Showing 261 items matching " dressmakers"
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National Wool MuseumTextile - Jumper, Tina Knitwear, 1980-2000
... Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green long sleeved crew neck jumper with black horizontal stripes on lower half. Button at the back of neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool MuseumTextile - Cardigan, Tina Knitwear, 1980-2000
... Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green cardigan with black edged scallop detailing on collar, button band and faux pockets.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool MuseumDocument - Business Card, Tina Knitwear, 1980-2000
... Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Standard size cream business card with black embossed lettering.front: TELEPHONE: 596 1489 / TINA KNITWEAR / FOR ALL MEN'S AND LADIES' WEAR / 17 ORCHARD STREET, NORTH BRIGHTON, 3186knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool MuseumDocument - Label, Tina Knitwear, 1980-2000
... Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. ...Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Thin paper white label with gold printed text.front: An Original by / Tina Knitwearknitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Melton City LibrariesMap, Streets of Melton, 1963
... Former Royal Hotel Grocer High Street demolished 1970 RAGLAN Court Hotel 19th century Lord Raglan RALEIGHS Road Oliver Reierson family (Norweigen) Shopkeeper – Dressmakers RIDDELL Drive (misspelt Riddle) Resident and land owner RODERICK Road McPherson family – a re occurring name ROLLAND Court Jones family ROSS Court Daniel. ...Former Royal Hotel Grocer High Street demolished 1970 RAGLAN Court Hotel 19th century Lord Raglan RALEIGHS Road Oliver Reierson family (Norweigen) Shopkeeper – Dressmakers RIDDELL Drive (misspelt Riddle) Resident and land owner RODERICK Road McPherson family – a re occurring name ROLLAND Court Jones family ROSS Court Daniel. ...MELTON’S STREETS Heritage Week 2014 What’s in a Name? Alphabetical List Aboriginal place names, Early Family Names and landowners, Agricultural, Shop and Commercial premises, Places and Events Melton & District Historical Society Street Naming Project 1972 – c 1998 Suburb Name – KURUNJANG - Kirkton, 1972, Brookfield, West, 1988 Melton and Town Centre - A joint collaboration with the Shire of Melton and Subdivision Developers ARNOLD Court – Family house - Arnolds Creek ALKEMADE Drive Family – Lime kilns Coimadia ALEXANDRA Street 1902 – Corination of King Edward VII and Queen Alexandra AVIATOR Place Event, location of plane crash – Jimmy Melrose 1936 Adina ?Annibee - Anniba? Agricultural Avon court .. .. BAKERY Square - Location of Jongebloed shop, bakehouse and stables BALUK Place Aboriginal BARLEYCORN Place Agricultural BILLING Place Name of Jimmy Melrose Uncle Noel Pemberton Billing BLACKWOOD Drive - Alexander Blackwood 1860c Registrar BARRIES Road C. E. Barrie “Darlingsford” farmer 1911, chaff mill owner BROOKLYN Road Staughton family residence. 1875 – Dismantled c 193? CAHILL Drive Family - Glenville Dairy CAMERON Court Family Canopus Place ? CANALLAN Drive Early Surveyor CAMPBELL Court Aviation – Melrose passenger 6th July 1936 CARBERRY Drive Michael, early landowner family CAREW Court Edward and Michael. Royal Hotel. Vera (Carew) Forran Singer - Opera CASEY Court Family CASHIN Court Family CHEVIOT Court Agriculture, breed of sheep CHESNEY Road was re named ( Minns Road being duplicated c 1973) CHRISTINA Crescent Christina McPherson, daughter of James and Mary Mary McPherson. Died 1955 aged 85 years COLLYER Close a deleted street (parallel to Yuille) re-used CORRIEDALE Road Breed of sheep CORR Court Teacher at first school, landowner CROXTON Court Name of the Hornbuckle and Knox family home DALEY Court - William Daley and family 1865 Bootmaker High Street DARLINGSFORD Boulevard - Name of early homestead Thomas B Darling 1853 DJERRIWARRH Court - Parish County of Bourke - very early map. DODEMAIDE Place Early land owners - Melton Football Team had 6 brothers playing c 1924 DONALD Court McPherson family 6 generations in Melton in 1936 DOUGAL Court DUNCAN Court .. .. DUNVEGAN Circuit Home of the McPherson family, castle Isle of Skye Name of bluestone house Smith Street (now at Willows) EMIL Court Jongebloed family EXELL Avenue Farming family Melton Sth- Closer Settlement 1907 EXFORD Road Exe former name of the Werribee river FARMER Court Name of early postmistress FERRIS Road John Ferris Farmer HANNAH Close First name of Hannah Watts – midwife HAYBALE Place Agricultural HELDER Court Early surveyor J Helder Wedge map HEWSON Street Winston Hewson Shire Engineer – check title c 1960 HENRY Street Township map c 1860 HESTON Street Heston Phoenix – C.J. Melrose plane HILDEGARDE Court Jimmy Melrose’s mothers name HOMESTEAD Close HORNBUCKLE Cres Farmers. Three members of family - Shire Presidents HURLEY Street Farmers IAIN Court Descendent of James and Mary McPherson JAMES MELROSE Drive Name appears on 2013 Melton information map JANG Place KURUN – jang KIRKTON Drive Name of the McPherson family home Toolern Vale Road KIRWIN Street Michael early landowners (deleted for freeway construction) KILPATRICKS Road Deleted when Barries Road was extended across Station Rd KOROROIT Court Early map, Parish of Kororoit. Creek name KNOX Circuit Family – Hornbuckle “Croxton Park” KURRUNJANG Drive Aboriginal name for people of the red earth – Suburb name Lara Place ? LLOYD Court Garage owners High Street. Laura lived to 100 years D 1955 LUBY Court John Luby – Crown Grant Land Title LITTLE Court MANNING Avenue Richard, hotel owner 1891 MARGARET Drive McPherson family McDONALD Street Melton South family name McKENZIE Street Township c1860 MORROW Street Early name MOWBRAY Crescent Name of English Melton, popularly believed origin of Melton MYERS Court Early setters c 1866 Crown Grant Land Title NIMMO Street Early name NIXON Street Name submitted by Mary nee Nixon Collins c1985 OLDERSHAW Road Early builder PALMERSTON Street Early township map c 1860 PEART Court Early name PENNYROYAL Avenue Plant growing by the creek. Early name used for the Toolern Toolam Creek PINKERTON Street Family name and early street map PINNACLE Crescent Agricultural - type of wheat PHOENIX Circuit C.J. Melrose Phoenix Heston Plane 2013 map PRATT Family PRIOR Court PYKE Place Brothers – early settlement 1838 RADFORD Court Land owners and business operators. Former Royal Hotel Grocer High Street demolished 1970 RAGLAN Court Hotel 19th century Lord Raglan RALEIGHS Road Oliver Reierson family (Norweigen) Shopkeeper – Dressmakers RIDDELL Drive (misspelt Riddle) Resident and land owner RODERICK Road McPherson family – a re occurring name ROLLAND Court Jones family ROSS Court Daniel. Landowner. Agnes Ross music teacher RUSSELL Court Robert. Early land surveyor of Melton 1853 RYAN Court Family early landowner. Member of the 1862 Road Board SHEBLER Place Augustus early Melton resident – Golden Fleece Hotel SHEEPFOLD Court Farming SHERWIN Court Sherwin Street earliest Township map– became Golf course SMITH Street Early township map. STRATHULLOH Circuit Strathtulloh Homestead. STAUGHTON Street Family – LARGE land owners Strachan ? SWANEY Court Marie Swaney earlier resident of Strathtulloh. SUTHERLAND Family name TOOLERN Street TOOLAM – TOOLERN Creek TULLIDGE St Road marked on 1861 map UNITT Street Early Township c 1860 WALLACE Square Cr Jack Wallace 5 terms as President 46 years unopposed WATTS Court Hannah Watts – midwife, cottage hospital WALSINGHAM Name of house of Minns family. From Walsingham Norfolk England WESTLEY Place Name of Jimmy Melrose Percival Gull Plane WESTLAKE Drive Early resident WHICKHAM Street Family Name Melton South WILSON Road Albert, Melton South YUILLE Street William Cross, early landowner, Rockbank run Zoomed in section of Melton Streets including Church and High Streetlandscapes of significance -
Glen Eira Historical SocietyArticle - Attwood Family
... ... Dressmakers...Timber Houses Outbuildings Artists Trains Car Parks Christie’s Woodyard Ferguson Cam Railway Accidents Ardyne Street North Road Dalny Road Brett Street Barnes Family Newspapers Roads and Streets Soils Flower Growing Market Gardens World War 1939-1945 Land Subdivisions Air Raid Precautions Bicycles Drawing Springthorpe Park Mass Media Murrumbeena Shopping Centre Butcher Shops Grocer Shops Green Grocers Shoe Shops Confectionary Shops Barber Shops Beck George Bowyer Ralph Rennie Bill Bookmakers Presbyterian Church Methodist Church Hanna’s Milk Bar Sunday School Woodland Bill SSW Grocery Chain Drays Woodland Alec Lee Ron Jewellers Bakeries Fish Shops Dressmakers Delicatessens East Bentleigh Selkrigs Family Pottery Heads’ Garage Head Lindsay Head Doug Head Clarry Head Ron Murrumbeena Road Car Retailers Petrol Pumps Motor Vehicle Repair Shops Billy One Motors Bird Mr. ...Two items about the Attwood Family: A seventeen page computer typed copy of the memories of John Attwood, compiled by Colin Smith in January 2002. Includes memories of his childhood, contact and impressions of local identities including Merric Boyd and others; the retailers and business owners in the Murrumbeena area, the trains and railway stations, picture theatres and other businesses. A photocopy of an article taken from the Herald Sun newspaper 06/11/2007. Myra Attwood, wife of John, local business person in Murrumbeena Newsagency; includes brief local history of family and Myra’s personal hobbies, till the time of her death. Also a newspaper clipping of her death notice, unknown source and date.emily street, murrumbeena, elsternwick, railway stations, signal boxes, beena avenue, murrumbeena state school, primary schools, attwood john, attwood myra, attwood rhonda, attwood colin, attwood warren, attwood murray, attwood janine, attwood susan, attwood michael, attwood greg, attwood gerard, black bridge, outer circle railway, murrumbeena newsagency, newsagents, murrumbeena railway station, railway stations, book binders, stevens alf, sykes harold, attwood motors, neerim road, boyd merric, boyd mrs., timber houses, outbuildings, artists, trains, car parks, christie’s woodyard, ferguson cam, railway accidents, ardyne street, north road, dalny road, brett street, barnes family, newspapers, roads and streets, soils, flower growing, market gardens, world war 1939-1945, land subdivisions, air raid precautions, bicycles, drawing, springthorpe park, mass media, murrumbeena shopping centre, butcher shops, grocer shops, green grocers, shoe shops, confectionary shops, barber shops, beck george, bowyer ralph, rennie bill, bookmakers, presbyterian church, methodist church, hanna’s milk bar, sunday school, woodland bill, ssw grocery chain, drays, woodland alec, lee ron, jewellers, bakeries, fish shops, dressmakers, delicatessens, east bentleigh, selkrigs family, pottery, heads’ garage, head lindsay, head doug, head clarry, head ron, murrumbeena road, car retailers, petrol pumps, motor vehicle repair shops, billy one motors, bird mr., real estate agents, w.b. tonks and company, sparrow mr., pidgeon mr., hardware stores, florist shops, murrumbeena post office, tile shops, gardens, murrumbeena chamber of commerce, kiosks, gardeners, carnegie citizens band, spurway nursing home, argosy theatre, cinemas, dance halls, the capri, theatre groups, caulfield council, the blowfly train service, billiard rooms, printers, hammond olsen and company, l.j. miles and company, moody’s real estate agency, paddocks, flats, es&a bank murrumbeena, esanda bank murrumbeena, state savings bank murrumbeena, commonwealth bank murrumbeena, fuel merchants, hobart road, golden fleece service station, quince’s buses, bus services, ardyne street, timber yard, gow mr., railway parade, shell service station, pharmecies, house miss, bicycle shops, barnhill les mr., fliner mr., boot makers, widdop peter, moran and cato’s, grocers, pizza shop, car yards, classic caravan, o’brien kevin, wrought iron work, williams mr., candle making factory, lights, power tom, gates, fences, whitelaw monier tiles, whitelaw bill, hanna rex, dandenong road, cumloden grammar school, independent schools, emmaus rest house, oakdene, house names, taranto bob, hanson cab service, billy one motors, grey mr., horse troughs, horse drawn vehicle, taxis, board roy, buick cars, charleston’s bakery, carnegie, rosstown hotel, corum’s dairy, kangaroo road, reids dairy, dalny road, reid shaver, racehorses, cove’s dairy, wilson street, police, murrumbeena police station, dunoon street, murrumbeena park, footballers, gangs, liberal party, labour party, united australian party, uap, woodland alec, liquor shops, johnson suzanne, singers, taylor squizzy, boyd family, artists, criminals, skase christopher, skase charles, sunaria competition, herald and weekly times, ralph j.w., j.h. ralph butchers, butcher shops, pennington gardens, home units, flats, schrape frank, builder, smith colin, mansions, death registers, hockley myra, esperanto, book keepers, accountants, solicitors -
Emerald Museum & Nobelius Heritage ParkClothing - Dress, Beryl Collett, 1980s-1990s
... This apron is an example of the handiwork of a skilled local dressmaker. Beryl Collett Clothing Medium length light blue heavy cotton dress with extensive smocking on bodice and back of dress and collar and cuffs. ...This dress was created by Kallista woman, Beryl Collett (1925-2018). Beryl learnt handicraft skills as a young person from her mother Hettie Collett (Thorn) who was a skilled milliner. Beryl created many textile objects following her retirement from her accountancy job in 1980. This dress appears to have been created to showcase Beryl's smocking skills. That much of Beryl's own handiwork was created following her retirement epitomises the potential of the retirement phase of people's lives.This apron is an example of the handiwork of a skilled local dressmaker.Medium length light blue heavy cotton dress with extensive smocking on bodice and back of dress and collar and cuffs. Long sleeves. Front and back of dress appear identical and there are no buttons or other fasteners. Dress does not appear to be of a particular fashion style.beryl collett, clothing -
Orbost & District Historical Societysewing machine, late 1860's - 1870's
... Many women were skilled dressmakers and craft workers. This item reflects that time. sewing-machine needlework On the cloth plate is stamped "Patent March 1867 Heron Gresham" with some indecipherable marks. ...The early settlers of Orbost had to be self sufficient making their own clothes, tableware, bed coverings, furnishings and equipment. Many women were skilled dressmakers and craft workers. This item reflects that time.A small black hand-cranked lockstitch sewing machine. It has a backwards C-shaped body. The wheel and base are decorated with a gold pattern. On the end above the needle assembly is a brass plate The balance wheel has a handle. The pattern on the wheel is a gold border with two gold, red and green stars formed by interwoven triangles. On the cloth plate is stamped "Patent March 1867 Heron Gresham" with some indecipherable marks.sewing-machine needlework -
Glen Eira Historical Society
Book - Carnegie Primary School No. 2897
... Wood Malcolm Wood Forest Wood Joe Roxburgh Miss Grange Road Clifton Street Lord Street Wood Frederick Geo Egan Miss dressmakers Whitlam Fred Whitlam Christine Whitlam George Whitlam Gough Whitlam Freda Whitfield Mr. ...Carnegie Primary School centenary book (96 pages x 2 copies) ‘The First Hundred Years NO2897. Carnegie Primary School 1888-1988’ compiled and edited by Isabel Couper and Deidre Lynch. A detailed history of the school’s beginnings. Many informative memories and recollections from school’s first students and teachers; includes social history of area and people, football teams, debutante sets and school. Also a reprinted newspaper article from school’s Golden Anniversary and photo of school band; and a couple of social history photographs.anderson james, murrumbeena, glen huntly railway station, carnegie state school, wesleyan hall, neerim road, railway stations, carnegie primary school, rosstown, toolambool road, lynch deidre, mcvey claire, ross william murray, findlay francis, couper isabel, brown wesley, rosstown state school, brisbane w, carnegie uniting church, liddelow m.h., evans thomas, selboskar phyl, centenaries, margaret street, caulfield, brewster mr., taylor mr., draper mrs., mcfarlane mr., rule thomas, teachers, campbell ada, ‘ava’, campbell aubrey, campbell vera, matthews ben, hewitts road, matthews funeral service, funeral parlours, leo amy, leo alfie, rudge family, rudge mr., transport, phillips store, general store, phillips corner, emily street, hamlya family, pitt family, sheppard family, pemberton mr., pemberton mrs., dunlop misses, preschools, whitlam family, whitlam gordon, woods family, woods lorna, swaggie, swagman, liddelow amy, anderson mr., anderson archie, dunlop bill, phillips linda, hansen alice, lodge laura, fox arthur , hamlyn eric, hansen dagmar, cooper lina , woods lorna, waite family, cove family, johansen family, koornang road, market gardens, sheppard ernie, wood a.m., ‘nisava’, wood family, wood bill, evans rachel, evans thomas, wood millicent, whitfield mr., griffiths mr., wood malcolm, wood forest, wood joe, roxburgh miss, grange road, clifton street, lord street, wood frederick geo, egan miss dressmakers, whitlam fred, whitlam christine, whitlam george, whitlam gough, whitlam freda, whitfield mr., patterson road, graceburn avenue, griffiths r.h., koornang road, scales mr., reid athol, lording dr., mernda ave, farmstead, lord reserve, leman’s swamp, koornang park, cobby harry, larkin aircraft company, dawson howard, rosedale avenue, spencer reg, turner ruth, turner jack, turner noreen, turner marie, morton alan, morton barney, gardiner martin, frogmore estate, oakleigh road, frogmore road, koornang park, hunt club kennels, raeke miss, morgan miss, pitt winnie, jiggins mr., smith mr., blundy violet, ryall ray, mimosa road, wolseley mr., wolseley family, wolseley ted, brunstein madge, murrumbeena cricket club, sinclair alan, sincliar tinny, thomas ted, walker alec, bone bob, footballers, middleton colin, farquahson mrs., eddy family, eddy rose, wolseley jack, buswell stan, buswell doug, buswell. stan jnr., irving nell, brims ethel, bailey bruce, eason sisters, hands hilda, windlow isabel, madden road, glenhuntly road, griffiths rita, jackson jean, scott mr., ward ‘cap’, caulfield grammar school, kokaribb road, carnegie traders, cricket teams, carnegie south, ward marjory, ryan mr., phillips tony, phillips bessie, buckley street, phillips harriet, phillips marion, phillips ernest, phillips hilda, phillips david, phillips florence, phillips linda, lihou miss, jersey parade, meake family, skewe family, mansfield family, fraser jean, collister alma, sturges millie, retallick girls, lillywhite family, mason nellie, johns nancy, bowsfield family, jenner family, chisholm emma, chisholm doris, chisholm ivy, chisholm netta, chisholm beryl, chisholm eileen, wadsworth ethel, luke mr., plummer t.w., raecke miss, sargent ron, sarkie family, reid family, meake violet, collett reg, mcneil miss, scales mr., carmody thomas william, steele miss, young mac, young margaret, cooper cyril, cooper bill, whiteside d., broadbent neil, broadbent mr., carnegie theatre, theatres, morton family, clarke family, quickand neals grocery store, grocers, billy guyatt’s, shops, spencer the removalist, removalists, collister harold, collister bill, caulfield band, bands, carthews the drapers, drapers, mccarrons alec blacksmiths, skewes keith, oliver frank, pitt ‘squeaker’, knevitt ‘skeeter’ harry, jockeys, britter jack, stanistreet family, gear rita, culleen billy, tailors, sherwoods butchers, butchers, jersey parade, riley didlo, verne harry, cooper horace, cooper linda, cooper martin, cooper claude, cooper reginald, cooper stanley, cooper gladys, cooper muriel, cooper percival, cooper cyril, beaumont w.a., whittfield joe, beaumont eileen, major mary anne sister, major myrtle, major bessie, major alma, stagholl walter, stagholl margaret, stagholl eric, robertson bessie, robertson fred, robertson norman, robertson donald, robertson alma, robertson alan, baird neil, baird john, baird rosemary, dunn helen, baird ian, baird heather, baird dianne, petrie stuart, petrie richard, bailey ron, gaunt mabel, reading harold, reading marge, irwin joyce, dickson margaret, dickson jennifer, dickson peter, wood malcolm, wood millicent, wood forest, wood joe, sinclair ‘trinny’, roberts ‘fly’, footballers, malcolm mr., henderson reg, henderson alice, brew l., rule mr., philbrick mr., wood mr., trembath mr., keogh mr., plummer tom, lane a., fox ernest, souters, market gardeners, fox belle, fox bella, fox vern, couper margaret, couper sandra, couper peter, couper narelle, couper clare, couper jarrod, scott mr., doughty will, doughty tom, lloyd miss, islingworth master, adams joyce, hogan mr., markus jean, cosgrove joan, cosgrove mrs., cosgrove mr., marshall jim, kellow fred, fretwell elizabeth, fretwell betty, shepparson ave, singers, edmonson miss, butters shirley, harwood vera, bracher lloyd, dewhurst irene, dewhurst jack, boyle mr., gow jack, welch len, stanistreet harry, stanistreet jack, stanistreet kathleen, stanistreet frank, stanistreet kingsley, ‘ray sullivan’s harmony boys’, carnegie memorial hall, st. anthony’s hall, welch len, gibbons norm, ashley sylvia, crosswell edna, marks peggy, worth phyllis, cleal jean, tabner edith, jenkins elva, mcintosh gladys, worth reg, waters cyril, downard rex, wild mavis, wild darby, hill roland, eason jean, tyers noel, tyers clive, witten hope, strickland doris, chisholm beryl, harwood family, battershill sid, battershill walter, dixon mavis, boyle mr., ford hilda, forsythe miss, edmonsen miss, ryan mr., grimsley mr., allaway mrs., grant mrs., bone bob, bone bruce, w. bone & son nursery men, bone norman, bone jack, bone william, railway road, green kevin, paris marjorie, mimosa road, green joan, allaway winnie, elliot miss, mcburney mr., purdy mrs., allaway suzanne, barron shirley, hogan mr., rutherford mrs., curtin mr., mckee’s, stores, whelan’s, coles, koornang road, gardiner marty, grange road dairy, dairies, mcwhinney’s tuck shop, shops, williams dorothy, kennedy irene regina, rigby miss, grimsley steve, grimsley muriel, grimsley jack, grimsley margaret, grimsley aimee, grimsley bill, blinkinsop steve, blinkinsop jeannie, mathers max, howie rex, major mr., flatmans paddock, crossover, reid eric, reid athol, lowe margaret, lowe dorothy, lowe ian, poliomyelitis epidemic diseases, forsythe miss, cuddihy miss, dougall keith, grace miss, hattam’s, stores, driver wally, perry max, perry don, perry jack, meagher j., ‘hostile’, racehorses, edney jack, carthews the drapers, fretwell elizabeth, kellow fred, muddyman bill, graceburn ave, caulfield junior citizens band, bands, luke mr., luke percy, luke maise, luke nessie, luke geoff, luke ross, luke jan, luke lynette, bolton douglas, anderson mrs., mcburney mr., hogan mr., scott mr., tyers s., ross j., ryan j., irvine j., muirhead mrs., muirhead j., mcnab m., buller l., emmanuel p., buller m., paton v., moor j., condron a., bibby d., matthews n., holman l., cotterell m., whelan j., jennion g., walker b., taylor e., green a., turner r., matthews e., smith joan, gardiner marty, dairies, hanson family, cove family, gallop family, barrett family, barrett w.a., bolch family, bolch b., burke w., burke bill, burke s., mobbs h., young g., young c., burke m., ward c., hopwood g., gordon mr., milk bars, cooper cr., phillips t., swindell mr., grogan mr., wadsworth mrs., bourke mrs., lewis mrs., worsley mrs., quickenstead mrs., brown wesley, musicians, purdy h., curtain les, jenner’s dairy, riley’s wood yard, occupations, jenner vic, jenner les, grant noel, parker george, connolly keith, purdy mr., glen huntly picture theatre, picture theatres, irvine jack, law christie, hatter bob, joppick les, driver geoff, curtin mrs., frederick street, ormond, waters ron, carnegie junior citizens band, carnegie salvation army band – bands, whelan evan, irwin ray, balgleish jack, cowen laurie, smyth wally, lambeth margaret, kind lorraine, bondini joy, tredennick miss, linton miss, heath graham, shiell bill, shiell myrtle, archard bess, bull joan, craig ida, collins dorrie, collins doreen, diggans jess, cornthwaite h., cripps e., dougall n., dixon joyce, francis d., evans mrs., glass peg, greene jess, grace merle, hocking freda, jillings mrs., price mrs., day kitty, kerr may, mason marge, kind sylvia, muirhead d, mcconchie netta, needham nancy, nickless w, o’connor linda, pilven mrs., ryall h., strother ivy, singleton mrs., kelly phyl, waters von, usher mrs., trotter maude, watson mrs., williams mabel, withers olive, aarsmann norma, shiell norma, close peter, ‘wild cherry’ cake shop, rudi miss, anderson miss, eddy mr., hunter jean, nelson vera, fisher john, hunter ron, read jean, smith brian, newsreaders, nelson miss, singleton billy, quon miss, mchutchison george, valma smith, millar royal r., donoghue nora, lester mr., roberts tom, andreisen colin, miles alec, hine mr., baker mr., clements george, bracher lloyd, dimick miss, muir judy, dunn margaret, sant richard, myring miss, ryan mr., armstrong margaret, share wally, howie rex, barclay bob, rockman udo, hoult david, eisfelder kevin, jacques mr., smith mr., magee mr., stehle belinda, wallace mr., james mrs., main mr., wood miss, verso mr., mcpherson mrs., felotico miss, stehle john, howards mrs., collard mrs., webster vivian, stehle siggy, truong le sen, mcpherson barbara, mitchell eva, moutsos mark, chan benjamin, wilson del, jewell christopher, mitchell keith, grant marilyn, caskie alastair, dixon dennis, armstrong john, lucas edward, clark deanne, coutts natalie, flood zivanja, derham peter, momandwall shaper, couper jarrod, heslop joanne, breeze ginaya, caskie fiona, filippone nadya, mcmahon nina, hedges nigel, williams shae, grimm karen, mcgregor clare, vagenes john, gallagher glenn, mcalister rob, varga marilyn, hunter debbie, courtney cathy, booth carol, mcmahon mary, brown danielle, burska maciej, campbell jason, chryssis aris, d’arcy michael, delaney matthew, doukas vivian, dower samantha, fournarakis andrew, genoli amanda, grammatos jimmy, harrington melanie, karamoshos john, karim sadruddin, kennedy russel, lalani zahra, lightfoot kylie, looby mark, louange veronica, park sung mi, perera dennis, pozvek julie, scurry kate, sievers sarah, smith matthew, svarnas dennis, vassiliou denise, wright tracey, zouzounis spirros, adahall jojie, agar jude, anderson lynette, black renae, bobrowski ursula, caskie catherine, devon hayley, diakoumis maria, duljas kristie, evans lindsay, faucett ebony, filippone annette, fournarakis jimmy, francese sean, gibson jay, gordon michelle, guslitser dora, king jane, lianos villi, lorkin christopher, macleod cheryl, maggs amberley, mitchell keith, mucic renae, o’brien jessica, park matthew, pozvek richard, psarras nancy, rhodes suzanne, simons emma, smith christopher, spokes melanie, tia michael, timewell amanda, vavoudis peter, abbott kristi, allender daniel, bobrowski jacob, carey rebecca, carter daimein, catramados john, christou eugenia, couper jarrod, healey michael, kalaitzakis nick, kennedy rebecca, macleod suzanne, mavridis angelo, morosini amanda, mowforth dustin, okolicsanyi george, park sung chul, pemberton michael, reisman elizabeth, richards kylie, savrone leah, tia charlie, tran paul, wiseman derek, wright dean, wyatt marilyn, andre ryan, breeze ginaya, brown james, campbell chad, charles benjamin, devon john, diakmoumis stacey, diamantis chris, duljas michael, grammatos harry, hill bradd, karim salim, lindsay amanda, lynch jennifer, marrello sol, momandwall shaker, moutsos ireni, oram scott, o’sughrue kristy, panevin david, park catherine, pozvek louise, stratton alisa, timewell rebecca, tsigos stam, yeow sook ling, anderson peter, batson tracey, black craig, brain jason, breeze benjamin, brown kylie, carrington harata, caskie fiona, catramados hercule, chan daphne, christou chris, clarke simone, diamantis anthony, faucett sara, flood natalia, holmes gavin, kotrotsos tony, kuk robin, mitchell david, okolicsanyi steve, pemberton samuel, soos melinda, stephenson gabrielle, tran pauline, vassiliou evan, agar natalia, bennett tracey, buhmann wayne, couper clare, faucett sean, filippone nadya, filippone marie, gallagher glenn, gelman roman, grant shawn, hill tania, jewel chris, kaliappa danny, kiss robert, liacopoulos aris, louey david, macleod mike, malamas voula, oram michelle, scurry ivan, wardley amanda, zouzounis sam, anderson robert, antoniou nick, carey tamara, derham peter, diep dianne, filippone danielle, flood zivanja, frangos katina, handley scott, harrison robin, heath cheryl, hedges megan, hedges nigel, hudson raelene, jacovou daniel, katrotsos george, kuk maggie, leung tracy, lightfoot wendy, mcmahon nina, taylor stephen, vassiliou litsa, liddelow e., anderson james h., boardman thomas h., rule thomas, whitfield j.p., griffiths r.h., scales e., boyle j.b., ryan owen w., eddy h.m., millar royal r., lester russel a., donoghue r., bracher a. lloyd (acting principle), o’brien john d., moller henry r., monahan t.v., barclay robert l., somerville albert v., magee frank c. (acting principle), wallis keith, laing allan i., verso ron (acting principle), wood moira (acting principle), tonkin ernest, share wallace (acting principle), howie rex, harding malcolm (acting principle), crowe brian, schmidt david (acting principle), lynch deidre (acting principle), o’keeffe leo, brierley bob, brierley marjorie, couper isabel, couper peter, lindsay janine, lynch deidre, selboskar phyl, stehle siggy, webster jennifer -
Eltham District Historical Society IncPhotograph, Tom Prior, Dressmaker shop, Research
... Dressmaker shop, Research...A second copy was also presented to the Andrew Ross Museum, Kangaroo Ground Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham. Dressmaker shop, Research Photograph Tom Prior ...The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham.The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Groundreynolds prior collection, research (vic.), e. reynolds, dressmaker shop -
Bendigo Historical Society Inc.Tool - DRESSMAKER'S SCISSORS
... The scissors are rusty. Tool DRESSMAKER'S SCISSORS ...Dressmaking scissors. Blades lenght 17 cm. total lenght 30 cm. The scissors are rusty.handcrafts, dressmaking, scissors -
Flagstaff Hill Maritime Museum and VillageEquipment - Mannequin, J. A. Walker, before April 1874
... The mannequin is also an example of an item manufactured in Melbourne in colonial times. mannequin wooden mannequin made in melbourne dressmaker’s mannequin 19th century mannequin dress form display mannequin custom made mannequin dressmaker’s dummy andique mannequin clothing display j.a. walker manufacturer melbourne j.a. walker mannequin manufacturer evening outfit Mannequin maker’s fabric label “J.A. ...THE MANNEQUIN The included wooden mannequin made by J.A. Walker of Melbourne has been very well used, as can be seen from the pin marks and split and torn fabric in areas where pins would have been used many times. The painted wood of the bodice is wearing away. The top of the neck is very rough in the centre, indicating that it possibly had a knob, handle or even a head shape on top. The mannequin could have been used for storing and cleaning of the evening outfit and even in the process of making it. It is made to match the measurements of the outfit beautifully and would be close in measurement to Mrs. Isabella Mitchell. Isabella’s sister-in-law Eliza Russell made her own wedding dress and perhaps she or Isabella herself made the evening outfit using the mannequin for fittings. The mannequin is significant as its size gives an image of the shape of the evening outfit’s owner. It is also significant as an example of the process and skills to create garments of fashion during the period, with many people making their own garments. The mannequin is also an example of an item manufactured in Melbourne in colonial times. This wooden display mannequin is from neck to floor length. It has a round pedestal. The mannequin’s bodice has been painted black. It is padded then covered in black fabric. The maker of the mannequin was J.A. Walker of Melbourne. It dates to the mid-late 19th century.Mannequin maker’s fabric label “J.A. WALKER / MANUFACTURER / MELBOURNE”mannequin wooden, mannequin made in melbourne, dressmaker’s mannequin, 19th century mannequin, dress form, display mannequin, custom made mannequin, dressmaker’s dummy, andique mannequin, clothing display, j.a. walker manufacturer melbourne, j.a. walker mannequin manufacturer, evening outfit -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, jacket, Late 19th to early-20th centuries
... ...dressmaker...The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. ...This Edwardian era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death occurred often to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were a part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The black silk tailor-made jacket is one of three pieces of a ladies’ Edwardian mourning outfit. It has long sleeves, a stand-up collar trimmed with appliqued black crochet lace, and pleated sashes on the left and right sides from front to back fastened at the shoulder and waist. The jacket has a peplum or flounce below the waistline. The front of the jacket has brass hooks and fabric eye fastenings. The back of the jacket has two tails. The jacket is lined and the shoulders are padded. It has been machine sewn and finished with hand stitching. A white card is tied with a ribbon inside and has an inscription. The poplin skirt on the jacket has been cut up to the waist at the side seams. There is an attached card with an inscription, handwritten in ballpoint pen.“Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, sunburst pleats, western district victoria, mourning jacket -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, skirt, Late 19th to early-20th centuries
... ...dressmaker...The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. ...This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s, but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made skirt is one of three pieces of a ladies’ Edwardian mourning outfit. The skirt is made from black silky fabric. The garment has only two seams; at the side closure and the centre back. The whole skirt has sunray pleats; narrow pleats at the waist that fan outwards towards the hem. The top of the skirt is finished with a waistband that is shaped as an upward V shape in the centre. The side seam is closed with four self-fabric buttons with silver metal backing. The shirt has been machine sewn.flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, mourning dress, death mourning, sunray pleats, western district victoria, full-length skirt -
Flagstaff Hill Maritime Museum and VillageClothing - Mourning Outfit, petticoat, Late 19th to early-20th centuries
... ...dressmaker...The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. ...This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made petticoat is one of three pieces of a ladies’ Edwardian mourning outfit. The petticoat is made from black silk lined with lightweight cotton. The petticoat and lining are constructed from eight panels each, brought together at the waist and gently gathered into the band. The back seam opening is fastened with brass hooks and fabric eyes. The lining has been reinforced with a heavier-weight hem. The hemline is finished with black velvet ribbon than encloses both the petticoat and lining. flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria, petticoat, undergarment, slip -
Flagstaff Hill Maritime Museum and VillageDecorative object - Sewing Machine, c 1914-1930
... Flagstaff Hill Maritime Museum and Village 89 Merri Street Warrnambool great-ocean-road flagstaff hill warrnambool shipwrecked coast flagstaff hill maritime museum maritime museum shipwreck coast flagstaff hill maritime village great ocean road sewing machine cylinder shuttle sewing machine dressmaker's equipment taylor jones sewing machine medium c.s. machine medium cylinder shuttle machine Pencilled inside machine support " 11/11/10 H M X" Serial Number "66389" Decals include "MEDIUM C.S / APPOINTED TO HER MAJESTY / QUEEN VICTORIA", "ENGLISH MADE". ...Sewing Machine, Medium C S. (item has 10 parts), treadle operated, in wooden cabinet. Machine body is black with floral decals in gold, cream and red. Cabinet has wheels, 4 drawers containing cylinder shuttle, 2x bobbins, handle from a drawer and a bundle of horse hair. Drive belt is missing, cabinet has evidence of borer. Ironwork on right upright has 2 splits, name on plate of treadle is worn off. Decals include English Made and Approved to Her Majesty Queen Victoria. Machine has Serial Number.Pencilled inside machine support " 11/11/10 H M X" Serial Number "66389" Decals include "MEDIUM C.S / APPOINTED TO HER MAJESTY / QUEEN VICTORIA", "ENGLISH MADE".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sewing machine, cylinder shuttle sewing machine, dressmaker's equipment, taylor, jones sewing machine, medium c.s. machine, medium cylinder shuttle machine -
Flagstaff Hill Maritime Museum and VillageClothing - Childs Dress
... ...dressmaker...Flagstaff Hill Warrnambool Maritime Museum Maritime Village Great Ocean Road Shipwreck Coast Child's dress clothing embroidery Broderie anglaise handmade button handmade dress child's fashion dressmaker handcraft needlework lacework Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. ...The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Baby Layette 5 piece wool hand knitted 1962, 1962
... Typical of a Baby Layette of hand knitted woollen dress, coat , hat, and bootees with satin ribbon worn in City of Moorabbin c 1960 Women were accomplished knitters, craft workers and dressmakers as they cared for their families knitting, craftwork, baby clothes, baby layette, sharp valma, wool, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers, Baby Layette consisting of cream woollen hand knitted dress, coat, hat and bootees with ribbon Clothing, Baby Layette 5 piece wool hand knitted 1962 Mrs Valma Sharp ...Women in the City of Moorabbin knitted, sewed and crocheted clothes for their babies as they established their families in the new settlements in Ormond, Bentleigh and Moorabbin that followed World War 11. Typical of a Baby Layette of hand knitted woollen dress, coat , hat, and bootees with satin ribbon worn in City of Moorabbin c 1960 Women were accomplished knitters, craft workers and dressmakers as they cared for their families Baby Layette consisting of cream woollen hand knitted dress, coat, hat and bootees with ribbon knitting, craftwork, baby clothes, baby layette, sharp valma, wool, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Baby 5 pieces wool hand knit 1962, 1962
... City of Moorabbin Historical Society (Operating the Box Cottage Museum) Joyce Park Jasper Road Ormond melbourne Typical Baby clothes consisting of hand knitted wool coat, hat, singlet and 2 dresses worn in the City of Moorabbin c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers as they cared for their families while settling in to the new housing estates in post World War11 Ormond , Bentleigh and Moorabbin clothing, manufactured lace, dressmaking, blousknitting, craftwork, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, sharp valma, Baby Clothes consisting of cream woollen hand knitted, coat, hat, singlet and 2 dresses Clothing, Baby 5 pieces wool hand knit 1962 Mrs Valma Sharp ...Typical Baby clothes consisting of hand knitted wool coat, hat, singlet and 2 dresses worn in the City of Moorabbin c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers as they cared for their families while settling in to the new housing estates in post World War11 Ormond , Bentleigh and Moorabbin Baby Clothes consisting of cream woollen hand knitted, coat, hat, singlet and 2 dresses clothing, manufactured lace, dressmaking, blousknitting, craftwork, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Child yellow nylon dress & silk petticoat, c1960
... Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. ...This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Baby's white nylon dress size 1 c1960, c1960
... Unrecorded Professional Dressmaker...Clothing, Baby's white nylon dress size 1 c1960 Unrecorded Professional Dressmaker ...Nylon was a new synthetic material that became very popular c 1960 because it was easy care, had machine embossed decoration and required no ironing. Women in City of Moorabbin made clothes for their families while settling in the new estates opened in Ormond, Bentleigh and Moorabbin post World War 11.Nylon was a new synthetic material that became very popular c 1960 because it was easy care, had machine embossed decoration and required no ironing. A Baby's white nylon dress size 1 with machine embossed flowers, short sleeves, lace trim, plastic buttons and appliqued nylon flowers. Size 1clothing, baby clothes, nylon, dressmaking, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing, Baby Bibs x 2 c1960, c1960
... City of Moorabbin Historical Society (Operating the Box Cottage Museum) Joyce Park Jasper Road Ormond melbourne Nylon became a very popular dressmaking material in City of Moorabbin c1960 as the new settlers established their families in the new estates post World War 11 in Ormond, Bentleigh, Moorabbin These Baby feeding Bibs x 2 with ribbon ties were made by a local resident of City of Moorabbin for her child c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers who made the clothes for their families while settling in to the new estates that opened up in Ormond, Bentleigh,and Moorabbin after World War 11 clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, Baby Bibs, x 2 made by a local resident for her children. a) towel, nylon, lace trim, with an appliqued flower and ribbon ties b) flannel, nylon, lace trim and ribbon ties Clothing, Baby Bibs x 2 c1960 Mrs Valma Sharp ...Nylon became a very popular dressmaking material in City of Moorabbin c1960 as the new settlers established their families in the new estates post World War 11 in Ormond, Bentleigh, Moorabbin These Baby feeding Bibs x 2 with ribbon ties were made by a local resident of City of Moorabbin for her child c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers who made the clothes for their families while settling in to the new estates that opened up in Ormond, Bentleigh,and Moorabbin after World War 11 Baby Bibs, x 2 made by a local resident for her children. a) towel, nylon, lace trim, with an appliqued flower and ribbon ties b) flannel, nylon, lace trim and ribbon ties clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, lady's detachable nylon semi shawl collar, c1950
... Unrecorded dressmaker...City of Moorabbin Historical Society (Operating the Box Cottage Museum) Joyce Park Jasper Road Ormond melbourne Nylon was a very popular material in 1950s nylon machined lace dressmaking craftwork bentleigh moorabbin cheltenham clothing A lady's detachable white nylon semi shawl collar with 3 rows of machined lace Clothing Clothing, lady's detachable nylon semi shawl collar Unrecorded dressmaker ...Nylon was a very popular material in 1950sA lady's detachable white nylon semi shawl collar with 3 rows of machined lacenylon, machined lace, dressmaking, craftwork, bentleigh, moorabbin, cheltenham, clothing -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, child's cotton pants c1900, c1900
... Unrecorded Dressmaker...City of Moorabbin Historical Society (Operating the Box Cottage Museum) Joyce Park Jasper Road Ormond melbourne Child's white cotton pants with side buttons and lace edging at leg were made by women of the early settler families in Moorabbin Shire c1900 and show their dressmaking and needlework skills Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the dressmaking skill and craftsmanship of the women of these families clothing brighton moorabbin pioneers dressmaking market gardeners early settlers craftwork lacework moorabbin shire bentleigh mckinnon dairy farms fruit orchards Child's cotton pants with lace edging on legs and 2 side bone buttons Clothing Clothing, child's cotton pants c1900 Unrecorded Dressmaker ...Child's white cotton pants with side buttons and lace edging at leg were made by women of the early settler families in Moorabbin Shire c1900 and show their dressmaking and needlework skills Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the dressmaking skill and craftsmanship of the women of these families Child's cotton pants with lace edging on legs and 2 side bone buttonsclothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, girl's party dress c 1927, 1927
... ...dressmaker...The family continued to remain very prosperous and successful vegetable growers and are one of many families steeped in the tradition of vegetable growing which significantly contributed to the prosperity of the Moorabbin Shire Brighton Moorabbin Marriott clothing market gardeners home dressmaker needlework dendys special survey A home-sewn pale green silk party dress, worn to a wedding by four year old, Sylvia Marriott c 1927. ...This child's green, silk, party dress was worn by Sylvia Marriott in 1927. The Marriott family were early settlers in the Moorabbin ShireMembers of the Marriott family arrived in Port Phillip in 1857. However it was John and Jane Marriott who in 1876, (after toiling hard since their arrival in1871, for very little gain), first leased, then purchased in 1882, 30 acres with a four-roomed house in East Boundary Road, in the area then called East Brighton. (Now known as East Bentleigh). The land they purchased had previously been a part of the 1841 Dendy Special Survey. Over the following years, John and his four sons with hard work and determination became prosperous vegetable growers and purchased further land in the area. Following John's retirement and subsequent death in 1903, the land was passed to his sons, and then onto the Marriott grandchildren. The family continued to remain very prosperous and successful vegetable growers and are one of many families steeped in the tradition of vegetable growing which significantly contributed to the prosperity of the Moorabbin ShireA home-sewn pale green silk party dress, worn to a wedding by four year old, Sylvia Marriott c 1927. The skirt of the dress has layers of ruffles. It has short cap sleeves. Decorative ribbons are attached at the shoulder continueing to the waist, then hang loosely over the skirt of the dress. Small pink and white ribbon rose buds have been applied at the neckline, waist and the edges of the sleeves .brighton, moorabbin, marriott, clothing, market gardeners, home, dressmaker, needlework, dendys special survey -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, baby's nightgown, c1900
... Home dressmaker...Clothing Clothing, baby's nightgown Home dressmaker ...This cotton baby's nightgown is and example of the dressmaking skills of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utnesils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A long, white cotton baby's nightgown with collar and bodice ties. Lace panel to bodice, and guipure frills and hand embroidery to collar and cuffs.brighton, moorabbin, pioneers, bentleigh, cheltenham, market gardeners, oakleigh, clothing childrens, dressmakers home -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, girl's nightgown, c1900
... Home dressmaker...They had to make their own clothing and this is an example of their dressmaking craftsmanship. clothing brighton moorabbin pioneers dendy henry box elizabeth market gardeners A white, cotton, girl's nightgown is typical of those worn c 1900 Clothing Clothing, girl's nightgown Home dressmaker ...A typical, white ,cotton, nightgown worn by girls c1900.. it was probably made by her mother who usually made all the clothes for the family. The pioneer settlers and market gardeners in the Moorabbin Shire had to be very self reliant and make their own clothes and utensils. Many early settlers came to rent and eventually buy land after the 1841 Dendy Special Survey in Brighton Victoria. These settlers developed market gardens and supplied the growing Melbourne population with produce . They had to make their own clothing and this is an example of their dressmaking craftsmanship.A white, cotton, girl's nightgown is typical of those worn c 1900clothing, brighton, moorabbin, pioneers, dendy henry, box elizabeth, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, baby's long dress pin-tucked, c1900
... home dressmaker...This garment is one of the examples of the skills and craftsmanship of these women. clothing brighton moorabbin dressmaking dendy henry market gardeners pioneer settlers craft working A white, cotton, pin-tucked, long Baby's dress c 1900 Clothing Clothing, baby's long dress pin-tucked home dressmaker ...This long, white cotton pin-tucked baby's dress is an example of the clothing the women of pioneer settlers and market gardeners in Moorabbin Shire made for their familiesAfter the 1841 Dendy Special Survey of Brighton, Victoria, allotments of land were rented or sold to pioneer settlers. These settlers had to be self reliant and the women made most of the clothing for their families. This garment is one of the examples of the skills and craftsmanship of these women.A white, cotton, pin-tucked, long Baby's dress c 1900clothing, brighton, moorabbin, dressmaking, dendy henry, market gardeners, pioneer settlers, craft working -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, pinafore crochet work, c1900
... home dressmaker...Clothing Clothing, pinafore crochet work home dressmaker ...This white, cotton, baby's pinafore with hand crochet work is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A white cotton infant's pinafore, with hand crochet work around armholes, and lower edge of garment. Feather stitch embroidery, and pin-tucking on bodice. Waist ties.clothing, crochet work, moorabbin, bentleigh, early settlers, pioneers, market gardeners, dendy special survey, brighton pioneers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, lady's half petticoat, c1900
... home dressmaker...Clothing Clothing, lady's half petticoat home dressmaker ...This white, cotton half petticoat with hand crochet work on the hem is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners in the Moorabbin ShireThe pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This petticoat is one of many items that exhibit the skill and craftsmanship of the women in these familiesA lady's white cotton half petticoat, with deep hand- crochet border at the hem. brighton, moorabbin, pioneers, dress, bentleigh, early settlers, garments
