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Flagstaff Hill Maritime Museum and Village
Instrument - Foghorn, Late 19th century
A foghorn is a device that uses sound to warn of navigational hazards like rocky coastlines, or boats of the presence of other vessels, in foggy conditions. The term is most often used with marine transport. When visual navigation aids such as lighthouses are obscured, foghorns provide an audible warning of rocky outcrops, shoals, headlands, or other dangers to shipping. An early form of fog signal was to use a bell, gong, explosive signal or firing a cannon to alert shipping. From the early 20th century an improved device called the diaphone was used in place of these other devices, The diaphone horn was based directly on the organ stop of the same name invented by Robert Hope-Jones, creator of the Wurlitzer organ. Hope-Jones' design was based on a piston that was closed only at its bottom end and had slots, perpendicular to its axis, cut through its sides, the slotted piston moved within a similarly slotted cylinder. Outside of the cylinder was a reservoir of high-pressure air. Initially, this air would be admitted behind the piston, pushing it forward. When the slots of the piston aligned with those of the cylinder, air passed into the piston, making a sound and pushing the piston back to its starting position, whence the cycle would be repeated. This method of producing a low audible sound was further developed as a fog signal by John Northey of Toronto and these diaphones were powered by compressed air produced by an electric motor or other mechanical means that admitted extremely powerful low-frequency notes. The example in the Flagstaff collection is an early cased and portable diaphone used on pleasure or sailing craft. By manually turning the crank handle air is produced and fed into valves that direct air across vibrating metal reeds to produce the required sound. in foggy weather, fog horns are used to pinpoint a vessels position and to indicate how the vessel is sailing in foggy conditions. One blast, when sailing on starboard tack and two blasts, when sailing on a port tack and three dots, when with wind is behind the vessel. Since the automation of lighthouses became common in the 1960s and 1970s, most older foghorn marine installations have been removed to avoid the need to run the complex machinery associated with them, and have been replaced with an electrically powered diaphragm or compressed air horns. The example in the collection is significant as it was used in the early 19th century for sailing vessels was important but these portable crank fog horns have also been superseded by modern electric varieties. Therefore the item has a historical connection with sailing and maritime pursuits from our past.English Rotary Norwegian Pattern nautical foghorn within a boxed pine varnished case with exposed corner dovetailing, original leather carrying strap, brass side crank, and original copper trumped horn. Card accessory with Directions for Use in both English and French.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, foghorn, maritime technology, maritime communication, marine warning signal, portable foghorn, bellows foghorn, crank handle, robert hope-jones, john northey -
Federation University Historical Collection
Calculator, Monroe High Speed Adding-Calculator
Used before the invention of electronic calculators, mechanical adding machines were most often used for long calculations. This calculator was used in the Ballarat School of Mines Physics Department. Addition and subtraction were perfomed by turning the larger side mounted crank forward or backward. the smaller crank lever zeros the two registers. Two buttons are provided to set the machine either to clear the number entry with each revolution of the crank or to repeat the entry. The largest button resets the keybord to all 0s.A calculator with shiftable carriage and digit separator rods between each row of keys.ballarat school of mines, calculator -
Federation University Art Collection
Sculpture - Mace, 'University Mace' by Trefor Prest, 1995
The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.The mace symbolises the office of the Chancellor. The design of the mace is the outcome of a national competition and represents the cultural diversity of Australia. The poppet head on the top of the mace refers to gold mining, which underpinned the development of Ballarat. The protruding spikes recall the Eureka Stockade. The 'egg' shape enfolds and nurtures the development of knowledge and learning. The shaft with the three 'branches' represents the Tree of Knowledge, and includes a bark canoe scar which recognises the integration of black and white Australian traditions. The lower part of the shaft culminates in a device suggestive of scientific or surveying and measuring technology. This represents precision and accuracy embodied in the academic pursuits of Federation University Australia.art, artwork, trefor prest, prest, mace, federation university, university, eureka stockade, aborigines, scarred tree, mining, university mace, ballarat -
Coal Creek Community Park & Museum
Rope making machine
8474.1 - Roughly circular contraption with numerous holes and hooks and a cranking handle. It's standing perpendicular from a block of wood to which it is nailed.- The New Era Rope Machine - Keep oiled- - July 18 1911 - Continental Trading Corporation Ltd. Chicago U.S.A. -
Mont De Lancey
Knife Cleaner, Circa 1910
Hand-cranked twin 4" diameter roller, cast iron knife cleaner, with a wooden handle, and painted red. (Maker now shown). -
Mont De Lancey
Vintage Fruit Press Juicer
Metal cylindrical drum with hand-cranked turning wheel for fruit juice pressing, with a shute, and a manufacturer's plaque on the front. On a cast iron base.Mauri Bros & Thomson Limited Manufacturers Sydney Brisbane & Wellington N.Z.juicers, presses -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Greenwood, James et al, Among the Cranks by James Greenwood, [n.d.] [1905]
Romance novel.Hardcover book, 231 pages. Book has a red cover with black text and an outline image of a man holding a jar with an insect in it. Illustrations by J.E. Gran.fictionRomance novel.james greenwood, romance, fiction -
Federation University Historical Collection
Souvenir - Flag, Eureka Flag souvenir, 1954, 1954
This flag was used for the centenary of the Eureka Stockade. Blue flag with white cross and starsWritten in biro near shaft "Reject - Ballarat made and printed by Geoff Zilliescloth, timber, eureka flag, eureka centenary, geoff zilles -
Bright & District Historical Society operating the Bright Museum
Pipe clay
White clay pipe bowl and shaft. Shaft in the form of an eagle's claw, with the bowl held in the talons.pipe, goldfields, tobacco, leisure, smoking, recreation, gios -
Bendigo Historical Society Inc.
Map - UNDERGROUND SECTION OF 3 MINES
Underground section of three mines - Shaft No 94, New Chum United Co, Cross Section No 89 - Shaft No 93, Lansell's 222 (DENIS), Cross Section No 87 - Shaft No 92A (New Shaft), Lansell's 222, Cross Section No 86. Map shows depth of cross sections below the sill and stone encountered. Poppet legs are drawn at the top of the shafts. Lansell's 222 Shaft No 92A has measurements pencilled in.mining, parish map, new chum united, lansell's 222 (denis), lansell's 222 -
Stawell Historical Society Inc
Map, Gold Mines of Australia, Plan of Stawell Goldfield. Mining Leases, 1952
And Shaft Locations 1952 G G Birch Mining Surveyormining, gold, map -
Flagstaff Hill Maritime Museum and Village
Gramophone
Gramophone, Edison, in wooden cabinet with hinged lid. Front has open fretwork panel with speaker behind it and is covered by brown cloth. There is a handle for cranking. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone, music, entertainment, furniture, edison -
Mont De Lancey
Knife Cleaner, Circa 1910
Red painted, 5 1/2" diameter, hand cranked cast iron rotary disc knife cleaner. With a wooden handle and a metal screw."Beatrice Knife Cleaner Made in England Regd Trade Mark No 224159"knife cleaners -
Mont De Lancey
Knife Cleaner, Circa 1910
"Vono' 7 1/2'diameter, hand-cranked, cast iron, rotary disc knife cleaner, painted green, with a wooden knob on the handle."The Vono Knife Cleaner - Trade Mark"knife cleaners -
Bendigo Historical Society Inc.
Photograph - Victoria Hill, Bendigo, 1973
Gold was discovered on Victoria Hill in 1854 and by 1861, 1,200,000 ounces of gold had been extracted from the site. The first claim was bought for 80 pounds by Prussian immigrant Christopher Ballerstedt and his son Theodore. Christopher Ballerstedt was nicknamed the "Father of the Hill" and was the first to prove that gold reefs extended below the surface. His 200-foot plus mine shafts yielded quartz rich with gold, inspired other miners, and were instrumental in Bendigo becoming the world's deepest and richest goldfield. The site still features relics of nineteenth century mining including quartz crushing machinery and the foundations of George Lansell’s 180 mine. These features are characteristic of Bendigo’s mining history and represent two prominent nineteenth century miners, Christopher Ballerstedt and George Lansell, who held important roles in the development of Bendigo. Victoria Hill Quartz Gold Mines are registered as a site of significance. The site is of historical, archaeological and scientific importance to Victoria. The mines represent the symbolic heart of Bendigo’s gold mining history and the importance that mining played in wealth creation and the development of Victoria. The diggings reserve is accessed from the rear of Albert Richardson Reserve located at 40-56 Marong Road, Ironbark. The site has steep and unformed paths and is closed to the public at dusk. It is important to stay to the paths to avoid the diggings. Interpretive signs help visitors to appreciate the importance of the site and the remaining relics of Bendigo’s mining history.Victoria Hill Ironbark, Bendigo. Photos of the poppet head, sand heap, tailings, shafts and tunnels. Before development into a tourist attraction.history, bendigo, victoria hill, ironbark, diggings -
Bendigo Historical Society Inc.
Document - MINING PLAN, No date Visible
Mining Plan: Longtitudinal section showing Victoria Quartz Mining Company's Shaft No. 75 to shaft No. 68topic, mining, plans, gold mines bendigo, victoria quartz mining company -
Whitehorse Historical Society Inc.
Functional object - Smokehouse Damper
Round flat metal disc with upright corkscrew shaft attached. Handle thin horizontal shaft at base.rural industry, agriculture -
Bendigo Historical Society Inc.
Document - MINING REPORTS - CALEB THOMAS PLANS
Copy of Caleb Thomas plans, (a) Sheet No 778, dated 24th 1884. Mines mentioned are: Catherine Reef (South) Shaft, Catherine Reef United Main Shaft, Shaft No 50B, Shaft No 51A North Shaft and the Williams Main Shaft. Mentioned are distances from each mine in yards and from the Eaglehawk to Kerang Railway in feet. Also mentioned are ounces of gold. (b) Sheet No III dated 10/10/1884. Mines mentioned are: York & Durham, Arcadia Catherine, Williams (Old) Shaft, Trio-Hauling Co, South Catherine (later Williams United Main Shaft and others by shaft numbers. Mentioned are distances in yards or feet from each mine, number of compartments and ounces of gold.document, gold, mining reports, mining reports, caleb thomas plans, york & durham, acadia catherine, williams (old) shaft, trio-hauling co, south catherine (later williams united main shaft -
Flagstaff Hill Maritime Museum and Village
Domestic object - Butter Churn, Cherry and Sons, Circa 1890-1920
The subject item is a good example of a large, hand-operated Bentwood box butter churn used to make up to 14 pounds of butter. It was made in Gisborne, Victoria, by the famous manufacturer, E. Cherry, and is known as an Improved Patent No.2 model probably dating from the late 1800s. The Cherry works specialised in making all types of butter churns and equipment for both domestic use on farms and small butter factories during the late nineteenth and early to mid. twentieth centuries. Milk was "separated" to retrieve the cream which was then beaten to make butter. E Cherry began making various models of Cherry butter churns in 1858, Edward Cherry migrated from Herefordshire England to Australia in 1855 with his wife Ann Appleby, nee Davis, and established a joinery workshop at Gisborne, Victoria. He began by making butter churns in his spare time and his product soon became popular allowing him to establish a viable business. A factory was established in 1875 and he started to make churns of all sizes including up to industrial scale. He exported his products to many countries around the world, Edward Cherry died in 1909 and the business was then run by his son George until he died in 1917. E Cherry's other son Thomas (1861-1945) was also involved in the firm maintaining an interest for several years. He had been born in Gisborne and became a senior house medical surgeon at the Melbourne Hospital in 1890. He continued his studies at Kings College London, eventually becoming a renowned bacteriologist and agricultural scientist. A significant giving an snapshot into how early rural and industrial manufacturing became established in Australia.Rectangular butter churn, a footed wooden box containing an X-shaped wooden interior rack, which is joined to an exterior metal hand crank with turned wood handle, through a hole in the box. Beneath the hand crank is a hole from the interior lined with metal. The lid has a carry handle affixed to the lid on two cross pieces attached to the lid by brass screws.Lettering in black on a transfer "CHERRY & SONS PTY LTD. GISBORNE VICTORIA". Model 00warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, butter churn, gisborne, edward cherry, george cherry, thomas cherry, ann appleby, dairy equipment -
Glenelg Shire Council Cultural Collection
Functional object - Oars, n.d
Port of Portland Collection|19/4/2000Two wooden oars, shafts are stained wood, the blades are painted white. Leather rowlock protection tacked to shafts. -
Kiewa Valley Historical Society
Rod Fishing, circa early 1900's
This bamboo fishing rod was used in the mid to late 1900's and demonstrates that local production of recreational fishing poles was at a high level and their demand was high. Imported recreational sporting goods from either the United Kingdom, the United States of America or Asia countries was due to the larger lead up times from these suppliers and the greater import costs from slower ocean supply ships. It was only after World War II that the trade influx from other countries has supplied cheaper goods. This recreational fishing pole is highly significant to the Kiewa Valley as it demonstrates that recreational fishing has been evolved from the need to supply a balanced diet by the early pioneer families of fish from the major Kiewa rivers. The ability of the Kiewa Valley rivers to provide a good fishing environment (high protein diet) for both early indigenous families and early pioneers was the important food source that provided for a balanced diet and the higher level of nutritious development of both body and mind. This two piece wooden fishing Rod is made from bamboo shafts or poles, one length thicker than the other. The smaller diameter shaft is the top end and fits into the longer thicker shaft at a stainless steel tube end.The smaller shaft has a stainless steel reinforcement ring where both shafts fit together. At the bottom end of the thick shaft is a black rubber "stopper" or "foot". There are two stainless steel rings, each with a reel holding "bulge" which allows for the the reel's "prongs" to be secured. The top ring has a greater diameter allowing it to move up and down the shaft/pole to secure the top "prong" firmly onto the shaft/pole.recreation, river, rod, fishing, industry, fish -
Anglesea and District Historical Society
Phone
Fiddleback wooden wall telephone with central battery and writing desk and card instruction frame. Introduced circa 1906. Has transmitter and receiver and crank handle.Card on front: not legiblewooden wall phone, fiddleback -
Mont De Lancey
Knife Cleaner, Circa 1910
Hand cranked, cast iron knife cleaner. Cast iron circular barrel, with iron and wood handle. Cork/chamois ?, within barrel for cleaning knives."Beatrice Knife Cleaner" on the front. "Rd. No 686261" on the back.knife cleaners -
Mont De Lancey
Cake Mixer, Landers, Frary & Clark, Circa 1905
Tinplate round cake mixer with 2 beaters and 1 whisk, operated by hand-cranked handle with a wooden knob. Mixer attaches to a table with a screw on clamp.whisks, food processing equipment -
Glenelg Shire Council Cultural Collection
Souvenir - Spoon, n.d
Spoon, silver coloured, blue enamel State of Victoria badge, Victoria's Coat of Arms, Centenary 1834-1934.Front: 'Melbourne' - on shaft of spoon - impressed Back: 'C&E SP APEX' - impressed -
Glenelg Shire Council Cultural Collection
Tool - Caulking Hammer, n.d
Wooden handle with metal shaft. -
Stawell Historical Society Inc
Map, Gold Mines of Australia, Stawell Investment Geological Plan. Mine Area showing Mineshafts
The Reefs Mine shaft locationsGold Mines of Australia Ltd mining, gold, map -
Duldig Studio museum + sculpture garden
Prototype, Slawa Horowitz-Duldig, Flirt Umbrella Prototype by Slawa Horowitz-Duldig 1928, 1928
Slawa built the umbrella using existing and modified umbrella parts purchased from manufacturers and other sources with the idea to develop a more practical umbrella. At the time Slawa was a student studying sculpture at the Akademie der Bildenden Kunste Wien (Academy of Visual Arts). She spent many months developing the prototypes in secret before she applied for and received a patent on 19 September 1929. The patent documentation for Flirt noted that although foldable umbrellas with telescopic shafts were not new, the inventor's umbrella was a significant improvement as it was smaller and more practical as the folding mechanism had been considerably simplified. The umbrella was included in the Inventors’ pavilion at the Vienna Spring Fair in 1931. In a contemporary newspaper report it was described as ‘the magic umbrella of the sculptress’. After the design was granted a patent, it was contracted to the firm Basch and Braun, which authorized its manufacture under licence by the largest Austrian umbrella manufacturer in Austria Bruder Wuster and a German firm Kortenbrach und Rauh. It was called Flirt. In the first year of production sales reached 10,000. This number increased steadily each year as sales spread throughout Europe and the Flirt umbrella was still being produced in the post-war period. Slawa was paid royalties till 1938, the year that she left Vienna and fled to Switzerland. In 1939 with pressure from the Nazis she sold her rights to the company Bruder Wuster. Ann Carew 2016The umbrella prototypes have national and international aesthetic significance as examples of technological innovation in industrial design. The archive has national and international scientific and research potential – detailed records concerning the development of the design, patent and its manufacture are held in the studio. The archive demonstrates the links between the realms of fine art, industrial design and manufacturing in Vienna in the early twentieth century. The sale of Slawa Horowitz-Duldig’s rights to the umbrella under duress from the Nazis makes this archive historically significant. The provenance is excellent, and the prototypes and accompanying documentation have national and international interpretative potential. Ann Carew 2016Three handmade compact foldable umbrella prototypes. The prototypes have black silk covers, a metal shaft, handle, ribs and ferrule. The shaft has a telescopic mechanism. The top and the end of the handle are metal disks. The related documents, designs, patent documentation, a hand written record of her inspiration for the design, and other archival material are also held in the Studio’s Collection. -
Flagstaff Hill Maritime Museum and Village
Grinding Wheel
Grinding Wheel, with wood shaft through centre. Has nails in wood shaft to stop handle from pulling out.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, grinding wheel -
Whitehorse Historical Society Inc.
Tool - Carpenter's Marking Gauge
Wooden carpenter's marking gauge - wooden shaft with square wooden block three quarters down shaft which is movable.trades, carpentry