Ross) E. Robson (Mrs. H.J. Powe) L. Bearup (Father Manager Gas Works) E. Bigmore. Edna Gray (Sister Mrs. McMullin) Miss Freda Mahnke (Dau of Gustan) Mrs. Widmer (Rev Phillip Widmer, Presby.) E. Francis, M. Gray. Black & White Photograph of a group of ladies. One row standing and one row sitting. Dressed in white blouses and dark skirts, one has a dark top one has a check skirt.Presbyterian Girls. Acc. Back row J. URE, M. Williams, E. Robson, L. Bearup, E. Bigmore. Front row, E. Gray, F. Mahnke. Mrs. Widmer, E. Francis, M. Gray Jean Ure - Mrs. Dave Phillips Elsie Robson - Mrs. Harry Rowestawell portrait religion

Cato Lake view from Sloane Street. This photo is one of three showing Stawell Council Works deepening Cato Lake in February c 2002. Tracks from a tractor can be seen all round the lake. Willows branches hang either side of the view with trees along the horizon. The Presbyterian Church tower, Senior Citizen room and Anglican Church can be seen amongst the trees in the background.Coloured photograph of Cato Lake. The view is from Sloane Street and the lake was in the process of being lowered for the deepening of the lake by Shire Council Works. Tractor tracks can be seen all round the lake. Willows hang either side of the view with trees along the horizon. The Presbyterian Church tower in the background near the Senior Citizen room and Anglican Church to the right.Date on back of photo in biro 12.2.2002.stawell

Cato Lake view from Victoria Street looking towards Sloane Street. This view shows the emptying of the lake carried out in c 2002 for deepening the lake by Shire Council Works. This view shows a tractor working around the empty lake. Coloured photograph of emptied Cato Lake from Victoria Street side looking towards Sloane Street. The lake was emptied in c 2002 for deepening by Shire Council Works. This view shows a tractor working around the emptied lake. In the background are trees with houses amounts them.Written in biro 5.2.2002stawell

Wimmera Motor Works - Agents for Ford Cars Corner of Scallan and Wimmera StreetsFive vehicles parked in front of workshop c1920transport, motor vehicles

Gas Company Works from Wimmera Street stawell

Gas Company – Stawell - Wimmera Street Garage entrance behind residence from Skene Streetstawell

Survey works fror the mallgold reef mall

This work is the result of a series of interviews with committee members of 69 Smith Street Gallery, an artist-run gallery that operated in Collingwood between 1998 and 2016. These interviews taken between 2010 and 2011 feature artists who went on to form the creative group known as the 69 Collective.This work was part of The Line exhibition at Collingwood Gallery in 2018. The brief given to participating artists was to present works using the theme of the horizontal line. The artworks, in a range of mediums, were hung with a consistent line travelling through each piece around the perimeter of the gallery space. The line in each work, inferred or explicit, were carefully placed together to make this cohesive whole.oral history, video, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, merle parker, julian di martino, marianne little, 69 collective, jenny gibson, art, video art

Graphite frottage series of 12, drawings on paperNot signed. Not dated. new york, frottage, street, urban, trace

Photographs were most likely used for promotional purposes. Loom made by David Crabtree & Son, a loom manufacturer based in Laisterdyke, Bradford.Black and white blue tinged photograph of a loom in landscape format.Stamped top right corner - David Crabtree & Son HOPE IRON WORKS, Laisterdyke, BRADFORDtextile machinery, wool manufacture, wool, loom

There are several different designs of drench guns within the NWM Collection that show the change in their development over time. This drench gun has a large diameter curvature suggesting this gun was typically used for dosing ewes as opposed to lambs. The attached spring-loaded hose is the only example in our collection how this mechanism works. The hose will be screwed into the liquid which is used to drench the sheep. This liquid is typically located on the back of the operator who will wear a large container in a backpack. This gun also has a adjustable dosing mechanism located on the right side of the gun.Silver metal with black finishing drench gun. Large curvature tip on gun protrudes from the body which feature a thin squeezable trigger to the front of the body. The main bulk, which the trigger is squeezed towards, has badge which reads “Manufactured and designed by N.J. Phillips Pty Ltd, Sydney”. Behind this body is silver cylinder featuring attachment point for the tubing which would have carried the liquid drench into the gun. The attached tubing has a yellow/orange appearance from remanence of drench which would have been this colour.Left rotated lettering: MANUFACTURED/ & DESIGNED BY/ N.J.PHILLIPS PTY. LTD./ SYDNEY . AUSTRALIA/sheep drenching, veterinary instruments

Selection of metal files used for cutting wool bale stencils with an accompanying box. Not all files belong to this box as some are too long to fit within. Used in Denny’s Lascelles Bow Truss building by Maurice Dalton who was the foreman of the building for 34 years. Files are ‘Cup Brand’ – ‘Best refined steel files’ and were manufactured by the no longer trading Moss & Gamble Brothers LTD at the Franklin works in Sheffield, England.12 steel files of varying length, thickness and shape. The longest and thickets are in a flat half circle with some files being fully flat, others complete cylinders, one is a complete square and others are in the shape of a triangle. Cardboard box is brown with black inscription on lid of box.stencils, denny’s lascelles bow truss building

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

"Automatic Three-Card Set Type CR-34" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for the Automatic Three-Card Set Type CR-34 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding

"Tenterhook Willow Type 48" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for the Tenterhook Willow Type 48 made by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding

"Hard Thread Opener AC-8" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for the Hard Thread Opener AC-8 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works

"Worsted Double Card Set Type CS-1" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for the Worsted Double Card Set Type CS-1 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding

"Carding Sets for Felt Wadding" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for Carding Sets for Felt Wadding by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding, felting

"Carding Sets" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for Carding Sets by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding

"PG-4 Ring Spinning Frame" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for a PG-4 Ring Spinning Frame by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, spinning machinery

"Self-Acting Mule Type S-8" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for a Self-Acting Mule Type S-8 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, spinning machinery, spinning

"Rag Tearer AC-9" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.Pamphlet for a Rag Tearer AC-9 by Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery textiles - recycling, metalexport bielsko textile machinery works, textile machinery, textiles - recycling