Showing 242 items
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Eltham District Historical Society Inc
Document - Folder, Kroyer-Pedersen, Margo
Margo Kroyer-Pedersen, who lived at View Hill Crescent, Eltham, was a bird artist. Contents Newspaper article: "Jetset Swifty hitches a ride home", The Sun, 5 May 1978. An injured spine-tailed swift, nursed by Margo Pedersen, to be flown by Qantas to Tokyo to catch up with migration pattern. Newspaper article: "Bird lover's lively topic", Diamond Valley News, 19 June 1984. Margo Kroyer-Pedersen is an expert in Australian native birds. Newspaper article: "Margo's at home to all her furry friends", Diamond Valley News, 31 May 1988.Margo Kroyer Pederson [sic] cares for native wildlife. Newspaper article: "A conservationist and artist", The Age, 29 November 1997. Obituary of Margo Kroyer-Pedersen. Print-out Google search, 31 December 2008, for Margo Kroyer Pederson [sic]Newspaper clippings, A4 photocopies, etcmargo kroyer-pedersen, margo pedersen, view hill crescent eltham, were street theatre, jeanette wightman -
Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BLAST FROM THE PAST
Bendigo Advertiser ''The way we were'' from Thursday, May 26, 2005. Blast from the past: little tackers from Comet Hill Primary School's class 4W in 1974. Back row: Jamie Hartwell, John Petterson, Mark Evans, ? Roberts, Brett Rule, Barry Andrews, Peter Varker, Unknown. Middle row: teacher John Ward, Janine Ingham, Unknown, Michael Ermal, Unknown, Lin Swift, Heather Balnaves, Sharon Jobbling, Unknown. third row: Graham Schilling, Steven Beacham, Colin Sutton, Mark Ferraier, Darren Timbins, Paul Evans, John Milic, Steve Ryan, Dallas Lane, Jamie Atford, Martin Winn, David Dillicea. Bottom row: Karen Purdy, Andrea Thurwood, Unknown, Debbie Thompson, Unknown, Allison Truscott, Cheryl Morgan, Unknown.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SMILING STUDENTS
Bendigo Advertiser "The way we were" from Friday, June 25, 2004. Smiling students: Kangaroo Flat school No. 98. First grades 1-2 sit for a class photo in 1941. Back row: Bill Anderson, Harry Smith, Olive Dobbin, Heather Kelsey, Doreen Howard, Melva Hambridge, Florrie Salter, Laraine Lowe, Dennis Styles, Kevin Smith and teacher Glenis Hubble. Third row: Margaret Petherick, Gwen Hartley, Unknown, Beverly Swift, Enid Smith, Joy Pilcher, Shirley Edwards, Elaine Exon. Second row: Mick Kelsey, Ian Beckworth, Ken Bartels, Unknown, Rex Kelsey, Trevor Mathews, Brian Lalor, Bob Dobbin. Front row: Unknown, Alan Mathews, Richie Ellis, ? spark, Jack Lue, Ken Whittle, George Seeber.newspaper, bendigo advertiser, the way we were -
The Beechworth Burke Museum
Animal specimen - King Parrot, Trustees of the Australian Museum, 1860-1880
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The red-and green Australian King-Parrot is seldom seen flying above the tree tops of the dense forests which it inhabits — it prefers to fly below tree level, weaving in and out through the tree trunks instead. When they are disturbed by a person, they usually fly off with a harsh screech, and often do not land until they are lost to view. Their flight is swift and strong, characterised by deep, rhythmic wing-beats and regularly punctuated with rapid twists and turns.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Male Australian King-Parrots are the only Australian parrots with a completely red head. Females are similar to males except that they have a completely green head and breast. Both sexes have a red belly and a green back, with green wings and a long green tail. King parrots are normally encountered in pairs or family groups. This particular specimen has duller colour and appears more orange with a misshapen head Label: National Museum Victoria / King Parrot / Aprosmietus W5435 / Gris (recht) Mount: APPOSMICTUS / SCAPULARIS / King Parrottaxidermy, parrot, bird, king parrot -
Melbourne Legacy
Postcard, Thoughts in Absence, c1917
Sometimes called a sweetheart postcard, it was a way of sending thoughts to the troops overseas. The poem on the front, with the image of a woman writing to her loved ones, says: "In distance we are far apart . . . / Yet loving thoughts can span the ocean blue / And warm good wishes sent in fond remembrance / Speed swiftly o'er the sea from me to you.' The British, Australian and French flags and Australia wattle provide more symbolism, the horseshoes for luck, and a hand shake. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of correspondence with the troops in World War 1 and sending good wishes with a hamper. This type of experience would have been familiar to the first Legatees as they had served in World War 1.Postcard with a lady writing and men fighting, horseshoes and wattle.world war one, souvenir -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: LONG GULLY SENIOR CITIZENS 24/10/1982
Group of Long Gully Senior Citizens photographed outside a building. they were on a bus tour to Korumburra, oct 24-30-1952. They are: Ethel Keith, Sadie Peers, Iris Swift, Nell Finch, Mary Webber, Roy Rosewarne, Jack Harper, Doss Rosewarne, Ethel Haig, Val Fieldew, Mary Wilson, Bill Wilson, Mrs E brown, Mrs Elsie Marshall, Mrs H Bond, Leo Hambly D, Vi Cameron, Bonna Liddel, Doris Stanford, Bev Liddel, Lila Robins, Vene Long, Sophie Reilly, M?t Harper, Alida Rattcliff, Cathie Logan, Jean OToole, Dorrie Crossley, Doris Mitchell, Bill Jurey, Eunice Pervis, Belle Jurey, Phyllis Cornish, Bill Cornish, Mary Harris, Leah Comte, Rex Ratcliff, Laurie OToole, Alan Crossley, Ula Angove, Amy Rowe and Dot Birrel.bendigo, history, long gully history group, the long gully history group - long gully senior citizens 24/10/1982, coal creek motel, ethel keith, sadie peers, iris swift, nell finch, mary webber, roy rosewarne, jack harper, doss rosewarne, ethel haig, val fieldew, mary wilson, bill wilson, mrs e brown, mrs elsie marshall, mrs h bond, leo hambly d, vi cameron, bonna liddel, doris stanford, bev liddel, lila robins, vene long, sophie reilly, m?t harper, alida rattcliff, cathie logan, jean otoole, dorrie crossley, doris mitchell, bill jurey, eunice pervis, belle jurey, phyllis cornish, bill cornish, mary harris, leah comte, rex ratcliff, laurie otoole, alan crossley, ula angove, amy rowe, dot birrel -
Melbourne Tram Museum
Newspaper, RMIT, Whitehorse Leader, Progress Leader, "Crisis warning on public transport", 4/2002 to 9/2002
Set of five newspaper clippings collected by Keith Kings in relation to his presentation of the Lecture "Has the wheel turned full circle for Melbourne's public transport system?" 1 - RMIT Media Alert - draft of 23/4/2002. 2 - RMIT letter to Keith Kings dated 15/5/2002 from Assoc Professor, Jennifer Morris thanking Keith. 3 - RMIT Open line June 2002 reporting on the event - whole issue retained. 4 - Newspaper cutting from Progress Leader 16/9/2002 reporting on Keith's presentation and discussing route 109. Has a photo of Keith standing alongside a tram. 'Swift tram rescue is cut to the quick" by Matthew Schultz. 5 - Newspaper cutting, from the Whitehorse Leader, 18/9/2002, "Crisis warning on public transport", by Matthew Schultz. Note: A version of the lecture also appeared in the September 2002 issue of Transit Australia magazine.In ink on both cuttings (4 and 5) date and the newspaper. On item 5 in ink Keith has a handwritten note on the item along with "For Many decades, not just one"trams, tramways, public transport, route 109, rmit, yarra trams -
Ballarat and District Irish Association
Image, Gratton's Parliament, 1782
Calls for the legislative independence of Ireland at the Irish Volunteer Convention at Dungannon greatly influenced the decision of the government in 1782 to make concessions. It was through ranks of Volunteers drawn up outside the parliament house in Dublin that Grattan passed on 16 April 1782, amidst unparalleled popular enthusiasm, to move a declaration of the independence of the Irish parliament. "I found Ireland on her knees," Grattan exclaimed, "I watched over her with a paternal solicitude; I have traced her progress from injuries to arms, and from arms to liberty. Spirit of Swift, spirit of Molyneux, your genius has prevailed! Ireland is now a nation!" After a month of negotiation the claims of Ireland were conceded. The gratitude of his countrymen to Grattan was shown by a parliamentary grant of £100,000, which had to be reduced by half before he would accept it. Grattan then asked for the British House of Commons to reconfirm the London government's decision, and on 22 January 1783 the final Act was passed by parliament in London, including the text: Be it enacted that the right claimed by the people of Ireland to be bound only by laws enacted by his Majesty and the Parliament of that kingdom, in all cases whatever shall be, and is hereby declared to be established and ascertained for ever, and shall at no time be questioned or questionable. In September of the same year, Grattan became a member of the Privy Council of Ireland. He was expelled in 1798, but was re-admitted on 9 August 1806. [http://en.wikipedia.org/wiki/Henry_Grattan, accessed 14/12/2014]An image of a number of men in Parliament. It is Henry Gratton's Parliament. The man standing is Henry Gratton moving the declaration of Irish Rights in 1782.ballarat irish, henry grattan, grattan, irish rights -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: THEATRE FLYER, Early 1900s
Document. Two page advertising flyer for the Comic Opera Company, Masonic Hall, Bendigo. On the back page, ''Printed at the Bendigo Independant Office, Williamson St., Bendigo''. Advertisers: W.Parkinson and Co - Copper Plate Cleaners and gold refiners. Walter E.Ellis - Tobacconist. W.Bartle - Jeweller and Watchmaker. Mrs Newman's - Coffee Palace. Jas. Burston - Watchmaker, Jeweller and Optician. Lazarus Telegraph Hotel. H.Lorenz - Tailor. Mrs A. Keast - Dining Rooms. P. Drescher - Watchmaker and Jeweller. W A Parker - Hairdresser and Tobacconist. O'Hagan's Sandhurst Hotel. Leslie's Blacksmith. Mrs Leonard - Tobacconist. J Dunne - Market Hotel. Bright's - Fish and Fruit. E J Delaney - Harp and Shamrock Hotel. Banfield and Co - Goldbrokers. Swift and Rothberg - Tailors and Drapery. Hans Irvine - Wine Sales. T Sayer - Undertaker. Terminus Hotel. Jack Francis Cafe. A Frigerio - Wire Worker. Barnett's Jewellers. B Sluyterman - Electrical Engineer. T R Jones - Chemist. Jack E Coates - Scenery for Hire. Krast and Co - Gold Brokers. Sydney P Ewing - Dentist. H Nickson - Furniture Hire. Geo Jackman - S P Bookmaker.performing arts, elocution, theatre flyer -
Coal Creek Community Park & Museum
Bottle, glass, post 1856
Henry Francis was previously in business at the goldfields at Ballarat, before coming to Melbourne in 1856. TROVE : Advocate (Melbourne, Vic. : 1868 - 1954), Saturday 19 July 1879, page 11. H. F R A N C I S & CO (Late FRANCIS & SWIFT) DISPENSING AND FAMILY CHEMISTS, M , 31 BOURKE ST. EAST, Melbourne. IMPORTERS OF Drugs, Chemicals, Patent Medicines, Surgical Instruments, And Surgical and Medical Appliances generally, H, FRANCIS & Co. solicit attention to their large and complete stock of WATER AND AIR-PROOF GOODS, Beds, Cushions, Mattresses. Pillows, Hot Water Bottles, Bed Sheeting, Portable Baths, Elastic Stockings, Ladies' Abdominal Belts, Shoulder Braces, Trusses, &c., Which, owing to their buying Direct from the Manufacturer, through their London agents, they are now able to supply at much' more reasonable rates than have hitherto obtained. THE GERMAN & FRENCH MINERAL WATERS Hunyadi Janos, Friedrichshall, Carlebad, Vichy, Pullna, Vale, &c., &c., Continually in stock, and supplied in quantities to suit purchasers. DISPENSARY AND RETAIL ESTABLISHMENT: 31 Bourke Street East; Melbourne. Wholesale Laboratory—Dawson Place, Swanston St, MEDICINE CHESTS SUPPLIED & REFITTED. TROVE : Argus (Melbourne, Vic. : 1848 - 1957), Thursday 17 January 1957, page 9 'ANTINOIS EAR PLUGS Ensure mental rest; soothe the nerves in factories, plane, or train travel 3 pairs, 2/6, post free H. Francis & Co., Box 5Ó2H, Melb.' Aqua tinted clear glass rectangular with angled corners in section bottle for stopper seal, with graduations on two sides for dosage quantities. Embossed text on front , angled sides and base.Embossed on base 'K' over '4616'. On one angled side graduation marks for one tablespoon doses, on other side graduation marks for two tablespoon doses, on front 'H. FRANCIS & Co'. -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: TEACHING THE TRADES
BHS CollectionBendigo Advertiser ''The way we were'' from Monday, February 9, 2004. Teaching the trades: this photograph, taken in 1956, depicts young men of Bendigo who were apprentices to the Ordnance factory Bendigo, now called Australian Defence Industries. Back row; Clem Williams, John Bettinelli, Peter Amstrong, Ron Rosewall, Michael Jenks, Fred Swift, Ray McHugh, Brian Ebsary, Peter Waddington, Ron Angove, Kevin Anglin, Graham Pearce, Tom Thursfield and Ian Caldwell. Second row: Noel Johns, Noel Neil, Des Bourke, Barry Shepherd,, Colin Nicoll, Stan George, Ron Nixon, Barry Collins, Graham Sargeant, Ken Craven, Norm Fieldew, Les Brown, Reg Byers and Bob Esposito. Third row: Noel Preston, Les Rodda, Kevin Angove, Keith Ivory, Geoff Jinks, Jack Gill, Allan Hill, Ian Phillips, Jack Tyack, Malcom Erwin, Mick Radford, Ron Lea and Brian Leed. Front row: Allan Gelsi, Barry Warren, Ray Dowsey, Barry Ellston, Len Dubbin, Allan Steel, Brian Runnalls, Geoff Wild, Graham Steel, Barry Thompson and Brian Frewin. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
National Wool Museum
Functional object - Wool Winder, pre. 1950
Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: ANNUAL VICTORY BALL 1952, 12th August, 1952
One copy of the Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 12th, 1952. Guests of Honour were Air Vice-Marshall A M Charlesworth, C.B.E., A.F.C. and Mrs Charlesworth. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold card has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Mary Bacon Jill Britnell, Ailsa Peterson, Beatrice Bacon, Lorna Johnson, Elaine Campbell, Lorraine Jobe, Norene Fox, June Thomas, Joyce Strahan, Gladys Monro, Fay Stanton, Dawn Nicholls, Dorothy Cowling Iris Baxter and Fay Swift. Trained by: Mr J Singe and Miss P Reidy. Matron of Honor: Mrs V Palmer. Partners: Bill Perdon, Bill Waddell, Neil Merton, Gerald Matheson, Ernest Johnson, Neil Wilson, Len Ermel, Royce Read, Kevin Whelan, Brian Owins, Norman Quin, Robert Nichols, Ron Nievandt, Max Cowling, John Bond, Stan Johannsen and John Kupke. President Bendigo Branch R.S.L. Col Sir George V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon Sec ball Committee: Mr J W Swatton. M.C. Messrs G Hudson, W Waters. Printed by Hocking & Sloan Print.Hosking & Sloan Print, Bendigoevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1952, air vice-marshall a m charlesworth, mrs charlesworth, mary bacon jill britnell, ailsa peterson, beatrice bacon, lorna johnson, elaine campbell, lorraine jobe, norene fox, june thomas, joyce strahan, gladys monro, fay stanton, dawn nicholls, dorothy cowling iris baxter, fay swift, mr j singe miss p reidy, mrs v palmer, hocking & sloan print, bill perdon, bill waddell, neil merton, gerald matheson, ernest johnson, neil wilson, len ermel, royce read, kevin whelan, brian owins, norman quin, robert nichols, ron nievandt, max cowling, john bond, stan johannsen, john kupke, col sir george v lansell, mr f e jackson, mr j w swatton g hudson, w waters -
Flagstaff Hill Maritime Museum and Village
Tin, J Millhoff, 1925-1940
Édouard de Reszke was born into a well-to-do and cultured Polish family in Warsaw, where he first learned to sing. He spent four years in Italy, studying singing first with Stella and Alba in Milan and later the retired baritone Filippo Coletti. He later went to Paris to study with Giovanni Sbriglia, who was also his brother's teacher. Initially, he did not want to become an operatic performer but at the urging of his younger sister, Josephine (Józefina), he accepted an engagement with the Paris Opera. He was chosen by the composer Giuseppe Verdi to make his debut in the first Paris performance of Aida on April the 22nd 1876, appearing under the composer's baton as the King of Egypt. De Reszke's older brother was the renowned lyric dramatic tenor Jean de Reszke (1850–1925), with whom he would sing often in Paris, London and New York City during the next two decades. In 1887, for example, the brothers performed together in the 500th performance of Gounod's Faust at the Paris Opera. Josephine, Eduardo and Jean's sister, also embarked on a career as an opera singer in Paris but she retired early from the stage after marrying an aristocrat while at the height of her powers. Between the start of 1880 and the end of 1900, Édouard de Reszke appeared on more than 300 occasions at the Royal Opera House, Covent Garden, performing a wide range of roles in French, German and Italian operas, including works by Wagner, Verdi, Rossini, Bellini, Donizetti, Ponchielli, Verdi, Rossini, Bellini, Donizetti and Mozart. He was a huge favourite, too, with audiences at New York's Metropolitan Opera during the same era. He also sang in Chicago in 1891 and, in 1879–1881, at La Scala, Milan. In 1903, he retired from the stage after his once superlative voice developed technical difficulties and went into a swift decline. De Reszke taught singing for a while in London before returning to his estate in Poland, where he was adversely affected by the outbreak of World War I in 1914. He was cut off from his brother by the fighting, and died on 25 May 1917 at a house in Garnek, near Częstochowa, Poland. Édouard de Reszke, was a Polish bass singer from Warsaw, born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late-Victorian era. De Reszke cigarettes are named after Édouard de Reszke and were advertised as ‘the Aristocrat of Cigarettes’. They were produced by J Millhoff, a Russian cigarette maker living in London. He created a special blend of tobacco that it was believed would not damage the famous singer's voice. In gratitude, Millhoff was allowed to sell the blend as 'De Reszke' cigarettes. Cigarette tin, small square, pale aqua color.Marked on lid with two coats of arms in gold, and text in dark blue underneath. 'De Reszke Virginia ‘The Aristocrat of Cigarettes'.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, aristocrat of cigarettes, j millhoff, opera singer -
Bendigo Historical Society Inc.
Document - DELL CAFÉ, RE-UNION DINNER, 29 March, 1947
Dell Café, Re-Union Dinner. Employees of the Old Firm D Whyte & Co. First Annual Re-Union Dinner, Saturday, 29th March, 1947. Dell Café, Hargreaves St. Bendigo. President: T D Cairns, Hon. Sec: J Swatton. Program includes singing and music. Record of Service, name and years of service of employees. R F Gray, T D Cairns, Geo Bennett, H Kerr, F Owen, W McCoy, W Hampton, W Chapmon, G Glover, J Guidice, P Williams, T Mills, K Swift, G O'Donnell, T Chalkey, C Lee, J Swatton, P Read, A Keast, L Rowe, J Richards, T Thompson, Clem Hicks, J Ash, M McDonald, P Burns, W Durwood, P Gouglin, S Clarke, H Colee, J Cox (Jack), S Davey, J Cox (Joe), H Francis, D Grant, E A Hargreaves, H Heggie, J Hicks, R Johnson, H Maybury, J Mead, J Murphy, Gus Lynch, R Nankervis, W Webster, F Wittscheibe, C Watson, R Veal, H Shuttleworth, T Edwards, P Seeber, W Beckerleg, R Huillier, Geo Hall, Les Maher, H Sims, B Patterson, M Clarke, H Robotham, T Lansell, W A McCawley, J Boland, W Gardiner, J Graham, B Stephenson, A Rowe, Geo Nevinson, J Loddington, V Thomas, F Swatton, C Eddy, D Sterry, A Warren, J Lych, Miss Liddy, Miss L Guest. 4 pages.Cambridge Press, Bendigoevent, social, dell café, dell café, re-union dinner. employees of the old firm d whyte & co. first annual re-union dinner, saturday, 29th march, 1947. hargreaves st. bendigo. president: t d cairns, hon. sec: j swatton. program includes singing and music. record of service. r f gray, t d cairns, geo bennett, h kerr, f owen, w mccoy, w hampton, w chapmon, g glover, j guidice, p williams, t mills, k swift, g o'donnell, t chalkey, c lee, j swatton, p read, a keast, l rowe, j richards, t thompson, clem hicks, j ash, m mcdonald, p burns, w durwood, p gouglin, s clarke, h colee, j cox (jack), s davey, j cox (joe), h francis, d grant, e a hargreaves, h heggie, j hicks, r johnson, h maybury, j mead, j murphy, gus lynch, r nankervis, w webster, f wittscheibe, c watson, r veal, h shuttleworth, t edwards, p seeber, w beckerleg, r huillier, geo hall, les maher, h sims, b patterson, m clarke, h robotham, t lansell, w a mccawley, j boland, w gardiner, j graham, b stephenson, a rowe, geo nevinson, j loddington, v thomas, f swatton, c eddy, d sterry, a warren, j lych, miss liddy, miss l guest -
Marysville & District Historical Society
Postcard (item) - Colour postcard, K. & H. Ellis, Panorama of Marysville with Black Range in background, Pre 2009
A colour photograph of a view of Marysville in Victoria.A colour photograph of a view of Marysville in Victoria. The photograph has been taken from one of the many lookouts that surround Marysville.Panorama of Marysville with Black Range in background. Colorscans MARYSVILLE - VICTORIA Panorama of Marysville with Black/ Range in background. c PUBLISHED & PRINTED BY COLORSCAPES PUBLISHING PTY LTD 118-120 BRIGHTON STREET RICHMOND 3121 Supa-vu/ cards Photographed and Distributed by:/ K. & H. ELLIS - 35 Old Warburton Road/ Warburton 3799 20-1-81/ Dear Mum/ Just a line/ to let you know we/ have settled in here./ Its a nice park not to/ big, with a river in/ behind the van. (its/ more like a swift/ running creek, the/ kids are really enjoying/ it. There are plenty of/ walks to go on, up here/ tracks everywhere./ Hows the cooler going/ keeping you cool?/ We are able to say here until/ Sunday./ See you Mum/ Love Lois, Tom,/ & Kids. Mrs A. McTaggart/ 2 Frederick Street/ Kyabram Vic/ 3620. On reverse of postcard are 5 black marks; one in each corner and one in the centre from where the postcard has been removed from an album.marysville, victoria, postcard, souvenir, k & h ellis, colorscans publishing -
Duldig Studio museum + sculpture garden
Drawing, Karl Duldig, The Buddhist Monk, Guangqia by Karl Duldig 1940, 1940
The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner. -
Old Castlemaine Schoolboys Association Inc.
Honour Board, Elphinstone Primary School
1929 - J.L. Hughes 1930 - Elizabeth Bateman 1931 - R.J. Pollard 1932 - R. J Pollard 1933 - Lorna Ellery 1934 - R.H. Monkhouse 1935 - Allan Pollard 1936 - Alice McCristal 1937 - William E Bassett 1938 - Lillian Jean Pollard 1939 - June Mary Oxley 1940 - Mary E. Monkhouse 1941 - Gracie E.M. Clinton 1942 - Kenneth Pollard 1943 - Kevin Morrish 1944 - Clifford Pollard 1945 - Beryl. G. Rawlins 1946 - June Birchall 1947 - Robert Rawlins 1948 - Barbara Morrish 1949 - D. W. Rawlins 1950 - John S. Watson 1951 - Elsie O. Swift 1952 - Edward Rawlins 1953 - William Creed 1954 - F.L. Finning 1955 - John. W. Pollard 1956 - Peter R. Starr 1957 - Margaret Higgins 1958 - Lynette Pollard 1959 - Glen Bassett 1960 - Kelvin Bankin 1961 - Pam Bankin 1962 - Elizabeth Langridge 1963 - Not Awarded 1964 - Robyn Day 1965 - John Holden 1966 - Brian Pollard 1967 - Terese Holden 1968 - Jennifer Day 1969 - Lorraine Leversha 1970 - Julieanne Holden 1971 - Leah Ades 1972 - Peter Grant 1973 - Susanne Pollard -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: DEBUTANTE BALL, 25th - 26th June, 1987
White card. Red writing. Bendigo Senior High School Debutante Balls The Debutantes were presented to His Worship The Mayor of Bendigo Cr. M. Currie and Mrs. Currie at 9 p.m. Strathdale Community Centre Thursday and Friday June 25th and 26th, 1987. Thursday, June 25th Debutantes Partners Yvonne Bergameier, Geoff Campbell, Sonya Broadbent, Greg Lyon,, Leanne Cooper, Darren Curnow, Kylie Ennis, Jason Tully, Kerry Lukeis, Adrian Kalms, Siri Lill Mannes, Leigh Johns, Sally Morshead, Roy King, Jodi O'Shea, Scott Wilson, Ingrid Panknin, Gerald Honeychurch, Naomi Peacock, Graeme Beagley, Dale Rilen, Craig Swift. Chaperone Mrs. Norma Cook Master of Ceremonies Mr Colin Silk Announcers Mrs. Dianne Jakubans Mr. Brian Armstrong Tutors Mr. Peter Ellis Mrs. Mary Smith Flower Girls Prue & Bree Hamilton, Page boys Jarrod Keetelaar & Andrew Whalen Stage, Mrs. Esme Turner Pianist Mrs D Grotto. Friday, June 26th Debutantes Partners Rachel Baker Robert Musk Anita Blandford Tony Jinks Kerri Bond Richard Bishop Natalie Boromeo Scott Harbridge Alison Brown Brad Plant Brigitte Dole Mark Perini Gillian Dumont Tim Jenkyn Joanne Eames Craig Abbott Janelle Hester Andrew Cameron Angela Horne Jason McGregor Andrea Lee Luke Stow Michelle Lucas Adrian Lock Susan Martin John Maber Deanne Martin John McInerney Nicole Mattingley Warrick Higgins, Katherine Neil,l John Killcullen, Carmel Smith, David Robinson, Amanda Steen, Justin Stent, Sharon Tung, Jason Martin, Sueanne Walker, Darren Field. Presentation Dance The First Set of Quadrilles Commencing with a Grand March. The Ball Committee wish to thank you sincerely for your support. The proceeds will be donated to charity. We wish you all the best for the future and hope this occasion is one to remember. Neville Sharpe Norma Cook.person, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: BENDIGO ORCHESTRAL SOCIETY & YMCA CHOIR. MARITANA, 7 Aug, 1933
Princess Theatre, Bendigo. Bendigo Orchestral Society & YMCA Choir. Maritana, Souvenir Programme 6d. Mon. Tues. Wed. August 7, 8, 9. Opera Produced by Mr E A Parker. Musical Director, Mr Oscar Flight. Deputy Director, Mr Alfred Sayer. Leader of Orchestra Mrs McKinnon. Chorus trained by Mr Wilfred Taylor. Chairman of Committee, Mr W Spencer Lake. Business Manager, Mr C J Greenhill. Pictures of artists: Miss Paulyne Bindley, Mr E A Parker, Miss Gwen De Ravin, Mr Wilfred Taylor, Miss Alva Stewart, Mr H H Turner, Mr Oscar Flight. Group photo of Ballet dancers. Argument - Maritana, a handsome Gitana, whilst singing to a crowd of people in a square in Madrid, attracts the admiration of the King. Don Jose, and unscrupulous courtier, observing this, determines to satisfy the . . . Characters: Paulyne Bindley, Gwenneth De Ravin, E A Parker, Wilfred Taylor, Lyell Shepherd, J W Smith, H H Turner, Lindsay Wright. Court Ballet: Miss Mercia Wright. Solo Dancer: Miss Fay Drummond. Chorus of Soldiers, Gypsies, and Populace. Deputy Principals: Alva Stewart, Frieda Bertuch, H J Allen. Costumes: Madame Tettrazini, Miss Ada Colton, Mrs E A Parker. Orchestra. Violins: Mrs C Adams, Miss J Anderson, Mr R Bright, Mr O Flight (jnr), Mrs S A Grant Mrs H Hillman, Miss J Houston, Mr G Krost, Mrs S McKinnon, Miss A McKinnon, Miss A McNair, A Sayer, Mrs L Shepherd, A Swift, H Timms. Viola: Mr P Coope. 'Cellos: Miss R Giudice, Mr W S Lake. Bass: Mr J Ditchburn. Flute: Mr A E Sayer. Clarinets: Mr B Smith, Mr P Waterman. Harpiste: Miss Whitelock. Cornets: Mr W Norman, Mr P Smith Mr A Swift, Mr F Taylor. Horns: Mr W Green, Mr N McPherson. Trombones: Mr Les Bishop, Mr E J Meagher. Drums: Me J McLaughlin. Piano: Miss I Benson, Miss E Flight. Chorus. Sopranos: Miss D Broome, S Brown, Mrs R Burland, Miss Betty Cant, E Colclough, E Collins, Bessie Davis, P Dunn, G Farmont, M Heyes, D Hoking, B Harpin, M Kitto, D Kirkwood, E Parker, L Simpson, Ida Stephenson, M Stephenson, L Smalley, Mrs W Taylor, V Thorpe, Miss Myrtle Taylor, Annie Thomas, Mrs C Walk, Miss R Wallent. Contraltos: Miss F Bertuch, Mrs D Campbell, Miss I De Ravin, M Davis, P Elliot, Mrs J Greenhill, Mess N Irving, I James, J Seers, J Shepherd, G Stephens. Tenors: J Cotton, G English, D Finery, Alec Jones, E Jeffery, D Parker, J Sims. Basses: D Doran, J Finerty, J H Hardie, A B Kirkwood, W L Macauley, S C Powell, R Prigg, W Reed, Les Spencely, Cyril Taylor, Ken Taylor. Mr Ron Hovenden, Scenic Artist. Ballet: Misses Clarice Harry, Rita Lansell, Thelma McKenzie, Mena Bailey, Dorothy Roberts, Fay Drummond, Kath Dungey, Jean Wright. Dance Mistress Miss Mercia Wright. Photo of dance group on rear cover. Printed down right side: Mr W. Reed - With Compliments from ''Maritana'' Committee. Sep 5/33. Signed: W Spencer Lake. Very decorative cover. B/ Envelope addressed to Mr W Reed, Lily St, Bendigo. 2 pieces of white tape on left side one top and one at bottom, stamp gone post mark Bendigo.Reed & Co., Printers, Bendigotheatre, opera, bendigo orchestral society:ymca cho, princess theatre. bendigo orchestral society & ymca choir. maritana. august 7, 8, 9. opera by mr e a parker. musical director, mr oscar flight. deputy director, mr alfred sayer. leader of orchestra mrs mckinnon. chorus trained: mr wilfred taylor. chairman of committee, mr w spencer lake. business manager, mr c j greenhill. photos of: miss paulyne bindley, mr e a parker, miss gwen de ravin, mr wilfred taylor, miss alva stewart, mr h h turner, mr oscar flight. group photo of ballet dancers. argument - maritana, a handsome gitana, whilst singing to a crowd of people in a square in madrid, attracts. . . characters: paulyne bindley, gwenneth de ravin, e a parker, wilfred taylor, lyell shepherd, j w smith, h h turner, lindsay wright. court ballet: miss mercia wright. solo dancer: miss fay drummond. chorus of soldiers, gypsies, and populace. deputy principals: alva stewart, frieda bertuch, h j allen. costumes: madame tettrazini, miss ada colton, mrs e a parker. orchestra. violins: mrs c adams, miss j anderson, mr r bright, mr o flight (jnr), mrs s a grant mrs h hillman, miss j houston, mr g krost, mrs s mckinnon, miss a mckinnon, miss a mcnair, a sayer, mrs l shepherd, a swift, h timms. viola: mr p coope. 'cellos: miss r giudice, mr w s lake. bass: mr j ditchburn. flute: mr a e sayer. clarinets: mr b smith, mr p waterman. harpiste: miss whitelock. cornets: mr w norman, mr p smith mr a swift, mr f taylor. horns: mr w green, mr n mcpherson. trombones: mr les bishop, mr e j meagher. drums: me j mclaughlin. piano: miss i benson, miss e flight. chorus. sopranos: miss d broome, s brown, mrs r burland, miss betty cant, e colclough, e collins, bessie davis, p dunn, g farmont, m heyes, d hoking, b harpin, m kitto, d kirkwood, e parker, l simpson, ida stephenson, m stephenson, l smalley, mrs w taylor, v thorpe, miss myrtle taylor, annie thomas, mrs c walk, miss r wallent. contraltos: miss f bertuch, mrs d campbell, miss i de ravin, m davis, p elliot, mrs j greenhill, mess n irving, i james, j seers, j shepherd, g stephens. tenors: j cotton, g english, d finery, alec jones, e jeffery, d parker, j sims. basses: d doran, j finerty, j h hardie, a b kirkwood, w l macauley, s c powell, r prigg, w reed, les spencely, cyril taylor, ken taylor. mr ron hovenden, scenic artist. ballet: misses clarice harry, rita lansell, thelma mckenzie, mena bailey, dorothy roberts, fay drummond, kath dungey, jean wright. dance mistress miss mercia wright. photo of dance group. -
Bendigo Historical Society Inc.
Document - HISTORY OF BENDIGO PERFORMING ARTS 1870-1963, 1870-1963
History of Bendigo Performing Arts 1870 - 1963. Presented by Charles Murray Bendigo Historical Society Inc. (13 pages,paper clipped). Performers and Palaces November 24, 2000 at the Bendigo Bank Theatre BRAC View Street Bendigo. Negative of The Bendigo Liedertafel in Opera, the performance of 'Pinafore' in 1888. Names of the cast(negative) are: Back row - Miss A Gellmiek(Josephine), Mr F. Macoboy(Ralph Rackstraw), Miss Forsyth(Hebe), Mr. M. Macoboy (Sir Joseph Porter), Miss E. O'Flaherty (Little Buttercap), Mr. L. Germann(Captain Corcoran). Front Row: - Mr. C,. Pallett (Bill Bobstay), Mr. H. Monaghan(Conductor), Dr. Penfold (president), Mr. H. M. Marks(Stage manager), Mr. A. Tawse (Dick Deadeye). The Bendigo Lieddertafel waqs extablished in 1884 by MNr. A. T. Crook. Mr. William Brown, the well known solicitor, took and active part along with his brother, Mr. T. Brown, in its inauguration. Mr. W. Brown always took a warm interest in matters musical, and for many years was one of the most prominent singers in the district. Contemporary with him in the sixties were Mrs. Betham and Mrs. Ellis, and in the seventies, Mrs. E. E. Casey. Negative of halla's Premier City Band. Standing ,from left to right - H. Middleton, T. Ash, J. Graham, G. Foster, W. Hicks, S. Mauley, J. Eaton, V. Byrne (Drum Major), - Sullivan, R. Lindsay, C. Crawford, R. Meakin, D. Westphalen, W. Hall, G. Hunter, B. Broadbent, W. Higginbotham. Sitting, from left to right - T. Sayer, R. E. Crawford, C. Foster, J. Mappin, G. Meakin, G. Coleman, F. Lindsay, Nat. Hallas (Bandmaster), J. Swift, C. Anderson, J. Armstrong, W. Mappin (at back), I. Moore (in front), W. Bannister, J. Whitlam, J. Daley, Bert Daley. Negative of Mr. W. J. Dillon as 'Hamlet'. Negative of Mr. Tone and Mr. Nalder, The Grave Diggers in 'Hamlet'. Negative of Amy Castle. Negative of Mr. E. A. Bindley, Conductor. Negative of miss Pauline Bindley as Hamletta. Negative from 'Boccoccio' 1909. Mr M. Gallagher (Lotteringhi), Mr. G. Brayshaw (Scalza), Mr. A. E. Sayer (Lambertuccio). Negative of Kob Samuels.bendigo, tourism, theatre history 1870-1963 -
Flagstaff Hill Maritime Museum and Village
Rangefinder, E R Watts & Sons, 1930-1945
E. R. Watts and Son, makers of theodolites and other surveying instruments, of 123 Camberwell Road, London. The company was established in 1856 by Edwin Watts at twenty-three he had saved £100 from his earnings to start the business with his staff consisting of one boy and later Alexander Clarkson as an apprentice with the workshop a small room over a Bemondsey stable. Watts' first order was from Negretti and Zambra for a mining dial Alexander Clarkson In the early days the firm worked mainly on marine compasses. Edwin Watts would go down to the Docks to adjust the compasses once they had been installed on the ships. In May 1873 the business moved to larger premises a house with a garden. The workshop was also the home of Mr and Mrs Watts and their five sons and three daughters. By now there were fifteen to twenty men employed by the firm. The company were commissioned to supply the Theodolites and Levels for the construction to the Canadian Pacific Railway in 1881. Towards the end of the century, the firm began to make heliographs continuing to produce them for the government until just before the Second World War when by agreement assigned their manufacture to another firm. 1904 The first dividing engine was completed by George William Watts. It was so remarkable an instrument at the time and for years afterwards, In 1907 Arthur Ames went to Canada and started an organisation in Winnipeg in 1909 this became a separate company called E. R. Watts and Son Ltd. of Ottawa. This firm developed considerably and was eventually with the co-operation of three other instrument companies (Cambridge Instrument Co, Ross, and Negretti and Zambra), were reconstituted as ”Instruments Ltd” of Ottawa and Toronto. During the next ten years, the firm expanded greatly to include glass grinding, leather work, dividing and engraving, testing, adjusting and packing. This expansion was continued during the First World War when workshops were completed and the machinery installed and running within eleven weeks from the start of construction. During the war, a Sergeant Coles, among the rats, lice and mud of the trenches, fitted various bits of scrap into his cocoa tin and made the first Flash Spotter for plotting the positions of enemy guns. Coles was rushed home to the firm's factory where he and George William Watts designed a spotter not made out of a cocoa tin and as a result, the Watts Vertical Force Variometer was developed during WWI. Other Watts instruments made in the First World War included the Light Mountain Theodolites which were taken on Mt Everest expeditions. In 1919 ER Watts and Sons was incorporated as a limited company and in 1939 G. A. Whipple joined the Board of Directors. Shortly afterwards, Frank Charles Watts died having been Chairman of the firm for over 37 years and seen it through the First World War with all its expansions and difficulties. He was succeeded by his brother George William Watts with the vacant post of Managing Director being filled by G. A. Whipple. During the Second World War, the company expanded further and the number of employees rose to well over 1,300. In 1946 Watts acquired 78% of Adam Hilger and the microscope maker James Swift and Son Who were Manufacturers of Theodolites, Levels, Alidades, Meteorological Instruments, Variometers, and many other types of scientific instruments Then in 1948 the company amalgamated with Adam Hilger as Hilger and Watts which was then incorporated as a public company.Naval Rangefinder with a vertical wooden handle, and an arrangement of optical lenses. Three reversible brass inserts calibrated on both sides in yards, correspond to various base heights, (20 and 25 feet, 30 and 35 feet and 40 and 50 feet). They are fitted along the axis of the instrument. When the scale for the appropriate base height is selected and inserted, the carriage can be slid for coincidence and the distance read at the index mark on the sliding carriage.inscribed "Rangefinder Cotton Type Mk II" Calibrated scale up to 5000 yds (50 ft), 5000 yds (35 ft), 4000 yds (25 ft) made by E. R. Watts & Son.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, rangefinder, cotton type, e r watts & sons, naval range finder, marine equipment -
Bendigo Historical Society Inc.
Document - TOWN HALL, YOUNG MEN'S CHRISTIAN ASSOCIATION OF BENDIGO ORCHESTRAL SOCIETY, 30th may, 1923
Town Hall, Young Men's Christian Association of Bendigo Orchestral Society. Orchestral Concert, Town Hall, Bendigo. Wednesday, 30th, 1923, at 8pm. Conductor: Frank Grose. Assisted by: Lily Jackson, Soprano. Edith Lansell, Contralto. Muriel Boldt, Pianiste. William Cahill, Baritone. Mabel McGauchie, Accompaniste. Orchestral Society. Hon. Sec.: Thos. Shambrook. Pirates of Penzance: Romanza Scenza, Arabesque No. 2, Air De Ballet, Death and the Maiden, Sapphic Ode, Let me Love Thee, Russian Boatman Song. William Tell: O love from Thy Pow'r, Scherzo in Bb Minor, Abide with Me, Rock of Ages, Time was I Roved the Mountains, Eyes that used to Gaze in Mine, Invitation Vocal Valse, Coronation march. Bendigo YMCA Orchestral Society. First Violins: Miss Myrtle Knight, Agnes McNair, Olive Hannaford, Winnie Pithie, Louise Bolton, Louise Downie, Ruth Spier, Alison Smalley. Mrs Grant, Swift. Second Violins: Mr J E Fitt, A Richardson, Rex Matthews, Miss Lily Campbell, Elsie Stemmer, Myrtle Phillips, Alma Doxford, Evelyn Miles, Elva Hesse, Winnie Hobson, Master T Challen, J Watts. Cellos: Madame Dorothy Duval, Miss Maisie Field, Mr E Minotti, W Ellis, G L Verey. Basses: Mr J H Melrose, J Lavacombe, R Rule, W Jackson. Flutes: Mr A E Sayer, R Crawford, Dilworth, Moon. Piccolo: Mr A E Sayer. Oboe: A B Challen. Clarinets: Mr A B Challen, J Bowman, J McEwan. Horns: A Johnston, H Hilderbrande, J Tredinnick, L Rundle. ,Trumpets: Mr B Bowater, P Reed, N Banfield, A Old. Trombones: Mr. D Collier, H Bolton, W Pain. Euphonium: W Ketterer. Tubas: Mr A Hoking, W Ketterer. Sassoon: Mr T Francis. Timpani: Mr J McLoughlin. Percussion: Mr J Osborne. Organist: Mr F C Stuart. Pianist: Miss Mabel McGauchie. Conductor: Frank Grose. President: Barkly Hyett. Treasurer: G W Lansell. Librarian: W J Wearne. Honorary Secretary: Thos. Shambrook. Three concerts per year will be given by the society. Next two concerts in August and November, 1923. Subscribers Tickets are 1 pound 1 shilling. This ticket entitles holder to two booked seats for each concert. Picture of Harp with music book, laurel and bird on cover. 4 pages.F. H. Sparkman, Arcade Press, Bendigo.program, music, ymca of bendigo orchestral society, town hall, ymca of bendigo orchestral society. orchestral concert, town hall. 1923. conductor: frank grose. assisted by: lily jackson, soprano. edith lansell, contralto. muriel boldt, pianiste. william cahill, baritone. mabel mcgauchie, accompaniste. orchestral society. hon. sec.: thos. shambrook. pirates of penzance: romanza scenza, arabesque no. 2, air de ballet, death and the maiden, sapphic ode, let me love thee, russian boatman song. william tell: o love from thy pow'r, scherzo in bb minor, abide with me, rock of ages, time was i roved the mountains, eyes that used to gaze in mine, invitation vocal valse, coronation march. bendigo ymca orchestral society. first violins: miss myrtle knight, agnes mcnair, olive hannaford, winnie pithie, louise bolton, louise downie, ruth spier, alison smalley. mrs grant, swift. second violins: mr j e fitt, a richardson, rex matthews, miss lily campbell, elsie stemmer, myrtle phillips, alma doxford, evelyn miles, elva hesse, winnie hobson, master t challen, j watts. cellos: madame dorothy duval, miss maisie field, mr e minotti, w ellis, g l verey. basses: mr j h melrose, j lavacombe, r rule, w jackson. flutes: mr a e sayer, r crawford, dilworth, moon. piccolo: mr a e sayer. oboe: a b challen. clarinets: mr a b challen, j bowman, j mcewan. horns: a johnston, h hilderbrande, j tredinnick, l rundle. , trumpets: mr b bowater, p reed, n banfield, a old. trombones: mr. d collier, h bolton, w pain. euphonium: w ketterer. tubas: mr a hoking, w ketterer. sassoon: mr t francis. timpani: mr j mcloughlin. percussion: mr j osborne. organist: mr f c stuart. pianist: miss mabel mcgauchie. conductor: frank grose. president: barkly hyett. treasurer: g w lansell. librarian: w j wearne. hon. sec.: thos. shambrook. three concerts per year. next two august and november, 1923. -
Bendigo Historical Society Inc.
Document - TOWN HALL, YMCA SYMPHONY CONCERT, 17 September, 1924
Town Hall, YMCA Symphony Concert, Orchestral Society. Frank Grose, Conductor. Sept. 17th 1924. Artists Assisting; Carmen Pascova, George A Chant, Coral Trenerry, Mabel McGauchie. Hon. Treas. G W Lansell. Pres. Barkly Hyett. Programme Les preludes, Like Death's Grim Shadow, O, Pure and Tender Star of Eve, Hejre Kati, O Mio Fernando from La Favorita, The Unfinished, L'heure de pourpore, Le the, Coecilia, Blow Blow Thou Winter Wind, Feu Folley, The Last Hour, The Night Wind, At Dawing, Oh! Didn't it rain!, from La Prophete. Orchestral Society: First Violins; Mrs Harry Hillman, Miss Winnie Pithie, Miss Agnes McNair, Mrs Stanley Gant, Miss Lucille Simpson, Miss Elsie Stemmer, Mrs E Swift, Miss L Downie. Second Violins; Mr James Fitt, Master Tom Challen, Miss Myrtle Phillips, Miss Alma Doxford, Miss J Houston, Miss Evelyn Miles, Miss Elva Hesse, Miss Winnie Hobson, Mr Stanley Kennedy, Mr Albert Richardson, Master L Watts, Miss Lois Streader, Master L Meakin, Master R Trewarn. Violas; Mr P Coope, Mr H R Smith, Miss L Beischer, Miss Eisler Woodward. 'Cellos; Madame Dorothy Duval, Miss Maisie Field, Miss Ethel Crook. Basses; Mr J H Melrose, Mr R Rule, Mr J Ditchburn. Piccolo; Mr A E Sayer. Flute; Mr A E Sayer, Mr W Davidson. Oboes; Mr A B Challen, Mr W Channel. Clarionets; Mr Bowman, Mr W McEwan. Basoons; Mr T Francis, Mr P Reed. Trumpets; Mr A H F Taylor, Mr P Smith, Mr B Bowater, Mr N Banfield. Horns; Mr A Johnson, Mr J Tredinnick. Trombones; Mr D W Collier, Mr H Botten, Mr W Jackson. Tubas; Mr E C Rasmussen, Me A Hocking. Percussion; Mr J Kinder. Tympani; Mr J McLaughlin. Organist; Mr C Cowling. Pianiste; Miss Mabel McGauchie. Am Appeal to every Music Lover on behalf of Bendigo Boys. The Orchestral Society of the Young Men's Christian Association exists for the uplift of Bendigo through the agency of music. In addition to this it dedicates the whole of its profits to the extension of Christ's work among Boys. Surely this two-fold object is sufficient to warrant a large number of subscribers, and yet we regret to say we find it increasingly difficult to finance the Society, and our Association, in one to the greatest provincial cities in Australia. We would like to think that it is only sufficient to mention this matter in order to call for an immediate demand for subscribers tickets for our Orchestral Society; in order to remove the 'Damoclesian sword' of finance which perpetually suspended above our heads, and thereby insure a continuance of our Orchestral Society, and the permanence of out Association, which is in business for the men and boys of this fair City. Subscriber's Tickets may be purchased for 1 pound, 1 shilling, which permits the bearer to book seats for each Tree Concerts. These tickets are obtainable at any period during the year. For Further information apply; Frank Grose, General Secretary.F. H. Sparkman, Printer, Arcade, Bendigo.program, music, ymca of bendigo orchestral society, town hall, ymca symphony concert, orchestral society. frank grose, conductor. sept. 17th 1924. artists assisting; carmen pascova, george a chant, coral trenerry, mabel mcgauchie. hon. treas. g w lansell. pres. barkly hyett. programme les preludes, like death's grim shadow, o, pure and tender star of eve, hejre kati, o mio fernando from la favorita, the unfinished, l'heure de pourpore, le the, coecilia, blow blow thou winter wind, feu folley, the last hour, the night wind, at dawing, oh! didn't it rain!, from la prophete. orchestral society: first violins; mrs harry hillman, miss winnie pithie, miss agnes mcnair, mrs stanley gant, miss lucille simpson, miss elsie stemmer, mrs e swift, miss l downie. second violins; mr james fitt, master tom challen, miss myrtle phillips, miss alma doxford, miss j houston, miss evelyn miles, miss elva hesse, miss winnie hobson, mr stanley kennedy, mr albert richardson, master l watts, miss lois streader, master l meakin, master r trewarn. violas; mr p coope, mr h r smith, miss l beischer, miss eisler woodward. 'cellos; madame dorothy duval, miss maisie field, miss ethel crook. basses; mr j h melrose, mr r rule, mr j ditchburn. piccolo; mr a e sayer. flute; mr a e sayer, mr w davidson. oboes; mr a b challen, mr w channel. clarionets; mr bowman, mr w mcewan. basoons; mr t francis, mr p reed. trumpets; mr a h f taylor, mr p smith, mr b bowater, mr n banfield. horns; mr a johnson, mr j tredinnick. trombones; mr d w collier, mr h botten, mr w jackson. tubas; mr e c rasmussen, me a hocking. percussion; mr j kinder. tympani; mr j mclaughlin. organist; mr c cowling. pianiste; miss mabel mcgauchie. am appeal to every music lover on behalf of bendigo boys. the orchestral society of the young men's christian association exists for the uplift of bendigo through the agency of music. in addition to this it dedicates the whole of its profits to the extension of christ's work among boys. surely this two-fold object is sufficient to warrant a large number of subscribers, and yet we regret to say we find it increasingly difficult to finance the society, and our association, in one to the greatest provincial cities in australia. frank grose, general secretary. -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PETER ELLIS OBITUARY
3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam -
The Beechworth Burke Museum
Photograph, c. 1918
Taken in c. 1918, this photograph depicts the ruins of the French village Villers-Bretonneux. In the foreground of the image are rows of shell damaged houses and buildings. In the background of the image stands a tower of the ruined church.On 24 April, Villers-Bretonneux was captured by the Germans as they advanced towards the regional city of Amiens. If they achieved their goal and drove onto the French coast, splitting the British and French armies, the Allied cause might have been lost. The fate of Amiens hung in the balance as two Australian brigades were given the task of retaking Villers-Bretonneux through a swift night-time counter attack. One brigade would assault from the south, while another would attack from the north. The assault began at 10pm on 24 April. The 13th Brigade in the south were held up by German machine guns, before the Australians linked up east of the village. After dawn on 25 April Australian and British troops were involved in fierce fighting to clear the Germans from the village. Some Germans escaped Villers-Bretonneux through nearby woods. Later on the morning of 25 April, three years to the day after the Anzacs landings at Gallipoli, French and Australian flags were raised over Villers-Bretonneux.Black and white rectangular reproduced photograph printed on matte photographic paperReverse: (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink) Church x Ruins/ Villers Bretonneux/ (in pencil) burke museum, world war 1, ww1, wwi, france, australia, villers-bretonneux, ruins, military album