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Port Melbourne Historical & Preservation Society
Ceremonial object - Foundation stone, Victorian Seamen's Institute, 1888
During demolition of the 1937 Missions to Seamen building in October 1995, this stone was removed intact by developers Mirvac Victoria, and placed in the care of the PMH&PS. It is now located as part of the seawall around the car park in Beach St opposite Nott St. There is a photo of the item on the database, taken in the 1990s while the stone was stored at St Joseph's school in Stokes St..01- Cornerstone 1888, originally laid at the Victorian Seamen's Institute corner Nott and Beach Street (Fox Hay building today). Was relocated to interior wall near the chapel doors when the new Mission building at corner of Beach Road and Swallow Street was built in 1937.Engraved in gold lettering on a black background: This memorial stone was laid by His Excellenvy Sir Henry B Loch GGMGKCB, Governor of Victoria on Wednesday the 5th day of September AD 1888missions to seamen, henry b loch -
Port Melbourne Historical & Preservation Society
Ceremonial object - Foundation stone, Victorian Seamen's Institute, 1930
During demolition of the 1937 Missions to Seamen building in October 1995, this stone was removed intact by developers Mirvac Victoria, and placed in the care of the PMH&PS.Cornerstone originally laid at the Victorian Seamen's Institute corner Nott and Beach Street (Fox Hay building today) during extensions in 1930. Was relocated to interior wall near the chapel doors when the new Mission building at corner of Beach Road and Swallow Street was built in 1937.Engraved in gold lettering on a black background: To the glory of God and the welfare of seamen this stone was unveiled by the Most Rev. Frederick Waldeerave, Head B.D. Archbishop of Melbourne on the 23rd day of January 1930mission to seamen, frederick waldegrave -
Port Melbourne Historical & Preservation Society
Photograph - Relocated cornerstone, Seamen's Institute, Port Melbourne, 1930
During demolition of the 1937 Missions to Seamen building in October 1995, this stone was removed intact by developers Mirvac Victoria, and placed in the care of the PMH&PS.Photograph taken by member Bob Gooding in September 2015 of the cornerstone Cornerstone originally laid at the Victorian Seamen's Institute corner Nott and Beach Street (Fox Hay building today) during extensions in 1930.. Was relocated to interior wall near the chapel doors when the new Mission building at corner of Beach Road and Swallow Street was built in 1937.Engraved in gold lettering on a black background: To the glory of God and the welfare of seamen this stone was unveiled by the Most Rev. Frederick Waldeerave, Head B.D. Archbishop of Melbourne on the 23rd day of January 1930mission to seamen, frederick waldegrave -
Ithacan Historical Society
Photograph, Town Hall Cafe, 1904
The Town Hall Cafe was opened by A.J. Lucas in 1894 in Swanston Street on the Capitol Theatre site. Lucas later opened the exclusive Paris Cafe on Collins Street (1904) and the famous Cafe Australia (1916) which was designed by Walter Burleigh Griffin. He became a highly successful businessman and was the founding president of the Ithacan Philanthropic Society. A.J. Lucas who was born in the village of Exoghi migrated to Australia from Ithaca in 1886.In 1920 Lucas formed a joint venture to redevelop the site of the Town Hall Cafe into Capitol House and Capitol Theatre. Lucas once again commissioned Walter Burley Griffin and wife Marion Mahony Griffin as architects for the project. The Chicago-Gothic-style theatre is considered their greatest interior design work. The Capitol was the first extravagant ‘picture palace’ to be built in Victoria. It originally seated over 2137 people. Renowned Australian architect Robyn Boyd described The Capitol as "The best cinema that was ever built or ever likely to be built.” Information about the refurbished Capitol http://thecapitol.tv/about/A sepia photograph of the exterior of a three storey Victorian style building including veranda. It was a cafe owned by A.J. Lucas. The words 'Lucas Town Hall Cafe' are formed in raised lettering across the top storey of the building. Two cars are parked in front of the building. -
Ithacan Historical Society
Photograph, Ithaca earthquake, 1953
... . The interior of an entire building along with an exterior wall has... the Ionian Islands in 1953. The interior of an entire building along ...Ithaca along with other Ionian Islands experienced catastrophic earthquakes in 1953 resulting in widespread devastation across the island. After the damage was assessed many of the island's residents emigrated to join family in Australia, which brought about another wave of Ithacan migration.The damage on Ithaca as a result of the earthquake caused the largest ever wave of immigration from the island which resulted in the most significant decline in the island's population.A black and white photograph showing the damage caused by the earthquake which occurred across the Ionian Islands in 1953. The interior of an entire building along with an exterior wall has collapsed. There is a tent partly visible on the LHS of the photograph and three chairs are scattered around in front of the wrecked building. -
The Ed Muirhead Physics Museum
Wild-Fuess Barometer
“Wild-Feuss Barometer - Leppin and Masche - Instructions for Assembling”, 1942. Paper : “A Stand Barometer of New Design” by Laby, 1924. Related to object 2.Wild-Fuess cylindrical Barometer used to measure atmospheric pressure and constructed predominantly of chrome and brass. Contained in specially made barometer case (Reg No.2).Engraved near top “LEPPIN & MASCHE, BERLIN NO. 856”. On label near base “Please lower the mercury level after use in order to keep the interior of the glass clean round “zero”.leppin & masche, scientific instruments, barometer, wild-fuess, leppin and masche -
The Ed Muirhead Physics Museum
Wheatstone Bridge Leeds & Northrup Co
Machined metal sides and interior, machined plastic top with plastic dials, handmade wood base with dovetail joins and mitred corners. Perforated machined metal surface spray painted, machined plastic surface coating, wood base most likely hand varnished. Surface finish: metal sides painted matt blue, plastic top brownish red coating with smooth matt finish, wood base varnished. Inscribed on top face: “LEEDS & NORTHRUP CO./PHILADELPHIA/62798. Paper Sticker on back metal side: “PA 3” Diamond shaped paper label adhered to top face with diagram handwritten in black ink. -
NMIT (Northern Melbourne Institute of TAFE)
DVDs: Promotional DVDs NMIT 1990-2010
Instructional and promotional DVDs ranging in date from 1990-2010 promoting courses and services of NMIT. 1990s An Introduction to NMIT 1996 X 2 Building & Construction Heidelberg 1992 Building & Construction Heidelberg 1992 1, 2, 3 (Umatic) Concrete pour - Heidelberg 1992 Greensborough Music Promotional 1994 Making the move 1996 (also booklet) NMCOT College Promotion 1990 NMCOT College promotion 1992 NMCOT Corporate Video 1992 NMCOT Corporate video 1994 NMCOT Enrolment form 1991 (Umatic) NMCOT Enrolment Form 1992 NMCOT To Market to Market Promotional video 1993 NMCOT To Market to Market Promotional video 1994 NMIT School of Arts & Social Sciences 1996 NMIT School of Building & Construction 1996 NMIT School of Business 1996 NMIT School of Electrical, Electronics & Sciences 1996 NMIT School of Horticulture & Rural Studies 1995 NMIT School of Horticulture & Rural Studies 1996 NMIT School of Manufacturing Engineering 1996 NMIT School of Mechanical Manufacturing 1996 NMIT School of Tourism & Hospitality 1996 NMIT Faculty of Earch Sciences 1998 NMIT The Electrical Connection 1995 Open Day 1992 Student Information 2003-2008 Advanced Diploma of Music Performance (undated) Challenges accepted, NMIT Roadshow 2005 Mechanical manufacturing 2003 Promotional video (master) 2006 Songwriting competition NMIT 2008 The Electrical connection 2003 2009 Animal Studies 2009 Bachelor of Viticulture & winemaking 2009 Certificate III in Aged Care 2009 Children’s Services 2009 Courses through Design Drafting & Interior Fittings 2009 X2 Equine Studies 2009 (also accompanying book) Erection and Dismantling procedure for an Oldfields Mobile Scaffold 2009 Facilitate Individual Learning Activity The REV shop Case Study 2009 Formwork to Columns and Beams 2009 Green skills Centre of Excellence : Contributing to sustainability directly through the design, our actions and by educating future generations on sustainable technology, [DVD], NMIT Epping Campus, [2009] Interior design 2009 Locksmith Apprenticeships 2009 Secondary to Tertiary: the Journey begins 2009 X 2 Visual Arts at NMIT 2009 2010 Advanced Diploma of Building design 2010 Bachelor of Accounting 2010 Bachelor of Equine Studies 2010 Certificate III in Farriery (Trade) 2010 Civil Engineering 2010 Cloisonne Enamel 2010 Conservation and Land Management 2010 Health & Community studies 2010 Horticulture 2010 How to check and adjust a single stage Liquid Petroleum Gas Regulator 2010 Locksmithing more than a trade 2010 Music, Sound & Television 2010 Pragmatic Failures in Intercultural Communication 2010 Technical Education Centre, Youth Unit, NMIT 2010 Viticulture & Winemaking 2010 Why study Community Services at NMIT 2010 courses, handbooks, nmit -
Bendigo Historical Society Inc.
Postcard - ELMA WINSLADE WELLS COLLECTION: INTERIOR OF ST.JOHN'S CHURCH
A postcard of the interior of St. John's Church, Wellington, NSW. At bottom left the name Lamartiniere Photo. On the back the words; Thank you for the card. This is the interior of St. John's Church. I marked where dad sits, with much love from Theo.Lamartiniere Photoplace, building, st. john's church -
Bendigo Historical Society Inc.
Photograph - LENZ COLLECTION: CONSERVATORY INTERIOR
Small black and white photograph showing plants inside Conservatory in Conservatory Gardens Bendigo.photograph, building, conservatory, bendigo-gardens-conservatory -
Bendigo Historical Society Inc.
Photograph - LENZ COLLECTION: CONSERVATORY INTERIOR
Small black and white photograph showing interior of Conservatory in Conservatory Gardens Bendigo with plants.photograph, building, conservatory, bendigo-gardens-conservatory -
Bendigo Historical Society Inc.
Photograph - AULSEBROOK AND MARTIN COLLECTION: METROPOLITAN HOTEL, HARGREAVES AND BULL STREETS, INTERIOR
Colour photo: Metropolitan Hotel interior. Image shows people sitting at tables in the lounge of the Metropolitan hotel. Wooden bar, timber floor. Arched window in background of photo. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, metropolitan hotel, hargreaves street -
Bendigo Historical Society Inc.
Photograph - AULSEBROOK AND MARTIN COLLECTION: MUNICIPAL OFFICES EAGLEHAWK
Colour photo: image shows interior of a room at Municipal Offices, Eaglehawk., patterned flowery wallpaper, pink paintwork trim. Desk on LH side. On rear of photo: Aulsebrook & Martin Sty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, municipal offices, eaglehawk -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: STAMPING BATTERY, 1880's ?
Photograph of the interior of a stamping battery from an unknown mine, there are twenty three men posed in various locations, some are in front of the battery boxes, a central stairway and some are on a balconybuildings, commercial, stamping battery, stamping battery, gold production -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: EAGLEHAWK POWER HOUSE, Date unknown
Two photographs of the interior of the Eaglehawk Power House showing large diesel engines and associated Generators. One photo is a close up of a motor generator set. The other is a wider view of the area, in the background are gauges and switching gear mounted in racks, in the right foreground is a compressed air tank, which was used for starting the engines. On the back is written Eaglehawk power house, Negative at 254.buildings, commercial, power station, eaglehawk power house -
Bendigo Historical Society Inc.
Photograph - CORNISH COLLECTION: PHOTOGRAPHS OF CHURCH BUILDINGS WITH CORNISH CONNECTIONS, 1900
Collection of photographs of various Bendigo church buildings with Cornish connections: a. front of simple (Methodist) wooden church with handwritten annotation of ''Webster St'' together with typewritten attachment to photo giving some of history of Methodism and the Cornish (and the four sects represented in Bendigo); b. Photo of interior of Chapel Street Gospel Hall (Mission Hall) decorated for Sunday School Anniversary (no date); c. three photos - Former Wesleyan Church, Kangaroo Flat; the former Primitive Methodist Church, Eaglehawk; former Bible Christian Church , California Gully (''now St Judes Anglican'' - typewritten attachment to photo).photograph, building, church, john wesley. united methodist free church. wesleyan mission hall. bible christian church. uniting church. -
Bendigo Historical Society Inc.
Photograph - CORNISH COLLECTION: COPIES OF PHOTOGRAPHS OF CHURCH ACTIVITIES AND BENDIGO CORNISH
COPIES OF PHOTOGRAPHS OF CHURCH ACTIVITIES AND BENDIGO CORNISH Note; these are not high quality copies of the original photographs. : a. Three group photographs from unknown source - mixed male and female Long Gully groups posed in front of brick building. Names of people provided below photos. Sunday School Teachers and Officers; Choir and Organist; Executive and Officers (Christian Endeavour); b. two photos - Golden Square Sunday School, teachers and officers (with names provided below) and interior of Golden Square church; c. copies of photos - Sunday School - teachers and Officers (Eaglehawk) - no names - and Choir and Organist, Eaglehawk - names below photo; d. three copies of photos - Senior Sunday School, California Hill (no names), Sunday School teachers and officers, California Hill (no names) and Choir and Organist, California Hill (names under photo); e. copy of photo of Forest Street Brass Band - no names but has printed annotation re church bands attached to photo copy.cottage, miners -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION:HERITAGE TRADE & SERVICES DIRECTORY
Copy of a Heritage Trade & Services Directory Edition 1, dated April 2001. Compiled by City of Greater Bendigo Heritage Advisory Committee. Front cover has an oval picture of part of a building with scaffolding in front of it. Listed are: Architectural Hardware; Architects; Blacksmiths; Brickwork - General; Builders; Castings - Iron and Non Ferrous Metals; Cement Decoration and Rendering; Chimney Pots; Chimney Restoration; Chimney Sweeps; Colour Consultant; Concrete - Pre-cast; Damp Control; Drafting Service; Fabric; Fencing; Fire Mantels and Inserts; Floor Coverings; Furniture Restoration and French Polishing; Garden Renovations; Glass - Etching; Glass - Leadlighting; Guttering, Galvanised Iron and Sheet Metal Work; Interior Decorating; Joinery and Carpentry; Light Fittings; Masonry Cleaning; Paint; Painters and Decorators; Paint Stripping; Plasters and Associated Products; Resurfacing - Enameling; Resurfacing - Powder Coating; Restumping and Underpinning; Roof Restoration - Iron; Roof Restoration - Slate; Roof Restoration - Terracotta; Second Hand Materials; Stone - Quarries and Cutting; Stonemasons; Tile Layers; Tiles; Turning and Verandah Roofing.bendigo, history, long gully history group, the long gully history group - heritage trade & services directory, heritage advisory committee, city of greater bendigo -
Stanley Athenaeum & Public Room
Athenaeum safe & contents - Cash box #1
Found in safe which has been in the building for over 100 years. Documents found in the safe indicate that it was used by the trustees of the Foresters, StanleyThat the object was used by Stanley groups/ residentsRectangular metal box with removable cash drawer. Black interior gold & copper coloured detail on exterior. Brass handle on lid.stanley athenaeum, foresters, temperance hall, safe, victorian -
Stanley Athenaeum & Public Room
Furniture - Door handle and 2 separate brass rods, Original door fitting
Part of the original front internal swing doors door furniture Barley twist design, with tarnish marks, hollow tube design. Matched handle on front inside door. Also 2 brass rods, parts of interior working, pointed top.building, athenaeum history, doors -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior towards north (back) wall, showing Scott Memorial windows, 9/11/1991
historic building, Colour photograph, Robert Allen's house (1856-57) Eyre St. Buninyong, front verandah.buninyong, church, presbyterian, uniting, scott family -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior towards South wall, 9/11/1991
historic building, Colour photograph, Presbyterian (now Uniting) Church, Buninyong, interior towards South wall.buninyong, church, presbyterian, uniting -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior towards South -West corner, 9/11/1991
historic building, Colour photograph, Presbyterian (now Uniting) Church, Buninyong, interior towards South wall.buninyong, church, presbyterian, uniting -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass windows north wall, 9/11/1991
historic building, windows donated by Mr G Richmond, former pupil at Rev. Hastie's school, as a tribute to Mr & Mrs Thomas Scott Window made by James Ballantyne & Son, Edinburgh, Scotland.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass windows north wall, memorial to Scott family.buninyong, church, presbyterian, uniting, scott, stained glass -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window East wall, 9/11/1991
historic building, stained glass window depicting "Christ the Light of the World."Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window East wall. Dedication "Stuart Charles Davies Lay Preacher for 50 years. A token of Love from Family and Friends, died Feb. 1981, aged 76 years.)buninyong, church, presbyterian, uniting, stained glass, davies -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window in memory of R. Gillespie, 9/11/1991
historic building, stained glass window depicting Christ as Shepherd with flock.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window in memory of R. Gillespie.buninyong, church, presbyterian, uniting, stained glass, gillespie -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, Pulpit, chair and Communion Table, 9/11/1991
historic building, original pulpit and communion tableColour photo, Presbyterian (now Uniting) Church, Buninyong, interior, Pulpit, chair and Communion Table, large arch and cross on wallbuninyong, church, presbyterian, uniting, pulpit, communion table -
Buninyong & District Historical Society
Photograph - Original Photograph, Interior Scotsburn Union Church, c 1990
historic buildingColour photograph, Interior Scotsburn Union Churchscotsburn, church -
Buninyong & District Historical Society
Photograph - Original Photograph, Interior, rear of Scotsburn Union Church, c 1990
historic buildingColour photograph, Interior, rear of Scotsburn Union Churchscotsburn, church