Three pages from the Bendigo 'Advertiser' titled 'Building a heritage...' This article gives us an insight into the lives of some of the stonemasons who helped build the Bendigo Sacred Heart Cathedral. It includes a full page coloured photograph of the beautiful west window of Bendigo's Cathedral. 4/12/1968.bendigo, churches, sacred heart cathedral, lydia chancellor collection, collection, bendigo, church, sacred heart cathedral, cathedral, building, stone masonry, stone masons, builders, stelvio slaviero, albert segafredo, doug knight, place, building, history, catholic church

A Stereoscope photograph of a Church. A grey stone building with three entrances two at the front and one to the left side, a large front stained glass window with two smaller side windows. The top of the front pitch of the roof is a finial. To the right behind a tree is a church spire. A stone fence is in the foreground with a white gate and walking path. A large tree is in the middle of the picture.buildings, church, stone, grey stone church.

Red brick Church with large curved top three panelled windows with the blinds three quarters down. A finial is on the top of the roof. A chimney can been seen to the right side of the roof. In the foreground is a white picket fence with a double gate and a tree to the left.buildings, church, red brick, red brick church.

Slide. R.C.Churches of Bendigo. A Nativity Scene on a window in a church.slide, bendigo, r.c.churches of bendigo., r.c.churches of bendigo.

In December 1918 the Ballarat Courier reported that the Bethal Welsh Church held special services on in connection with their 65th anniversary, making it's establishment date 1853.Three colour photographs showing stained glass windows at the former Bethal Church in Ballarat. In 2014 the building was being used at the Church Retro Cafe.bethal, church, albert street, church retro cafe, stained glass, bethal, church, albert street, church retro cafe, stained glass

The World War One Memorial Stained glass windows in the Barkly Street Uniting Church resulted from a request made in 1919 by the Barkly Street Young Men's Club to be given permission to raise money to pay for the project. The window was designed by Fisher Co. Pty Ltd, and was unveiled by a former army chaplain - either Rev. J.A. Gaunt or Rev. Bladen on the 14th March 1920. The total cost of the windows was 171 pounds 10 shillings. The window cost 150pounds, the window was fixed into position for 15 pounds, and three wire screens cost 6 pounds 10 shillings.Digital Photographs of the World War One memorial stained glass windows in the Barkly Street Uniting Church, Ballarat East.Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM (Richard) Eady, James Arthur Edmends, William H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, Stanley C. Grave, Howard B. Hughes, Arthur W. Hughes, George A.C. Jones, William Stanley (Stan) Marshall, Robert R. McConnell, A.R. (Ralph) Muller, A.V. Polkinghorne, E.C. (Clifford) Ridgwell, Herbert R. Sansum, Arthur H. Smith, Alfred G. Tait, Robert E. Tait, Lawrence (Laurie) Veal, Thomas P. Vincent, Leslie A.barkly street uniting church, barkly steet methodist church, barkly street weseyan church, j.a. gaunt, bladen, stained glass, soldier, world war, world war one, mmm

Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM Eady, Jas Edmends, W.H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, S.C. Grave, H.B. Hughes, A.W. Hughes, G.A.C. Jones, Stan Marshall, R. McConnell, A.R. Muller, A.V. Polkinghorne, E.C. Ridgwell, H.R. Sansum, A.H. Smith, A.G. Tait, R.E. Tait, Laurie Veal, T.P. Vincent, L.A. World War Two tablet: This memorial tablet is dedicated to the memory of P. Sullivan, who fell and to those who enlisted in World War II.world war, world war one, world war two, p. sullivan, brittain, butcher, cornish, eady, edmends, ferguson, farrar, gist, gates, grave, hughes, jones, marshall, muller, polkinghorne, ridgwell, sansum, tait, veal, vincent, stained glass memorial, barkly street uniting church, mmm

"ST. PETER'S CHURCH, DAYLESFORD Last Sunday his Grace the Archbishop confirmed a large number of children at St. Peter's Church, Daylesford. His Grace was assisted by Rev. J. J. Malone, P.P. The congregation included a large number of worshipers from outside districts. A short address delivered by the Archbishop was attentively listened to, and many were the expressions of congratulation extended to his Grace upon his recovery from the indisposition which had incapacitated him from active work recently. At the conclusion of Confirmation the children were treated to refreshments on the lawn in front of the presbytery A large number of parishioners dined with Fr. Malone, and the Archbishop renewed former acquaintanceships. In the evening a mission was opened by the Rev. J. O'Brien and Rev. J. Brown, of the Redemptorist Order. The mission will be concluded on Sunday next. The exercises have been well attended. The interior of this beautiful Gothic church has recently undergone complete decoration, and one of the features that have, received special attention is the stained-glass. The windows consist of eight- two-light with trefoil piece of tracery, and in each is designed one of the following figures:—St, Francis of Assisi, St. Francis Xavier, St. Augustine, St. Monica, St. Stanislaus, St. Aloysius, Our Lady, St. Joseph, St. Patrick, St. Bridget, St. Agnes, 'St. Rose of Lima, St. Ignatius, St. Vincent de Paul, St. Alplionsus Liguori, St. Thomas Aquinas. The figures are set, in medallions formed with richly designed Gothic ornament in the form of crockets surmounted by a cross and crown, while in the tracery immediately above the windows is a monogram of the names of the saints. The figures are richly coloured in glorious antique glass, with the ornamental detail in lovely mellow tones of old gold and pale yellow stains. The whole effect is rich and at the same time restrained in colour. At the base of each window is written the name of the donor. The whole of the work was designed and executed by Messrs. Brooks, Robinson and Co. limited, at their stained-glass studios, Elizabeth-street, Melbourne. The scheme is an original treatment, but at the same time strictly orthodox and Gothic in style. One feature of the work which must be apparent to those who are interested in stained-glass decoration is the maximum effect obtained with a minimum of expenditure." (Melbourne Advocate, 4 December 1909) A number of coloured photographs of the stained glass windows from the interior of St Peter's Catholic Church, Daylesford. The photographs were taken on the day of the 150th anniversary celebrations.brooks, robinson and co, stained glass, st peter's daylesford, church, daylesford, st alplionsus liguori, st thomas aquinas, religion, st agnes, st rose

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

The stained glass windows are a memorial to parishioners who served during World War Two.Colour photographs of two stained glass windows by Alan Sumner in St John's Anglican Church, Colac.st john's anglican church colac, colac, stained glass, alan sumner, world war two

Sepia colour postcard. Wooden frame surround, image enclosed in oval shape within. Written on bottom of card ' St. Andrew's Presbyterian Church and School Bendigo' Image shows one storey building on LH side, facing street. Building has central doorway, two arched side windows. Other building and church centre and right. See link below for heritage details of buildings: https://ohta.org.au/organs/organs/BendigoStAndrewsUniting.html Receipt number 355/16bendigo, business, carwardine soap and candle

The "Dead Man's Penny" of Private George Matthews (24/1744) is a district link to the First World War. George enlisted with the Otago Regiment, New Zealand Expeditionary Force as a rifleman. Born in 1891, he was a former pupil of Myrtleford State School 955 and was one of four first cousins killed in action and recorded in a memorial window and honour board at the Uniting (formerly Methodist) Church, the Soldier's Memorial Square and on the State School Honour Board. George's parents, John and Mary Matthews,received the plaque in a pack, together with a letter and commemorative scroll from King George V. George Matthews is buried at the Caterpillar Valley (N.Z.) Memorial, France, having died on October 1, 1916, aged 25. The memorial plaque links local family tragedy to world conflict. It represents the impact of such events must have had on small town communities. George Matthews' enlistment in New Zealand is an indicator of the migratory nature of men involved in gold mining after the decline of the industry in Victoria and New South Wales in the late 19th centuryA World War 1 memorial plaque issued to next-of-kin of all British and Empire service personnel who died as a result of the war. They were round and cast in bronze, hence their similarity to the much smaller penny coin. The plaque includes an image of Britannia, holding a trident and standing with a lion. Britannia holds an oak leaf above the deceased's name, which is recorded without rank. Two dolphins swim around Britannia, symbolizing sea power, and at the base a second lion is tearing apart the German eagle. Around the picture a legend reads: "He died for freedom and Honour"Name engraved: GEORGE MATTHEWSmemorial plaque dead man's penny george matthews

Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles

historic building, Colour photograph, Robert Allen's house (1856-57) Eyre St. Buninyong, front verandah.buninyong, church, presbyterian, uniting, scott family

historic building, windows donated by Mr G Richmond, former pupil at Rev. Hastie's school, as a tribute to Mr & Mrs Thomas Scott Window made by James Ballantyne & Son, Edinburgh, Scotland.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass windows north wall, memorial to Scott family.buninyong, church, presbyterian, uniting, scott, stained glass

historic building, stained glass window depicting "Christ the Light of the World."Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window East wall. Dedication "Stuart Charles Davies Lay Preacher for 50 years. A token of Love from Family and Friends, died Feb. 1981, aged 76 years.)buninyong, church, presbyterian, uniting, stained glass, davies

historic building, stained glass window depicting Christ as Shepherd with flock.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window in memory of R. Gillespie.buninyong, church, presbyterian, uniting, stained glass, gillespie

Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph unmountedrose window, acland street, purchase, swyer, st kilda, christ church

Image taken on a bus trip, 26 November 1978. Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph polaroidSKHS Bus trip 26/11/78 Christ Churchrose window, acland street, purchase, swyer, st kilda, christ church, churches

Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas. The Church has a varied collection of stained glass, including work by leading stained glass firms and artists in Victoria in the nineteenth and early twentieth century: Ferguson & Urie, William Montgomery and Brooks Robinson. The 'shipwreck window,' north west transept, is an historically significant memorial window dedicated to Miles and William Dalzell Nicholson, the second and third sons of the Hon. William Nicholson, M.L.A, a Lord Mayor of Melbourne and Premier of Victoria in the 1850s. Miles, died in England on 27 April 1874. His younger brother William died in the wreck of the ‘British Admiral’ off King Island on 23 May 1874. The images show the condition of the church at the time they were taken (c 2012). Signs of deterioration can be seen. The bell is not rung any more because of damage to the stonework.There has been some remedial work since and the National Trust of Australia conducted a heritage restoration appeal.churches, acland street, purchase, swyer, st kilda, christ church

St Augustines Church.church, religion, buildings, el dorado, eldorado

Published for 150 years of Melbourne Trinity Lutheran Church, 1853-2003, not only as a source of reference and awareness about its own background but also as an incentive and motivation for continued active engagement of a large membershipCharcoal grey to beige at the top, of a hard cardboard cover book. Cover depicts Melbourne 1887 and title in black text. Back cover depicts "The Sower" window donated in 2004. 2 copiesPresented to Tatura & District historical Society In. with the compliments of Trinity Lutheran Church of Melbourne.luthern church, melbourne, mees hd, steiniger d, steiniger h, rechner p, camps, tatura, ww2, lutheran church, books, history, local

Sister Martha (Florence Gertrude Edwards) was Kindergarten Superintendent at the Carlton Methodist Mission. She married the Reverend George Fielding Dyson in 1936 after the death of his first wife in 1934. Rev. Dyson's son Fielding George Martin Dyson was killed in a motorcycle accident on 9 April 1936. Two memorial windows for the first Mrs Dyson were installed in the Palmerston Street Methodist Church. Reverend Dyson died in 1956.Square cotton handkerchief with blue edging and children in blue dresses printed around the border. Names have been written against each child."O Florrie dear You are a teaset so here's a rag to wipe your sneezer"florende gertrude edwards, florence gertrude dyson, sister martha

The former Scots Presbyterian Church in Adelaide Street Ringwood was demolished c.1980 to make way for the Eastland carpark. The Pulpit and windows were moved to the Uniting Church in Station Street, Ringwood.Colour photograph of the exterior of the Ringwood Uniting (formerly Scots Presbyterian) Church, located in Adelaide St. Ringwood. The manse can be seen next door to the church.ringwood, presbyterian, uniting, eastland

The former Scots Presbyterian Church in Adelaide Street Ringwood was demolished c.1980 to make way for the Eastland carpark. The Pulpit and windows were moved to the Uniting Church in Station Street, Ringwood.Sepia photograph of the exterior of the Scots Presbyterian Church, located in Adelaide St. Ringwood. ringwood, presbyterian, uniting, eastland