This book was awarded to Lilian Frances Millard for an Essay written in the second form. Lilian entered the Ballarat College Girls' School in January of 1883 at the age of 11. Parent/Guardian listed in the original register as Edwin Millard, residing at 46 Pleasant St.During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Lilian Millard entered the school in 1883 when she was 11. Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown calf with gilt edging, gilt lettering and decoration on the front, back and spine. Six raised bands on spine with gold lettering on second compartment; College crest embossed on back cover; slight foxing on pages, detached spine, black and white illustrated, 496 p. Book plate inside front cover: college crest/ Essay/ "Crabbe" PRIZE,/ Second FORM./ Awarded to/ L.Millard/ CHRISTMAS, 1884.lilian-frances-millard, ballarat-college-girls'-school, 1883, edwin-millard.

Wesleyan City Mission Sandhurst Minute Book 1883-1891 Brown cover with marbled pattern. Handwritten minutes.church, history, uniting church forest street

When he died in February 1883, Wombeetch Puyuun was the last member of the Liwura Gundidj clan still living on Country at Camperdown. The Wombeetch Puyuun Monument was erected by his friend and Guardian, James Dawson in 1885, largely at his own expense. At the top is engraved 1840, which marked the beginning of the demise of the local First Nations people. Below are a boomerang, a club, and a message stick. At the bottom is the year 1883 which saw the last of the local First Nations people on Country with the death of Wombeetch Puyuun. On the base are the words: "In memory of the Aborigines of this district. Here lies the body of the chief, Wombeetch Puyuun, and the last of the local tribes".Dr Ken Coghill (Minister for Aboriginal Affairs) unveiling plaque in front of the Wombeetch Puyuun Monument in the Camperdown CemeteryFront of the obelisk "1840-1883 IN MEMORY OF THE ABORIGINES OF THIS DISTRICT. HERE LIES THE BODY OF THE CHIEF WOMBEETCH PUYUUN AND LAST OF THE LOCAL TRIBES".cdhs, djargurd wurrung, djargurdwurrung, cdhsfirstnations, first nations people

Metal adjustable spanner, with a centre adjusting screw, and a twisted handle.Pate. Feb. 27 1883

James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery

Tan cloth covered hardcover book, Denny or From Haven to Haven, by Annie Gray, with gold and brown lettering for title and author's name. Green, brown and gold illustration of father holding oars, embracing daughter in a field in Scotland. Boat in background along with flowers and leaves as decoration. Spine has gold title, child, lines and leaves. Back cover has embossed design in middle. Gold on edges of all pages.,fictionA children's adventure story about a lost little boy and how he was saved. Religious influences throughout.fiction, adventure, religion, children's books

Register: hard covered register, blue material with dark buff spine and corners. Contains A-Z index in front section linked with registration details of residence areas in the Sandhurst district, Sandhurst division. ' Residence Areas Register' on front cover ' No. 2' on spine. Register has blue lined pages 1 - 50 with details of property registrations. Dates from 30 March 1883 to 16 June 1883.place, residence areas, bendigo, sandhurst, land sales, land registrations

Document. Apprenticeship Indenture for John Barry with G.F.Pickles and Sons - Carriage Manufacturing Company of Sandhurst. Apprentice as Coach Body Builder,. Dated 5th February 1883, four pages.document, memo, apprenticeship indenture

Register: hard covered register, blue coloured material with dark buff spine and corners. Contains A-Z index in front section linked with registration details of residence areas in the Sandhurst district, Sandhurst division. 'Residence Areas Register' on front cover, ' No. 3' on spine. Register has blue lined pages 1 - 50 detailing residence areas. Dates from 16 June 1883 to 3 October 1883place, residence areas, bendigo, sandhurst, land sales, land registrations

Document. A Sandhurst weighbridge ticket, blue paper with black print. Number 1668, Sandhurst weighbridge ___ 21, 1883, J.H.Abbott. Driver, Herd. Net Weight 2 110 tons.document, certificate, weighbridge, olive pell collection. canterbury park

This letter was written by Henry Davis, editor of the Warrnambool Standard, to Joseph Archibald, curator of the Warrnambool Museum. Dated 11 October 1883, it refers to Davis’s recovery of a saturated volume of ‘Longfellow’s Poems’ from the sea at Loch Ard Gorge. The retrieval of this book, and its possible connection with one of the survivors from the LOCH ARD shipwreck in 1878, prompted Archibald’s letter of 1 December 1883 to Eva Carmichael, and Eva’s reply of 21 January 1884 (No, it was not her book). Miss Carmichael’s reply to Archibald’s inquiry (2290.4) and the water-damaged book itself (541) are both in the Flagstaff Hill collection along with this letter from Davis, which connects the two. The Davis letter reads: “Dear Sir, ― This book was found by me in the waves which broke on the sands [….] the Gorge where Tom Pearce rescued Miss Carmichael after the wreck of the ill-fated ‘Loch Ard’. I ran in with the receding waves and picked up the soddened volume, and, coincidentally, the first illustrations that met my gaze, on parting its dripping pages, was that portraying the fair maiden in the ‘Wreck of the [Hersperus’.] On the Bluff, 200 feet above me, were the dead forms of Mrs and one of the Misses Carmichael, whilst [by] them, stiff and [….] were two gentlemen passengers [by] the wreck[ed] [v]essel]. Having just left them before [….] [my] capture in the Gorge, you may imagine [m]y feelings on alighting upon, under such circumstances, Longfellow’s beautiful and sympathetic poem. Yours truly, H.W. Davis.” The book referred to here is The Poetical Works of Henry Wadsworth Longfellow, 1877, Nimmo, London. It is on display under glass in the Great Circle Gallery at the Maritime Village, alongside a typed transcript of the Davis letter. A 1996 audit of the rare book collection at Flagstaff Hill notes: “Inscribed ‘Loch Ard June 1 1878’ in pencil within ― believed to be a salvage from the shipwreck”. The letter is connected to the salvaged items from the 1878 LOCH ARD shipwreck, which is of State significance ― Victorian Heritage Number S417Letter from H. Davis, editor of the Warrnambool Standard, to J. Archibald, curator of the Warrnambool Museum. It was handwritten in ink on “Standard Office, Warrnambool” letterhead note paper, and dated 11 October 1883. The cursive script appears carelessly written and the original single sheet of paper is in poor condition (torn and creased). At some stage the original document has been backed with stiff cardboard and then sealed in a clear plastic cover.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, longfellow’s poems, eva carmichael, joseph archibald, henry davis, warrnambool standard

This organ in the Flagstaff Hill collection has a card under the hinged lid titled “The ‘Connoisseur’ Organ” and lists improvements, materials used in the components and directions for taking it apart; it is dated July 1883. Below this card is a printed label listing various Patents, dated; July 9th 1878 / Reissued December 10 1878 - plus September 10 1878 / April 15 1879 / October 28 1879. “The Smith American Organ Company was originally established by S.D. Smith and H.W. Smith as early as 1852. First known as the Smith American Organ Company, the firm was located in Boston and built high end parlour organs and melodeons. In the early 1880s the firm began building pianos and the name of the firm was changed to "The Smith American Organ & Piano Company". In 1889, the firm acquired The Regal Piano Company from the New England Piano Company, and the firm was known as "The Smith American Piano Company" by the 1890s. The Smith American Piano Company built and controlled the Regal Piano Company line until 1903. Many of the instruments by Smith American were also labelled as 'The Palace Of Music'. It appears that the Smith American firm went out of business in the first part of the 20th Century.” A significant item of musical memorabilia and regarded as a collectors item today. Reed organ (sometimes called a pump organ or melodeum). “Connoisseur “model, made by The Smith American Organ Company. Wooden piano-shaped musical instrument with carving and gold leaf decoration. Organ has keyboard, stops (16), shutters (10) above stop board, large foot pedals and a roll back keyboard cover. There is evidence of something being attached either side of the shutters (candle bracket?). Attached inside hinged lid are Directions and Patent information of The Smith American Organ Company, Boston MASS. USA. Label is dated July 1883. Lettering in gold across front of organ “CONNOISSEUR”, “SMITH AMERICAN - - -“ and “ORGAN - - M - - ANY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, harmonium, organ, piano, musical instrument, music, entertainment, connoisseur organ, reed organ, parlour organ, smith american organ company

The Ballarat Trades and Labour Council was formed in May 1882 and known as the Eight Hours Anniversary Committee. The Ballarat Regional Trades and Labour Council has been in existence from 1883 to the present day.The minutes are a core historical source of information from the inception of BTLC, representing the history of unionism in the Ballarat region. The minutes include items relating to industrial campaigns, social justice and of political significance to the region. Hard cover (bound); 12 volumes. Vol 1: 6 April 1883-17 April 1885 - heading Eight Hours Anniversary Committee. Vol 2: 20 April 1885-14 May 1886 - heading Trades Hall and Literary Institute. Vol 3: 11 June 1886-9 November 1888 Vol 4: 14 December 1888-5 December 1890 Vol 5: 19 December-1 April 1898 Vol 6: 6 October-5 March 1909 Vol 7: 19 March 1909-16 February 1912 Vol 8: 1 March 1912-8 March 1917 - Melbourne Trades Hall Directory June 1912 pasted in front. Vol 9: 22 March 1917-8 August 1929 - Melbourne Trades Hall Directory May 1917 pasted in front. Vol 10: 22 August 1929-15 July 1937. Vol 11: 29 July 1937-6 June 1946. Vol 12: 20 June 1946-1 November 1951.ballarat trades and labour council;, btlc, eight hours anniversary committee, unions, ballarat trades hall, trades hall and literary institute

Donated by Dan Clancy. 1 Powlett Street, Kilmore, Mitchell Shire , Victoria, Australia10cm x 20cm black and white photograph of 1 Powlett street, former colonial bank of Australasia. Corner of Powlett Street and Lancefield Road, Kilmore. Reproduction on standard photographic paper, possibly because of damage seen in the reproduction. The image has a low contrast possibly from incorrect development or other damage. Two story light coloured rendered building with blue stone street curbing. Seven figures stand outside of the building, six men and one child. The photograph was take around 1883 and reproduced in 1986.Printed on the back: 104/2.6 200486/2 Colonial Bank of Australia - cnr Powlett & Lancefield Rd. Kilmore Historical Society "In front of this Hotel was a weigh-bridge there was big drain covered with a grating, with the tunnel going across the road diagonally, Kids used to walk under it. The window panes on the corner were curved, as was the door." 2.10/86 Colonial bank of Australia Cnr Lancefield Rd. & Powlett St. C. 1883 (bank oved to opposite Mill St. on that date.) Dan Clancy Collection.hotels, 19th century

This photo of the National Bank of Australasia dates from 1883. The Bacchus Marsh Branch of the National Bank was established in 1862 and moved into its own premises at 127 Main Street in 1865. The building was designed by Leonard Terry and built by J.F.Taylor Snr. Additions to the building were made in 1869 and a banking chamber, in Roman Villa style, was added in 1904. This two storey bank was built with accommodation for the manager and his family who occupied part of the ground floor as well as upstairs. The bank sold these premises to solicitor Pauline Madden in July 1987 and is her current business premises.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photo shows an elegant two-storeyed building, with a sign ‘The National Bank of Australasia’ running between the two levels. The ground floor has two doors and two windows, the larger one appearing to have a grille open to the public. The upper floor has four windows and looks to be an apartment. Two men stand at the front of the building, one with a dog. A horse is attached to the hitching rail on the street.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. bacchus marsh vic. history, national bank of australasia bacchus marsh branch, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Surrey Hills - Centennial History from 1883 to 1983

Book. Summary OF Imports, Exports, Transhipments &c. 1883.

This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

Hand written reports on condition of roads and bridges, cost and materials used for repairs, successful contractors named and also reports on tree planting all within the Shire of Bulla. The reports have been written by the Shire Engineer.Green and red covered hard cover book. Spine and corners red with small embossed design. Brown and blue mottled pattern inside front and back covers. Hand written using ink."Shire Hall/Bulla 14th March 1883..."1880s, 1900s, shire of bulla, road construction and maintenance, bridges, bulla, sunbury, george evans collection

Walnut and brass fitted writing case bound with brass. Brass plate on lid. Brass handles - one attached to drawer. Inside it opens to a sloping writing desk - black leather with 22 carat gold decoration. Hidden drawer compartment. Three drawers with compartments for paper, pens, ink bottle. Two keys on a ribbon.Ernest John Walters, Nov 4, 1883domestic items, writing equipment

2 photos of London Tavern 1883-86, 1936 and 1937caulfield north, hawthorn rd, london tavern, hotels, o’donnell, jenny

Cheltenham Tennis Club was established 1883 when Shire of Moorabbin released land in Cheltenham Park for recreational use. 1924 The Shire of Moorabbin gave permission for the development of extra Courts.Cheltenham Tennis Club 1883 was one of the first Tennis Clubs established in Melbourne.A black and white photograph of men and women seated and standing in and around the Cheltenham Tennis Clubhouse in Cheltenham Park, Cheltenham in 1920. Letter Handwritten 1883 Shire of Moorabbin, South Brighton , release of land in Cheltenham Park for the development of Tennis Courts. Letter Typed 1924 Shire of Moorabbin, permission for extra Courts, signed by the shire secretary, Alexander Chalmers Smith.PHOTO ; written on back : Cheltenham Tennis Club 1920 / Cheltenham Park Letter ; signed John Keys Shire of Moorabbin South Brighton Logo 1871 Letter ; Shire of Moorabbin Logo 1924charman road, cheltenham, 1920, tennis club. charman stephen, gettens mary, spring grove, charman road, balcombe road, nepean road, dairy farmers, market agrdeners, poultry farmers, methodist church, keys john, shire of moorabbin, colsamix, cheltenham park melbourne, sabbath victorian law article 26, cheltenham golf club