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Glenelg Shire Council Cultural CollectionPrint - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 15, There was much celebration when the survivors were taken off the 'Lady Bird', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 14, Bob Stone, on arrival at Lady Bird some 3 or 4 were in the last stage of existence 'Portland Guardian 15th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fourteenth in a suite of 16 in Admella Rescue Series. Printed in black on white archival paper Depicts a man with a rope around his chest and under his arm pits, being hauled up the side of the 'Lady Bird'. Two members of the Portland life boat also visible, watching procedure from lifeboat.Front: 'Linocut Bob Stone 2009 ... on arrival at Lady Bird some 3 or 4 were in the last stage of existance. Portland Guardian 15th August 1859' - hand written in black ink.admella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 8, During the night the Portland lifeboat was launched, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Eighth in a suit of 16, of the Admella Resue Series. Depicts a man with a lantern, standing in the bow of the Portland Lifeboat, as it is being launched by several men with ropes. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'During the night the Portland lifeboat was launched.' - hand written, black penadmella, portland lifeboat, 150th anniversary, linocut -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 13, Bob Stone, Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Thirteenth in a suite of 16 in the Admella rescue series. Printed in black on white archival paper. Depicts 3 men on Admella, with a rope from them to the Portland lifeboat.Front: 'Linocut Bob Stone, 2009 Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859' - Handwritten, black ink.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No 2, Bob Stone, Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Second print in suite of 16 in the 'Admella Rescue Series. Depicts a hand rising from the sea. Printed in black on white Archival paper.Front: Front - 'Linocut Bob Stone 2009 - Hand written, black pen. 'Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859' -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 5, Bob Stone, Many a heart will bleed to think of what must have been suffered, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fifth in a suite of 16, in the Admella Rescue Series. Depicts 5 distressed people on the deck of the Admella, surrounded by rough seas. Printed in black on white archival paper.Front: Front - Linocut Bob Stone Many a heart will bleed to think of what must have been suffered.... SA Advertiser 9th August 1859 - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 11, Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Eleventh in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts man reading telegram to group of men and women.Front: 'Linocut, Bob Stone Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella REscue Series No. 9, Bob Stone, 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859, n.d
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Book, The Pioneer Suffragettes of Casterton and District, n.d
20 Page booklet compiled by Jan Lier for the Casterton and District Historical Society Inc. Includes list of pioneer women from Casterton and district who signed the 1891 suffrage petition, biographical details of the women, and a number of photographs of the women.womens suffrage, suffragette, casterton, casterton and district historical society -
Glenelg Shire Council Cultural Collection
Letter - Letter - Invitation 'Shipwrecks' Part of Admella 150 Festival, Aug-09
Invitation, black print on bluecard, from Portland Bay Press, exhibition titled 'Shipwrecks' Part of Admella 150 Festival. -
Glenelg Shire Council Cultural Collection
Newspaper - Newspaper - Portland Guardian article re Portland Social Amusement Club's Autumn Exhibition, c. 1898
Newspaper article from the Portland 'Guardian', 1898, re Portland Social Amusement Club's Autumn Exhibition -
Glenelg Shire Council Cultural Collection
Booklet, A Homely Chat About Dairying, 09/1888
A booklet, containing a lecture on model dairies, 'A Homely Chat About Dairying'; delivered by Mr. D. Wilson, at the Centennial International Exhibition, 8th September 1888.centennial exhibition, melbourne exhibition building, 1888, dairy, rural industry -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Gerhard Inkamala, Untitled (Landscape), n.d
Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting. -
Glenelg Shire Council Cultural CollectionPrint - Print - Helta Smelta, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2 -
Glenelg Shire Council Cultural CollectionPrint, The Groom, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions) -
Glenelg Shire Council Cultural CollectionPrint, Rex Davies, Urban Lagoon, 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4 -
Glenelg Shire Council Cultural CollectionPrint, The Wedding, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17 -
Glenelg Shire Council Cultural CollectionPrint - Print - The Sheep of Fools, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1. -
Glenelg Shire Council Cultural CollectionPrint, Coca-Cola, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30 -
Glenelg Shire Council Cultural CollectionPrint - Print - She-Oaks, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a seascape with water and trees (she-oaks) in the foreground. The background illustrates a calm ocean meeting a cloudy sky. Only two colours have been used within the print, a light blue and a dark green.Front: 8/20 (lower left) She-oak (lower centre) Signature (lower right) (pencil) Back: 6 -
Glenelg Shire Council Cultural CollectionPrint, Ti-Tree, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40 -
Glenelg Shire Council Cultural CollectionPrint, 150 Years in Portland, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint using numerous colours with primary focus on a whale and crayfish. Background is blue, green and yellow with various patterns and text "150 YEARS OF PORTLAND RBR 35".Front: 6/25/83 (lower right) (pencil) Back: 34 -
Glenelg Shire Council Cultural CollectionPrint, Pat Jarrett, Finding Colour, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with blue, green and white background. Four pink lines (in various shades) flow horizontally across the work. In the bottom left corner is a pink/red shell.Front: P. Jarrett (signature, lower right) (pencil) Back: 22 -
Glenelg Shire Council Cultural CollectionPrint, Terese Dolman, Hibisky, 1983-1984
CEMA Art collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of seascape with pink flowers and ferns in the foreground. The centre of the image illustrates the ocean in shades of blue, pink, grey and black. In the background of the image is a large pink cloud.Front: 10/11(lower left) "Pink Hibisky" (lower centre) Signature (lower right) Back: 7 -
Glenelg Shire Council Cultural CollectionPrint, Umbrellas at the Beach, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984. Work used as cover for A Community View Catalogue.Laminated screenprint of Portland Bay focusing on Portland Baths. The image depicts the beach, several piers and the Bath House. The image is predominately red, orange, blue and grey.Front: 3/12 (lower left) Umbrellas at the Beach (lower centre left) Angela Gee '84 (lower left) (pencil) Back: 13 -
Glenelg Shire Council Cultural CollectionPainting, Alan Wilson, Crumpets, 1991
... Cliff Street Portland great-ocean-road Exhibition, CEMA 1991 ...Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Glenelg Shire Council Cultural CollectionPainting, Home at Narrawong, c. 1999
... Cliff Street Portland great-ocean-road Exhibition in the Arts ...Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls -
Glenelg Shire Council Cultural Collection
Weapon - Harpoon Gun and Harpoon, n.d
Part of the Kurtze Collection purchased by the City of Portland in 1990s from Brendan Kurtze. Theo Frederics said his grandfather used this gun to shoot porpoise. He was a fisherman - Frederickson? Changed name when migrated to Australia from Sweden. Further research with Theo and other family personal conversation with Theo Frederics (Gordon Stokes 1997)Wooden stock, bronze breech, steel barrel. Barrel painted high gloss black, polished bronze sights and name plate running length of barrel. Gun has pivot mount. Harpoon, steel, with hinged flukes.Front: On bronze name plate. 'CHASE OSBORNE & CO WHITEHALL PLACE LONDON WORK BIRMINGHAM GOLD MEDAL AWARDED INTERNATIONAL EXHIBITION 1883'. Back: -harpoon, whaling, maritime -
Glenelg Shire Council Cultural Collection
Print - Label - Henty: Ice Creamy Soda, n.d
(Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by Henty cordial company in Portland (?)Label with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...)
