Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. These works include commercial art, advertising and catalogue illustrations as well as figure construction and fashion-plate designs. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Commercial artA folio of Fashion Drawing by Edith Alice Watson of the Ballarat Technical Art School. .1) Two women dressed in fashionable clothing- lhs tan ensemble and hat; rhs fuschia ensemble with black and white accessories plus fur stole. Signed lrs A.Watson. 1933. .26) The image with three women wearing a hats. This appears to be an example of ticket writing. Signed lrs "A Watson- 2nd term. 1932." .35) The image with a woman wearing a hat appears to be an example of ticket writing. Signed lrs "A Watson--11th-7-32." .23) female figure drawing. Signed lrs A.Watson. 1st Term. 1932 .21) female figure drawing. Signed lrs A.Watson. 2nd Term. 1932 .17) drawing of lips, side view. Signed lrs A. Watson. 1931 .18) drawing of lips,three-quarter view. Signed lrs A. Watson .37) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)alice watson, ballarat technical art school, art, drawing, figure drawing, alumni, costume drawing, fashion drawing, ticket writing, 1930's fashion, indian ink, edith alice watson, figure construction, advertising, commercial art

The Maritime Art Award is an annual event This catalogue is published annually documenting the Maritime Art Award held at the Mission to Seafarers Victoria. Features major sponsor logo ANL and MtSV logo. art, exhibitions, maritime award, maritime art prize, anl, 2015, catalogue, artists, anl maritime art prize

Three catalogues for the Dick Ovenden Memorial Art Competition 18th June 1974, 14th June 1977 and 4th June 1984. All held at Eastland Shopping Centre. Presented by Eastern Suburbs Lions Clubs. Proceeds to charity. The 1974 catalogue states, "We are grateful to the late Dick Ovenden for his inspiration to hold an annual Art Competition with emphasis on the local environment. Entries this year have exceeded our expectations to an extent that late entries could not be accepted. The late Dick Ovenden suggested a competition for the best painting of Local Environment. We have donated $200 as the prize and the picture becomes the property of the Zone, and several Honourable Mentions to be selected by Sir William Dargie. The Artists select their Competition entries. Zone Lions clubs of Bennettswood, Box Hill, Forest Hill, Nunawading, Ringwood and Vermont are appreciative of support from the artists and thank the public for its continued interest."

Paperback; 129 p. : ill. ; 21 cm.nillumbik, artists, art

Howards Art of Reckoning by C F Howard Publisher Cassel & Company Limited Date 1896 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, howards art of reckoning, book

The Political Economy of Art Author: John Ruskin Publisher: Smith, Elder and Co Date: 1857 Label on spine with typed text RH 704 RUS warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, john ruskin, the political economy of art

The Ballarat Teachers' College is a predecessor institution of Federation University Australia.Seven members of the art staff stand in front of Inge King's sculpture 'Organic Form' on the grounds of the Ballarat Teachers' College Gillies Street. Left to right: Ian Hemingway, Greg Binns, Mr Nelson, Miss Talbot, Ian Page, Miss Scott, Ted Doneyian hemingway, greg binns, nelson, miss talbot, ian page, miss scott, ted doney, ballarat teachers' college, art, inge king, gillies street, gillies street campus, ballarat teachers' college art collection

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle

Framed photo of D2 class tram 5006 passing Luna Park St Kilda, celebrating 100 years of electric trams in Melbourne. See item 864 for the associated pamphlet.Yields information about tram 5006 decorated for the celebration of 100 years of Electric Trams in Melbourne.Framed photo with white window mat, black wood framed and glazed with a gold engraved lable or plaque, with brown paper backing and a wire hanging strip.Engraved lable - "The Centenary Art Tram - Luna Park - Celebrating 100 years of Electric Trams in Melbourne, Proudly sponsored by Yarra Trams & Siemens, 2006"100 years of electric trams, d2 class, tram 5006, luna park, siemens, yarra trams, decorated trams

Poster - printed on heavy cartridge paper, advertising the sale of the first series of Transport Art Trams at the Held at Hyatt on Collins. To be held 7/12/1986. Gives contact details, time and has the Transporting Art logo. See Reg item 405 as well.trams, tramways, transporting art, auctions, decorated trams

Colour photographs of the Stained Glass Window at the Ballarat Technical Art School, A division of the Ballarat School of Mines.stained glass, ballarat technical art school., miner's lamp

Black and white photograph of students engaged in classroom activity. On board at the end of the room is written 'Mannual Art'.

Ringwood Jaycees presents The Thirds Annual 1970 Maroondah Art Show at Eastland, Maroondah Highway, RingwoodTuesday 31st March to Saturday 11th April. Raising money for the Maroondah Hospital Appeal.

Sotheby's is a British multinational corporation headquartered in New York City. It is one of the world's largest brokers of fine and decorative art, jewelry, real estate, and collectibles. The catalogue was prepared for a Sotheby's auction in Paris. On page 36 of this catalogue is a description, photograph and detailed provenance of the Morton mask sold by Orbost & District Historical society in 2008. (details in the Newsletter, July 2008) NEWSLETTER JULY, 2008This item reflects a significant event in the history of the Orbost Historical Society.A thick glossy catalogue. The front cover has a glossy black backround with the title " Important Art d'Afrique et d'Oceanie" in white print at the top. Under this is "Paris 11 Juin 2008'. There is a large coloured photograph of an early wooden tribal mask and "Sotheby's" beneath that. The catalogue contains photographs, descriptions and provenance of artwork for sale by Sotheby's.morton-mask sotheby's-catalogue

Art and Letters. Hassell's Australian Miscellany Edited by Edward A Vidler Publisher: The Hassell Press Date: 1921-2warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, art and letters

Paul Lambeth's TAFE photography class13776.1: black and white photograph 13776.2: similar black and white photographin pencil on verso (both) "SMB Vis Art Group c.1988 photog. Paul Lambeth"art group, smb, visual arts, alumni, photography, paul lambeth

The intense development of buildings and other infrastructure of the 1990s at Galen Catholic College continued into the 2000s. In 2000, new Art & Technology wings were added to the main building.galen catholic college, galen college, art, art classrooms, technology, technology classrooms, demolition, development

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax