2013, 393

2013, 395

2013, 396

2004, 335, wendy drowley

1993, 271, dean banova

1993, 274, doug bennett

1993, 275, bruce akers

1983, 220, director ian brown, heidelberg theatre company inc

1965, 93, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson

1962, 73, city of heidelberg repertory group, heidelberg theatre company inc, directed by george tanner

433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes

2022, 437, directed by karen wakeham, heidelberg theatre company inc.

2022, director david collins, heidelberg theatre company inc.

2022, 440, heidelberg theatre company, director llaaneath poor

non-fiction2023, 441, directed by chris mclean, htc, heidelberg theatre company inc.

non-fiction2023, 443, htc, heidelberg theatre company inc, directed by maureen mcinerney

Soft Cover book, slightly shorter than A4. Orange cover with a photo of eucalypts covering nearly all of the front, pale orange, orange & white writing on the back is a blurb about the book in black & a blurb about the author in white 355 pages

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a factory interior with combing machinery and wool.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box