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Federation University Art Collection
Bookplate, ‘Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A brown and white tie with shirt and waist coat are depicted below the letter G in concentric circles. Two bottles are drawn on either side of the waist coat. CD 87, 657bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'Zelma Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title with scrolls beneath is printed on a diamond shape Audrey Hutchison England 1983 is printed on the back of the bookplatebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Flagstaff Hill Maritime Museum and Village
Equipment - Sharpening Stone, ca 1878
The sharpening stone can also be referred to as a whetstone, oil stone or honing stone. It is a well-worn double-sided sharpening stone retrieved from the wreck site of the Loch Ard. It is used to grind and hone the edges of metal blades and tools. ‘Natural’ sharpening stones like this one are quarried from ancient sedimentary rock that has metamorphosed from clay and volcanic ash to produce garnet crystals. Most modern stones are artificially produced, or ‘bonded’, abrasive stones, made by fusing clay and metal powder under heat and pressure. The softer yellow Corticule stone is found in thin vertical veins running through the more plentiful Belgian Blue rock. Coticule is a fine-grained and dense material that ‘cuts’ metal slowly but to a superior standard of sharpness and finish. The relatively coarser Belgian Blue is stronger and ‘cuts’ more quickly, but with a less polished finish. A double-sided whetstone is therefore valued for its increased durability (the harder BBW ‘backs’, or supports, the softer Coticule), and additional utility (the fine ‘grit’ of Coticule complements the coarser BBW to meet a range of sharpening needs). The blue-grey base of this stone is thinner than the remaining yellow Coticule on top. This suggests that the majority of grinding and honing work it has done on board the ship was for larger tools, rather than on surgical or shaving blades. Its rounded or spherical shaping may also be related to the ‘tumbling’ action of the sea on the ocean floor. History of the Loch Ard wreck: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A sharpening stone is also called a whetstone, oil, or honing stone. The stone is a worn double-sided rectangular block with rounded corners. There is a clear delineation between its coarser Belgian Blue base (grey colour) and its finer Belgian Coticule face (yellow colour). It bears sedimentary encrustation over one-third of its surface. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, sharpening stone, whetstone, oilstone, double-sided stone, belgian coticule, belgian blue whetstone, oil stone, honing stone -
Warrnambool and District Historical Society Inc.
Book, Historic French Nails and Fixings, 2017
This book contains information on historic French nails and fixings, being translations from the French Masters compared and contrasted to the Anglo-American tradition. It has been compiled by Chris How, a retired Civil/Structural Engineer who lives in Warrnambool, Victoria. He has been involved with conservation and heritage buildings for half a century and it was working with pioneer materials and techniques that first stimulated his interest in historic nails. He has completed a Master’s degree in England and made a special study of French and Germanic framing and its spread across Europe. This involved similar studies in Denmark, Belgium, the Baltic countries and Australia. This book is of interest because it was written by a local Warrnambool resident, one who has researched and studied many buildings in Warrnambool and district through an examination of the building materials used, especially the nails and fixings. This is a soft cover book of 126 pages The cover is grey with a grey, black and white sketch on the front cover and a colour photograph on the back page. The book has contents pages, a list of tables and figures, a list of the source of illustrations and credits, a foreword, acknowledgements, a preface, eight chapters, a glossary of terms and appendices. There are many black and white and colour illustrations. chris how, history of nails, history of warrnambool -
Australian Gliding Museum
Machine - Glider –Sailplane, 1960
The FS-24 Phonix is the first sailplane design to be built using a moulded fiberglass sandwich technique. It was designed by Hermann Nagele and Richard Eppler leading a group setup for the purpose at Stuttgart Technical University in the early 1950s. Initial construction was undertaken at workshops of Wolf Hirth and the first prototype was completed at the Bolkow Aircraft Company where Nagele and another member of the group, Rudi Lindner, had gained employment. It flew on 27 November 1957. Two further prototypes were built incorporating a T-tail and other refinements. Eight in all were built before production was stopped in 1961. A number of gliding records were broken in Phonix sailplanes in Germany in 1962-1963. It was found to have a best glide ratio of 40:1. The Museum’s example, No. 403 was originally a prototype built on 25 May 1960 [Registration D-8354]. It was converted at Bolkow to a Phonix T in 1963 and sold to a private owner in Switzerland [Registration HB-746] and later then to gliding club Segelfluggruppe Solothurn in 1965. The glider returned to Germany in 1971 (Meersburg) and re-registered as D-0738. It moved to a new owner in Allershausen in 1976, and again to Lindhoft in 1982. In 1983 the glider was sold to owners at Hasselt, Belgium and given registration OO-ZQD. In 1989 a further change of ownership occurred and the glider went to Leusden in the Netherlands where it was registered as PH-949. In 2006 the Phonix No.403 was imported into Australia by John Ashford of the Geelong Gliding Club. On 30 January 2007, it was registered as VH-GRP. However, as at January 2016 it has not been flown in Australia. In the course of its flying history the glider was damaged several times and repaired. At one stage a larger rudder was fitted and later on this modification was reversed. With the original conversion to a Phonix T and subsequent repairs and changes to equipment the weight of the airframe increased from 182 kg to approximately 220 kg. Nevertheless, the wing loading is a modest 20kg/square metre. As at January 2016, minor repairs and airworthiness certification are required to return the glider to flying condition. This exhibit is highly significant as it is one of only eight of this pioneering sailplane design. It is the only one in Australia. Glassfibre single seat sailplane, finished white with blue stripes on fin and rudder.Australian registration GRP on rudder; Serial Number 403 and Vintage glider club of Netherlands plaque in cockpitaustralian gliding, sailplane, glider, fs-24, phonix, nagele, eppler, lindner, stuttgart technical university, bolkov aircraft company, segelfluggruppe solothurn, ashford, geelong gliding club. -
Monbulk RSL Sub Branch
Book, Les Carlyon, The great war, 2006
Les Carlyon's The Great War is the epic story of the fighting men who wove themselves into legend as part of the largest tragedy in Australian history - 179,000 dead and wounded - leaving a nation to mourn its fallen heroes in 'one long national funeral' into the 1930s and, now again, a century later. As he did with the best-seller Gallipoli, Carlyon leads the reader behind the lines, across the western front and other theatres of battle, and deep into the minds of the men who are witnesses to war. Having walked the fields of France, Belgium and Turkey on his quest for a truth beyond the myth, Carlyon weaves us a mesmerising narrative that shifts seamlessly from the hatching of grand strategies in the political salons of London and St Petersburg to the muddy, bloody trenches of Pozieres and Passchendaele where ordinary soldiers descended into a maelstrom unimaginable.index, bib, ill (plates), maps, ports, p.863.non-fictionLes Carlyon's The Great War is the epic story of the fighting men who wove themselves into legend as part of the largest tragedy in Australian history - 179,000 dead and wounded - leaving a nation to mourn its fallen heroes in 'one long national funeral' into the 1930s and, now again, a century later. As he did with the best-seller Gallipoli, Carlyon leads the reader behind the lines, across the western front and other theatres of battle, and deep into the minds of the men who are witnesses to war. Having walked the fields of France, Belgium and Turkey on his quest for a truth beyond the myth, Carlyon weaves us a mesmerising narrative that shifts seamlessly from the hatching of grand strategies in the political salons of London and St Petersburg to the muddy, bloody trenches of Pozieres and Passchendaele where ordinary soldiers descended into a maelstrom unimaginable. australian army - history, world war 1914-1918 - campaigns - western front -
Monbulk RSL Sub Branch
Book, Richard Holmes, The Western front, 1999
The Western Front in World War I was the scene of devastating trench warfare and astonishing human loss: nearly 750,000 soldiers perished in the battles fought in France and Belgium from 1914 to 1918. In The Western Front, renowned historian Richard Holmes traces the path those soldiers took, and presents the political, military, and human dilemmas of a bitter and bloody war.index, ill, maps, p.224.non-fictionThe Western Front in World War I was the scene of devastating trench warfare and astonishing human loss: nearly 750,000 soldiers perished in the battles fought in France and Belgium from 1914 to 1918. In The Western Front, renowned historian Richard Holmes traces the path those soldiers took, and presents the political, military, and human dilemmas of a bitter and bloody war.world war 1914-1918 - western front - history, world war 1914-1918 - military history -
Monbulk RSL Sub Branch
Book, Salamander Books, The Battle of Britain: The greatest battle in the history warfare, 1990
By the summer of 1940, the overwhelming might of the German air force had triumphed over Poland, Norway, France, Holland and Belgium. As the fighters and bombers of the Luftwaffe amassed on the north west coast of Europe, they had no reason to believe that the heavily outnumbered squadrons of the Royal Air Force (RAF) would prove any more difficult to overcome than their earlier opponents. However, these illusions of invulnerability were soon to be shattered in whirling combats over southern England in the conflict that would be known as the Battle of Britain.Index, ill, maps, p.193.non-fictionBy the summer of 1940, the overwhelming might of the German air force had triumphed over Poland, Norway, France, Holland and Belgium. As the fighters and bombers of the Luftwaffe amassed on the north west coast of Europe, they had no reason to believe that the heavily outnumbered squadrons of the Royal Air Force (RAF) would prove any more difficult to overcome than their earlier opponents. However, these illusions of invulnerability were soon to be shattered in whirling combats over southern England in the conflict that would be known as the Battle of Britain.world war 1939-1945 - aerial operations - britain, battle of britain -
Clunes Museum
Book, Culvenor, C. C, The Colveneres of the Old Netherlands
FAMILY HISTORY OF THE COLVENEERE/CULVENOR IN VICTORIA AUSTRALIA AND ELSEWHEREMaroon coloured hardcover book, Image of a bearded man in embroidered smock with high collar identified as George (Joris) Colveneere, 1564-1649 (Part of a portrait in the church of St. Joris-Winge, Belgium)non-fictionFAMILY HISTORY OF THE COLVENEERE/CULVENOR IN VICTORIA AUSTRALIA AND ELSEWHEREjoris colveneere, culvenor family, local history -
Tarnagulla History Archive
Photograph: Alluvial workings between Gladstone St and Commercial Road, Tarnagulla, June 1866
David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Negative: Copy of Marchand image of Tarnagulla Courthouse, Court House, June 1866 (original image)
Murray Comrie Collection. This photograph is a reasonable copy created from an older original. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.A black and white negative image depicting the Court House in Tarnagulla. Copy of the photogrpah made by Aime Marchand.tarnagulla, courthouse, justice, policing, law, buildings, views, victoria street -
Melbourne Legacy
Article, Bulletin VALE Legatee Jim Gillespie, 1987
An article from the Melbourne Legacy Bulletin on the death of Legatee James George Gillespie, a long serving Legatee, on 21st May 1987. The Bulletin published articles on Legatees when they passed away. The article includes a snapshot of his life and career as a surveyor and long history of service in many fields. He was a member of the RMIT Council, on the board of he Royal Women's Hospital - both of whom named building after him. He served on the Hospitals and Charities Commission, and the Nurses Memorial Centre and Greenvale Geriatric Centre. Plus many more. He enlisted in the AIF 18 months after his older brother had been killed on the first day of the landing at Gallipoli. He was in the 46th Battery, 12th Artillery Brigade as a gunner. He served in France and Belgium and was in Paris on the day the Armistice was signed. In World War 2 he was called up and was appointed Assistant-Director of Survey, with a rank of Lieut-Colonel. Jim Gillespie joined Legacy in June 1928, being nominated by Frank Doolan and seconded by Harold Peters. He filled many posts, including vice-president in 1937 and President in 1938 The article was part of an folder about of past presidents that served on the LCC in preparation for the photo board that was produced. The folder included biographical details and obituaries, eulogies and death notices of some Legatees. The items have been catalogued separately.A record of the life and service of Legatee Jim Gillespie. The information was published in the Bulletin and collected to record the lives of prominent legatees in a folder.Typed copy of 4 pages from the Legacy Bulletin on the death of Legatee James Gillespie.Bulletin No. VAW 1209. 28.5.1987. Pages 2 to 5.vale, eulogy, past presidents, jim-gillespie -
Melbourne Legacy
Document - Eulogy, James George Gillespie MBE, Hon. FIS Aus, FRICS, 1987
A copy of two addresses made at the funeral service for Legatee James George Gillespie, a long serving Legatee. The funeral was held on 25th May 1987 at St Stephen's Church, Caulfield. The addresses were by Rev. Vere Heazlewood (Parish Minister) and Wing-Commander Ron Austin. The article is very similar to the VALE notice published in the Bulletin and includes a snapshot of his life and career as a surveyor and long history of service in many fields. He was a member of the RMIT Council, and on the board of the Royal Women's Hospital - both of whom named building after him. He served on the Hospitals and Charities Commission, and the Nurses Memorial Centre and Greenvale Geriatric Centre. Plus many more. He enlisted in the AIF 18 months after his older brother had been killed on the first day of the landing at Gallipoli. He was in the 46th Battery, 12th Artillery Brigade as a gunner. He served in France and Belgium and was in Paris on the day the Armistice was signed. In World War 2 he was called up and was appointed Assistant-Director of Survey, with a rank of Lieut-Colonel. Jim Gillespie joined Legacy in June 1928, being nominated by Frank Doolan and seconded by Harold Peters. He filled many posts, including vice-president in 1937 and President in 1938 The article was part of an folder about of past presidents that served on the LCC in preparation for the photo board that was produced. The folder included biographical details and obituaries, eulogies and death notices of some Legatees. The items have been catalogued separately.A record of the life and service of Legatee Jim Gillespie. The information was published in the Bulletin and collected to record the lives of prominent legatees in a folder.Photocopy x 5 pages of the addresses made at the funeral of Legatee James Gillespie.eulogy, past presidents, jim-gillespie -
The Mrs Aeneas Gunn Memorial Library
Book, Hodder and Stoughton, The story of the Fifth Australian Division : being an authoritative account of the Divisions doings in Egypt, France and Belgium, 1920
The operations and exploits of the Australian fifth division mainly in FranceIll, appendices, maps, p.468.non-fictionThe operations and exploits of the Australian fifth division mainly in Franceworld war 1914-1918 - regimental histories - australia, world war 1914-1918 - campaigns - france -
The Mrs Aeneas Gunn Memorial Library
Book, John Lane, the Bodley Head et al, Pictures of ruined Belgium, 1917
A photographic essay of the destruction in Belgium during World War OneIll, p.244.non-fictionA photographic essay of the destruction in Belgium during World War Oneworld war 1914-1918 - campaigns - belgium, world war - 1914-1918 - history -
Tarnagulla History Archive
Photograph: View of Tarnagulla, June 1866
Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Whitehorse Historical Society Inc.
Document - Report, Frank Isaac White, 01/06/1997
Photocopy of a Luther Collage assignment on visits to war memorials and an investigation of Frank Isaac White, a name on the Mitcham War Memorial. White served in Egypt and France,. Maps show the route of his journeys including a period in hospital in England. Information is given about soldiers living conditions and his role as a artillery man. He was killed in Belgium on 20th September 1917 and buried in the Menin Road South Cematery at Ypres. Photographs of the cemetary are included and of his grave.white, frank isaac, menin road south military cemetry, ww1, war memorials -
Whitehorse Historical Society Inc.
Document - Report, Memorial Window - Second World War, 1995
A history of the second world war memorial window at Christ Church, Mitcham.A history of the second world war memorial window at Christ Church, Mitcham. It includes material on the history of the window, the dedication service and photographs and information on the five men remembered. Gordon Crawford, Ross Fenton, Owen Loftus, Ron Peake and Alwyn Till. Also included is an essay by Alwyn Till on Wood Carters in the district, a letter to his mother from Britain and a letter regarding his service and death with the Belgian Marquis. Colour photograph of window 25 pagesA history of the second world war memorial window at Christ Church, Mitcham.christ church anglican church mitcham;, stained glass windows, world war, 1939 - 1945, crawford, gordon douglas, fenton, william ross, bremner, loftus owen spencer, peake, ronald mosely, till, alwyn, wood carters -
Whitehorse Historical Society Inc.
Article - Newspaper Clipppings, Worker's paradise factory at Blackburn, 1951 & 1988
'The Belgians in Australia' gives a brief history of Roger, 1950 - 1975.Belgian, Roger de Stoop, plans a spinning and weaving factory at Blackburn. He plans many innovative amenities to keep his staff happy. Also another article - 'The Belgians in Australia' gives a brief history of Roger, 1950 - 1975. 'The Belgians in Australia' gives a brief history of Roger, 1950 - 1975.textiles, de stoop textile factory, de stoop, roger -
Whitehorse Historical Society Inc.
Work on paper - School Project, An Australian casualty of World War II, Alwyn Terrance Till, 1/06/1997 12:00:00 AM
Luther College Year 10 History assignmentPhotocopy of Luther College Year 10 History assignment telling the story of Alwyn Terrance Till who died on 21 August 1944 in Germany and is buried at Hotton War Cemetery, Belgium.Luther College Year 10 History assignmenttill, alwyn, war memorial lilydale, war memorial mitcham, war memorial box hill, war memorial blackburn, royal australian air force, hotton war cemetery, belgium, world war, 1939 - 1945 -
Bendigo Military Museum
Newspaper - NEWSPAPER CUTTINGS, 1) 6.11.1959; .2) 2.7.1931
See also Cat No's 3504P & 3505.23..1) Page 2. taken from The Sun Children's Supplement, 6.11.1959 with article on Sir John Monash. .2) Clipping from The Herald, 2.7.1931 with a further clipping stuck onto the reverse of the sheet, origin unknown. Map of front line on French / Belgian border from 1918 - The Hindenberg line & queries whether the Americans won the war. .3) Loose paper with biro portrait of man also in photos 3505.26Pdocuments - newspapers, illustrations - pen ink, military history -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Ornately decorated dragon depicted on a plum coloured background circle. R in diamond centre bottombookplate, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, 'John Zelma'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman lies on her side reading a book with a two story house surrounded by trees and shrubs in the backgroundZ 363 (0), signature 200/65 bottom centrebookplate, keith wingrove memorial trust, australian bookplate design awards, printmaking, life drawing -
Glenelg Shire Council Cultural Collection
Print, Will Longstaff, Menin Gate at Midnight, 1927
CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Colonel (RTD) Sydney Patterson, M.C., M.I.D, c. 1950
On display in History House.Black and white photograph of man in military uniform, with peaked hat. Badges are pinned to hat and left lapel. ¾ turn to right. Below image is text stating man's identity and positions.Front: Colonel (RTD) Sydney Patterson M.C., M.I.D., War Service World War 1. Served from 1914-1919 New Guinea (Naval Force) 1914. Egypt, France, Belgium 1915-1919, 20th Batalion A.I.F.M.I.D. 1916, M.C. 1917. Commissioned on the Field. Twice wounded. World War 2. Served from 1939-1945 Australia (Darwin) New Guinea, New Britain, etc. Captain 1939, Adj. No. 7 Aust Int. Training Centre, 1941. G.S.O. 3 (O) G. Branch A.H.Q. 1942. Major R.A.E. (Docks) 1942. L.L. Colonel R.A.E. C.R.E 3rd Aust. Dock Group. CIVIC SERVICE Councillor, Portland 1931-1940 (Resigned for War Service) 1945-1957. Mayor of Portland 1935, 1938, 1939-40, 1949-50, 1953-54. Harbour Trust Commissioner, appointed March 1950 (1950-1957). Back: Mr. Stevenson (pencil, centre) -
Bendigo Military Museum
Memorabilia - CUSHIONS WW1, Post WW1
Edith Louisa Cavell 1865 - 1915 was a British Nurse working in German occupied Belgium during the early years of WW1. She saved lives on both sides but she also helped some 200 Allied POW’s and Civilians escape Belgium to Britain. She was arrested by the Germans and charged with Treason, found guilty by Court Martial and executed on 12.10.1915. .1) Commemorative cushions bearing Edith CAVELL's name .2) Crotchet commemorates the Dardanelle's campaign fallen 1915. Fillet crochet panels mounted on dark red plain cushion covers with white piping on edge.1) "Edith/Cavell/Absent/From/The/Body/ Present/With/ The/ Lord/Resurgam." .2) "Dardenelles/ 1915/ our heroesmilitary history - souvenirs, manchester -furnishings, handcrafts- crochetwork, cavell -
Bendigo Military Museum
Book - BOOK, MEMORIAL, British-Australasian Publishing Service, The All-Australia Memorial, History, Heroes & Helpers, 1917
Walter Joseph Constantine Baldwin. Refer 1527.4. The book was an edition that came out during the war and had future updates with individual photos in the back. The volume listed all Victorians up until early 1916 who served.Black leather-looking cover with gold lettering and illustration of a rising sun with crown. Photo pasted on first page.Pasted inside front cover "BALDWIN, Walter JC No 1617 Dvr "C" Coy 38th Batt Transport Div 10th Brigade / Son of George and Elizabeth BALDWIN, 11th Street Mildura / Born at Yanac-a-Yanac July 20 1889 Educated Yanac-a-Yanac & Nichol's Point, Mildura SS Horticulturalist; enl Mildura Feb 1916. Emb June 1916. Service France, Belgium."books-history, military, all australian, baldwin, 38th bn -
Federation University Art Collection
Work on paper - Bookplate, 'Zelma Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant holding foliage in its trunk Small signature and number 563keith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking -
Federation University Art Collection
Work on paper - Bookplate, ‘Johannes Gutenberg Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A line drawing/portrait of presumably Johannes Gutenberg sits within an oval shape formed by the titlebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, john gartner