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Clunes Museum
Photograph
... HAND COLOURED POSTCARD PHOTOGRAPH OF CLUNES LANDSCAPE FROM... Photograph HAND COLOURED POSTCARD PHOTOGRAPH OF CLUNES LANDSCAPE FROM ...HAND COLOURED POSTCARD PHOTOGRAPH OF CLUNES LANDSCAPE FROM NORTH CLUNES - NOW THE SCENIC ROADlocal history, photography, photographs, clunes landscape, buildings -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
... , attached to a card. The cheeks have been hand coloured.... to a card. The cheeks have been hand coloured. The tintype ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
... to a card. The cheeks have been hand coloured..... The cheeks have been hand coloured. The tintype (or ferrotype ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs H.W. Snell Mayoress 1955 - 56, c 1956
... Framed, oval photographic studio portrait. Hand coloured... Framed, oval photographic studio portrait. Hand coloured detail ...Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Snell was born in Durham UK. Mayoress Snell was the first Mayoress to wear the gold medallion which came with the office. It was presented on April 11th 1956 at the municipal centenary dinner at the Shamrock and was a gift from Sir George Lansell who followed in the tradition of his late father George Lansell in making a mayoral presentation in gold. (1) p 209 Jackman.Framed, oval photographic studio portrait. Hand coloured detail. Image is flat, glass is domed.cl; Mrs H. W. Snell / Mayoress 1955 - 56 1958 - 59 / 1959 - 60vincent kelly, studio photography, edith margaret snell, city of bendigo mayoress, city of greater bendigo portraits, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Reg Brock, Mrs E.F. Granger Mayoress 1948 - 49, c 1949
... Framed, oval photographic studio portrait. Hand coloured... Framed, oval photographic studio portrait. Hand coloured detail ...Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits -
Bendigo Historical Society Inc.
Map - BENDIGO WEEROONA GASWORKS MAP/PLAN COLLECTION: SECTION OF BENDIGO GASWORK, 1889
... Plan: showing section of Bendigo Gasworks, Hand coloured...., 1889 Plan: showing section of Bendigo Gasworks, Hand coloured ...Plan: showing section of Bendigo Gasworks, Hand coloured plan. Dated December 18th. , 1889...? Thompson, Dec. 18th., 1889plan, bendigo, bendigo weeroona gas works, maps: bendigo weeroona gasworks map/plan collection, gasworks, plan. -
Melbourne Tram Museum
Slide - Colour - reproduction postcard - Elizabeth St - GPO
... Reproduction slide of a hand coloured postcard showing... Reproduction slide of a hand coloured postcard showing a view along ...Reproduction slide of a hand coloured postcard showing a view along Elizabeth Street looking north with the (GPO) General Post Office in the view c1900. Has a number of cable trams in the view. Yields information about Elizabeth St and the General Post Office and surrounding buildings.Kodachrome cardboard duplicate slide - Colour - reproduction postcard - Elizabeth St - GPO - c1900 "CB22" in penciltrams, tramways, cable cars, cable trams, bourke street, elizabeth sreet, gpo, post office -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, Bay view
... Hand coloured Photograph/postcard of East beach showing... Hand coloured Photograph/postcard of East beach showing ruins ...Hand coloured Photograph/postcard of East beach showing ruins of the pier and in the background the lighthouse keeper's residenceBay Viewbeach, sea, seascape, postcard, east beach, light house keepers house, pier -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Casterton, Victoria, c. 1909
... Coloured postcard, from hand coloured photograph. Several..., Victoria Postcard Coloured postcard, from hand coloured photograph ...Coloured postcard, from hand coloured photograph. Several small huts and a dwelling in a cleared area of bushFront: 'A SETTLER'S HOME, VICTORIA' - white print lower left front corner Back: Red ID stamp post mark of ('Casterton Victoria 24 Feb 1909) Hand written message and addressed to Mrs E.S Page, 5 Essy St. Norwich Englandpostcard, communication, settlers home -
Whitehorse Historical Society Inc.
Photograph, Terrara Road Vermont
... Hand coloured black and white photograph of Terrara Road... unmade Terrera Road Vermont Hand coloured black and white ...Terrara Road Vermont . Countryside uncultivated and road unmadeHand coloured black and white photograph of Terrara Road Vermont showing dirt road and one buggy. terrera road, vermont -
Greensborough Historical Society
Plan, Plan of Manatunga Circuit Greensborough subdivision, 1970_
... Plan of subdivision. Printed on buff paper, hand coloured..., hand coloured. Mounted on cardboard. Includes 2 small cards ...Plan of Manatunga Circuit subdivision. Prepared by O'Connor and Beveridge (land surveyors) for Development Underwriting (developers). Plan of subdivision. Part of Crown Portion 3. Parish of Nillumbik, County of Evelyn.An original example of a subdivision plan in the expanding suburb of Greensborough. The 1960s and 1970s saw this area develop from a rural farming area to a suburb.Plan of subdivision. Printed on buff paper, hand coloured. Mounted on cardboard. Includes 2 small cards attached.Various handwritten comments. Small cards from Survey Branch, Office of Titles.greensborough, manatunga circuit, diamond creek road, plenty river drive -
Victoria Police Museum
Engraving, Framed, 1886
... , Mansfield. Hand coloured from the Garran Picturesque Atlas 1886... of the Police Memorial, Mansfield. Hand coloured from the Garran ...Framed original woodblock engraving of the Police Memorial, Mansfield. Hand coloured from the Garran Picturesque Atlas 1886mansfield, police murders, murdered police memorial, kelly gang, ned kelly, michael kelly, michael scanlan, thomas lonigan -
Old Colonists' Association of Ballarat Inc.
Work on paper, The Defiance Gold Mining Company, Defiance Lead, Sebastopol
... The framed hand coloured lithograph shows the The Defiance... hand coloured lithograph shows the The Defiance Gold Mining ...The Defiance Gold Mining Company, Defiance Lead, Sebastopol was registered in November 1860.The framed hand coloured lithograph shows the The Defiance Gold Mining Company, Defiance Lead, Sebastopol, and a list of shareholders. sebastopol, herman deutsch, the defiance gold mining company, defiance lead -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Bentinck Street, Portland Victoria, n.d
... Postcard, hand coloured. View of west side of Bentinck St... Street, Portland Victoria Postcard Postcard, hand coloured. View ...Postcard, hand coloured. View of west side of Bentinck St. looking south, includes Gordon and Mac's hotelsFront: 'THE SOUTHERN CROSS SERIES 10800' copyright' 'BENTINCK STREET PORTLAND' Black print, bottom margin -
Port Melbourne Historical & Preservation Society
Plan - Edwards Park improvements (Trugo Green), Port Melbourne, 1950s
... Plan drawing to scale, hand coloured, of proposed... Plan Plan drawing to scale, hand coloured, of proposed ...Plan drawing to scale, hand coloured, of proposed improvements to Edwards Park (Trugo Green), possibly early 1950s."City of Port Melbourne"built environment - recreational facilities, parks and gardens, sport - trugo, port melbourne trugo club -
Ballarat Tramway Museum
Postcard - copy, WTP, "Bridge Street looking west, Ballarat"
... Postcard reproduction - part sepia coloured and hand... - part sepia coloured and hand coloured. Second copy printed ...Bridge St looking West from Peel St. Has a bank on the corner and an tram in the distance. Card dates the view as early 1900's. Card reproduced for Sovereign Hill Gold Mining Township by Rose Stereograph Co. of Glen Waverley c2000. Divided back type with caption, production and the Rose Co. symbol on the rear. Illustration of the same image added 4-1-2024 - by WTP & Co.Yields information about the appearance of Bridge St following the introduction of electric trams in 1905 and has a strong association with the work of Sovereign Hill and Rose Stereograph Co.Postcard reproduction - part sepia coloured and hand coloured. Second copy printed coloured illustration on plain paper.trams, tramways, bridge st, ballarat, esco, rose postcards -
Greensborough Historical Society
Maps, Shire of Heidelberg, 1920s
... Map of main roads within Shire of Heidelberg, hand coloured... of main roads within Shire of Heidelberg, hand coloured ...Map of main roads within Shire of Heidelberg, probably those for which the Shire was responsible for maintainingMap of main roads within Shire of Heidelberg, hand coloured, and Hurstbridge rail line. 40 chains: 1 inch971shire of heidelberg, heidelberg -
Victoria Police Museum
Carte de Visite, Carte de Visite of Patrick Mc Etheney
... has been hand coloured in the face and lips. ... been hand coloured in the face and lips. This 1870s Carte de ...This 1870s Carte de Visite depicts Patrick Mc Etheney with the inscription 'arrested 4-11-75' for the crime of recieving stolen goods. Prior to the introduction of mugshots, physical descriptions, sketches or any available portraits like this Carte de Visite were used to depict and describe people of interest. Small Carte de Visite featuring gold borders on card. Image has been hand coloured in the face and lips. -
Stawell Historical Society Inc
Postcard, Stawell Post Office, c1900's
... Stawell Post Office and Telegraph Office. Hand Coloured... and Telegraph Office. Hand Coloured Post Card. Printed in Germany. Akins ...Shows Gas Lamp on corner and Telegraph Pole and wires.Stawell Post Office and Telegraph Office. Hand Coloured Post Card. Printed in Germany. Akins shop visible at Right. Printed in Germanystreetscape -
Glenelg Shire Council Cultural Collection
Postcard, n.d
... Postcard, hand-coloured. View of Bentinck St. from old Post... Postcard, hand-coloured. View of Bentinck St. from old Post Office ...Postcard, hand-coloured. View of Bentinck St. from old Post Office, looking north. Postcard printed in GermanyFront: 'Bentinck Street, Portland' White script on black, lower edge of postcard -
Stawell Historical Society Inc
Photograph, Margaret Devery, Framed photograph & Embroidery, c1950
... Hand Coloured photograph of Margaret Devery surrounded...Hand Coloured photograph of Margaret Devery surrounded ...Hand Coloured photograph of Margaret Devery surrounded by Embroidered flowers frame. Portrait shows brown dress and bead necklace -
Federation University Art Collection
Work on paper - Drypoint print, Richard Spare, 'Cycle to the Quay' by Richard Spare
... creating a dryplate etching which is then hand coloured. ... is then hand coloured. richard spare printmaking boat Richard Spare ...Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print. Donated through the Australian Gifts Programme by Katherine Littlewood.37/125richard spare, printmaking, boat -
Federation University Art Collection
Work on paper - Drypoint print, Richard Spare, 'Rowing Boat 1' by Richard Spare, c1999
... creating a dryplate etching which is then hand coloured. ... etching which is then hand coloured. richard spare printmaking ...Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print of a boat. Donated through the Australian Gifts Programme by Katherine Littlewood.AP 6/15richard spare, printmaking, boat, sailing -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
... been hand coloured.... is wearing a suit and the cheeks have been hand coloured. The tintype ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Yarrawonga and Mulwala Pioneer Museum
Photograph, Portrait of Alan K. Dunstan Bandsman RAN
... Ornately decorated oval shaped frame containing hand... Ornately decorated oval shaped frame containing hand coloured photo ...Alan, born at Cobram on 25 February 1920, was a member of the Dunstan family of Yarrawonga and member of the Royal Australian Navy Band. All of his siblings were musical. The portrait hung in the home of Alan's parents Joseph and Harriet Dunstan who lived at 40 Hume St Yarrawonga. (now the site of Karana Nursing home). After their death the portrait was in the possession of Alan's youngest sibling Dawn White (nee Dunstan). Dawn passed away in 2016. Alan enlisted at Yarrawonga on 4th August 1941 and served on HMAS Australia the flagship of the Australian Navy.no 24862. At the time of his death 25 February 1945 he was serving on the HMAS Rushcutter. He is buried at Rookwood War Cemetery, Sydney. Service Ornately decorated oval shaped frame containing hand coloured photo of Alan Dunstan. Frame made of painted pressed woodWesley Durburtiry?? -
Buda Historic Home & Garden Castlemaine
Print - Linocut print, Tasmanian Berries, c 1928
... Hand coloured linocut of a jug full of assorted berries... print Print Tasmanian Berries Hand coloured linocut of a jug ...Owned by the Leviny family. Collected by Kate Leviny. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.This original print by Australian woman artist, Mildred Lovett, is from a period in Australia's history when women artists and printmakers were gaining recognition for their work that had been a previously been an area dominated by male artists.Hand coloured linocut of a jug full of assorted berries, mounted in a frame. By Tasmanian artist, Mildred Lovett. Paper, ink, paint.Lower left corner 'Tasmanian berries'. Lower centre 'coloured linocut'. Lower right 'M. Lovett'. Verso '44' encircledmildred lovett, tasmania, linocut print, tasmanian berries, australian women printmakers, leviny collection, buda, castlemaine -
Old Colonists' Association of Ballarat Inc.
Work on paper, Great Extended Gold Mining Company, Redan Lead, Ballarat
... The framed hand coloured lithograph shows the exterior... Extended Gold Mining Company, Redan Lead, Ballarat The framed hand ...Great Extended Gold Mining Company, Redan Lead, Ballarat was registered 1n February 1856.The framed hand coloured lithograph shows the exterior of the Great Extended Gold Mining Company, Redan Lead, Ballarat, and a list of shareholders. sebastopol, herman deutsch, redan lead, great extended gold mining company -
Phillip Island and District Historical Society Inc.
Photographs, 1920's
... 325-07 & 08. Hand coloured sepia portraits of Violet...-island-and-the-bass-coast Photographs 325-07 & 08. Hand coloured ...325-07 Inscription on back of photograph. "Violet Clarke, sister of Jimmy and Jack Clarke all born at San Remo 1880's - 90's. Violet married a Mr Sinclair and was the mother of Laurie. Jimmy & Jack Clarke's nephew, Laurie, like his uncles, never married." 325-08 Inscription on back of photograph. "Violet was the sister of twins Jimmy & Jack Clarke" 325-07 & 08. Hand coloured sepia portraits of Violet Clarke. 325-09. Sepia photograph of Violet Clarke's wedding.325-09. "25 years ago". Violet Clarke's marriage to ? Sinclair. Best man is probably Jack Clarke, brother Jimmy was most likely at sea.violet clarke, jack clarke, arthur woodley -
Port Melbourne Historical & Preservation Society
Postcard, W.T.P, Town Hall, Bay Street, Port Melbourne, Victoria, c.1900
... The postcard of Port Melbourne Town Hall is from a hand... Hall is from a hand coloured photograph. It shows Bay Street ...The Port Melbourne Town Hall was completed in 1883 from a design by J. J. Wild. It was the home of the Port Melbourne Council until Amalgamation in 1993. The postcard of Port Melbourne Town Hall is from a hand coloured photograph. It shows Bay Street with a cable tram and a horse and cart.built environment - civic, built environment - commercial, port melbourne town hall -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Percy Street Portland Victoria, n.d
... Postcard, hand coloured. View of Percy St, taken from Julia... Portland Victoria Postcard Postcard, hand coloured. View of Percy ...Postcard, hand coloured. View of Percy St, taken from Julia St intersection, looking north. Postcard printed in Germany.Front: 'Percy Street, Portland' white script on black lower edge of postcard