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National Wool Museum
Book, Knitting, Easy-to-Wear Knitting for All
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was part of the English magazine "Woman and Home" and contains knitting patterns for mens, womens and babies clothes.Presented with WOMAN AND HOME / Easy-to-Wear KNITTING FOR ALL / In / 4-Ply / In / Double / Knittingknitting handicrafts - history, woman and home, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Costume - Needle package (needle)
Owned by Patrice's grandmother, Elsie Doris Whitten nee Williams.Needle package containing 5 needles with information on cover.Superior egg eyed double long No.2. Manufactured by A Shrimpton & Son Redditch Englandsewing, needle -
National Wool Museum
Book, Crochet, Patons Book no. 943: the crochet club
Book produced by Coats Patons containing crochet patterns.THE / CROCHET / CLUB / Patons / BOOK 943 / TOTEM, BARONESS / DOUBLE KNIT, BLUEBELL / 40ccrochet, coats patons (australia) limited, patons and baldwins -
Flagstaff Hill Maritime Museum and Village
Spanner
"S" Spanner metal double ended. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, "s" spanner -
Eltham District Historical Society Inc
Program, Eltham Festival, 13th, 14th & 15th November, 1998, 1998
A4 double sided tri-fold1998, eltham festival, program -
Seaworks Maritime Museum
Spanner
Black, double ended, superslim spannerMADE IN ENGLAND/3/8W7/16/BSF/5/16W3/8BSF/SUPERSLIM/3/8W7/16/BSF/5/16W3/8BSF/port melbourne authority (pma) -
Greensborough Historical Society
Program, Were Street Theatre, Were Street Theatre Movie guide, 21/06/1979
Movie Guide for the Were Street Theatre, 21 June - 15 August [year not specified, c1979].Double-sided program printed in colourwere street movie theatre, were street -
Greensborough Historical Society
Poster, Banyule City Council, Banyule's indigenous plants, 2001_
Line drawings and lists of plants indigenous to the City of Banyule.Double-sided coloured poster, foldednative gardens, banyule -
Greensborough Historical Society
Invitation, 2017 Banyule Community Ball, 10/11/2017
An invitation to the Banyule Community Ball 2017Double sided card, colour photographAddressed to Rosie Braybanyule city council, rosalie bray -
Federation University Historical Collection
Photograph, Yallourn Technical College, 1958
Double storey brick school at Yallournyallourn technial college, yallourn -
Flagstaff Hill Maritime Museum and Village
Template
Double Roman Ogee Metal templateflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Federation University Historical Collection
Document, Rules and Constitution for an Arts Council for Ballarat, c1963, c1963
Two double sided typed pages.arts council, ballarat rules, members -
Clunes Museum
Tool - A DOUBLE SIDED GRINDING STONE, UNKNOWN
ABORIGINAL DOUBLE SIDED GRINDING STONEaboriginal, grinding stone -
Cobram Historical Society Inc
Trophy
Silver and Bakelite trophy double handled District School Championship, Barooga Sports 1941 Marie Eaton. Girls under 15 -
Stawell Historical Society Inc
Memorabilia - Realia, 1920s
Double headed Spanner with unusual patternstawell -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Double Ended Leyland Rail Motor, Victorian Railways, 53RM, 1926
Double Ended Leyland Rail Motorvictorian railways, rail motor -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1960s
Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana -
National Wool Museum
Textile - Blanket, 1960s
Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label -
Whitehorse Historical Society Inc.
Container - Baby's Bottle
Double headed glass baby bottleThe Hygienic Feeder Measurements in Ounces and Tablespoonsdomestic items, infants -
Australian Lace Guild - Victorian Branch
Textile - Crochet
Double tiered Jabot with crochet edging -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Creswick Town Hall, 2020, 04/10/2020
Double storey Creswick Town Hallcreswick town hall, creswick museum, creswick -
Ballarat Heritage Services
Photograph - Digital Photograph, Dorothy Wickham, Greyfriars Bobby Pub, Edinburgh, Scotland, c2017
Greyfriars Bobby was a Skye Terrier who became known in 19th-century Edinburgh for spending 14 years guarding thDouble storey stone pub in Scotlandgreyfriars bobby pub, edinburgh, scotland, hotels, dog -
Ballarat Heritage Services
Program, Eugene Onegin, 16 April 2014
Eugene Onegin an opera in three acts was performed at the Arts centre, Melbourne, by Opera Australia singers, and chorus, sung in Russian with English surtitles. One page A5 double-sidedText on both sides. The King and I side one; Eugene Onegin side 2eugene onegin, opera, jacqueline dark, oa, arts centre, tchaikovsky, singers, nicole car, paulo szot, sian pendry, dominica matthews, kanen breen, james egglestone, jonathan mccauley, adrian tamburini, daniel sumegi, dean bassett, emily ranford, sam colbey -
Robin Boyd Foundation
Newspaper - Clipping, Kevin Killey, Tower Hill lives again, 9-Dec-71
Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library -
Robin Boyd Foundation
Magazine - Clipping, Woman's Day, Gentle Sculptor who is Quick to Anger, 28-May-73
An illustrated feature on sculptor Guy Boyd, Robin Boyd's first cousin.Double page. pp 10-11Mary in handwritingguy boyd, walsh st library -
Hand Tool Preservation Association of Australia Inc
Template
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.template for scribing sash bars - double -
Hand Tool Preservation Association of Australia Inc
Template
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.template, 5/8" sash double -
Hand Tool Preservation Association of Australia Inc
Wrench
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.wrench, double jaw twist handle -
Trafalgar Holden Museum
Equipment - Double Snap Clip, C1900
Used on horse tackle during 19th and 20th centuries and imported by Holden and FrostSold by Holden and Frost for military agricultural and civilian use C1900Nickel plated double snap clipequine, military, agriculture, c1900, double snap clip