Creamy Coloured Card folded in half. Marvellous Melbourne Bicentennial Ball The Royal Exhibition Building Carlton 29th April 1988. Order of Programme. 8.00pm Arrival 8.30 Welcome to Guests Dancing. 9.30 Dinner Dancing. 10.30 Announcement of Prizes. Addresses Dancing 2.00 am Close Music provided by the Wedderburn Old Timers. Menu Hot Chicken Entrée Selection Cold Meats & Salads Tipsy Cake Dinner Mints & Coffee. Acknowledgements Artwork - The Scriptorium Patricia Barth Hose Glassware Seppelt's Wines Trustees of the Exhibition Building Melbourne Parks and Gardens Proudly sponsored by 3AK.person, individual, peter ellis oam

Sebastion Erard created several special concert grands for pianists and exhibitions such as for Paris 1878 and several pianos for Melbourne and Sydney Exhibitions 1880-2. Madame Alice Charbonnet played the Erards at the Melbourne Exhibition and taught Nellie Melba the piano.Photographs of the 'workings' of the Erard grand piano. It is a full 90 key concert grand, with parallel strings and iron frame in one piece. The registered number plate for this piano is 87650.piano, grand piano, erard, erard grand piano

Program for the first opening of Parliament after Federation. Prince George Frederick Ernest Albert (1865–1936), Duke of Cornwall and York was the second son of Edward VII and Queen Alexandra. The visit was part of an Empire tour and a tribute to the response made throughout the Empire during the Boer War. On their return to Britain the couple were proclaimed Prince and Princess of Wales and, on the death of Edward VII in 1910, became George V and Queen Mary.White coloured folded program, printed in purpleFront page/cover: UK Coat of Arms In Celebration of the Opening of the Parliament of the Commonwealth of Australia. To meet their Royal Highnesses The Duke and Duchess of Cornwall and York. Reception by His Majesty's Ministers of State for Australia, at the Exhibition Building, Melbourne, on the 9th May, 1901. Middle pages: Programme (items listed) Back page/cover: Refreshments Will be Served all the Evening on the Ground Floor and in the Galleries 1901, opening of parliament, duke and duchess of cornwall and york, royal visits

Enlargement from print taken for museum records and photographed by Ms Rachel Faggetter in ?1989. This print was used in VicTour advertising display/exhibition at Collins Street, Melbourne.national wool museum

Australian War Museum was located in Melbourne & was a forerunner to the Australian War Memorial in Canberra. This is the guidebook for the collection housed in the museum located in the Royal Exhibition Building, Carlton Gardens, Melbourne.Soft cover with sepia illustration on the front & a map on the rear. Title on front in cream font. 92 pages, cut edges & black & white illustrations.books - military, military history - army, war museum

This is a facsimile copy, produced by Masters of Architecture Students at the Melbourne School of Design University of Melbourne, 2017. The original magazine was exhibited on the coffee table in the 'House of Tomorrow' designed by Robin Boyd for the Modern Home Exhibition 20 October to 1 November 1949, the Royal Exhibition Building in Melbourne.new yorker, walsh st library

Separate to the combined Visual Arts exhibition held at the Mt Helen Campus, the third year graphic design exhibition ran from 15 to 24 October 1996 at the ANZ Gothic Bank, Corner Collins and Queen Street, Melbourne. Exhibition opened by invitation on Tuesday 15 October 1996 at 6.00pm. Review of Graphic Design graduate work, 1996. Compact Disc (CD Rom) printed four colour process on front, in clear plastic sleeve. University of Ballarat, Bachelor of Art (Graphic Design) Graduate Exhibition and promotional material, 1996. The interactive/multimedia CD Rom was developed using Macromedia Director 5.0, finalised on 11 September 1996. 67.7Mb of data. university of ballarat, federation university, graphic design, mark molloy, hilario vila pouca, gavin nash, robert connelly, paul lynch, ross morgan, w hewitt, j patella, j jones, r braybrook, t roth, c dorrington, b tiley, k mibus, j rowland, k gration, b marshall

The Passages exhibition looked back to Port Melbourne in the 1970s when the make-up of the Council changed and the Greek community became even more a part of life in Port. This CD covers the valuable contribution made by the members of the Greek community who came from Greece to make Port Melbourne their home.CD-ROM containing information relating to the Passages Exhibition launched at Port Melbourne Town Hall, 28 Aug 2017. The disc includes family stories, working documents, photographs of display items, photographs taken during the launch, Powerpoint presentation prepared by John Kirby and display panels prepared by Pat Grainger.pat grainger, jill dawson, john kirby, greek community, celebrations fetes and exhibitions

Jean-Pierre Trouette was natuarlised in 1862 the year he, his wife Anne (nee Blampied) and her brother Emile purchased land at Great Western and established the Great Western wineries. Unless a person was a Victorian citizen they could not own freehold land and run a business. This certificate testifies to Trouette's legal status and entitlement to establish the Great Western vineyards. At the Intercolonial Exhibition in Melbourne in 1866 his wines were noticed and was noted also in 1867. His vineyard was named St Peter's and visitors included Hubert de Castella in 1882. blampied, trouette, great western, st peter's, intercolonial exhibition, naturalisation, henry barkly

Two small portrait photographs by Fred.K.Cornell Photographer Sale Victoria, 1 family portrait with 2 adults & 6 children and one of a young adolescent male. Back of photographs reads, patronized by his Excellency Sir Geo.F.Bowen, awarded prize medal Melbourne & London international exhibition 1873 Honourable mention Melbourne 1867 Dublin 1865.Fred.K.Cornellphotograph, portrait, male & female

This engraving of Melbourne CBD was originally issued as a supplement to the "Illustrated Australian News" in October 1880 to coincide with the opening of the Melbourne International Exhibition. The National Library of Australia, which holds the original, published a reproduction c. 1980.Black & white reproduction of original engraving held by the National Library of Australia.melbourne

This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement

Watkins created his sculpture for an exhibition in Melbourne 1866: "I dressed the pillar about 2 foot 6 inches high and 16 inches square and proceeded to carve in each panel representation characteristic of Victoria 1st Panel a Kangaroo in a small scrub thicket, 2nd an Emu amongst a clump of little flowering correa; 3rd the Wimmera Down and on the 4th side my name and the date AD 1866 On the top of the pillar was an urn of globular form to represent the seed pod of the Eucalypti with spreading leaves underneath" Extract taken from 'Victoria's Wonderland' a Grampians history Monument now in private handsHeatherlie Quarry; Obelisk : Photo shows stone monument created by Francis Watkins using materials from quarry Photo shows two sided view of monument with large stone on topquarrying, mt difficult quarry

The ceramic plate commemorates the 150th anniversary of the State of Victoria, with an original painting of the Royal Exhibiton Building in Melbourne on the front, by the Victorian artist Charles McCubbin (1930-2010). Charles McCubbin was the grandson of the Australian painter Frederick McCubbin (1855-1917). The ceramic plate commemorating the 150th anniversary of the State of Victoria has state and national signifcance as one of 5000 plates worldwide released by the Moliver Collection. It also has artistic signifcance as there is an original painting of the Royal Exhibition Building in Melbourne on the front, by the well known Victorian artist Charles McCubbin, who was the grandson of the renowned Australian painter Frederick McCubbin.Blue and pink toned circular ceramic plate commemorating the 150th anniversary of Victoria in 1984-5. Front: An original painting of the Royal Exhibition Building in Melbourne, signed by the artist Charles McCubbin, with an inscription around the top and bottom edges. Chip in the edge of the ceramic below the date 1984-5. Back: Text about the plate commemorating the 150th anniversay of Victoria with an original painting by Charles McCubbin and his signature, as well as the Plate No. 0404 and trade marks of the Moliver Collection, Westminster Fine China, Australia and Victoria 150.Front: "To Commemorate the 150th Anniversary / of Victoria 1984-5" - around the top and bottom edges of the plate. "Charles / McCubbin" signature above the date 1984-5. Back: "The Official Plate Commemorating / Victoria's 150th Anniversary. / Officially endorsed by the Victorian Government / and the 150th Anniversary Board. This plate is one / of a limited edition of 5,000 plates worldwide released / by The Moliver Collection / Original painting by Charles McCubbin." - on the upper part of the back of the plate. "THE MOLIVER / Victoria 150 Years / COLLECTION" - on the centre of the back of the plate. "M / THE MOLIVER COLLECTION - on the proper left side of the back of the plate. "Charles McCubbin" - signature in the central part of the back of the plate. "FINE CHINA / Westminster / AUSTRALIA" - on the proper right side of the back of the plate. "Plate No. 0404" - on the lower proper left side of the bakc of the plate "VICTORIA 150 / GROWING TOGETHER 1984-5" - on the lower central part of the back of the plate.victoria 150 years, charles mccubbin, commemorative ceramics, royal exhibition building, the moliver collection, westminster fine china, victoria 150

Document. Illuminated request. His Majesty's Ministers of the State for the Commonwealth of Australia request the bonour of the prescence of The Secretary of Mcivor Shire Mr. H. D. Thomas and Lady in the Exhibition Building, Melbourne, on Thursday, 9th May , 1901, to witness the Opening of the Parliament of the Commonwealth. Edmund Barton, Prime Minister. At the bottom of the Picture there is a quote. The Young Queen. Authored by Kipling's Commonwealth Ode. Her hand was still on her sword hilt---the spur was still on her heel--- she had not cast her harness of grey war-dinted steel; High on her red-- splashed charger , beautiful, bold, and browned, Bright--eyed out of the battle, the young Queen rodeto be crowned, Loyal she gave the greeting, royal she bowed her head, Crying 'Crown me, my mother,' and the old Queen stood and said.

Light Rail Timetables from 6 Dec. 1992 for routes 96 East Brunswick to St Kilda Beach and route 111 - Port Melbourne to Exhibition St. Gives frequency of the trams for weekdays and weekends. Has the depot locations and numbers for further information.Demonstrates a set of The Met timetable for routes 96 and 111 for 1992.Timetable - set of two A4 printed sheets.tramways, the met, route 111, route 96, timetables, light rail

This opera coat was made for Louisa Jane Cam, nee Rust, born 24/6/1873. Her parents were John Rust born in Hamburg, Germany and Jane Mc Meekin from Port Patrick, Scotland. In 1892 Louisa married John Cam the director of the Hawthorn Brick Company. It is understood Louisa wore the coat to the opening of the first Federal Parliament in the Exhibition Buildings in Melbourne in 1901.This item being an early nineteenth century opera coat has aesthetic interest. It is also important because of its provenance being worn by Louisa Cam at a significant event in Australia's history.A three quarter length Mandarin styled gold threaded brocade, lined coat dress with long sleeves. The fabric is black with gold patterns of leaves and circles. Large circles feature gold, red, yellow, pale and dark blue flower like images surrounded by gold fringes. The yolk section finishes with a small pleat over the flared bottom section. Edging around the neck is black lace. It is understood a fur collar was previously in place. The cuffs of the sleeves are pleated and have a wide frill above the pleating. The lining is pale blue silk . At the end of the sleeves the lining has hand ruched binding. Nil

Poster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Single colour (black) offset print on newsprint. Crush folded.university of ballarat, federation university, graphic design, helmut stenzel

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel

This is an album of Australian official photographs of Australian participation in World War One. Enlargements of the photographs could be obtained in the 1920s from the Australian War Museum in the Exhibition Buildings in Melbourne. World War One (1914-1918) was a highly significant event, not only in world history, but also in Australian history – a time when Australia participated to a strong degree, with a great number of Australian men and women dying in the war. These photographs were important in the 1920s as they showed war scenes and military activities that were not available to the public when the war was in progress. They are still important today showing Australian military action in World War One, a signal event in Australia’s history. The number of World War One War Memorials in most Australian towns and small settlements is an indication of the effect on the Australian people of the sacrifice of the lives of so many young people. Warrnambool was just one place in Australia that built a war memorial in the 1920s and continues today to remember World War One heroes as well as those from later wars. This is a brown photograph album containing 72 black and white photographs of Australian soldiers in World War One (Gallipoli, Palestine, France etc). The photographs have been commercially produced. There are four photographs to each page mounted on card. The cover is cardboard and the pages are bound with multi-coloured string. The cover has an imprint of a lady (ancient Greek style).Stamp of Warrnambool & District Historical Society world war one, history of warrnambool

"L. L. Smith, medico, writer, publisher, politician, litigant, showman, speculator, collector, vigneron, farmer, breeder and rider of racehorses, guiding hand for thirty year of Melbourne's great exhibition complex." - publisher's website. Instrumental in having Phillip island opened for selection in 1868.2 v. box : illustrations (some colour), facsimiles, protraits ; 24cm.Inscribed : To the Phillip Island Historical Society from Gillian and Norman Gengoult Smith, the grandson of Dr L. L. Smith whoe's [sic] 10 year battle in the Victorian Parliament for the cause was instrumental in having Phillip island opened for settlement Signed by the author : John Poynterjohn poynter, dr louis lawrence smith, the audacious adventures of dr louis lawrence smith