Photographs of books being transported from a first floor building at the Ballarat School of Mines to the ground. The books were being transported into the newly constructed E.J. Tippett Library.e.j. tippett library, library, book transport, brick conveyor belt

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

used by tribal head to signify rank and allegience to various para and or military units ww 2, 204 cm long 9.3cm wide. 4 buckles, woven material red in colour with yellow, green, narrow stripes. 41 assorted metal badges depicting various para and military unit emblems refer to accompaning photographs

1962, 67, city of heidelberg repertory group, heidelberg theatre company inc, directed by elaine robinson

non-fictionA scientific analysis of the development of the sequence of geological events and processes which contributed to the building of southeastern Australia landforms as part of the Tasman Fold Belt System.geology victoria, landforms victoria, tasman fold belt

Donated by CPL Bramley who was in charge of our Catafalque Party ANZAC Day 2006.Black Nylon, Silver Metal buckle.clothing

Larrel KANE A Diploma Student at the Gippsland Institute of Advanced Education. This item is a part of the Jan Feder Memorial Ceramics Collection. Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Earthernware Sculpure with hand thrown element. Gift of the Artist Jan Feder Memorial Ceramics Collectionjan feder memorial collection, ceramics, jan feder, woodfire, churchill, jan feder memorial ceramics collection, alumni

Silvia RICHARDSON A post graduate student at the Gippsland Centre for Art and Desish (GCAD) who presented this work to the Jan Feder Art Collection. Jan Feder was an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Two low tempreture fused slipcase bone china with inlaid decoration. Jan Feder Memorial Collectionjan feder memorial collection, jan feder, sylvia richardson, ceramics, gippsland campus, artwork, artist

Box of staples for use with the belt joiner (A1011) used by Ken Cathie in his mechanics workshop.Brown cardboard box with images of staples and text with directions for use. Top is tied on with string.Gem /Carded Belt Hooks/ No.4 for Belts 1/4 inch thick (side) SIZES OF HOOKS FOR THICKNESS OF BELTING/ Size 2 made for belts 1/2 inch thick./ DIRECTIONS/ [text indistinct] (top)allansford, belts, staples, ken cathie

Item in the collection re Tom Glazebrook, refer Cat No 4330.2 for his service details.This is a Khaki coloured webbing belt. It has a blackened brass buckle. The end of the belt has a blackened tip. It is used when wearing the polyester khaki uniform (Summer).Stamped inside the belt are letters and numbers “C.G.C.F. (1966 44 4 0440 00 012 6305)”uniform, belt, army

Bruce STEWART A Diploma Student in Ceramics at the Gippsland Institute of Advanced Education from 1977 to 1979. Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. A total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Salt-glazed pots. Presented to the Jan Feder Memorial Ceramic Collection by Bruce Stewart jan feder memorial collection, jan feder, ceramics, gippsland campus, artwork, artist, bruce stewart, alumni

Belts issued as part of uniform. The faded green colour on the belts was used in the 1950's, pre that they were khaki as was, in the 1960's belts were blackened with nugget and polished.Two Webbing Belts, faded green colour with brass metal buckles and keepers. .1) Has two brass buckles at the rear of the belt for attaching a shoulder harness for basic equipment.uniform, webbing belts

Ammunition pouches on leather belt to wear either as a bandolier or on waist as a belt, to carry extra ammunition for a rifle as manufactured by Holden and FrostLeather belt 70 mm wide with 9 pouches riveted onto it. At each end belt reduces to 35mm with a buckle . Holed each end for acceptance into buckleHolden and Frost Adelaidemilitary, ammunition belt, bullet pouches

Ammunition pouches on belt to wear either as a bandolier or as a waist belt on which to carry rifle ammunitionAs manufactured by Holden and FrostLeather belt 70mm wide with 9 pouches riveted onto it. At each end belt reduces to 35mm with a buckle on end, other end holed to allow the ends to be joinedHolden and Frost Adelaide B.26/LH / 47military, ammunition belt, bandolier

Polyester Belt Khaki, black buckleOn belt "CGCF D upwards arrow D 1957 CI - 815499 36”. Handwritten “3/155209 SGT HALL W.F.”passchendaele barracks trust, belt, army uniform

Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. After Jan's untimely death in 1981 a ceramics collection was amassed to her memory, featuring work of international, national and local significance. Funds were raised by Jan's student peers at the Gippsland Centre for Art and Design, and although many of the works were donated the intention was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus.Black and white photographic portrait of Jan Feder sitting in the doorway of a slab hut. jan feder, jan feder memorial ceramics collection, jan lorraine feder, alumni, gippsland centre for art and design, gcad

Issued as part of a soldiers kit and equipment, this belt is designed to attach a range of different equipment. Issued to Malcolm Angus 3112710, served Vietnam.Webbing belt, green colour, belt has a series of holes along length for belt adjustment and equipment attachment, brass buckles and keepers.webbing, belts, equipment

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni

Belt was owned by Senior Firefighter (S/F) W.G. Jamieson who was stationed at Ballarat Fire Station as part of the permanent staff.Dark brown leather firemans belt with brass buckle. Belt makes up part of a firemans gear belt which carried a small axe (tomahawk), hydrant spanner and personal guideline. Belt has a brass eyelet through it to allow attachment of the guideline. Nilw g jamieson, firemans belt, ballarat fire station

post 1960 webbing belt which is part of the army uniform during Vietnam era and later.Green webbing belt with brass studs, clips and ends. Three studs in belt approximately every 6 cm along length of belt. Four metallic clips along length and hooks for each end.passchendaele barracks trust, webbing belt

This belt was part of the Allard collection.Brown leather Sam Browne belt with shoulder strapuniform, sam browne, belt

Webbing belt and revolver holsterKhaki canvass belt with metal buckle with revolver holsterrevolver holster, belt

Military uniform belt worn by soldiers during warsMade and sold by Holden and FrostMilitary webbing waist belt with brass buckle,military, belt