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The Beechworth Burke Museum
Animal specimen - Powerful Owl, Trustees of the Australian Museum, 1086- 1880
The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl -
The Beechworth Burke Museum
Animal specimen - Long-Eared Owl, Trustees of the Australian Museum, 1860- 1880
The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl -
The Beechworth Burke Museum
Animal specimen - Snowy Owl, Trustees of the Australian Museum, 1860- 1880
The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle -
The Beechworth Burke Museum
Animal specimen - Common Buzzard, Trustees of the Australian Museum, 1860- 1880
The Common buzzard, a medium-sized raptor, is found across Europe and Asia, and in Africa in the winter months. It is the UK’s commonest bird of prey, found in nearly every county. Due to their large size and their brown color, they are often confused with other species, especially the Red kite and the Golden eagle. They may look the same from a distance, but the Common buzzard has a very distinctive call, like a cat’s mew, and a distinctive flying shape. When soaring and gliding, the tail is fanned and its wings are often held in a shallow 'V'. The colour of individuals varies from dark brown to much lighter, though they all have a finely barred tail and dark wingtips. This species occurs across Europe and Russia, and parts of Northern Africa and Asia in the cooler winter months. It lives in a range of habitats, especially woodland, moorland, pasture, scrub, arable land, marsh bog, villages, and sometimes towns and cities. This particular specimen has been mounted in a correct stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Common Buzzard is brown in colour with lighter markings on the chest. It has a white patch of feathers on the back of its head and it has darker wingtips and yellow feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: 30 / Buzzard / Catalogue page 52. / Metal tag: 4043 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, bird of prey -
The Beechworth Burke Museum
Animal specimen - Little Pied Cormorant, Trustees of the Australian Museum, 1860-1880
The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird -
The Beechworth Burke Museum
Animal specimen - Purple Swamphen, Trustees of the Australian Museum, 1860-1880
The Purple Swamphen can be readily located across eastern and northern Australia. They reside in areas with water including ponds, lakes, storm water drains, wetlands, swamps and marshes. These birds can often seen in urban locations including parks or along roadsides after a period of rainfall. Due to their adaptability, these birds often change environments. Purple Swamphens are omnivores and eat a wide variety of plants and animals. They live in large family groups and lay an average of five eggs which are the shared responsibility of both parents and occasionally the responsibility of young from a previous brood who may also assist caring for the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Purple Swamphen which is styalised standing on a wooden platform and has a paper identification tag tied to its upper left leg. The Purple Swamphen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird -
The Beechworth Burke Museum
Animal specimen - Little Black Cormorant, Trustees of the Australian Museum, 1860-1880
The Little Black Cormorant is mainly found in freshwater wetlands in Australia and Tasmania. It nests colonially and can sometimes be seen among Heron or Ibis colonies. This specimen has dark webbed feet which enable the bird to catch its prey underwater by diving and using the feet for propulsion. Interestingly, this species have nictitating membranes which cover the eyes underwater protecting them. The feathers of this species are not waterproof despite being commonly located in wetlands and therefore, can often be seen perched with wings outstretched in an effort to dry them after hunting for food in the water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Little Black Cormorant is a slim and small specimen of entirely black colouring with some lighter specks on the back. The bill is grey and is slender and hooked at the tip. The bird has been stylized with glass eyes and is placed on a wooden mount designed to look like a perch. The neck is long and the bird is looking over its right wing. It has dark webbed feet and is standing on the platform with a paper identification tag tied the right leg. 12a. /Little Pied Cormorant / See Catalogue Page 42 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tasmania, australia, birds of australia, cormorant, little black cormorant, wetlands -
The Beechworth Burke Museum
Animal specimen - Yellow Billed Spoonbill, Trustees of the Australian Museum, 1860-1880
The Yellow-billed Spoonbill is a waterbird which can be commonly seen wading through shallow waters. This particular variety of Spoonbill is found across Australia, mostly in the northern and well-watered inland areas. It resides in freshwater wetlands, dams, lagoons and swamps. The species feeds on mainly aquatic insects and larvae. The bill has vibration detectors called papillae inside the spoon which enables the bird to feel the vibrations of its prey in murky water. These birds nest in the colonies of other birds like the Ibises and Royal Spoonbills. They live in high forks of trees over water or in reed beds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Yellow-billed Spoonbill specimen is a large taxidermy of mainly white colouring. The bill is a large and unique spoon shape and is yellow. The long gangly legs and the skin on the face are also yellow. The eyes are made from a black and yellow glass and the bird is stylized standing on a square wooden platform. A paper identification tag is tied to the bird's upper left leg.6c. / [illegible] / Spoonbill / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, spoonbill, yellow-billed spoonbill, yellow billed spoonbill, waterbird -
The Beechworth Burke Museum
Animal specimen - Sooty Albatross, Trustees of the Australian Museum, 1860-1880
The Sooty Albatross can be located on islands in the southern Atlantic Ocean and the Indian Ocean. It is a colonial bird with colonies consisting of 50 to 60 pairs of birds. These birds will build nests on cliffs and steep slopes. The diet of the Sooty Albatross includes squid, crustaceans, cephalopods, fish and carrion. They are considered an endangered species by the IUCN with a population shrinkage of over 75% over the last 90 years. In the 21st century, the population of this Albatross has seen stability on Gough Island. Interestingly, this species have several features which make them unique. They have nasal passages attached to their upper bill called naricorns and can produce a stomach oil which is stored by the bird and used against predators as well as being food for their chicks. These birds also have a salt gland which helps desalinate their bodies after residing in salt water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Sooty Albatross specimen is of medium size and mainly a sooty-brown plumage. The colouring around the sides of the head and the base of the tail is dark. It has a dark bill which is medium in size and has been stylized with glass eyes by the taxidermist. The tail is a wide diamond-shape and the feet are webbed. This specimen has been placed on a wooden mount and has a small paper identification tag tied to its right leg.Sooty Albatross / 13D / Catalogue Page 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk-owl, europe, atlantic ocean, indian ocean, albatross, sooty albatross, endangered species -
Eltham District Historical Society Inc
Photograph, Eltham Methodist Church, 1909
Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 via Victorian Heritage Database What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. How is it significant? The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G).Sepia postcard of Eltham Methodist Church, 1909eltham, methodist church, church, state school no. 209, eltham state school, robert david taylor, eltham uniting church, uniting church, wesleyan church -
Expression Australia
Scrapbook, Adult Deaf Society of Victoria Scrapbook
This Scrapbook contains, among other things, newspapers clippings and annual reports relating to the Adult Deaf Missions of Victoria and South Australia as well as clippings from various Deaf magazines printed in Great Britian. The compiler of the scrapbook is unknown, however it is possibly the work of E. B. Solomon a deaf man associated with the South Australian Adult Deaf and Dumb Mission as Caretaker (1896) and Collector (1897-1919?). If it is the work of Solomon it is not known how it came to be in the Vicdeaf Collection and research is continuing.This Scrapbook is a significant collection of material relating to the Deaf Missions of Victoria and South Australia with the period cover being from about 1895 to 1905. There is also a significant amount of material included that relates to the Deaf in Great Britain, this material covering an earlier period from the 1880'sadult deaf and dumb society of victoria, south australian adult deaf and dumb mission, e. b. solomon, samuel johnson, john paul, ernest abraham -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Centurion at Buna Barracks
The first British designed and made Centurion tanks arrived in Australia in June 1952. The first tanks went to the 1st Armoured Regiment, but as more tanks became available armoured regiments of the Citizen Military Forces received replacements for their aging General Grant tanks. The Centurion was a great improvement on the Grant with a bigger gun and the ability to fire accurately while moving. Serving soldiers of regiments such as 8th/13th Victorian Mounted Rifles were converted to the new tank and National Servicemen received full-time training while at Puckapunyal. In February 1968, C Squadron, 1st Armoured Regiment, equipped with Centurion tanks was sent to Vietnam. This tank No 169073 was one of the twenty tanks which served in Vietnam. There were many doubters about the likely usefulness of the Centurion in the jungle and paddy field environment of South Vietnam. How would this very large tank perform? No one needed to have worried. The tanks performed magnificently and were treasured by the infantry with whom they operated. ‘Tanks save lives’ was the catchcry. Several Reserve officers were attached to the Squadron in Vietnam including Colonel John Neale and Major Gordon Cole. Following the Australian withdrawal, the tanks were refurbished and issued to Army Reserve regiments for training. Our tank was allocated to 8th/13th Victorian Mounted Rifles. Together with the tanks came a crop of Regular Army Cadre staff and training reached a new peak. When the Centurion was superseded by the Leopard surplus vehicles were allocated to museums and regimental collections as trophy vehicles. Black and white photograph of Centurion Tank No. 169073 at Buna Barracks, Albury, home of 8/13 Victorian Mounted Rifles 1988.centurion, tank, buna barracks, albury, vmr -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
Cambrai Day is celebrated annually by Armoured Corps regiments of the British Commonwealth. It marks the anniversary of the Battle of Cambrai in November 1917 when a force of more than 400 British Mark IV Tanks broke the defences of the German Hindenburg Line, It was the first large-scale, effective use of tanks in warfare. Cambrai turned from a battle of great success to failure, but it heralded a new type of warfare and changed the nature of the battlefield forever.The gathering at Buna Barracks Albury, Beersheba Barracks Wangaratta, Bapaume Barracks Benalla and Salamaua Barracks Cobram on 30 November 1986 was the inaugural meeting of the 8th/13th Victorian Mounted Rifles Regimental Association.Colour photograph of men with flags behind them. They are from left : John Neale, Doug Kuwald, Mick Howes, Doug Hunter, Darryl White and Kurt Muller. All were former members of 8/13 Victorian Mounted Rifles Regiment. Photograph taken at Buna Barracks Albury on Cambrai Day 30 November 1986. -
Kew Historical Society Inc
Journal, Kewriosity : September 1991
Is Kew a healthy community - have your say and win prizes / p1. Arthritis/Do you suffer / p1. Have a heart [National Heart Foundation Doorknock Appeal] / p1. Diary dates for September / p2. Swimming for older people [Kew Recreation Centre] / p2. Kew Bowling Club Invitation / p2. Commentary [Obituary for Cr Alfred Stevens; 120 Litre Mobile Bin Recycling Trial / Cr Daryl Oldaker p3. Chief Executive's Column [How Councils raise revenue] / Malcolm Hutchinson p3. Diary dates for October / p4. Kindergarten open days [Kew Preschool Association] / p4. Kew Festival [Kewmunity Living 1992] / p4. VicRoads competition / p4. Medical careers [St George's Hospital; Inner Eastern Geriatric Service] / p4. Kew Colts American Football Club / p4. Introducing Councillor John Vincent Murray [Studley Park Ward] / p5. Big print [books at Kew Library] / p5. So long, farewell [Tony Douglas Clerk of Works] / p5. Empress in Melbourne - 6th April 1938 [book] / p5. Spare time [Volunteering at Bodalla Hospital] / p5. Kew Scout Award [Queens Scout Duncan White] p6. Trinity Grammar prize winning students [Jerry Chiang] / p6. Young Women's Group / Sonia Lloyd p6. Advising Centre for women / p6. Carey Junior School / p7. 'How can you be boss of the bladder' [book] / p7. Swimming for intellectually disabled women [at Kew recreation Centre] / p7. Kew wins at golf [Studley Park Golf Course] / p7. The Mighty Lions of Kew [Lions Club of Kew] / p8. 'The Fabulous Nobody's Return' ['Godspell' at Kew High School Community Theatre] / p8. 'Dragon Girl' [at Kew High School Community Theatre] / p8. If not W.H.E.N.? [Worldwide Home Environmentalists Network] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionIs Kew a healthy community - have your say and win prizes / p1. Arthritis/Do you suffer / p1. Have a heart [National Heart Foundation Doorknock Appeal] / p1. Diary dates for September / p2. Swimming for older people [Kew Recreation Centre] / p2. Kew Bowling Club Invitation / p2. Commentary [Obituary for Cr Alfred Stevens; 120 Litre Mobile Bin Recycling Trial / Cr Daryl Oldaker p3. Chief Executive's Column [How Councils raise revenue] / Malcolm Hutchinson p3. Diary dates for October / p4. Kindergarten open days [Kew Preschool Association] / p4. Kew Festival [Kewmunity Living 1992] / p4. VicRoads competition / p4. Medical careers [St George's Hospital; Inner Eastern Geriatric Service] / p4. Kew Colts American Football Club / p4. Introducing Councillor John Vincent Murray [Studley Park Ward] / p5. Big print [books at Kew Library] / p5. So long, farewell [Tony Douglas Clerk of Works] / p5. Empress in Melbourne - 6th April 1938 [book] / p5. Spare time [Volunteering at Bodalla Hospital] / p5. Kew Scout Award [Queens Scout Duncan White] p6. Trinity Grammar prize winning students [Jerry Chiang] / p6. Young Women's Group / Sonia Lloyd p6. Advising Centre for women / p6. Carey Junior School / p7. 'How can you be boss of the bladder' [book] / p7. Swimming for intellectually disabled women [at Kew recreation Centre] / p7. Kew wins at golf [Studley Park Golf Course] / p7. The Mighty Lions of Kew [Lions Club of Kew] / p8. 'The Fabulous Nobody's Return' ['Godspell' at Kew High School Community Theatre] / p8. 'Dragon Girl' [at Kew High School Community Theatre] / p8. If not W.H.E.N.? [Worldwide Home Environmentalists Network] / p8.publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Geelong Cycling Club
Book, My World On Wheels, 1960
Authorised by Mockridge and completed by his wife Irene in collaboration with his greater friend John Burrowes. First edition of Mockridge's autobiography. Has tributes from Jack Baker, Stuart Connungha, Gino Bambagotti, Lionel Cox, Rev E.M.R. Hunkin. An interesting memorial to a talented cyclist.Hard backed autobiography by Russell Mockridge. It has a red paper sleeve covering the red hard back of the book with the title in white. The cover also has a photograph in a circle of Russell Mockridge cycling and below this is a depiction of the globe. On the back of the cover is a photograph of Percy Cerutty and Herb Elliott and an article on Cerutty's book - How to become a Champion."My World on Wheels" "The posthumous autobiography of Russell Mockridge"mockridge, tour de france, my world on wheels, hubert opperman -
Parliament of Victoria
Photograph of John Pascoe Fawkner, 1857
This photograph of John Pascoe Fawkner was commissioned by artist William Strutt in 1857. In 1907 Strutt gave the photograph to Victoria's London agent, Mr. Lake, to be presented to the Victorian Parliamentary Library. In a letter to Mr. Lake now in the library's archives, Strutt describes how he had planned to make use of the photograph in his artistic practice, and when finished with it, had promised to give the photograph to the Victorian Parliamentary Librarian Charles Ridgway (c.1801-1865). "That time then has come, late it is true, but alas Mr. Ridgeway [sic] is dead, so is Fawkner, but the old patriot will ever live in this portrait".Framed ambrotype portrait photograph of John Pascoe Fawkner seated and wearing a smoking cap. Note from William Strutt adhered verso. The ambrotype is a positive photographic image on a glass plate mounted inside a glazed frame with a gold-coloured inner-frame/preserver (possibly celluloid) and black velvet-covered backing board. Handwritten black ink verso: "John Pasco [sic] Fawkner/ This admirable portrait/ of the Founder of Melbourne is now presented in/ fulfilment of my/ promise (made years/ ago to the late Mr/ Ridgeway) to present it/ to the Parliament House/ Library of Melbourne./ William Strutt./ Wedsmnt [?] Dec' 18.1007."strutt, william, 1825-1915, fawkner, john pascoe, 1792-1869, ridgway, charles c.1801-1865, victorian parliamentary library -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, "What does it feel like to be an Australian in 1959?"
Discusses what does it feel like to be an Australian in 1959? A critique on our advanced national adolescence, limitations of our artist's creativity. We are not English or America - how do we compare? Australians want to be told they are better, the country anxious to hear well of itself. (This perhaps is related to item D015.)Typewritten, pencil edits, quarto, 4 pages, pages 6-9they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Living and Partly Living: The Neighbourhood; Synopsis – Robin Boyd, 1971
Discusses what is a neighbourhood and how is it "broken-down" for town-planning and building regulation purposes. Discusses types of dwellings, infrastructure, zone barriers, isolation of residential zones, services etc.Original manuscript of ideas for the chapter titled 'The Neighbourhood' (pp. 32-43) by Robin Boyd in the book "Living and Partly Living", by Ian McKay, Robin Boyd, Hugh Stretton and John Mant, published by Nelson, Sydney 1971.Typewritten (c copy), pencil edits, foolscap, 2 pagesneighbourhood, suburbia, neighbourhood, dwelling types, residential zones services, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Ian McKay, Living and Partly Living: Synopsis – Ian McKay: The Dwelling; Cities; National Housing Policy, 1971
McKay discusses in first two documents questions about what is a house and what do residents want from a city at large. In the last he discusses national housing policy and how it has evolved since 1944.Original manuscript of an ideas for other chapters (written by Ian McKay, Hugh Stretton and John Mant) in "Living and Partly Living", Nelson, Sydney 1971. In the book, Ian McKay authored "The House", Hugh Stretton authored "The City" and John Mant authored "National Housing Policy".Typewritten Typewritten (p’ copy) Typewritten (p’ copy), quarto, 1 page, 1 page, 3 pagesnational housing policy, commonwealth housing commission report 1944, commonwealth state housing agreement 1956, ian mckay, manuscript -
Robin Boyd Foundation
Book, John Cleese + Robin Skynner, Families and How to Survive Them, 1983
Hardcover w/ Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, John Cargher, How to Enjoy Opera Without Really Trying, 1986
Softcover"October 27, 1986 - John, have a very special birthday, best love Suzy"music, opera, walsh st library -
Robin Boyd Foundation
Book, John Burchard, Bernini is Dead? Architecture and the Social Purpose, 1976
Hardcover w/ Dust JacketNewspaper clipping inserted at front: King E 1994, 'Battle of the baroque', The Age, Travel, Saturday 23 July, p. 6. Photocopied typed A4 insert at p. 637: Travel Book Newsletter, 1976, 'New books show how architecture reveals history', October. Contains review of this book.architectecture, society, walsh st library -
Vision Australia
Audio - Sound recording, 3AW Ross and John show interview with Nick Jones, 18 July 2006
Vision Australia orthoptist Nick Jones gives Tony Shaw a peripheral vision check on 3AW Ross and John radio show. During the assessment he speaks about how vision assessments are conducted and the role of peripheral vision in everyday and sporting life. Reference to Justin Koschitzke's contact with an umpire and how everyone has a blind spot where the optic nerve joins the eye. Live air recording 18/7/2006.1 sound file of radio show interviewvision australia, nick jones -
National Communication Museum
Equipment - Prismatic compass, Alfred E Sawtell, before 1872
After years of precursory surveying, debate and proposals the most ambitious civil engineering project of the day, the Overland Telegraph Line, began construction in September 1870. Superintendent of Telegraphs, Sir Charles Todd led the construction through “terra incognita,” guided by the precursory surveys of John McDowall Stuart and technologies such as his prismatic surveying compass. The unknown and hostile landscape claimed the lives of several men and scores of transport animals in the dogged pursuit of telegraphic connection to the rest of the world. Completed in August 1872, the Line connected Australia to the world via telegraph wires running 3,200 kilometres from Port Augusta in South Australia, to Darwin, then connecting via submarine cable to Java and beyond. The “earth [had been] girdled with a magic chain” according to the then Governor of New South Wales, Sir Hercules Robinson. How does it work? For use in surveying, the sight vane and prism are turned up on their hinge and the instrument is held horizontally either in the palm of one's hand or on a tripod. Two small discs of red and green glass attached to the prism can be flipped down over the sight line to reduce glare. The objective is to bring the subject into the sightline created by the prism, aligning with the thread of the sight-vane until the subject is bisected evenly. Once aligned, the division on the card may be read through the prism. This reading provides the magnetic azimuth, used for calculating the bearings of distant landmarks. Circular instrument mounted in a brass case with glass window and brass lid. The compass card face four black compass points printed on mint green paper; on the underside the magnetic needle would be affixed, all held in place by a brass knob at the centre. The arched labels of "Sawtell" and "Adelaide" and the Prince of Wales feathers appear to have been affixed with adhesive which has since yellowed in the areas of application on the compass card. The compass face is printed with numbers, every 10 degrees from 10 - 360, printed in reverse indicating this compass would have once held a mirror at the sighting bracket. On one side of the brass case is a brass hinged sighting-prism, possibly of ebonite. The sighting-prism is mounted in a hinged brass bracket on one edge of the brass case. It has two flip-type filter glasses (red and green) and folds down into a retracted travelling position. A hinged brass bracket on the opposite edge would have held the sighting bracket - carrying the sighting vane and mirror - which is now missing or removed. Under the hinge is a lever, possibly related to the movement of the bracket. Underneath the brass case is an indented circle with screw threads, possibly for attachment to a tripod, and indistinguishable marks scratched into the surface.Etched on to the centre of the lid, "Sawtell ADELAIDE / No 792." Affixed to the paper compass face, possibly from separate pieces of paper, "SAWTELL / ADELAIDE" with the Prince of Wales Feathers above "SAWTELL". Underneath on remains of white tape in red: "159."surveying, compass, charles todd, overland telegraph line, telegraph -
Surrey Hills Historical Society Collection
book, Smoke, smell and clatter: the revolutionary story of motoring in Australia, 1969
106p. ill. An illustrated book telling the story of how Australia's motor industry grew. On page 17 it mentions cars designed and built for Harley Tarrant, who was a local Surrey Hills resident.106p. ill. An illustrated book telling the story of how Australia's motor industry grew. On page 17 it mentions cars designed and built for Harley Tarrant, who was a local Surrey Hills resident.automobile industry and trade, (mr) harley tarrant, tarrant car, cars, motor vehicles -
Surrey Hills Historical Society Collection
Book, The Shrine Surrey Gardens, Surrey Hills, Melbourne, Apr-96
This research project is on The Shrine in the Surrey Hills Gardens. It contains a list of those who had enlisted during World War 1, and how it came about to be the first monument of World War 1. Details of the man who carved the wood panels are included.This research project is on The Shrine in the Surrey Hills Gardens. It contains a list of those who had enlisted during World War 1, and how it came about to be the first monument of World War 1. Details of the man who carved the wood panels are included.monuments and memorials, (mr) john kendrick blogg, (mr) john gawler, community gardens, awards, armed forces, centenary methodist church, st.stephen's presbyterian church, "balmoral", house names, (mr) harry 'mafeking' garrett, (mr) arthur (empire) brooks, (mr) james ('rule britannia') sneddon, surrey hills, empire day, church furniture, t f crabb, (mr) walter drummond, surrey hills progress association, (mr) j f woodhead, (mrs) - steele, (mrs) robyn doble -
Surrey Hills Historical Society Collection
Book, Camberwell Villages, 1992
Some of Camberwell's 'villages' can be traced back to the 1850s. This small booklet explains how some of them developed.Some of Camberwell's 'villages' can be traced back to the 1850s. This small booklet explains how some of them developed.camberwell region, railways, 1882, balwyn, (mr) andrew murray, belmore, (mr) mark collier, boroondara, deepdene, chatham, canterbury, mont albert, ingelfinger family, staig family, surrey hills, (mr) john knipe -
Surrey Hills Historical Society Collection
Book, The rise and fall of Marvellous Melbourne, 1978
Includes: Clerical salaries chart p.16|Part 1: The City|Part 2: The Suburbs|Picture of Camberwell Railway Station p. 160 (from Latrobe Pictorial Collection. Graeme Davison is a local resident.Text records how the experience of boom and Depression touched the lives of ordinary Melburnians during the years 1880-1900.Text records how the experience of boom and Depression touched the lives of ordinary Melburnians during the years 1880-1900.melbourne - history- 1880-1900, (mr) graeme john davison, depression -
Tatura Irrigation & Wartime Camps Museum
Book, Why do you call me OMI?
The story is written by Ingrid Stephen, daughter of Hans Barth who was an internee in camp 1 during WW2. She wrote the story for her children as part of their knowledge and heritage, the history of how and why she arrived in Australia and her life in this wonderful country which has been so good to her and her family. Tells what her father went through from capture to release.A white book with a sepia colour photograph, in centre, of a lady and child. Title at top and author below, in black writing. Family photograph on back in colour.ingrid barth, ingrid stephen, hans barth, john stephen, camp 1 internees -
Westbourne Grammar Heritage Collection
Photograph - Official opening of stage 1 building of the new campus 1979
Principal John Pascoe stands behind Senator John L. Carrick as he speaks at the official opening of stage 1 building of the new campus at Truganina, February 1979. Classes began in temporary classrooms a year earlier and students reflected on the hive of activity while buildings went up around them in the 1978 yearbook, Literata: 'We still had to put up with the noise of the builders finishing the building' D.W 'There was hardly anything to be taught in...I thought it was disorganised, lonely and hectic' K.H. 'I do not know how the workers completed the school in such a short time' A. DiM. In a longer piece, past student and school captain, Fiona Kellett, wrote: 'Where once there were just paddocks, we now have a fine school, of which we are very proud. In the years to come this school will become bigger and everyone will see their dreams and hard work fulfilled'. Black and white photograph of a group of people seated facing a stage. On the stage, four students stand to the left of a podium at which Senator John. L. Carrick is speaking.