Cattle grazing on the Bogong High Plains during summer commenced in the 1840s and continued for many years. The Soil Conservation Authority recorded each family's area boundaries which were updated in June 1972 and continued to be adjusted until cattle were banned in 2005. The tradition of cattle grazing continues to be controversial.Holders of grazing rights for grazing on the Bogong High Plains were allocated specific areas recorded by the Soil Conservation Authority in 1972. Cattle have been banned in the Alpine National Park due to their impact on the environment.White paper with brown print. Bogong High Plains from Feathertop in the west to Mt Nelse in the east showing physical boundaries including the Kiewa Hydro Electric Scheme, roads, rivers and mountains. Names of families with grazing runs and the boundaries are shown.cattlemen, grazing runs, bogong high plains, kiewa valley families

Newspaper article: "Experience tradition with Turkish delight", Diamond Valley Leader, 14 March 2004, Details of Maroush Turkish restaurant. Newspaper advertisement, Valley News, 10 August 2005. Newspaper article: "A feast of Lebanese delights", Diamond Valley Leader, 6 July 2005, Details of Maroush restaurant.main road, eltham, businesses, maroush restaurant, alex haddad, bassan ruzjakkag

In the Australian army (whose regimental traditions are largely those of the British army) the red sash is worn by sergeants and warrant officers on ceremonial parades-the sash and it's colour came from it being used to drag wounded soldiers out of the battle line and to the rear in the times when battle was a close quarters fight.In the Australian army (whose regimental traditions are largely those of the British army) the red sash is worn by sergeants and warrant officers on ceremonial parades-the sash and it's colour came from it being used to drag wounded soldiers out of the battle line and to the rear in the times when battle was a close quarters fight.Two red sashes made from woven fabric with red cording/fringe at both endsNilred sash, army, ceremonial

These Union Jack flags are believed to have been used in the celebrations in Warrnambool on the occasion in 1953 of the Coronation of Queen Elizabeth 11 (oral tradition only). Warrnambool celebrated with street parades, shop decorations and displays, concerts, church services and dinners. It was customary at the time to use the British flag more than the Australian one. These flags are retained because of their possible connection to mid 20th century Warrnambool celebrations (1953 Coronation of Queen Elizabeth 11).These are seven Union Jack flags made of cloth with red, white and blue colouring. The flags are pasted on to thin circular-shaped wooden sticks. The flags are a little worn, especially near the pasted sections and some of the colours are rubbed. coronation of queen elizabeth 11, history of warrnambool

The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. They reflect traditions that can be traced back to the Royal Navy (England) and demonstrate the relationship between the two. The Royal Australian Navy Uniforms are based on the uniform of the Royal Navy. This collar is part of a Naval Ratings Uniform which was presumably owned by J.M. Parsons.This collar is one part of a naval ratings uniform which consists of four parts. The uniform is representative of the Royal Australian Navy uniform and can be traced to the Royal Navy (England). The complete uniform shows the connection between Australia and England since European settlement.Navy cotton Collar with three narrow cream stripes around neck and over shoulders. Two side pieces and two loops. One middle piece. The collar fits over the head with side pieces and middle secured with tie fasteners through loops. Owners name printed three times in capitals on reverse side of collar "J.M.PARSONS"navy, naval ratings uniform, naval ratings collar, collar, ran, royal australian navy, j.m. parsons, j parsons, parsons, military uniform

An incomplete article which discusses what is total design and how there is no agreement; how technology leads architecture and significance of appearances; the monumental tradition of older architects' approach, and, in opposition, Pop architecture, which puts visual fun into cities. Boyd suggests that what is required is require order, variety and deliberate taste, not sterility.Preview of 1972 RAIA ConventionTypewritten (one with pencil edits) & c copy. Incomplete one has pencil and pen edits, quarto, Two 2p, one pp 4-7 pages.total design, royal australian institute of architects, raia national convention 1972, cities, monumental tradition, pop architecture, taste, robin boyd, manuscript

Pink nightgown made from flocked nylon featuring a dotted design of butterflies, and triple dots. Twelve bands of elastic shirring define the waistline, and give fullness to the bodice. Shoulder straps 4.5 cm wide, widening to 7 cms at the top of the shoulder are edged with a 2 cm plain pink nylon frill. A 2 cm band edges the bodice at the top and waistline, witha similar frill attached. A similar frill extends around the hemline. A new garment.Label still attached: Quality Lingerie created by Hanro. Made from imported Nylon fabric. This garment is guaranteed to give every satisfaction. Wash in warm water, using a mild soap. DO NOT IRON. The quality is a proud tradition. Stamped ; MEDIUM, Label inside seam reads: HANRO 100% Nylon . Stamp at hemline, mediums OScostume, female underwear, nightgown nylon - hanro

A large dark blue soft cover book with the the title written in large red letters at the top,on a white stripe underneath this is written Special Bicentennial Edition and under this on the dark blue are five white stars depicting the Southern Cross four of the stars has the face of a historical person on it and the fifth star has an old sailing ship.non-fictionbicentennial, settlement, politics, religion, sport, food, 1788, business, population, booms, anglo australia.

Book review of "Kenzo Tange, 1946-1969. Architecture and Urban Design", edited by Udo Kultermann, Praeger Publishers, 304 pp $29.50. Boyd praises Tange's unapologetic adherence to modernism and his adaptation of le Corbusier's ideas to tradition. He appraises the book's merits and problems (explanatory and not analytical writing, building omissions).Architectural Forum, Vol. 135, No.3, October 1971, p8. Book review by Robin Boyd of 'Kenzo Tange, 1946 - 1969, Architecture and Urban Design', edited by Udo Kultermann, Praeger Publishers,Typewritten (c copy), quarto, 3 pageskenzo tange, japanese architecture, modern movement, le corbusier, creative realism, expo, skoplje, yugoslavia, hiroshima, children's library at hiroshima, shizuoka olympic arena, tokyo, nichinan, robin boyd, manuscript

BHS CollectionBritish flag signed by dignitaries and world leaders. The flag was manufactured in 1941/42 as part of the Red Cross drive to raise money. On the back a message to the Hon. Wiston Churchill sent by Australians as an expression of admiration, confidence and gratitude, inspired by the conduct of the citizens of Britain, whose patient endurance, high courage and will to win in the present crisis have proved their loyalty to the tradition of their country and their race and heartened their kinsmen in every corner of the British Empire. Following this message the back of the flag list the name and titles of the signatories and a brief history of the flag and the scroll of appreciation dedicated to the people of Britain. winston churchill, red cross, world war ii

Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 See audio recording of Alan Marshall and Joh Ebeli made by Joh Ebeli at this time whilst he was modelling Alan Marshall's face - EDHS_05003 See also photo of Alan Marshall posing for Joh Ebeli for this sculpture - EDHS_02441Colour photographactivities, alan marshall, eltham shire office, joh ebeli, heritage display, heritage week

Battista Borsa was from Bellinzona in Ticino, Switzerland. He named his house on the corner of Main road and Seventh St in Hepburn Springs "Bellinzona". His daughters ran the house as a guest house in 1900. This house was burnt down in the 1906 Bushfire. it was rebuilt in Edwardian tradition, and was again burnt down and rebuilt on a much larger footprint. A weatherboard house in the Main Road of Hepburn Springs, run by the Misses Borsa. borsa, bellinzona, boarding house, hepburn springs

xii, 108 pages : illustrations, portraits ; 21 x 30 cmnon-fictionburials -- boroondara general cemetery, funerary monuments -- kew (vic), cemeteries -- victoria -- kew -- history, kew (vic.) -- biography

Green tinted paperback with photograph of farming men with children and horses on front cover. Title and other text is dark brown edged in white. A number of Irish surnames are written in darker green on the paler part of front cover. This effect is also on back cover in tan lettering. The back cover description is written in brown text with image in oval above text.non-fictionHistory of St Brigid's Catholic Church and the Irish-Australian community warrnambool, crossley, st brigid's church, crossley catholic church, helen doyle

This seal was stamped into hot wax to officialise documents. Armorial bearings are used by municipal councils to authenticate documents and deeds with a clearly recognisable 'corporate signature', known as the Common Seal. It is an adaptation of a tradition used in medieval England. Seals usually combine a coat of arms or logo with some sort of motto. The Williamstown City Council seal is simply composed of text.Brass round seal with wooden handle. Remnants of red wax remain in seal.Williamstown City Council Seal Roeszler, Melbournecommon seal, williamstown city council, hobsons bay city council, melbourne, australia, roeszler, local government

For those interested in the history of Melbourne Legacy this book is a must read. Filled full of larger than life characters and the good will of many volunteers and benefactors of Legacy. The book should be read in conjunction with Part Two (item 00365). These type written sheets were set in order and put together by some members of The Advisory, History And Tradition Committee (Melbourne Legacy).Significant in that this is a scholarly attempt at recording the early history (1932-1944) of Melbourne Legacy. These were the years of the Great Depression and World War 2, hence shortages of all manner of things. Rectangular in shape, navy blue hardback cover, title printed in gold lettering on front cover and spine. Cover, thick cardboard, pages paper. Envelope adhered to flyleaf containing two typed letters (pinned together) and a report. Letter 1; written 15/2/1940 by C.B.W.Smith, Esq., to A.N. Kemsley, Esq. Letter 2; reply written 27/2/1940, a reply by A.N. Kemsley Esq to C.B.W.Smith Esq. Report, re History of Melbourne Legacy Club, written /11/1937 to J.H.B. Armstrong. Chapters numbered in handwritten ink in Roman numerals, chapters also divided by thin yellow cardboard. Various notations, handwritten in pencil and ink throughout the book.Title on cover and spine printed in gold lettering. Report(3/11/1937) initialled by Cyril Smith. Letter 1, signed Cyril (Cyril Smith). Letter 2, not signed.history, founding legatee

For those interested in the history of Melbourne Legacy this book is a must read. Filled full of larger than life characters and the good will of many volunteers and benefactors of Legacy. The book should be read in conjunction with Part One (item 00363). These type written sheets were set in order and put together by some members of The Advisory, History And Tradition Committee (Melbourne Legacy).Significant in that this is a scholarly attempt at recording the early history (1932-1944) of Melbourne Legacy. These were the years of the Great Depression and World War 2, hence shortages of all manner of things.Navy blue hardback book, title printed in gold lettering on front cover and spine.Title on cover and spine printed in gold letteringhistory, founding legatee, committee

Photographs of four framed black and white drawings attributed to Percy Leason (1889 - 1959). He was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 Four colour photographsactivities, eltham shire office, heritage display, heritage week, percy leason, bicentenary, exhibition

A plume of emu feathers was worn in the puggaree of the slouch hat by Australian Light Horse. The tradition was continued by Australian armoured regiments wearing a smaller tuft of emu plumes behind the hat badge on the black beret. In 1992, the slouch hat with plumes was reintroduced as the official head dress of the Roya Australian Armoured corps although the black beret continues to be worn as work dress.A bunch of emu feathers attached to a piece of tanned skin.emu, light horse, plume

The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform

For many years the a past president presents a Foundation Day speech at a luncheon in September. This speech is Legatee Ray Ward though the exact year is not known it would be after his term of president in 1996. Usually the Foundation Day address focuses on the early history of Legacy. Legatee Ray Ward chose to look at some of the traditions that the legatees use and how they have evolved.A record that Legatees celebrate the foundation of Legacy and review their traditions from time to time.Black and white A4 photocopy x 12 pages of a Foundation Day speech by Ray Ward.president, foundation day, ray ward

Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni

A butter churn is a device used to convert cream into butter. This is done through a mechanical process, frequently via a pole inserted through the lid of the churn, or via a crank used to turn a rotating device inside the churn. The use of butter is mentioned in biblical works and the earliest butter churn vessels belonging to Beersheba culture in Israel were found in Bir Abu Matar going back to Chalcolithic period between 6500–5500 BC. The butter churn in Europe may have existed as early as the 6th century AD, In the European tradition, the butter churn was primarily a device used by women, and the churning of butter was an essential responsibility along with other household chores. In earlier traditions of butter making, nomadic cultures placed milk in skin bags and produced butter either by shaking the bag manually, or possibly by attaching the bag to a pack animal, and producing butter simply through the movement of the animal. An item used to make butter in a domestic situation by turning a handle until the cream inside has turned to butter.Butter churn, wooden, lid pieces screwed or nailed together. Brass bearing on side with iron turning handle.Handle marked 28204 no other marks to indicate manufacturer or date of productionflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, churn, butter churn, wooden churn, butter making, food, dairy, kitchen utensil

According to Dutch tradition this type of sets have normally 3 large containers (coffee, tea and sugar) and sometimes 2 small containers (salt and pepper). During manufacturing of this set, the labels on salt (Zout) and tea (Thee) container were interchanged, crating a A-Typical set with large salt container and a small tea container. Likely ordered from Dutch East Indies and manufactured in China.A rare example of an imperfect product surviving to create an historic record.Set of 5 hexonal shaped porcelain storage containers, each with lid, for the storage and home use of (1,2) "Koffie", (3,4) "Thee", (5,6) "Suiker", (7,8) "Peper" and (9,10) "Zout".When the glass side of the display case disintegrated and all shelves and items fell down. two lids broke. They are repaired (but the cracks are visible)koffie thee suiker peper zout manufacturing error dutch container

Accesssioned from Catholic church at Patchewollock in 2013 where it had been since the1950s before which it was used for Sunday Mass in the local hall. Tradition has it to have been a field altar used by Rev O' Sullivan Goidenach, MM at Gallipoli and on the Western Front 1915 - 1918. Associated correspondence in archive includes a letter of gratitude from General Birdwood to Monsignor Goidenach.A rare surviving example of a Roman Catholic Mass Travelling/ Field altar from the WWI era, used in Western Victorian venues before churches were built.Wooden cased travelling altar with altar stone, brass candle sconces, brass crucifix and storage for vestments, and Mass requirements. travelling altar, field altar, world war i, rev o'sullivan goidenach, patchewollock, birdwood.

HMAT Ballarat was torpedoed by a German submarine in the english channel. All 1720 souls on board survived the torpedo attack. HMAT Ballart departed from Melbourne on 19.2.1917.photo of troops on landReinf 7/37 Batt. A.I.F Torpedoed on HMAT Ballarat on Anzac Day 25th April 1917 These troops when torpedoed upheld the best traditions of the race and their conduct was beyond praise. They were the recipients of the warmest praise from his Majesty the King; General Birdwood K.S.C.I. KCMG. CB. CIE, DSO. and the Commonwealth High Commissioner, The Hon Andrew Fisher.

HMAS Orion (S 71) was an Oberon class submarine of the Royal Australian Navy (RAN). One of six submarines ordered by the RAN during the 1960s, Orion, named after the constellation in a break from ship-naming tradition, was built in Scotland and commissioned in 1977. Orion was decommissioned in 1996, marked for disposal in 2003, and broken up for scrap in 2006. Several sections of the submarine remain intact as memorials and museum piecesWooden Plaque 15cm x 13cm with insignia of H.M.A.S. Orian H.M.A.S. Orian

Mr John Innerarity Buchan, Scottish real estate, and his wife. organised at least 4 known outings at their property - Finhaven - in Studley Park, Kew. Those parties were hosted for Cup Day in 1920, 1922, 1924 and 1928. Mr Buchan died in December 1922, but his wife continued with the tradition. The house was sold and demolished in 1941 to create several allotments around Finhaven Court.on page 13 (has been cut)mr john inerrarity buchan, finhaven, studley park, kew, cup day, 1928, fan album

Mr John Innerarity Buchan, Scottish real estate, and his wife. organised at least 4 known outings at their property - Finhaven - in Studley Park, Kew. Those parties were hosted for Cup Day in 1920, 1922, 1924 and 1928. Mr Buchan died in December 1922, but his wife continued with the tradition. The house was sold and demolished in 1941 to create several allotments around Finhaven Court.on oage 13finhaven, mr john inerrarity buchan, cup day, studley park, kew, reverend john reginald weller (1880-1969), 1928, fan album