Document. KELLY & ALLSOP COLLECTION. Blank form. Recommendation for admission to the Bendigo Gold District General Hospital. A person recommending a patient for admission completes the form where the patient cannot pay the ordinary hospital fees and submits it to the Hospital Committee. Printed by T.Cambridge, Bendigo. Date of form - early 1900s.Bendigo Gold District General Hospitalbusiness, stockbroker, kelly & allsop, kelly & allsop collection, bendigo gold district general hospital, admission form.

from horses outside and clothing, early 1900s?black and white photograph (a copy?)

Wangaratta Base Hospital staff early 1900s.wangaratta, hospital, nurses, men, women

An example of a pair of pillowcases from the early 1900s. The item is of significance socially as an example of decorative domestic objects in the early 1900s.Pair of pillowcases made from soft white cotton and machine stitched. Cotton ties are sewn into the back of each pillowcase. A combination of material and hand crocheted lace forms the edging of each pillowcase.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pillowcase, decorative lace edging, domestic object, pair of pillowcases, cotton, crochet lace, warrnambool, textile

The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid

The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The comb is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A ladies hair comb which features an ornate flower design on the pewter (or possibly silver-plated) edge. The comb teeth are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, celluloid, comb

The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house

Bendigo Advertiser ''The way we were'' from 2002. The local: Heathcote's Ben Nevis Hotel was a popular meeting and drinking spot for residents from throughout the district in the early 1900s. Many patrons travelled to the hotel on horseback or in a buggy to spend time with publican Howard Chadwick and his family. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Record of dress, vehicles and social commentSource unknown. Kept in collection of B&DHS for the record of dress, vehicles and social commentBlack & White photograph depicting an outing in the early 1900s. There are two vehicles (motor cars) that have been unloaded of luggage (including one suitcase) and (possibly) a picnic rug. The cars are surrounded by disembarked passengers - five men wearing hats and suits, seven women wearing hats and calf-length frockstransport, recreation, picnic, excursion

Timber house with verandah built probably early 1900s.Coloured photograph of the home of Percy McFee, Newhaven-Rhyll Road.local history, photographs, buildings - historical, coloured photograph, john cook, phillip island, p mcfee homestead

Used on the Hunt property at Cudgee from the early 1900s.Rope making machine consisting of a circular metal disk with four rotating hooks; cogs which turn the machine are visible on the inner side; and a curved metal handle with a wooden grip on the reverse side.Continental Trading Corp Ltd, Chicago, USA. Patented July 1911. The New Era Rope Machine. Keep oiled.cudgee, dairy industry, rope machines, new era rope machine, continental trading corp ltd, ropes, machinery

Historically the bodice is representative of a style from the early 1900s.As a hand sewn item it is significant to demonstrate the craftsmanship and textiles used in that time period.Deep pink bodice with velvet and lace at collar. Velvet ribbon and lace border on bodice edge next to sleeves, the edging goes from the front of the bodice and over to the back. Seven white mother-of-pearl buttons down the front and pintucks across the top back of the bodice. The sleeve cuffs have a lace border and are closed using hooks and eyes. The bodice is lined, with the lining visibly stitched to the back of the bodice at waist level. The bottom of the bodice is designed as a peplum.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bodice, ladies bodice, hand sewn, edwardian

An example of a decorative domestic object from the early 1900s.The item is of significance socially as an example of decorative domestic objects in the early 1900s.Single pillowcase made from soft white cotton with a crochet lace edge. The pillowcase is machine stitched and on the front has three fine pintucks at each end. The lace edging has been handstitched on.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, pillowcase, cotton, crochet lace, domestic object, textile, decorative lace edging

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the Standard Canadian style, would have emigrated to Australia with its owner, a reasonable young professional or executive of the Hudson Bay Tobacco Company in the late 1800s or early 1900s. It is the type of pipe well suited to a harsh rural backdrop and with its owner found the Kiewa Valley a more relaxed environment than the Canadian Indian locations. The value of this pipe to the original owner, who would have sealed many trade contracts during the Canadian Indian smoke rituals In the late 1800s, is indicated by the long voyage to Australia and the Kiewa Valley. However with the health related restrictions placed on public smoking in the early 2000s, these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few and not with this pipe. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco. Pipes such as this item show that smoking was not only part of the lifestyle of the era but also that it was part of a ritual (especially to the Indians of the Canada Hudson Bay region) that sealed a brotherhood not only socially but also politically and economically.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a very exclusive pipe it blended into the tobacco industrial environment of the Kiewa Valley and its surrounding districts. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco industry and the levels of men smoking pipes was enhanced by the readily supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.This pipe has a straight shank and stem and its style is 'standard Canadian'. The pipe has a permanent filter and a stainless steel band with the initials of the Hudson Bay Tobacco Company and its seals stamped on it.. The bowl and shank are one piece of appropriate shaped wood. The bit and bore are made from bakelite (dark brown in colour). The pipe is fashioned in the form of the clay pipes used by trappers, in the late 1800s early 1900s. It has a "rest" lug at the bottom of the bowl similar to clay pipes. This pipe has its own pipe case with wood reinforcement running the entire pipe shaped contour.On the stainless steel at the mortise and tenon junction is stamped "HP" and below that are stamped symbols of a ship's anchor, a lion and a tobacco leaf.tobacco, pipe smoking, smoking accessories

Bendigo Advertiser ''The way we were'' from 2000. Historic: The view over Bendigo in the early 1900s. The photo was taken looking north-west from St. Paul's Church tower. Visible is the Shamrock hotel, the fire brigade depot and bell tower, the County Court House and district jail. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Cosy: The house of Richard Cridge Densem at Daylesford in the early 1900s. Densem was a councillor at the time and had previously managed several mines in the area. He was also captain of the Fosterville rifle club and a member of the Mining Managers' Association and Masonic Fraternity. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph likely taken on Childs Road in Kalorama in the early 1900s.Black and white photograph showing a woman with a long dress, apron and headscarf leading a got that is hitched to a small cart loaded with collected firewood. They are on a dirt road with bush above them. The photograph has been produced in postcard format with the picture in an oval in the centre of white frame.goat, wood collection, cart, wood, kalorama, childs road

View of original Lookout tower at Mt. Buninyong early 1900sThe structure was the earliest platform tower built on Mount Buninyong in the early 20th century as part of the development of the mount into a popular recreation areaView of the original Lookout tower on Mt Buninyong circa 1900Lookout tower, Mt. Buninyonglandscape, mt buninyong, civil engineering

Underwear worn by women from the late 1800s to early 1900s.White cotton, fairly plain except for tiny lace edging around neckline. Five hand worked buttonholes. Two sharing darts each side of front.underwear, costume

Timber house with verandah and metal valence, built probably in the early 1900s.Coloured photograph of the home of Capt. Leonard McFee of the 'Genista', in Beach Road, Rhyll.local history, photographs, buildings - historical, coloured photograph, john cook, phillip island, l mcfee homestead

Unable to read date in photograph but children's clothing suggests early 1900ssepia photograph mounted fair conditionSt Kilda (Brighton Road)Primary School. (?) Thomeson (?). 721 South Road, Moorabbin. Donated to the Historical Society.

The photograph is most likely taken on Child's Road in Kalorama in the early 1900s.Black and white photograph mounted on dark green cardboard showing a woman on a road with a cart loaded with gathered wood htiched to a white goat. A dog is sitting at the roadside.childs road, kalorama, goat, wood collection, wood, cart

Photo of Market Street in Trentham, probably taken about early 1900sEarly photo of TrenthamPostcard"Real Photo series M2723 Valentines Real Photo Series Numbers in red pencil: C305613, C305614, C305615 "market street, trentham, postcard

These small Chinese-influenced ornaments were popular in Australia in the early 1900s.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. 2 small metal containers with with embossed designs. The rectangular container has a leaf design whilst the rectangular container has dragon-like creatures on each side.decorative items, jewellery, lacquerware

This field telephone was developed primary for military purposes (World War I) and other wars/military interventions there after. It was the first "mobile" telephone which had a prime objective of providing isolated or "hard" to connect with locations instant communication links. Like a lot of "new" technologies it evolved from a war environment. This handset was used to connect offices and workshops, which due to their functions could not be co-located with their prime office(external workshops).The evolution from the early 1900s to the mid 1980s when mobile communication technology progressed in leaps and bounds from hard wire telephone communication to mobile digital receivers. This handset was manufactured by a subcontracted Australian company under the Australian Post Office mandate.This handset is significant in that it was donated by the Mount Beauty Timber yards and formed an integrated part of its communication system with its out lying work yards and buildings, before the mobile handset evolution. This handset was located in an environment which required a rugged and reliable day to day communications linkage as a vital part of its logistical (business) survival. As progress demands it, the faster that customers are satisfied with the service they obtain from suppliers the longer those services will be asked for and the longer and more profitable the supplier will be. This edict is as true for rural companies as it is for small or large city businesses. The customer is "always" right.This sturdy field telephone has a shell housing made in black bakelite material with a "U" form housing the major components (wiring, magneto and batteries). The main housing has two metal bells, with a central ringer between both, on the top part (to notify incoming calls). In front of the main structure is a box with the telephone hand piece (ear and mouth receptacles) nestled on two cradles. An on/off switch is activated when handset is removed from its cradle. On the front of the control box is a winder handle(to ring off) and in a field situation to activate/deactivate the magneto. To the left of the winder but on the the main body are two wind up connection buttons for the connection of operational wires (power)On the main right hand front body and next to two chrome switches is a plate with "L (next to the top switch) and below this "L2" and underneath this are "or" "EARTH". There is a plate fastened to the front of the handset and behind the winder with "REPLACE HANDSET WHEN FINISHED" and below the winder 'SERIAL NUMBER 5116"field telephone, world war ii field telephone f mk i

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Three postcards and one greeting card. The postcards depict a photograph of a city with text reading "Board of Works" overlaid; a man posing with an early 1900s airplane; and an illustrated cartoon man and woman walking on a road in a rural area in Europe. The greeting card has text that reads "Loving Greetings" and a raised floral bouquet design made of plastic.haeusler collection, wodonga, postcards, postcard, post, mail, airplane, greeting cards