A small booklet witha bright orange cover, titled :Recipe Book For Thinkers" in black print.book-recipes andrews-robert-h.

A book for artists.neville bunning, anatomy, figure construction, drawing

Ill, p.96.non-fictionIllustrated history of the Australian participation in the Pacific campaignsworld war 1939-1945 - campaigns - pacific area, world war 1939-1945 - australian involvement

A brief history of ships that have served Australia and New Zealandaustralia. royal australian navy - pictorial works, warships - pictorial works

HardcoverIndigenous colonial history, cattle station life, white-aboriginal relations, Australian fictiongardening, walsh st library

Circulated between 1966 and 1984, the one dollar bank note was issued following Australia's switch to decimal currency. It was later replaced by the dollar coin. Legal tender throughout the Commonwealth of Australia and the territories of the Commonwealth. Issued by the Reserve Bank of Australia, with the signatures of both the Governor of the Reserve Bank (J.G.Phillips), and the Secretary to the Treasury (R.J.Randall) noted on the obverse. Australian one dollar notes carry individual serial numbers.Demonstrates the one dollar note as it was circulated in Australia between 1966 and 1984. It represents currency used by Ballarat passengers to pay their tram fares, and received by SEC Ballarat Tramway crews/staff in wage packets.Orange, yellow and brown minted note on white treated paper. The obverse depicts Queen Elizabeth the II, the Australian Coat of Arms and the "1" denoting value. The reverse depicts Aborginal drawings, including animals and people, as well as the "1".btm, cash, bank notes, australian currency, ballarat tramway museum, australian one dollar note

Circulated between 1966 and 1988, the two dollar bank note was issued by the Reserve Bank of Australia following Australia's switch to decimal currency. It was later replaced by the two dollar coin. Legal tender throughout the Commonwealth of Australia and the Territories of the Commonwealth. Signed by J G Phillips, Governor of Reverse Bank of Australia, and R J Randall, Secretary to the Treasury. Each note is assigned a unique serial number, this notes serial number reads GJJ 982843.Demonstrates the two dollar note as it was circulated in Australia between 1966 and 1988. It represents currency used by Ballarat passengers to pay their tram fares and received by SEC Ballarat Tramway crews/staff in wage packets. Green and yellow minted note on treated white paper. Obverse depicts John Macarthur, a merino ram and a "2" denoting its value. The reverse depicts William James Farrer, alongside ears of wheat and the "2".btm, ballarat tramway museum, cash, bank notes, australian currency, money, two dollar bank note

Album compiled by the photographer containing generally 89 x 124mm of: • Bendigo – 151 black and white prints • Ballarat – 119 black and white prints and some colour • Melbourne – 20 colour and black and white prints - featuring Queensway, the Hump, Royal Park, route 82, Dandenong Road, Glenferrie Road, Barkers Road and Hawthorn Bridge. • Rome, Hong Kong and Toronto – 14 prints See items 8638 to 8642 for negatives of the Ballarat and Bendigo photos and related image files held on the BTM Demonstrates the work of the photographer.Album - heavy plastic covered covers, with 100 sewn and glued paper sheets each side with three plastic sleeves for photographs with a negative pocket page at the rear. See list of btm8637 - Ballarat list.doc for a location listing of the Ballarat photographs.trams, tramways, ballarat, bendigo, melbourne, hong kong, toronto, rome, brian andrews

Contains part of the negatives that the photographer took of Ballarat and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve. See list of btm8637 - Ballarat list.doc for a location listing of the Ballarat photographs. No. 57 - 35mm - SEC Ballarat - 14-3-68trams, tramways, ballarat, brian andrews, negatives

Contains part of the negatives that the photographer took of Ballarat and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve. See list of btm8637 - Ballarat list.doc for a location listing of the Ballarat photographs. No. 58 - 35mm - SEC Ballarat - 14-3-68trams, tramways, ballarat, brian andrews, negatives

Contains part of the negatives that the photographer took of Ballarat and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve. No. 59 - 35mm - SEC Ballarat - 14-3-68trams, tramways, ballarat, brian andrews, negatives

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square"Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 60 - 35mm - SEC Bendigotrams, tramways, brian andrews, negatives, bendigo

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square" Includes as well 12 photographs of track work on the Glenelg Adelaide tram line.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 61 - 35mm - SEC Bendigo and Glenelg - MTT Glenelg line 24-3-68 and 30-3-68trams, tramways, brian andrews, negatives, bendigo, glenelg

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square" Includes as well 172 photographs of J and K class locomotives at the Ararat locomotive depot.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 64 - 35mm - SEC Bendigo 12-5-68 and VR Western line 11-5-1968trams, tramways, brian andrews, negatives, bendigo, ararat, steam locomotives, j class, k class

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, mixed media, flora, flowers, noelene andrews, basket, still life

Book

Lex Brown, 27.3.1918 Possibly New Zealand ServicemanRectangular postcard, sepia tone photo of WWI Soldier.passchendaele barracks trust, postcards, photographs

Ill, maps, p.74.non-fictionA portrait of Bendigo's tramway system in its final yearstramways - bendigo, trams - bendigo - history

ill, p.88.non-fictionA pictorial history of the end of steam in Australia on government and private railways.railroads -- australia -- history, railroads -- australia -- trains -- pictorial works

A small hardcovered book of 181 pages and an index including information of early settlers and runs in Northeast Victoria.non-fictionA history of settlement on and around the Upper Murray River, covering the period of 1835 to 1845, including "A short account of over two hundred runs 1835 to 1880". An excellent source of information on the colonial settlement of the Murray River. Detailed information of the first white settlers and the challenges they faced. Interesting account of conflict between settlers and indigenous population. Many indigenous words and their meaning recorded. It includes a foreword written by Rosemary Boyes, a prominent Albury-Wodonga historian.upper murray district, settlement victoria, colonial settlement, pastoral industry victoria

ill, maps, p.54.non-fictionA history of the Mentone railway station in Melbourne from 1881 to 2012.railway stations - victoria - history, mentone railway station - victoria - history

Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig

Memorial Stone, St Andrews Presbyterian Church, Cecil Street, Williamstown Photograph - Memorial Stone from St Andrews Presbyterian Church, Cecil Street, Williamstown, 1988. Colour photo Presbyterian Church. THIS MEMORIAL STONE WAS LAID BY THE MODERATOR OF THE GENERAL ASSEMBLY 22ND NOVEMBER 1870 memorial stone, st andrews presbyterian church, cecil street, williamstown, st andrews

Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018

George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure

Tom Ellis was the great grandson of pioneer William Ellisfay bridge collection, 2021-11-13, kangaroo ground, kangaroo ground-st andrews road, tom ellis house

fay bridge collection, parade, st andrews, st andrews market, st andrews primary school

Barbara Hermans 1988 Entrant No. 77 Ref: Series 34, Items 98 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, barbara hermans, diamond valley vineyards, scan - 35mm positive, st andrews