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matching collingwood
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NMIT (Northern Melbourne Institute of TAFE)
Report: Collingwood College of TAFE Goals and Objectives (interim) 1988, Report: Collingwood College of TAFE Goals and Objectives (interim) 1988
Nineteen page report with salmon coloured cover. Spiral bound. Dated September 1987.collingwood college of tafe, reports, nmit -
NMIT (Northern Melbourne Institute of TAFE)
Booklet: TAFE Teaching Service Agreement 1988-1991 Collingwood College of TAFE
Twenty-nine page A4 size booklet with green cover. Bound into manilla folder. Edited by David Essex, Human Resources Management Unit. Agreement applies from January 1, 1988 until January 1, 1991.collingwood college of tafe, administrative records, nmit -
NMIT (Northern Melbourne Institute of TAFE)
Report: Collingwood College of TAFE Proposed Interim Organisation Structure and Associated Position Descriptions April 1988
Approximately 150 page A4 size with aqua cover. Spiral bound.collingwood college of tafe, administrative records, nmit -
NMIT (Northern Melbourne Institute of TAFE)
Booklet: ‘Welcome to Collingwood Technical College’ [Student manual] 1973
Five page typed booklet welcoming students and introducing them to the college. A4 sizecollingwood technical college, students, manuals, nmit -
Ballarat Heritage Services
Photograph - Colour, Dorothy Wickham delivers the Eureka address at Collingwood
160 years Eureka Stockade anniaversary. "Carrying on the fight for a just, democratic and sovereign Australia" held Thursday 4 December 2014 at 6.00pm at The Eureka Hotel, corner of Victoria and Church Streets, Richmond, Melbourne. See poster. -
Young Christian Workers (YCW Australia) Archive and Research Centre
Fooball Team Photograph, 1958 Collingwood YCW Football Team
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Collingwood
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Yarra City Council
Artwork, other - Installation/Sculpture, William Eicholtz, Close Knit, 2023
'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation -
Yarra City Council
Artwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country -
NMIT (Northern Melbourne Institute of TAFE)
Medal: Collingwood Technical School Athletics Championship 1925, CTS 9ct Yellow gold school medal engraved on back ‘Athletic Championship / Under 15 Years / J HARVIE’
9ct Yellow gold round medal 25mm diameter, with 'CTS' logo on front. There is an inscription on the back 'COLLINGWOOD / TECH. SCHOOL / Athletic Championship / Under 15 Years / J.HARVIE / 1925'.On the front 'CTS' logo. On the back 'COLLINGWOOD / TECH. SCHOOL / Athletic Championship / Under 15 Years / J.HARVIE / 1925'.collingwood technical school, medal, award, students, student records, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Brochure, The Bill Freeman Library and Student Centre, 2007
The Collingwood Campus library of NMIT was redeveloped in 2007 and renamed the Bill Freeman Library and Student Centre. The new centre was designed to meet changes in thelibrary to a more student-focused service. It provides spaces for a variety of learning needs and styles. The library was named after Bill Freeman, a long-standing institute council member of Collingwood College of TAFE and later NMIT, serving as NMIT Council President 2002-2006. He retired from the Council in 2007.As the first 'student centre' the Bill Freeman Library and Student Centre was a design model for the development of Fairfield, Heidelberg and Epping campus libraries.2 copies of colour brochure, printed on A4 and folded to A5. Includes photographs of Collingwood campus library and background on Bill Freeman.student centres, libraries, collingwood college of tafe, bill freeman, ccot, nmit, -
NMIT (Northern Melbourne Institute of TAFE)
Photograph: Neil Harvey visits CTS 1948
Neil Harvey attended Collingwood Technical School from age 12 (1940). He visited the school in 1948 when these photos were taken.Black and white photos of cricketer Neil Harvey visiting Collingwood Technical School. Date unclear but circa 1948. Neil was a student at Colingwood Technical School in the 1940.collingwood technical school, neil harvey, students, nmit -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, leather strop 'Jason', c1940
A razor strop (or razor strap) is a flexible strip of leather or canvas used to straighten and polish the blade of a straight razor, a knife, or a woodworking tool like a chisel. Unlike honing or sharpening a blade, in which a whetstone removes metal bent out of alignment from the blade's edge, stropping the blade re-aligns the indentations without removing any material. The strop may be a hanging strop or a hand-held paddle. Various abrasive compounds may be applied to the strop to aid in polishing the blade while stropping to obtain a mirror-like finish. The properties of the compound applied will alter the polishing result. Jeweller's rouge is a very fine abrasive compound. The green Chromium(III) oxide compound is most often used as an abrasive compound. Sprays containing diamond particles are another option. Stropping is primarily done with straight razors, used for shaving, as these are the thinnest blades in everyday use, and require stropping at each use, due to the thinness of the blade Two points are key to stropping: Draw the blade spine-first along the strop. By contrast, honing is done edge-first. When you turn the blade at the end of a stroke, turn it over the spine, so the edge moves away from the strop and faces you, and the spine rests on the strop. This preserves the edge – if the blade is turned over with the edge against the strop, this will roll the blade edge, defeating the purpose of stropping As the use of safety razors increased in popularity this 'Jason' strop prolonged the life of each razor blade thus making them economical.A leather 'Jason' strop, for sharpening safety shaving razor blades, with box. Top of Box: J / The JASON / STROP/ Reg. Trade Mark / for SAFETY RAZOR BLADES / Reg. Patent No. 25435/35 ; Back : How to operate the JASON STROP ( instructions) Side: JASON / Razor Strop Dressing / A keen smooth blade will always be assured by the / occasional use of JASON RAZOR STROP DRESSING/ Side: FIFTY SHAVES WITH ONE BLADE ! / by using - JASON and JASON / Razor Blade Strop Razor Blade Dressing. End: JASON / Made by MEIK BROS. Pty. Ltd. / 15-17 Bedford St., Collingwood, and / 287 Flinders Lane, Melbourne, Vic. End: JASON / SAFETY RAZOR BLADE STROP.safety razors, the jason strop, shaving equipment, personal effects, strops, meik bros pty ltd, gillette, collingwood melbourne -
NMIT (Northern Melbourne Institute of TAFE)
Photograph: Mr. George Thomas Teacher and Councillor CTS 1937-1972
Mr. George Thomas' connection with Collingwood Technical School began as a junior technical student at Collingwood in 1913. He then became an apprentice in the electrical trades during which time he also undertook a Diploma course in Electrical Engineering. Mr Thomas was appointed as a teacher (part-time) of Electrical Wiring at Collingwood in 1922 having had previous experience teaching in Geelong at the Gordon Institute of Technology. In 1930 Mr Thomas became a full-time teacher in Electrical Trades, the year of the commencement of the Apprenticeship Commission in Victoria. In 1937 he was instrumental in introducing electroplating as a trade whereas it had previously only been taught as a section of the Electrical Trades. This was a period of severe economic constraints following the Great Depression and spending on education was limited. Needing the latest knowledge of industrial practices, Mr Thomas canvassed electroplating industries around Melbourne seeking employment opportunities and met with favourable responses. He approached Quinton’s electroplating firm in North Melbourne with the proposal to work for them on Saturday mornings without payment. In return for his labour, he asked to be taught the basics of the trade. During the week he was able to impart his knowledge to his students. Initially, he wanted to develop electroplating as an outlet for the Youth Employment Training Scheme. Once the class was firmly established, he submitted a proposal to the Education Department to establish an Electroplating Department, and this became the first of its kind in the southern hemisphere. He gave up teaching in 1939 to become the Northcote City Electrical Engineer where he served for 26 years. During this time he was also a Consulting Electrical Engineer to Box Hill and Port Melbourne Councils. His association with Collingwood Technical School (and later, College) continued, first as an examiner on the State Electricity Commission (SEC) panel and from 1947 as a member of the School Council. He was president of the Council in 1961 and 1962. He also represented the College on the Northern Regional Council and participated in the selection of Electrical Trades teachers. For four years, 1967-1971, he represented the metropolitan Technical Schools and Colleges on the Council of the Monash University, in which capacity he gave outstanding service to technical education. George H. Thomas attended his first Council meeting on June 12, 1947 and remained on the Council until the secondary and post-secondary sections were separated in 1981 – a period in excess of 34 years. (See Scott p36).Black and white photographs of Mr. George Thomas who had a long association with Collingwood Technical School and Collingwood Technical College, spanning the years 1937-1972. He began his connection with the school as a teacher and went on to become a member of the School Council. He introduced Electroplating as a trade to be taught at Collingwood Technical School in 1937. (Scott p36) The photographs include one of Mr. George Thomas in Monash University regalia 1971. Another of Collingwood Technical School Council 1972 with Mr. Thomas. Images also include an excerpt from Mr. Scott's history.collingwood technical school, george h. thomas, electroplating course, nmit -
University of Melbourne, Burnley Campus Archives
Map, Plan of Early Melbourne Showing Original Crown Allotments, c. 1852
Copy of 'Map of the City of Melbourne, and its Extension, together with Collingwood, Richmond, Hawthorne, the Emerald Hill, and a portion of Prahran Compiled from the Government Plans and Private Survey by William Green.' (2 copies, one enlarged)melbourne, william green, richmond, hawthorne, collingwood -
Greensborough Historical Society
Booklet, James Salisbury, Born with the century, by James Salisbury, 1979_
Reminiscences of James Salisbury, who emigrated to Victoria with his family in 1908, covering life in Kinglake, Collingwood, Fitzroy and Melbourne.Paperback, black and white text and photographs, 43 p. 2 copies"To Mrs Taller, in appreciation of help given, 1982"kinglake, collingwood, fitzroy, melbourne, james salisbury -
Bendigo Historical Society Inc.
Clothing - STRAW BOATER
Clothing. Cream coloured straw boater. Leather headband inside crown marked 'straw hat' Made in England by Woodrow and Sons. Small paper ticket on headband marked J. W. and S. 7 (presumably the size.) Black grosgrain ribbon , finished with a flat bow, around outside of crown. Mesh netting lining in crown of hat. Green satin padding in crown of hat, with words: Woodrow and Sons. Hat Manufacturers. Made in England for G. WARDROP C/o Smith and Johnson Streets, Collingwood..Woodrow & Sons, Hat Manufacturers.Made in England for G Wardrop C/o Smith & Johnson Collingwood.costume, male, boater -
Melbourne Tram Museum
Negative, c1938
Negative of a photograph of a cable car set , trailer 593 at the Collingwood terminus in Johnston St. The grip man is sitting on his seat while the Conductor is attending to the Bundy (Cincinnati type) by the Grocery Shop. In the background is the Hotel at the corner of Clarke St. An advert for Swallows Ice Cream appears on the Grocery Shop.trams, tramways, cable trams, collingwood, johnston st, tram 593 -
Orbost & District Historical Society
book, Pioneering East Gippsland, 1983
The author, Denis O'Bryan was an assistant forester in Orbost, 1977/78.This book is a chronological history of East Gippsland.A small paperback book with a bright orange front cover. It has a stylised picture with historical drawings of a settler, sheep and Aboriginal art. The book was written by Denis O'Bryan and is a chronological account of the history of East Gippsland. It contains black and white photos.In pen - Marina Johnson $5.95 stamp of Orbost Historical Society Box 344 2190 Orb ostpionering-east-gippsland o'bryan-denis history-east-gippsland -
Greensborough Historical Society
Dressmaking Pattern - Digital Image, Pauline Paper Patterns, Pauline paper patterns number 5116, 1939_
Front and back covers of "Pauline paper patterns number 5116". This pattern is for a ladies' dress and 'bolero' jacket, drawing on front and instructions on back cover.An example of early 20th century clothing and sewing patternsDigital copy of front and back covers of dressmaking pattern.dressmaking patterns, patterns, dresses, clothing -
Montmorency/Eltham RSL Sub Branch
Headwear - Slouch hat, Hat, khaki, fur felt, 1940
Owned by William Albert HARRISON (Service Number VX41478; above Link ["WW2 Record"] indicates that Rank on Discharge was Cpl, but other AIF documents, from National Archives Australia [including Proceedings on Discharge - see pdf Media File above], indicate that he was Sergeant). Soldier's name known. Items donated (date unknown) by brother-in-law who was living in Montmorency and was a committee member of MERSL when item donated.Slouch hat with Australian Commonwealth Military Forces badge; cotton puggaree with 2/5 Battalion unit colour patch (Rectangle, black over red). Inside: hand-written name (W. A. HARRISON) Size 6 7/8, 1940 Maker's name stamped on leather lining (CORONET FELTS Pty [Ltd]) -
Greensborough Historical Society
Game, Strategy: a game of skill, 1939c
Strategy is a board game involving army divisions, battleships and aircraft. The tactical object of the game is to steadily reduce your opponent's forces until you have numerical advantage.An Australian-made game possibly published during or just after World War 2.Board game in cardboard box. Includes game board, sheet of "Rules" and 29 playing 'pieces' [5 missing]war games, board games, strategy [game] -
Greensborough Historical Society
Photograph - Digital image, Charles Partington, 1880s
Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.A pioneer Greensborough family.Digital copy of black and white studio photograph.charles partington, partington family -
Greensborough Historical Society
Photograph - Digital image, Ellen Partington [nee Whatmough], 1897c
Photograph of Ellen Partington (nee Whatmough). She and husband Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Pioneer Greensborough familyDigital copy of black and white studio photograph.charles partington, ellen partington, ellen whatmough -
Greensborough Historical Society
Photograph, Allan Studios, Jessie Partington on her wedding day, 09/03/1935
Photograph of Jessie Partington on her wedding day 09/03/1935. Jessie married Gordon Scholes at the Greensborough Methodist Church.Studio portrait of bride, mounted on heavy card.Studio name and address on front of mount.jessie may partington, jessie scholes, gordon scholes, greensborough methodist church -
Greensborough Historical Society
Photograph, The Model Studios, Chrisie Barber 1925, 1925_
Photograph of bride and groom 1925. Caption on back identifies the bride as Chrisie Barber and the year 1925. From the collection of Jessie Partington.Sepia studio portrait of bride and groom, mounted on heavy card.Name and address of studio on front of mount. Handwritten caption "Chrisie Barber 1925" on back of mount.chrissie barber, weddings, jessie partington -
Greensborough Historical Society
Photograph, Allan Studios, Amy Medhurst 1904, 1904_
Studio portrait of Amy Medhurst taken in 1904The Medhursts were a Greensborough pioneer family.Studio portrait, circular shape, mounted on heavy card.Studio name "The Allan Studio" printed on front of mount. Name of subject handwritten on back of mount.amy medhurst -
Warrnambool and District Historical Society Inc.
Book, Marten Syme, Lifeboats For Victoria, 2001
History of lifeboats and their crews in Victoria from 1856 to 1879This is a paper back book with a plasticized cover. It has 76 pages and an index. The cover is olive-green in colour with images of a life boat and a lifeboat service certificate. The book contains printed material, diagrams, maps, photographs and other illustrations.non-fictionHistory of lifeboats and their crews in Victoria from 1856 to 1879lifeboats, shipwrecks, port fairy lifeboats, warrnambool lifeboats, history of warrnambool -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Books, birthday diary, red, leather, c1945
Birthday Diaries were a popular gift in 20th century and usually contained verse suitable for the date They were used to remind the owner of upcoming birthdays of relatives and friendsA red leather covered diary for recording Birthday dates with inspirational verses for each day. c1945 Cover BIRTHDAYS Inside cover a signature ‘W M Biche’ / ‘ Rosemary that’s / for remembrance / 1915 – 1945 / ‘ Dad died 1946 / 21st Nov / ‘Vale beloved’ BIRTHDAY / BOOK / CONTAINING / A CHOICE / SELECTION OF / QUOTATIONS / FOR EVERY / DAY OF THE / YEAR / CROMWELL / SERIES moorabbin, brighton, cromwell printers pty ltd, early settlers, cheltenham, diaries -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Bowling Club, Allan Studio
Appears to be opening of Bowling Season (circa 1920s)sport - lawn bowls, allan studio, william howe, wally paxman, bill mellett, insall (patterson bakery), reg gregory, alex dicker, sydney sims anderson, fred martin, fred hart, port melbourne bowling club