Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)12 / B (Handwritten) / Encircled 11 (Handwritten)japan, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)5japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Sogetsu Art center (1958), Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 18japan, slide

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Stadium Negara, Kuala Lumpur, Malaysia, 1962. (Architect: Stanley Edward Jewkes.)Made in Australia / 31 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Singapore Hilton, Orchard Road, Singapore 1969. (Architects: Booty, Edwards and Partners.)Made in Australia / 36 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 14japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan (Architect: Kenzo Tange.)Made in Australia / 15 / 9 (Handwritten)slide, robin boyd

Boyd outlines reasons why architecture students and young architects are less outspoken about the quality of architectural design in comparison to older practising architects.Original manuscript published in Meanjin, Vol.17 No.78, pp. 175-178. It was reprinted in the 'Architect' (Perth) Vol.3 No.53, pp. 26-27.Typewritten (c copy), quarto, 6 pagesarchitects, 'slate' magazine, robin boyd, manuscript

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Mynda', 5 Molesworth Street , Kew. Architect - Lloyd Taylor.Annotated in ink on reverse: "Miss Anderson's cottage garden and home / Front view / Built 1884 by Lloyd Taylor architect / Photo taken by Peter Watts, Historic Gardens Project Coordinator, National Trust / Purchased by Society 14/11/1979."gardens -- kew (vic.), mynda, 5 molesworth street -- kew (vic.)

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Image from a magazine of Yamanashi Press and Broadcasting, Kofu, Japan, 1966-7. (Architect: Kenzo Tange.)Made in Australia / 4 / OCT 64M / Encircled 49 (Handwritten)slide, robin boyd

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Image from a magazine of Yamanashi Press and Broadcasting, Kofu, Japan, 1966-7. (Architect: Kenzo Tange.)Made in Australia / 3 / OCT 64M / Encircled 16 (Handwritten)slide, robin boyd

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Canadian Pavilion (foreground, Architect: Arthur Erickson, with Geoffrey Massey), Australian Pavilion (background, Architect: James MacCormick ), Expo '70, Osaka, JapanMade in Australia / 6 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Colour slide in a mount. Interior (staircase and tiled walls), Okayama Prefectural Government Building, Okayama, Japan, 1957. (Architect: Kunio Maekawa.)Made in Australia / 7slide, robin boyd, japan

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Taisekiji Temple, exterior view of shower room and lodging house, Fujimiya City, Japan (Architect: Kimio Yokoyama)Encircled 21 (Handwritten)slide, robin boyd

Architectural sketch of proposed new hospital drawn by R.J.O'Connor & Brophy, Architects Melbourne. This hospital was built in 1950-52 with modifications including rounded sun-rooms at the end of the wings, not squared as in the image. The building was demolished and a new hospital opened in 2009. Architectural rendering in monochrome, black, grey and white on art paper.Captioned St. John of God Hospital. Ballarat. R.J.O'Connor & Brophy, Architects Melbourne.st john of god, hospital, ballarat, architecture, rendering.

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Parliament House, Kuala Lumpur, Malaysia, 1963. (Architect: Ivor Shipley from Malaysian PWD.)Made in Australia / 25 / MAY 70M3slide, robin boyd

Robin Boyd travelled to New Zealand in 1967, possibly combining it with a visit to Montreal Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67.Colour slide in a mount. Student Union, University of Canterbury, Ilam Campus, New Zealand, 1967. (Architects: Warren & Mahoney.)Made in Australia / 7 / APR 67M7 / Encircled 5 (Handwritten)new zealand, slide

Colour photograph. Possibly in the ground floor corridor during restoration works. Three women facing the camera in white hard hats. Left to right: Architect Yvonne von Hartel, Chair Janet England, Minister for the Arts Lorraine Elliot. parliamentary representatives, historic buildings, building construction, architects

This second letter to Robin Boyd from Eliot Noyes, an American architect and industrial designer, is the second of two held by The Robin Boyd Foundation (see also D418). It thanks him for his good piece and also for his corrected first page.On letterhead Eliot Noyes & Architects, Architecture and Industrial design, 95 Main St, New Canaan, Connecticut.

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. St Monica's Cathedral, Cairns, Queensland, Australia, 1967-8. (Architect: Ian Ferrier.)Made in Australia / 36 / DEC 66 M8queensland, slide

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Hotel Lisboa, Macau, Macao, 1970. (Architects: Stanley Ho, Teddy Yip, Yip Hon and Henry Fok.)Made in Australia / 19 / MAY 70M3slide, robin boyd

Ground floor corridor duing restoration works. Three women stand under the arch in white hard hats during a tour of the building. Left to right: Architect Yvonne von Hartel, Minister for Women's Affairs Jan Wade, and Minister for the Arts Lorraine Elliot.historic buildings, official events, parliamentary representatives, architects

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Habitat 67, Montreal, Canada. (Architect: Moshe Safdie.)Made in Australia / 37 / MAY 67M6 / Encircled 6 (Handwritten) / 24 (Handwritten) / 10 (Handwritten)expo 67, montreal, robin boyd, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Magazine image of the Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model). (Architect: Kenzo Tange.)Made in Australia / 2 / OCT 64M / Encircled 61 (Handwritten)japan, slide

Used for laying the foundation stone of Carlton Methodist Mission, 18/02/1933. Presented to F. J. Cato by A. S. Eggleston, architect, 18/02/1933.EPNS commemorative trowel with bone handle in an oblong leather box lined with blue satin.Carlton Methodist Mission 18-2-33 Presented to F J Cato Esq by A. S. Eggleston, Architectcarlton methodist mission, cato, f. j., eggleston, a. s.

Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear

Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. National Mosque of Malaysia, Kuala Lumpur, Malaysia, 1965. (Architects: Howard Ashley, Ikmal Hisham Albakri and Baharuddin Abu Kassim.)Made in Australia / 29 / MAY 70M3slide, robin boyd

The Shine Dome is one of seven projects that the Royal Australian Institute of Architects has nominated to the World Register of Significant Twentieth Century Architecture. In 1956 six architects were invited to submit plans for the Academy of Science's new building in Canberra and the Academy's building design committee selected Grounds Romberg and Boyd's proposal designed by Roy Grounds. It features a shallow arcaded concrete dome, sheeted in copper and was one of a number of domed buildings that appeared around this time internationally, expressing the optimism of the post-war years. It perfectly reflected the Academy's ambition to champion excellence in Australian science and promote international scientific engagement. Paul Wallace, a well-known Melbourne renderer, drew this perspective of the proposed design, possibly for the competition submission, in 1956.Coloured perspective of the Academy of Science buiding in Canberra.Printed text on attached sticker, 'ACADEMY OF SCIENCE, CANBERRA / 1958 / Grounds, Romberg and Boyd, / Architects'. Printed centre on verso, 'ACADEMY OF SCIENCE CANBERRA GROUND, ROMBERG AND BOYD ARCHITECTS 340 ALBERT STE., MELBOURNE C2'.science, canberra, architecture, rmit design archives, design