Probably donated by Commercial Club AlburyWooden shield with cast metal slouch hat (no rising sun badge) in the centre, attached with three screws. Beneath that, a brass badge of Australia. "Diggers Day Commercial Club Albury the 30-12-1939" slouch hat, shield, albury, commercial club, diggers day

Since it was built in the 1860s the two storey brick building has had a number of commercial uses including butter and ice making, a general store, an equestrian store, an art gallery, a community Christian centre and a health studio. It has apparently been built in two stages because one section of the brickwork has a smoother finish.A coloured photograph of a two storey brick building with a slate roof. There is a shop front on the ground floor and 5 windows are on the 2nd storey. A verandah extends across the front of the lower storey to the edge of the footpath.butter and ice making, johnston, george, james, william, george evans collection

Upper Main Street Stawell. Looking East c1910. On left two story Allingham building behind cart is Commercial Hotel. Oriental Bank. Punchard Furniture. Crown Cross Poppet head visible on Big Hill. The side of the Mechanics Institute visible near centre. H S Dawson Chemist. Clarke & Scott Drapery on right. Same as 6730-1 & 1423Streetscape of upper main street looking east, Crown Cross poppet head at end of street in middle of streetUpper Main Street Stawell.mining, streetscape, businesses

MR. FRED EBERHARD OF EBERHARD & CO AERATED WATER OF CLUNES IS SEATED AT THE TABLE CENTRE RIGHT FRONT..1 ORIGINAL BLACK AND WHITE PHOTOGRAP OF COUNTRY CORDIAL MANUFACTURERS DINNER 1949, ORIGINAL PHOTOGRAPH OWNED BY DONOR .2 BLACK & WHITE PRINT OF COUNTRY CORDIAL MANUFACTURERS DINNER 1949, ORIGINAL PHOTOGRAPH OWNED BY DONOR .3 ONE SHEET OF PAPER WITH HISTORICAL DETAIL OF EBERHARD & CO. CORDIAL FACTORY CLUNES VICTORIADINNER GIVEN BY ALFRED LAWRENCE & CO. LTD. IN HONOUR OF THE SECOND ANNUAL CONFERENCE OF THE VICTORIAN COUNTRY AERATED WATERS & CORDIAL MANUFACTURERS ASSOCIATION MELBOURNE - AUGUST 1ST. 1949photograph, commercial event

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Main Street Stawell. Showing shops and businesses in Main Street. education, shops, main street, streetscape

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Main Street Stawell. Showing shops and businesses in Main Street. education, shops, main street, streetscape

Upper Main Street Stawell looking towards Big Hill. Sloane's Scotchman's Poppet Head in background. 1906. Victoria House, Commercial Hotel, Oriental Bank, Weekly Times Office, Clarke & Sons Drapery. Same as 1423 & 2785Steet scene looking East down Upper Main Street from Victoria Street. Crown Cross Poppet Head at end of main street and side of Mechanics Institute at centre of image.Post Cardstreetscape, mining

Oil on canvasVerso in charcoal u. centre "RODNEY FORBES / CUP DAY 1992 / OIL 111.6 X 83.7 CM " (in a square box)backyard, bbq, police, sunbather, dog

Linocut print. Printer's Proof'P/P' in bottom left below printed section, 'ULMAI' in centre, signed along bottom right edge of paper.culture, pattern, linocut

Linocut print on paper. Printer's Proof'P/P' in bottom left under printed section, 'DAWN RAID STRATEGY' in centre under printed area, signed on bottom right edge.linocut, line, pattern

Linocut print on paper. Printer's Proof.'P/P' below printed section bottom left, 'Iian Mask II' under printed section centre, signed along bottom right edge of print. linocut, symbolism, pattern, line

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed area, 'HUNTING DHANGAL' centred under print, signed along bottom right edge.linocut, symbolism, pattern, cultural reference, astronomical, hunting

Linocut print on paper. Printer's Proof.'P/P' in bottom left under printed section, 'MARKS OF A PRINTMAKER (BODY PARTS I) centred under printed area, signed along bottom right edge. linocut, line, cultural reference, pattern, hands, making

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed section, 'ILAN REGATTA' centred under printed area, signed along bottom right edge.linocut, line, pattern, cultural reference, symbolism, boats

Linocut print on paper. Printer's Proof.'P/P' under bottom left section of printed area, 'HANDLINE NGURUPAI WHARF' centred under printed section, signed along bottom right edge of print area.linocut, cultural reference, pattern, figure, fishing

Linocut print on paper. Printer's Proof.'P/P' under bottom left of printed area, 'GOI GOI' centred under printed section, signed on bottom right edge of print area. linocut, pattern, cultural reference

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed area, '...AND THEY FLEW FROM THE AIRFIELD AT NGURUPAI II' centred under printed area, signed along bottom right edge of printlinocut, cultural reference, pattern, symbolism, aircraft

Linocut print on paper. Printer's Proof.'P/P' bottom left under printed image, 'Bu bu (tides)' centred under printed area, signed and dated in bottom right corner of image. cultural reference, linocut, cultural symbolism, patterns, waves, tides

Linocut print on paper. Printer's Proof.'P/P' bottom left of printed image, 'Marrkai gub (cyclone Anthony)' centred under image, signed and dated in bottom right of printed area.linocut, cyclone, patterns, symbolism, cultural reference

Screenprint on paper.'13/20' bottom left, 'THE MULLOWAY MATH OF IT' bottom centred, signed 'MCDONALD' bottom right corner. screenprint, power station

Hand coloured etching on paperEdition 39/50 - bottom left corner Titled 'Drought Spirit' on centre bottom of print Signed and dated 'Treahna Hamm '95' - bottom right corner.linework, drought, etching, spiritual, land

Hand coloured etching Edition 26/50 in lower left corner. Titled 'Paradise Overkill' on bottom centre. Signed and dated 'Treahna Hamm '95' lower right corner.etching, land, spiritual, environment, connection to land, disruption

Charcoal on paperTitled 'OWL FAMILY' centre bottom of drawing. Signed and dated 'Bellany '83' in bottom right corner of drawing.

Ink on paperSigned 'George Bell' centred along right edge of drawing.life drawing, figurative drawing, study, body, pose, human form

Watercolour on paperSigned and dated 'DCentre'06' lower right corner of painting.flock, sheep, agriculture

LithographSigned and dated 'Jacklin 87' bottom right corner under printed image. Titled 'Two Chimneys' centred under bottom of printed image. Edition 21/25, bottom left corner under printed image.

LithographSigned 'Sibley '85' in lower right corner under printed image. Titled "PAPER GURU" centred bottom under printed image. Edition A/P, lower left corner under printed image.

LithographSigned and dated 'J. Senbergs. '85.' lower right corner under printed image. Titled 'Looking at Jesus Houses in Italy' centre bottom under print. Edition CT/P in lower left corner under printed image.