see no. 359Thin earthenware tile glazed orange with black pattern. Used for border3770 (on back)ceramics, earthenware

Possibly designed by donor's mother, Mrs Emma OtterbachGreen glazed mosaic tile depicting morning angel with child on backceramics, earthenware

See 359Border tile glazed with brown and white squares. Rounded on one end.(on back) 298ceramics, earthenware

See 359Brown glazed corner tile. Raised edge with lighter brown design.ceramics, earthenware

See 359Blue glazed border tile with light blue pattern and gold knobs.ceramics, earthenware

Display of Australian Tesselated Tile Co. tiles held by Nunawading Historical Society loaned to Whitehorse City Council for display in foyer of Nunawading Civic Centre to celebrate National Trust Heritage Festival. Photographaustralian tesselated tile co pty ltd, city of whitehorse, national trust heritage festival

Daniel Robertson Australia Pty Ltd, manufacturers of clay bricks, pavers and paving tiles. Company founded in 1853 and still family owned, exports paving tiles to Japan. Describes use of 'Hawthorn Bricks' and tuckpointing..Daniel Robertson Australia Pty Ltd, manufacturers of clay bricks, pavers and paving tiles. brickworks, daniel robertson australia pty ltd, robertson, peter, hawthorn bricks

The house at 113 Mountain View Road Briar Hill, formerly the home of Bob Barling, scoutmaster in the 1950s, was totally destroyed by fire. These items were salvaged from the site.Two items salvaged from house fire: Tile fragment & teapot spouttile, teapot

Port of Portland Authority archivesPort of Portland archivesFront: (no inscriptions) Back: (no inscriptions)

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives

"The idea behind this artwork installation ‘Spirit of the Ballarat Winter Festival’ was to incorporate arts and cultural symbology as if it were painted like a brush stroke upon the footpath yet embedded like a time stamp within the urban streetscape. ‘Spirit of the Ballarat Winter Festival’ offers an unexpected burst of colour and vibrancy within the Ballarat CBD." This artwork was created as pert of the Ballarat Winter Festival in 1998. The Spirit of the Ballarat Winter Festival mosaic is an interpretation of the Ballarat Winter Festival logo image designed by Paul McKenna. Principal Artist Belinda (Bel) Woodruff then trading as Deevine Mosaics received Project Support from Anne Bonighton and City of Ballarat Community Arts Department staff. Vitrified glass tiles adhered to a pre-cast concrete form - installed into the footpath.SPIRIT OF THE / BALLARAT WINTER FESTIVAL / MOSAIC BY/ DEVINE ORIGINALS / SUPPORTED BY / COMMUNITY ARTS - 1998

Colour Photograph: Brick Home with Tile roof, Wood and wire Fence in front.On Reverse: 25 Seaby Streetseaby street, john m bennett

See 359Glazed border tile - black background with dark green squares of various sizes.ceramics, earthenware

See 359Glazed border tile - fawn background with pattern of orange, green, brown and blue.(on back) '9' '676' '36' (handwritten) 'Jang 71/Blue H825/Fawn M389/Green A627/Brown A430'ceramics, earthenware

See 359Glazed border tile - dark blue background with pale blue decoration and edgingceramics, earthenware

See 359Glazed border tile with black edge and pattern of green, dark orange and cream.'576' 'E6' (on back)ceramics, earthenware

See 359Pale blue glazed border tile with white edged gumnut and leaf pattern'1503'ceramics, earthenware

Small oblong border tile - green with lighter green forming diamond pattern.ceramics, earthenware

The Kew Civic Centre, as opposed to the adjacent Kew Civic Hall (see also Kew City Hall), was built to house a new Council Chamber and Council Offices in 1972. The Kew Library was to be located on the ground floor and accessed from the current carpark. This building replaced the former Town Hall in Walpole Street, Kew which had served as a town hall from 1865-1972. After the sale of the old Town Hall, the new Civic Centre was built to a design of the architects A K Lines, MacFarlane & Marshall. A fit-out of the building was still occurring when councillors and council officers moved into the building. In 1987, the Kew Library (and the Kew Historical Society) moved across the road to the reconfigured Civic Hall. The Civic Centre, pictured here, was ultimately sold to Trinity Grammar School following the amalgamation of Kew into the City of Boroondara.These four black and white photographs were taken by a photographer in the City Engineer's Department during the final construction phase. Each is dated and inscribed with a description.Tiling the steps leading from the forecourt to the new Kew Civic Centre in 1972.Annotated verso: "Civic Centre - Forecourt / 16.7.72"kew civic centre, kew civic offices, city of kew -- council chamber

Colour photograph of cream brick building with pitched tile roof and trees behind.shire of grenville, shire offices, buildings

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

Black and white photo of porch tiles of Edgar Fredrick Walker home in Benares Street, Mitcham (Walker Estate) at what is now the home of Dr. Inches. These tiles were inspired by visit to India made by E.E. Walkerwalker estate, walker, edgar edwardes, edgar frederick, benares street mitcham, inches, dr., australian tesselated tile co. pty. ltd.