Mr Chifley's last major public speech, made at the annual conference of the NSW Branch of the Australian Labor Party on the day before his passing away. Chifley spoke at the State Banquet at Parliament House, Canberra, on Tuesday 12 June 1951, and in the House of Representatives on the afternoon of the day that he died (13 June 1951), but those speeches were more formal. Ben Chifley was the sixteenth Prime Minister of Australia and a former railway engine driver. He was treasurer in the Curtin government and became Prime Minister after Curtain's death. He lost the 1949 and 1951 federal elections. The 1951 loss was due to his opposing Menzies' proposal to ban the Communist Party. The document was donated by Mr John Mildren, former federal member for Ballarat and former lecturer at Ballarat College of Advanced Education.Rare. Significant to the history of the Labor Party and to political commentary in Australia. Pertinent to political issues in the 1950s.Paper, A5, stapled, two tone (brown and white)Photograph on the front cover of JB Chifley, title and price (3D). Back cover: sketch of JB Chifley (creator of the sketch is unknown).btlc, ballarat trades hall, unions ballarat, ballarat trades and labour council, chifley, jb, chifley, ben, curtin, john, prime minister, treasurers, elections, communism, communist party - australia, political speeches

Design was commissioned by Council and resourced by both Council and Coles Supermarket to encourage participation in new recycling scheme. The finished 2 m x 140 cm sign, executed by council signwriter Bob Smith to Pat Grainger's design, featured the actual items to be recycled (bottles, cans, newspapers etc) and was displayed in the supermarket for a year.Designer's presentation rough for approval by Port Melbourne Council and Coles Supermarket of design for large 3D sign explaining household items to recycle under new environmental program, 1993environment, business and traders - grocers and supermarkets, local government - city of port melbourne, bob smith, coles supermarket, pat grainger

Set of 3 oblong stamps, 150th Anniversary of Australia 1788-1938. Red 2d, blue 3d, burgundy 9d; all have depiction of Governor Phillip at Sydney Cove, 1788.

Set of 4 stamps, John Macarthur - Merino Sheep 1834-1934. 2x Red, 2d, blue 3d, burgundy 9d, all have depiction of Merino ram in rural setting.stamps, john macarthur, merino, rural, industry, sheep farming

Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics

Set of 3 stamps Centenary of Victoria 1934. Oblong stamps depicting Aborigine standing on banks of Yarra River, Melbourne on other sided. Red, 2D, blue 3D, black 1 shillingstamps, stamp set, 1934

Neville Bunning was a lecturer in Ceramics at the UniversityBlack and White photographs of Campervan and man. White envelope with handwritten note. .1 Shows van with roof popped and man beside the van. .2 Shows a man looking at the front of the van .3 Shows man in front of vanphotograph, black and white photograph, neville bunning, campervan, envelope