Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war. vietnam war, 1961-1975- personal narratives, australian army

'My first impression upon landing in Saigon was, "What have I got myself into?" ... I had left Australia where conditions were normal and suddenly, in twelve or so hours' flying time to South Viet Nam, there I was in a war zone - it was hard to comprehend...'vietnam war, 1961-1975- australia, australia. army, saigon

Delta Four exposes the inner workings of a rifle company - how its soldiers trained for war, and ow they operated and fought in the war zone. It examines the basic qualities of infantry soldiering, of leadership and battlecraft. Above all else, it gives the soldier's viewpoint of those aspects of war-fighting not found in the training pamphlets.australia. army. royal australian regiment. battalion, 4th, vietnam war, 1961-1975 - personal narratives, australian, australian army infantry

Delta Four exposes the inner workings of a rifle company - how its soldiers trained for war, and ow they operated and fought in the war zone. It examines the basic qualities of infantry soldiering, of leadership and battlecraft. Above all else, it gives the soldier's viewpoint of those aspects of war-fighting not found in the training pamphlets.australia. army. royal australian regiment. battalion, 4th, vietnam war, 1961-1975 - personal narratives, australian, australian army infantry

The AATTV was in Vietnam from July 1962 to December 1972. Nearly 1000 Australians and 11 New Zealand served with "The Team" during that time. They were advisers - sometimes commanders - who operated in small groups across a wide spectrum of military poss throughout the South. australia. army. australian army training team, vietnam, vietnam war 1961-1975 - regimental histories - australia, aattv

Ballarat Technical School was a division of the Ballarat School of MInes. Back left to right: ? , Alan Arnold, ? , Gary Billman, Robert Price Front Left to right: Gary Barnett, ? , ? , ? , ? , ? , basketball, sport, ballarat technical school, gary billman, robert orice, alan arnold, herbert werner frederick de nully

Gary Lawrence and Clare Gervasoni planningheritage, clare gervasoni, gary lawrence, wine water and stone exhbition, red star cafe, swiss italian

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

Black and white photograph - House Captains, 1974."Attached to photograph" Diedre Taylor, Gary Love

Neck tie, part of the outfit for the "Sheep to suit" record attempt, Melbourne School of Textiles,1982.Part of the 'Sheep to Suit' event outfit.Gary David/ highest quality/MADE IN AUSTRALIAtextile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Gary Voss' Blue and yellow U17 Australian Championships baseball uniform

Flying suit in U.S. Army green worn by Flt. Lt. Gary Cooper.Cooper. R.A. Airforce & black wings insignia.united states army uniform, gary cooper (flgt lt.)

Wooden Pencil Case with sliding edge. Gary James Croton SS 502stawell, education