Picnic Group unknown details taken in a bushland setting with people seated on boulders. c1900'sstawell

Photograph shows a track through bushland, along the Plenty River near Para Road, possibly Montmorency.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, para road montmorency, bushland

Photograph shows a post and wire fence with bushland beyond, and example of poorly managed farmland, thistles in foreground.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"weeds, farming

The project team for this document comprised E. Beacham, T. Claridge, B. Ebbs, C. Wilso. and J. Cristofaro.This booklet is a useful refernce tool.A document of 86 pp, titled Far East Gippsland Tourism Strategy Study Interim Report October 1987. it has a cream cover and black binding with a b/w photograph of four people in a bushland setting. It contains fold-out maps.tourism-east-gippsland

Journal of Australian Electric Traction Association, Volume XIX, No. 12. December 1964, 16 pages. History of document: Part of 'Basil Miller. Cover picture shows a ten car interurban set in a bushland setting at Beecroft in the Sydney suburban area.Pub: Australian Electric Traction Asscn. Printer: O'Loughlin Bros. Pty. Ltd., Sydney NSWdocument

Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Dense landscape depiction - bushland in vivid blue and green shades. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils."landscape, bush, bushland

Two Salvation Army Sunday School Picnic photographs showing groups of people in bushland setting. 1911-1912.Two sepia photographs of large groups of people in a bush setting. Also two enlarged copies.Picnic at Stawell 1911 or 12. When Jack & Emma were the Officers at Stawell.stawell religion

This book was produced by Gordon and Nina Andrews of Netherbyre in Orbost.This is a locally created book. It helps to tell the story of who the Snowy River pioneers and therefore how we came to settle here. It is a useful research tool and is significant to the history of the Orbost area.A 47pp soft covered book titled, Snowy River Pioneers, by Gordon and Nina Andrews, On the front cover is a coloured painting of a hut in bushland. It contains Charles West and other selected stories. The text is by Gordon Andrews. The artwork is by Nina Andrews and Vere Moon.Copyright 1990 Gordon & Nina Andrews Netherbyre, Orbost 3888snowy-river-pioneer stockmen

Colour photographic print in Black frame and mushroom Brown Mat. Picture Depicts the clearing of space for headquarters construction. One man using a jackhammer on rock while another sits with rifle beside him. Back ground is bush/ forest and cleared bushland.My Vietnam Collection. Task force headquaters construction - 1966 Peter Fischer. On back - Gift horse gallery / fine art original works by local and interstate artists. Professional picture Framers. CNR Paxton st & 130 Main North Rd. Clare 5453. Phone / Fax / Mob.photograph

Telford Bushland Scene c1902. Telford family had business Hay Provisions and General Grocer main Street Stawellstawell

Mary Ann Paterson, the daughter of William Paterson, died in 1863.Two small black and white photographs showing a timber enclosure built around the grave of Mary Ann Paterson at Lal Lal. .1) Shows the grave in the bushland context. A grasstree grows on the left hand side. .2 Out of focus photographic detail of the grave. .1) Verso "Grave of Mary Ann Paterson "The Sheperd's daughter" Lal Lal. Died1850-1964" .2 Verso "Grave of the Shepherds Daughter Died 1850s 60s Lal Lal Mary Ann Paterson aged"lal lal, grave, burial, child, paterson, mary ann paterson, shepherd, shepherd's daughter's grave, lone grave, shepherd's grave

Sepia on cream board, male picnic group in bushland setting. Posed around wicker basket in centre. Base of large tree on RHS. 2 men with umbrellas. 9 young males in background. Dog running away in L upper half. Sepia photograph.person, group, picnic group

Written in 1987, this article discusses urban sprawl and its effect on agricultural and bushland areas. The photograph is of Greswell Forest, an area under threat.Digital copy of newspaper clipping, black text and image.urban sprawl, greswell forest

Residents living near bushland off Mayona Road in Montmorency could soon have a giant mobile phone tower built in their neighbourhood.News article 1 page, black text.montmorency, mobile phones, mayona road montmorency, phone towers

Bushland Scene taken in the Grampians Area. Peter Borella standing beside the horse with cart transporting timber with family seated on load. C1900stawell

Item in the collection re Craig Triffett, See Cat 5997.5 for his service details.This is a small soft cover booklet. Colour is a mottled drab olive. Printing is in black ink. Aust Army crest is in centre top. Inside are seven chapters on how to survive in Aust bushland. How to find water. First Aid. How to start a fire. Text and drawings.booklet, aust army, survival book

Built on site of Northrope's original bark residence (1890c).Colour photograph of a property known as Bunga Haven at 127 Lake Bunga Road. A timber dwelling with corrugated iron roof overlooking Lake Bunga and Bass Strait. Set in rustic garden and native bushland. Dropped log boundary fence and brush gate. Lakes Entrance Victoriaoil and gas industry

Newspaper Clipping from "The Mail", 25-7-95. P3. Fury as developer clears sub-division. By Leonora Elliot-BruceConcerned conservationists have accused a developer of almost destroying vegetation to make way for a North Ringwood subdivision. The group, Friends of Loughie's Bushland, wants Maroondah City Council to investigate the developer's action which it claims has devastated the area. The developers are Barnsdale Forest

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

The bushland area near the Corroborree Tree, near the corner of Fitzroy Street St Kilda and the Queens Road offramp from St Kilda Road, was restored in 1991 by Earthcare.Colour photographsst kilda junction, corroboree tree, albert park native bushland, 1991, earthcare, ngargee tree, james williams, albert park

Robert Harper & Co had an industrial complex on Beach Rd from Sandridge lagoon to Post Office Place. A wide variety of goods were produced including rice, starch, spices, cocoa, flour, spices, oatmeal, jelly crystals. Most of the complex was demolished around 1980 but some buildings have been transofmed into apartment blocks.Digital copy of Black and White photo mounted on card with the words "Harpers Picnic 1908" written below. The group of twenty two (22) includes two young children and the whole group are dressed in their finery and one man in the centre appears to be playing the piano accordion. The location of the bushland setting is unknown.social activities, industry - food, industry - manufacturing, robert harper & co ltd

An e.21st century digital print of an original e.20th century black and white photographic print. Image is an informal group portrait of men, women and children - most of whom are in their tennis whites - outside on a tennis lawn, with bushland in the background. Materials: Cardboard, Ink, Wood, Metal, Paper, Lacquer, Cardboard, Glasstennis

Honey tins were made to industry standards, and beekeepers bought tins from manufacturers. One of the largest manufacturers was Pender Bros, based in Maitland NSW. When a customer had emptied a tin, they returned it to the beekeeper when they went to buy more honey.Metal honey tin. Front Label; "Pure Honey 7LB Net Weight" Banner Title; "Pure Honey Gathered in the Australian Bushland" Two notices on label; first detailing chemical composition of honey, "Honey at Breakfast Time", second "In Sickness and in Health" Tin has no lid. Tin is very rusty inside.old, honey, tin, honey tin, beechworth honey

A comprehensive history of the Schwerkolt family in Mitcham, based on extensive research and documents from family sources. Schwerkolt Cottage is a pioneer cottage built around 1880 at Mitcham, Victoria. This heritage site encompasses the original stone cottage, associated replicated outbuildings and a local history museum, surrounded by 2.25 hectares of gardens and bushland, and adjacent to Yarran Dheran bushland park. Lifetime member Doug Orford sold his house in Napoleon Street November 2023 and has moved into a care faciity. His daughter Cathy assisted him in identification of items for donation to the Society.johann august schwerkolt, pioneer, schwerkolt cottage and museum

Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left)