Official Portrait of HM King Charles III when he was the Prince of Wales, wearing Mess Dress UniformGold wooden frame - no glass and marks on print5/6 rvr, officer's / sergeant's mess

Copy of B92.0543 framed in wooden frame with glass.gardens, richmond, hoticultural society of victoria

Black & White head & shoulder portrait of Amy Huxtable wearing a 4 strand pearl necklace, under glass & framed with a thin wooden frame of silver & black, markings on rear of photo read 'Amy Huxtable, 23 Years Social Editor Bendigo Advertiser, Also under the name Toora, Died 16th January1980', Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, amy huxtable, bendigo advertiser

Framed and mounted colour photograph of 1992 Federation Cup team. No glass in frame. Photo signed by all team members. Materials: Paper, Cardboard, Inktennis

Black & white photo of soldiers in uniform taken outdoors on steps. Musical drum in front of group - framed with glass & black wooden frame. Photo is framed with taupe coloured mat & black edging."No 3 Section - D Company, 3rd AACS Training Depot Racecourse Bendigo" Imprint on left lower corner of photo: "Vincent Kenny, Bendigo"photography-photographs, frame accessories, military history

Framed glass panel door with etching of R.S.L. badge from previous R.S.L club .

The Governor General of Australia has, at irregular intervals, notified for general information the positioning of the wearing of Australian Orders, Decorations and Medals in the Commonwealth of Australia Gazette. The Order of Wearing Australian Honours and Awards was last published in 2007, and replaced the previous list published in 2002.Prior to 2002, the lists were named the Australian Order of Precedence of Honours and Awards.[2] Rectangular shaped glass covered picture frame showing the order of wearing the Honours and Awards The order of wearing the Honours and Awardshonours, awards, lara r.s.l.

Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War around the town. The painting is part of the collection of the Australian War Memorial in Canberra. It was purchased by Lord Woolavington for 2,000 Guineas and presented to the Australian government.[1] After a royal command viewing for George V and the Royal family at Buckingham Palace, the painting was displayed in Manchester and Glasgow. It was then taken around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints and 400 of these were given to the nascent Australian War Memorial to sell to raise funds.Rectangular shaped glass covered picture frame showing a print of the MENIN GATE AT MIDNIGHTMENIN GATE AT MIDNIGHT by WILL LONGSTAFF Presented to the Commonwealth Government of Australia by Lord Woolavington paintings, prints, ww1, lara r.s.l. menin gate, world war one.

This statement by Eric George Elliott tells how The battle of Beersheba took place on 31 October 1917 as part of the wider British offensive collectively known as the third Battle of Gaza. The final phase of this all day battle was the famous mounted charge of the 4th Light Horse Brigade. Commencing at dusk, members of the brigade stormed through the Turkish defences and seized the strategic town of Beersheba. The capture of Beersheba enabled British Empire forces to break the Ottoman line near Gaza on 7 November and advance into Palestine.Decisive victory at Beersheba fell to one of the last great charges of mounted troops in history. As Australian Light Horse Divisions captured the town and secured crucial water wells, their success also marked the beginning of the end of the war in the Middle East. This end came exactly a year to the day after success at Beersheba.Rectangular shaped glass covered picture frame with a photocopy of his statement on the charge of Beersheba.ww!, beersheba, statement, photocopy, australian light horse brigade.

Colour photo in frame Plastic Gold coloured frame, Glass Front and Wood back Lara RSL Sub Branch - ANZAC Day 1990 List of names attached

Photo in memory of Ken Lewis Black metal frame, Glass fronted, wooden backedLest We Forget Ken Lewis 10/2/2013

The battle for Amiens,situated at Picardy, France, began on the 8th August,1918. This was the opening offensive of the "100 DAY Offensive " that ultimately led to the end of WW1. Consisting of four infantry battalions - the 33rd, 34th, 35th and 36th Battalions - the 9th Brigade was formed in 1916 and attached to the 3rd Division.Amiens was one of the first major battles involving armoured warfare and marked the end of trench warfare on the Western Front.Rectangular shaped glass covered photo frame showing the 9th Australian Brigade charging.Saving Amiens. A Brilliant Bayonet Charge by the 9th Australian Brigade.world war 1,photo, saving amiens, lara r.s.l. 9th australian brigade.

Wooden frame, glass fronted montage of printed, drawn guns from 1245 to 1954.In centre printed inside scroll: “EVOLUTION OF THE GUN”military history-army, arms-firearms, illustrations-prints, glass technology, gun, artillery

Coloured map of Tobruk Seige. Lacquered wooden frame, glass front & cardboard backing.Printed top centre: “TOBRUK SEIGE, AUSTRALIAN POSITIONS AS AT 1ST MAY 1941” Donation sticker on bottom LHS. map, tobruk, seige

ARTHUR STANLEY SPOONER No 379 enlisted in A Coy 38th Batt on 25.2.1916 age 24 years 7 months. Embarked for England 20.6.1916, hospitalised 2.8.1916 with Influenza, hospitalised 23.9.1916 with displaced Cartlage, classified BIA. Moved through Training Battalion & No 2 Convalescent Depot in England. Returned to Australia 27.9.1917 for discharge classed Chronic Synovitis left leg, Odema left leg & discharged from the AIF 20.2.1918.Tan wooden frame, glass front, newspaper backing. Print in red & black ink."Arthur S Spooner Australian Imperial Force Served with honour & was disabled in the Great War Honourably discharged 20.2.18 George R J Certificate No V1308"documents - certificates, frame accessories, military history - service records

Photograph of Edwin Albert Jewell, wood frame & glass front with description plaque under.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Photograph of Loch Ard ship, wood frame glass front mounted on white boardflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph

A certificate issued to Dulcie Saker to certify she has been accepted into membership of Junior Legacy Melbourne, and has undertaken to accept it's obligations. The junior legatee Dulcie Saker, later called Dulcie Cedaro, had a long involvement with Legacy. She would volunteer during badge week and help with the disabled dependants outings. Photo TBAA record of the formalisation process of Junior Legacy membership in 1944.Printed Junior Legacy Membership Certificate on cream card under glass in wooden frame.Inscribed to Dulcie Saker, dated 26th August 1944 and signed T. M. Cosh (Legacy president in 1944)junior legatee, membership, girls' club

Displayed at History House.View taken from an elevated position of the harbour and piers. Black and white with a sepia tinge. Framed under glass in dark wood frame, with thin wooden mount.Front: (no inscriptions) Back: (no inscriptions)

On display at History House. People in image: Left; Phyllis Gough nee Read, Gladys Read, Isabel Care Read nee Philip, Violet Read nee Marshman. Front: Joy Read.Reproductive image of 2 women and 3 girls picnicking next to a car. They are seated on the ground, and one holds an umbrella. Framed under glass in unpainted wooden frame.Front: Portland, Victoria 1920. Back: (no inscriptions)phyllis gough, gladys read, isabel care read, violet read

Print in wooden frame under glass H.M.A.S. WARRAMUNGAProudly presented Waverley RSL by John Allison Monkhousehmas warramunga

Anzac Day is a national day of remembrance in Australia and New Zealand that broadly commemorates all Australians and New Zealanders "who served and died in all wars, conflicts, and peacekeeping operations"Anzac Day, 25 April, is one of Australia’s most important national occasions. It marks the anniversary of the first major military action fought by Australian and New Zealand forces during the First World War Rectangular Framed Photograph,(Glass covered) with a wooden frameCAMBERRA Australia's National Capital. ...the establishment of the Capital at Camberra will go far towards intensifying the national spirit which is so strong a feature of Australia's nationhood.Senator the Rt Hon George Pearce,Minister for Home and Territories,1926. Photograph of ANZAC DAY in the National Capital by Ben Wrigley Produced by the National Capitol Authority.anzac, photographs, lara r.s.l., ww1, anzac day in the national capitol

View of bridge over Plenty River looking south up Main Street GreensboroughBlack and white photograph, mounted in wooden frame with glassValley Picture Framing, corner Church and Grimshaw Streetspioneer reserve greensborough, main street bridge