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Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, Man with Wheelbarrow, 1998
From the bequest of the late K. Lewinski, a German Ort boy from Berlin, refugee in England 1938 - June 1940. Interned and transported to Australia 1940, interned in camp 2. Released in January 1942 to 8th employment co at Tocumwal.Wooden sculpture featuring a man wearing a peaked cap, pushing a wooden wheel barrow filled with round logs, fixed to a wooden rectangular base. 2 pieces.K. Lewinski 1998 Timber: man - kwila, barrow - blackwood, firewood - teak kurt lewinski, wood sculptures, ort boy, internment camp 2, 8th employment co -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Egg Cup, 1940's
Made as a Christmas present for a child in camp 3 by a German POW. Gretl Frank was bought to Australia in September 1941 with her German parents who were residents in Palestine (a British Protectorate at the end of WW1). Temple society members. She was born in Palestine October 1939. Married Hornung, 2 children - Ingrid and Jennifer. She is now resident is Los Angeles USA.Polished wood turned egg cup.GS german pow, christmas present, egg cup, internment camp wood work, gretl frank -
Tatura Irrigation & Wartime Camps Museum
Sketch - Copy, Barracks at Camp 2
Nicola Cua lived with his Italian parents in London. Interned when Italy came into the war as Germany's ally. Transported on "Dunera" to Australia to Camp 2. Photocopy of a sketch held in British Museum Records of Internment WW2Black and white sketch of four huts in foreground with gum tree centre front of 2nd hut on right side. On extreme right more huts are visible. Black frame - gold stripIndecipherablesketch, pen and ink, camp 2, tatura, ww2 camp 2, illustrations, pen, ink -
Tatura Irrigation & Wartime Camps Museum
Photograph - Photograph - copy, The Young Girl by Bruno Simon, 1940's
Bruno Simon, German,Italian, Jewish refugee interned Australian WW2 8th Employment Co. AMFPhotographed copy of Bruno Simon and one of his sculptures entitled "The Young Girl".photography, sculptures, bruno simon, internment camp sculptors -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp Australian, 1940
... Tatura Internment Camp, Victoria, Australia ...Dr. Leonhard Adam was an internee in Camp 2.RomanticismFramed watercolour painting of Tatura internment camp barracks through doorway.Tatura Camp, Australia, 1940tatura, dunera', internee camps, illustrations, watercolour -
Tatura Irrigation & Wartime Camps Museum
Sewing Machine and Case, Kayser, Late 1800's
Hand operated sewing machine made in Germany in the late nineteenth century. Mrs Weiss, a young Templer Lutheran living in Palestine, owned it and took it with her to Heluan, Egypt, where Germans in this region were interned during WWI. Her permission to take it was dependent on her sharing the machine with other internees. When the Templers in Palestine were interned in WWII, the sewing machine accompained Mrs Weiss and her family to Tatura in 1941 on the condition that other imternees would also use it. After the war it was taken to South Australia where its use by Mrs Weiss continued until they replaced it with an electric machine.Wooden case/cover for hand operated sewing machine. Has silver metal collapsible carrying handle and metal keyhole. Has Decorative inlay border on top and around handle. Metal hand operated table top sewing machine, painted black with gold decorative pattern. Hinged to a wooden base. Drawer built into base with sliding panel for holding accessories.Kayser, Johannes Weiss, Christine Weiss.sewing machine case, kayser, tatura internment camps, templer, palestine -
Tatura Irrigation & Wartime Camps Museum
Photograph, 11/11/1940
The guards who appear in the photograph were members of a garrison of guards and other support staff including nurses who were stationed outside the compounds during the Second World War.A black and white photograph depicting 17 Australian guards at the Tatura Internment and Wartime Camp. Several of the guards are smiling and portable buildings can be seen in the background. The guards in the front row are holding weapons. -
Tatura Irrigation & Wartime Camps Museum
Sketch, Camp 3
There were 7 camps in the area during World War II which held about 4,000-8,000 people at any one time. 3 camps housed Prisoners Of War who were enemy servicemen captured in various theatres of war around the world and transported to Australia for the duration of the war. The remaining 4 camps held Internees who were civilians living in Australia or other Allied territories and countries at the outbreak of war and were deemed to be a security risk because of their nationality. The camps were situated in the Goulburn Valley as food was plentiful here and there was a good supply of water from the Waranga Basin.A coloured sketch showing all the compounds at Tatura War and Internment Camp.internment, ww2, world war two, tatura, goulburn valley, war camps, prisoner of war, prisoner of war camps -
Tatura Irrigation & Wartime Camps Museum
Book, The Dunera Tapes, 1990
Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein -
Tatura Irrigation & Wartime Camps Museum
Folio, Camp 3
... of the transportation from Haifa to Australia. Research - Tatura WW2 Internment... of the transportation from Haifa to Australia. Research - Tatura WW2 Internment ...Material collected and donated Material relating to Camp 3 and the Internees from Palestine. Sketch map of Camp 3 Memorium to Dieter Ruff, former Head of the Temple Society. Photo of steam passenger train at Rushworth Station. Various group photos. Copy of sketch of hut by Winkler. "in the Internment Camp Tatura" by K.M. Pfander Copy of talk given to her former pupils by Gudrun Gollong, in 1978. Poem written in Camp by Annie Lorenz. Poem by unknown writer "Life's Daily Routine" Interview with Babette Kirsch. Copy of children's learning book in German. Photos of toys and craft made for Kaltenbach family. Copy of Kaltenbach barracks by Cesare Vagarini. Story of Wilhelm Kuebler. Photos of wooden boxes made for Sgt. Cubbin. Copy of letter in German confirming the death in Camp of the two Stuerzenhofecker children. Copy of records Theo Stoll. School records Waltraud Doster Copy of Marriage Certificate Vollmer/Zollinger, August 1946. Recollections of Private Ashworth, guard at Camp 3. Photo taken 2001 by John Wepner of pump which supplied water to Camps 3 & 4 from No. 9 channel. Sketch of canoe made in camp from a sheep drinking trough by the Haering family. "From the Holy Land to the Home of the Kangaroo", by Hedwig Schnerring, translated by Peter Hornung, donor- Guenther Schnerring. "The Long Arm of the Third Reich" by Christine Winter. Photocopied extract of Walter Odorich Stenner's diary account of the transportation from Haifa to Australia. Research - Tatura WW2 Internment Camp 3, Annie Leschen Copy of map showing pump sites for water for Camps 3 and 4 Copy (laser) of a painting donated by Frieder Vollmer, artist "D 1943"? Adalbert Stern, Sir Nicholas - Son of Dunera boy "Adalbert Stern Copies of photos (4) of 2 cakes of Lux soap with pictures of "Roll Call, Tatura 1941" on one side and "Lux Toilet Soap" on the other Newspaper Article from "The Age" 14/04/1999 re Vagarini Exhibition Camp 3TaturaBlack 3 ring folder with printed matter and photos in plastic sleeves.documents, reports -
Brighton Historical Society
Bed jacket, circa 1955
This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore -
Orbost & District Historical Society
poison pot, Smith, R. & E, 1940's
This item was used on P.C. Toby Nixon and Grace Nixon's farm, "Rolling Downs" at Bete Bolong. During WW11 the farm grew carrots, red beet, cabbages, beans and maize. Because of labour shortages the government built a Prisoner of War Camp on Russell's Hill. The manager, Dick Northrope, used three Italian prisoners to frill ring small trees and shrubs between crop harvesting. The introduction of ‘frill ringing’ and poisoning with arsenical tree killers in the 1940's and 1950's helped reduce the amount of labour required and trees on more country were treated. This enabled the hill country at Bete Bolong to become more productive. The dead trees and shrubs were later cleared by Erle Broome's D7 caterpillar bulldozer. This was the first big area of 230 acres to be cleared in the Orbost district. Soon after entering World War 11 Australia was asked by Britain to accept and guard large numbers of 'enemy aliens' and prisoners of war. The British government felt that it could not afford to feed large numbers of prisoners and it was believed that once in Australia the internees would have no chance of escape. Eager to show solidarity with Britain's cause, Australia readily agreed and decided to place the prisoners in a number of different camps scattered around the country and guard them with reservists and soldiers too unfit to serve overseas. There was an internment camp at Bete Bolong, Orbost. This item is an example of an item used by the Italian P.O.W.'s residing there. It is also an example of an agricultural tool not commonly used today.A galvanized iron watering can which has been used to hold poison for ring barking trees (possibly arsenic). It has a narrow spout. There is a handle at the back and a folding handle on the top. The top is conical with an opening for a cork. agriculture prisoner-of-war-camp tree-removal land-clearing -
Orbost & District Historical Society
coin, Arendsen & Sons, WW11
... Internment Camps. They were introduced in 19433 to replace the paper... in Australian WW11 Internment Camps. They were introduced in 19433 ...For security reasons, tokens were used in Australian WW11 Internment Camps. They were introduced in 19433 to replace the paper canteen coupons. This token was used at the internment camp at Bete Bolong just outside Orbost during WW11. This camp was established in 1943 and was there until 1946. The internees had been transferred from the camp at Murchison East to provide farm labour. The coin was given to Lindsay Thomson when he was a student.This token was used at the Bete Bolong POW camp from 1943-1945. This camp housed Italian POWs, some of whom remained/returned after the war to settle in Orbost.An internment camp coin. This is a one penny coin token with a hole in the centre. It is made of brass.ONE PENNY INTERNMENT CAMPStoken ww11 bete-bolong internment-camp -
Dutch Australian Heritage Centre Victoria
Booklet, Kampje Spelen (Playing Internment Camp), 1992
Mrs. Axie Mazèl - Krammer and her friend Anneke Rappard each had two daughters with them in the Women's camp in Banjoe Biroe. Prior to her marriage Axie Krammer von Marchau had studied languages, literature and pedagogy and particularly the art of teaching through play. The spirit and optimism of these two women contributed to the survival of their 4 little girls. An accomplished artist Mrs. Mazèl created the original of this booklet for the 6th birthday of her friend's daughter Anne Marie on July 30, 1945.The illustrated story of children playing at internment does not hide the reality of their lives but puts in the context of a game of make-believe. The make-believe is illustrated in colour while the harsh reality is recognised in a small black and grey sketch in a corner of each page. Simply produced 30page booklet. It is the printed version of a handwritten booklet produced in July 1945 by Mrs Axie Mazèl Krammer to help her children deal with the memories of their imprisonment by the Japanese in the former Dutch East Indies. The materials and style imitate the simple materials that were available for the author during their 4 years of imprisonment and deprivation. The name "A. Kelleners" is written on the flyleaf.dutch east indies; japanese; internment camps; -
Waverley RSL Sub Branch
Key
During World War II, following the Fall of Singapore in February 1942, the Japanese military detained about 3,000 civilians in Changi Prison, which was built to house only 600 prisoners. The Japanese used the British Army's Selarang Barracks, near the prison, as a prisoner of war camp, holding some 50,000 Allied—predominantly British and Australian—soldiers.[1] Although POWs were rarely, if ever, held in the civilian prison, the name Changi became synonymous in the UK, Australia, and elsewhere with the POW camp. About 850 POWs died during their internment in Changi during the Japanese Occupation of Singapore,[2] a relatively low rate compared to the overall death rate of 27% for POWs in Japanese camps.[3] However, many more prisoners died after being transferred from Changi to various labour camps outside Singapore, including the Burma Railway and the Sandakan airfield.this item is of historical significance because it is supposedly one of the few surving keys to Changi Jail and donated by Mr.Robertson . Changi is significant as it was a major prison camp during WWII Changi Jail Key. Blackened metal key, Wooden tag attached with Japanese print on it. Kanji Characters read Middle Gatechangi, fall of singapore, key, p.o.w. -
Ballarat Heritage Services
Painting - Artwork - Painting, [Unknown] by Arthur Lindsay, c1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsays of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #11 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #29 by Arthur Lindsay, 1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape -
Ballarat Heritage Services
Painting - Artwork - Painting, [Balancing Rocks] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed lansdcape by Arthur Boydarthur lindsay, painting, rocks, landscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed landscape by Arthur Boydarthur lindsay, painting, landscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape, artist -
Ballarat Heritage Services
Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
Ballarat Heritage Services
Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
Ballarat Heritage Services
Work on paper - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Pencil landscapearthur lindsay, landscape, drawing -
Ballarat Heritage Services
Painting - Artwork - Painting, Hong Kong Faimhouse by Arthur Lindsay, c1950
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a number of builidings, and a person in the foreground.arthur lindsay, watercolour, painting, townscape -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, On the Waranga Basin, Victoria
RomanticismLeonhard Adam. On the Warringa Basin, Victoria. Nov 41leonhard adam, waranga basin -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Waranga Basin 6.1.42
Painted by Leonhard Adam, an internee in Tatura.Original Painting depicting the camps, colours and changing conditions of the Australian landscape during the artists time in internment at Tatura.leonhard adam, waranga basin -
Tatura Irrigation & Wartime Camps Museum
Book, Albrecht Dümling, The Vanished Musicians, Jewish Refugees in Australia, 2016
... Group of Internment Camps. jewish musicians - australia jewish ...Tells the stories of Jewish refugees brought to Australia, particularly those on the Prison Ship "Dunera". Emphasis on musicians.Many of the musicians were interned in camps in the Tatura Group of Internment Camps.Blue soft covered book with photos of musicians playing their instruments on front cover. There are maps, photographs, sketches of musical programmes and copies of official documents required by the refugees. 2nd copyExile Studies, Vol 14. ISBN 978-3-03-431951-3 jewish musicians - australia, jewish refugees - australia, albrecht dumling, jewish musicians, jewish refugees -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Ipse Feci, 1941
... Tatura Internment Camp, Victoria, Australia ...Dr Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour self portrait by artist Leonhard Adam. He is wearing a pink/light red collared open shirt with a white vest underneath. His hair is black with streaks of grey through it. He has blue eyes and a ruddy complexion.Ipse Feci . Leonhard Adam. Tatura (Victoria) Austr. 18-21 Januar 1941tatura, dunera, internee camps, leonhard adam, ipse fici