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Dutch Australian Heritage Centre Victoria
Carnival Hat (Karnavalsmuts)
Carnival is an important annual event in the Southern Provinces of The Netherlands with each village often having its own Carnival Club and traditions. The Dutch People from the Southern Provinces continued in many cases this tradition and formed their regional Carnavals Clubs in Australia. Each Carnaval Club has a Council of Eleven with its own colourful uniform, including a hat. There is a variety of hats for the various roles within the committee and club.For people from the Southern Provinces of the Netherlands Carnival is an important cultural event.Decorative hat made of a silky material in green, orange, purple and cream, finished off with wavelike band and brown koala at front of hat (see picture - also see items 6351 and 6353).Has the name "Tony" on the inside -
Clunes Museum
Photograph
.1 PHOTOGRAPH OF CORNER OF FRASER STREET AND SERVICE STREET WITH THE SUPERMARKET AND SIGN OVER CROSSING "WELCOME" .2 PHOTOGRAPH EASTER 1982, BACK TO CLUNES, COLOURFUL TRUCK - TENNIS FLOAT .3 PHOTOGRAPH EASTER 1982, PEOPLE IN FRONT OF GARAGE WATCHING THE PARADE. IN FRONT MISS PIGGY PUSHING A PRAM .4 SEVEN LITTLE DWARFS - DONE MY CLUNES GOLF CLUB LADIES, PAINTED BY JAN RUBINSKI, EASTER 1982easter parade, back to clunes -
Uniting Church Archives - Synod of Victoria
Illuminated Testimonial, Rev W Hewiston, 1895
Presented to Rev Hewiston on his departure from Brunswick Presbyterian Church to the John Knox Church Dunedin New Zealand. Rev W Hewiston BA 1890 ordained Brunswick, assistant to A MacVean (McVean); 1895 Dunedin New Zealand, Knox ChurchBrown leather cover with heavily decorative gilt embossed border and text. The inside left has a richly illuminated border round the text which is addressed to the Rev & Mrs Hewiston. It is decorated with a variety of colourful flowers and an image of the Brunswick Presbyterian Church. The right side is a continuation of the testamonial from the Brunswick Presbyterian Church congregation. It is signed by the Acting Session Clerk Evander McIver; Treasurer Daniel Tough and Secretary Daniel McDougall.brunswick presbyterian church, daniel tough, rev w hewiston, rev allan macvean, john knox church dunedin new zealand, daniel mcdougall -
Tatura Irrigation & Wartime Camps Museum
Photograph, Egyptian Sheikh riding a donkey - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting Egyptian Sheikh riding a donkey. The donkey is following a dog that has a carrot tied to its tail. Following the sheikh are two women and a duck. One woman is carrying wood on her head and both women are possibly harem slaves. The photo also shows one of the Pyramids and two palm trees.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, naval officer in full uniform - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a naval officer in full uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, sergeant holding a swaggers stick - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male staff - sergeant holding a swaggers stick, accompanied by "Micky Mouse" in staff sergeant uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, female highland dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female highland dancer.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Australian swaggy and magpie - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a male, typical Australian swaggy, magpie looking on.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Male Cossack dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a cossack dancer, male.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, male and female dancers - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male and female dancers.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, native woman carrying a baby - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a native woman carrying a baby on her back.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Dutch man smoking pipe - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one Dutch man smoking a pipe, wearing a light blue top, patched brown trousers and clogs.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, German Waitress carrying beer mugs - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one German waitress carrying mugs of beer.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Male dancer in Spanish hat - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one male dancer, red jacket, white shirt, black trousers and Spanish hat.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female Spanish Dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one female Spanish dancer. Long yellow flounced dress, holding a black fan.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female European Dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female European dancer, light blue top, darker blue skirt, red boots.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Asian Lady with Donald Duck - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female Asian lady, leading Donald Duck.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, RSL Hall Murchison, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). 2 colour photo of a RSL Hall Murchison, view looking west.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures, rsl hall murchison -
Tatura Irrigation & Wartime Camps Museum
Photograph, RSL Hall Murchison, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of stage of the RSL Hall Murchison.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
City of Ballarat Libraries
35mm Slide, Botanical Gardens, Ballarat circa 1950s
Mrs Strange has captured the Gardens looking their leafy best, probably early Autumn, in this slide featuring colourful garden seating once a feature of the Gardens. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.botanical gardens, lake wendouree, statuary pavillion, william wallace statue, garden furniture -
Brighton Historical Society
Dressing gown, circa 1880s-1910s
This dressing gown was made from a patchwork quilt begun around the 1880s or 1890s by the daughters of William and Polly Hodgens, owners of the Adelphi Hotel near Montague Station, South Melbourne. The quilt became a communal project, added to over many years by the Hodgens children, relatives, friends and guests. Together, they filled the colourful patchwork with images and figures from their everyday lives, giving us a unique glimpse into the world of early Melbourne.Crazy patchwork dressing gown made from a patchwork bedspread. Made from irregular pieces of silk, satin, velvet and brocades and embellished with embroidered and painted motifs. Fully lined with maroon silk. Neckline trimmed with thick silk cord. Right over left fastening with two large metal press studs. One of the pieces on the back has an inscription dated 11/7/94 (1894).dressing gown, patchwork, embroidery, hand painted -
Robin Boyd Foundation
Functional object - Cushion
These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1980s
This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the foreground. A woman wearing a blouse made of material with a white background with a colourful pattern, blue jeans, a white "golf shade" and a red jumper ot jacket tied around her waist is walking on the near side of the bridge. Two men and two women are standing at the opposite end.structures, bridges, quarrying, heatherlie -
Orbost & District Historical Society
certificate, Stockland Press Pty Ltd, mid 20th century
Named to honour the work of John and Elizabeth Gould, 'The Gould League of Bird Lovers' was formed in 1909. It was originally set up to prevent bird egg collecting and to educate for the protection of Australian birds. Gould League members were recruited via schools and received membership certificates and badges. Members were encouraged to enter competitions in bird mimicry, write stories and poems and attend 'bird-day concerts'. This certificate belonged to Patricia Legge. Ruth Scott, daughter of Herbert Scott and Bertha (nee Coverdale), married David Legge. Patricia Dawn Legge and Kevin David Legge are Ruth and David's children. The Gould League has made a significant impact on generations of Australians and their environmental attitudes. Being a Gould league member as a child in primary school gave children the opportunity to belong to a group that was learning about and protecting native bushland and its wildlife. Although not operating some Australian states the Gould League continues in Victoria.A Gould League of Bird Lovers of Victoria membership certificate for Patricia Dawn Legge 1959. It has colourful illustrations of native Australian birds on a pale yellow background. The illustrations are by A.T. Mockridge, an early 20th century Melbourne commercial artist and portraitist. In a banner at the top is a photo of John Gould with GOULD LEAGUE of BIRD LOVERS around it. It has a list of patrons, presidents and the Central Council. There is also the Bird Lover's Pledge unsigned in the middle.In pen - Patricia Dawn Legge 1959certificate gould-league -
Orbost & District Historical Society
certificate, Stockland Press Pty Ltd, 1930's
Named to honour the work of John and Elizabeth Gould, 'The Gould League of Bird Lovers' was formed in 1909. It was originally set up to prevent bird egg collecting and to educate for the protection of Australian birds. Gould League members were recruited via schools and received membership certificates and badges. Members were encouraged to enter competitions in bird mimicry, write stories and poems and attend 'bird-day concerts'. This certificate was owned to Ruth Scott of Nicholson Street Orbost when she was 10 years old. She was a member of the Gould League for 61 years. Ruth Scott, daughter of Herbert Scott and Bertha (nee Coverdale), married David Legge. Patricia Dawn Legge and Kevin David Legge are Ruth and David's children. There are Gould League certificates for both children in the collection.The Gould League has made a significant impact on generations of Australians and their environmental attitudes. Being a Gould league member as a child in primary school gave children the opportunity to belong to a group that was learning about and protecting native bushland and its wildlife. Although not operating some Australian states the Gould League still functions in Victoria.A Gould League of Bird Lovers of Victoria membership certificate for Ruth Scott. It has colourful illustrations of native Australian birds on a pale yellow background. The illustrations are by A.T. Mockridge, an early 20th century Melbourne commercial artist and portraitist. In a banner at the top is a photo of John Gould with GOULD LEAGUE of BIRD LOVERS around it. It has a list of patrons, presidents and the Central Council. In the middle there is also the Bird Lover's Pledge signed by Ruth Scott..The pledge has been signed by Ruth Scott.certificate gould-league -
Dutch Australian Heritage Centre Victoria
Drinking Mug (Melk Beker)
Liberation Day still looms large in the Dutch consciousness and would have done even more so a mere 10 years after the event. All kinds of commemorative articles were produced.A smallish mug used for drinking milk. It is decorated with items celebrating 10 years since the Liberation from German occupation. There is no handle.Dutch coat of arms including the words "Je Maintiendrai" (I will overcome) - all in orange. Two flags protrude - seemingly from the lions' paws. The reverse view shows a colourful scene of celebrating children one of of whom is being carried by an Allied Armies soldier. A pennant has the words:"1945 5MEI 1955" in orange. Below the scene are the words "10e BEVRIJDINGSDAG" (10th Liberation Day) in blue. -
Wangaratta RSL Sub Branch
Souvenir - Framed embroidered cloth
A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth -
Glen Eira Historical Society
Photograph, Murrumbeena Road, 229, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. From Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p78: In Murrumbeena Road, the shops which form part of the estate are a simple cream brick row relieved by manganese bricks in bands across the upper storeys. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a section of a double storey, unpainted brick, commercial property containing shops at ground level all with awnings over the footpath. This specific property is a milk bar on street level with plate glass windows and door, colourful advertising and "229' in the top right section of the window. Shop signage says "MURREMBEENA MILK BAR". The upper storey brick residence features a large window, a flat roof and decorative two tone banded brickwork. MURREMBEENA (sic) MILK BAR / PK's / SANDWICH / BAR / MILK BAR & Sandwich Bar / 229 / SUB NEWSmurrumbeena, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, beauville estate, murrumbeena road, milk bars, commercial establishments, flats, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, shops, brick features, window displays, advertising signs, murrembeena (sic) milk bar -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - VICTORIA HILL HISTORY
Hand written notes on the history of Victoria Hill area. Some of the mines from South to North: North Old Chum, Lansell's 'Big 180', Ballerstedt's Open - Cut, 20 Head Battery Stampers, The Victoria Quartz, Rae's Open - Cut, which has some colourful geographical features, Central Victoria (also known as the 'Midway'), Wittshiebe's 'Jeweller's Shop', Boldt's 5 Head Crushing Battery (site only), Advance Shaft, Hercules & Energetic.mine, gold, victoria hill, victoria hill, victoria hill history, north old chum, john wybrandt, lansell's 'bit 180', t ballerstedt, wittschiebe, fortuna villa, geo lansell, a h q survey regiment, ballerstedt's open cut, victoria quartz (victoria reef quartz), rae's open cut, wm rae, gt central victoria (midway), adventure, wittshiebe's 'jeweller's shop', boldt's 5 head crushing battery, advance, cinderella, hercules & energetic, john brown knitwear factory, a richardson