The Nook in Jackson's Creek was the only swimming hole prior to the building of the Sunbury Aquatic Centre in Ligar Street.The photocopy of a photograph shows a swimming team at The Nook. There are nine males sitting on a diving board and the head of another person is partly visible in the background.the nook, swimming holes, george evans collection

A photo of Martin Batey, an early settler in the district.A black and white photo of a male with a full bears and long hair on side, appears to be thinning on top of head. Believed to be Martin Batey. It is mounted between paper and cardboard and transparent paper at front of photo.Written inside cover: Martin Bateybatey, martin, pioneers, george evans collection

This photo was taken on a track outside one of the wards up at the Sunbury Asylum.Faded sepia photo of carriage drawn by 2 horses with 1 male standing near the horse's head and 1 adult male seated with 1 male child in carriage.Written across bottom under photo in blue biro: Superintendents Carriage. ASYLUM. SUNBURY ABOUT 1870dixon, c., transport, horse drawn vehicles, clothing and dress, sunbury asylum, hospital for the insane, mental health, photographers, george evans collection

The blue and black printed ticket was issued and used for the 2nd & 3rd days of the 1973 Sunbury Pop Festival. The Festival as held on the property of George Duncan at Diggers Rest on the banks of Jacksons Creek. It was held over the 3 days of the Australia Day Weekend in January. The 'smiley' stamp on the back of the ticket was used as a "passout" check. The tickets were collected by Nicholas Hall who worked as a Security Officer at one of the gates.A blue and black cardboard ticket printed for the 1973 Sunbury Pop Festival. The words Sunbury 73 are in large block letters across the bottom of the ticket and there are four silhouetted figures - 2 male and 2 female. One male is riding a bike and other male is carrying a double bass on his head. The two females are walking. There is a 'smiley' stamp on the back of the ticket."ADMIT 2nd & 3rd DAYS ONLY..."1970s, sunbury pop festival, duncan, george, george evans collection

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

Deep Lead School 1956 Mr Ian Johnson - Head Teacher Back Row: Robert Cray, Edwin Perry, Bruce Richards, Bill Shuttleworth. Centre Row: Tom Cray, Shirley Cornwell, Dawn Shuttleworth, Ian Cameron. Front Row: Ian Cooper B/W Photo 9 Students in 3 rows, 4 Standing, 4 sitting on bench seat, 1 sitting on ground, holding a sign, Adult Male to leftSign Reads: Deep Lead 1956deep lead school, education

Keith Boyd - Head teacher April 1950 to December 1955B/W Portrait of a male standing, with hands folded behind his back. Trees in backgrounddeep lead school, education

4 Photographs of people at a Christmas Dinner. top left photo Two People seated at a table. top right photo. Head and shoulders shot of a male. bottom right male with glasses. bottom left. two people at table, lady with orange juice.4 colour sheets on one sheetbiarri

Letter of Reference for Miss Margaret Burn detailing her work as a bookkeeper, machine operator, typist, and stenographer over seven years at Dennys Lascelles Limited. The letter details her leaving the company as she married in 1939. In the same year, Ms Burn returned to the office owing to the shortage of staff caused by various employees being called away for Military Training. Included in the staff called away for military training was her newlywed husband, Mr Jack Ganly. A fellow employee of Dennys, the Ganly name was well known within the company, with three generations of the Ganly family working at Dennys. Margaret worked at Dennys for 7 years during the 1930s. The Letter of Reference is accompanied with a story written by Margaret about her time working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22. Sheet of paper shorter in length than A4 size, creamed with age. Paper has a header for Dennys, Lascelles Limited’s Head Office at 32 Moorabool Street, Geelong. Body of paper is made up of 3 paragraphs in a typewritten message of black ink with subheadings highlighted with a red underline. The text is finished with a signature at the bottom of the paper. Paper is accompanied by its original envelope. Envelope has typewritten text in black ink with a red underline located at the centre. It also has return to sender instructions to Dennys, Lascelles Limited in the lower left-hand corner.Typewritten text, black and red ink. Multiple. See multimediadennys lascelles ltd, worker conditions 1930s, letter of reference

Donated to the Society by Mayor, Cr. Helen Buckingham, on behalf of the City of Whitehorse.Pair of cuff links - blank background with gold head of horse. City of Whitehorse symbol.civic mementoes, souvenirs, costume accessories, male

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 57 - Oral examination of a child. A male doctor is holding a penlight and spatula to examine a child's mouth with assistance from a third year nurse who supports the child's head. From the rear of the photo is written: Nr Adeline McKenzie School 57 P.T.S. 13/2/1963, Dr J. ? Zammitt ? MD, Martin Washington, the Bendigo Photographer.nurse training, ndsn, lister house, school 57

The store was located in Bridge Street and was part of the Bucks Head Hotel. Shows V.N. Hodkinson & M. Urch Hodkinson (proprietor) was purportedly the only male salesman in Victoria selling direct to women. Shows window displaying millinery.bon marche, store, commerical, bridge street, v.n. hodkinson, m. urch hodkinson, building, persons

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Profile head and shoulders portrait of probably a male internee dressed as a woman. Wearing a straw hat with netting around it. Rimless glasses. A green scarf around the neck that looks like plaid or tartan and a pink/burgundy coloured coat.Tatura Summermodel 1941 on mat board above the painting "The Happy Groom" Kurwin 42 on mat board under the painting Tatura 42 on bottom left hand side of paintinginternee, groom

Yields information about the early use of the Ballarat horse trams and condition of the roadway - lots of rocks on the road surface. Also shows an all male loading of passengers.Black and White copy photograph of a State Library of South Australia SLSA B34585 of an well loaded, only male passengers on a Ballaarat Horse Tram - Grenville and Sturt St. Two horse with many men, Wilson's Bucks Head Hotel in background. Condition of the road surface very rough - can't see the rails. Photo taken in early days, as no modesty boards on upper deck - say 1887. Possibly a trial trip. Collected by Alan Bradley from the State Library of South Australia early 1980's. Used in The Golden City and its Tramways - page 28.tramways, trams, sturt st, grenville st, bucks head hotel, horse tram

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford.6 males ready to start a race, and 3 heads at bottom of page watching. 2 buses at the back and the Black FX Holden, & a car behind .bendigo, clubs, bendigo east swimming club

Head and shoulder length black and white photo of a man playing a violin. He is wearing a name tag which is partly obscured. Printed on it is Bill H - - Aus - -.photo, individual, male, peter ellis collection, violin player

Hilda Hill collection. Combination of Sepia & Black & White Photos Total of 9. Photos. Five boys all dressed in white and wearing white boaters playing instruments in a band, left foreground Tuba, two in centre playing trombones, man in background playing smaller tuba like instrument, Clem Easter Fair procession1920. Four young ladies and four young men sharing a picnic at the lake, (Weeroona?), ladies wearing white or light coloured outfits and the men and boys all dressed in darker clothing, background left building on far side of the lake, at the lake 'Hungry' January 1920. Ken at Lockwood April 25th 1920, wearing white shirt dark waistcoat and trousers, left arm on top of gate post, two stays for the gate post and dry tree limb on ground, background open paddock with trees further in the background. Babe & Hilda at the Easter Fair 1920, Both wearing broad brimmed hats, one light the other dark, dark coat and skirt combinations with white accessories. 'the Three Graces' Queen street, April 25th 1920, 1 wearing dark suit and hat with white shirt and dark tie, centre wearing grey suit hat white shirt and dark tie also holding a ball his left hand round the shoulder of the man to his left, man on right wearing dark coat grey trousers white shirt and dark tie his left hand is holding round stick. Group of seated ladies, lady to left wearing light broad brimmed hat and white blouse holding bunch of leaves, next lady also wearing light broad brimmed hat dark dress white blouse with large collars folded over the coat lapel, and glasses, next at rear of group lady in hat white dress and dark coat left hand on shoulder of person left front of herself, This lady wearing dark wide broad brimmed hat dark coat and skirt with white blouse and also holding a bunch of leaves, last lady on right wearing a floppy brimmed hat with white blouse and dark coloured outfit with light coloured lapels, One Tree Hill April 18th 1920. Family group Lockwood April 25th 1920,some of the males are wearing hats others not, most are in dark coloured suits with or without coats, all of the ladies are wearing hats of varying kinds, all appear to have white blouses on with dark skirts or dresses, photo in open paddock with trees in the background. Girlie & Frank Queen street April 25th 1920, Girlie in foreground seated on rug of which more next to her is where Frank may sit, to her wearing glasses dark dress with white blouse and white hat, Frank wearing grey suit and hat is holding an object over the head of Girlie,background left a suitcase on the ground, centre background is a slim tree, right background house with gabled roof and bull nose verandah, high picket fence, trees on footpath. Left side buildings fronting the footpath. Babe seated on the hand rail at the bottom of wooden stair case, wearing broad brimmed hat dark dress and white blouse, shadow in foreground of the photographer and assistant, left is wire fence with wooden posts and top rail, April 1920.australia, history, post war life

bronzehead, face, male, whistling, sculpture, jeffery wilkinson, bronze

A Chemold Roy Emerson Contender tennis racquet, with ribbon whipping around shoulders. Chemold logo features across base of head, flanked by the Roy Emerson signature trademark. Blue silhouette image of male playing tennis features on throat. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Glue, Lacquer, Metal, Adhesive tapetennis

A MacGregor Speedwood tennis racquet, with string whipping around shoulders, and leather handle grip with arrowhead patterned perforations. MacGregor logo features across base of head and lower shaft. Model name, with linear image of a male tennis player serving, features on throat. MacGregor logo with 'M' trademark feature on plastic butt cap. Materials: Wood, Leather, Nylon, String, Ink, Glue, Lacquer, Metal, Adhesive tape, Painttennis

A Cortland President tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on obverse features Courtland logo, and on reverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Materials: Wood, Nylon, Adhesive tape, Leather, Cloth, Ink, String, Glue, Lacquer, Metaltennis

A Cortland American Driver tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on reverse features Courtland logo, and on obverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Shaft on obverse features a newer trademark with similar figural motif, but with a tennis ball in background instead of a triangle. Shaft on reverse features head illustration and signature reproduction of Joe Whalen. Cortland "Radio-Frequency/Resin Bonded" and "Smoke-Tone" decals feature on crown and shaft. 'C' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metal, Painttennis

A Sportcraft Super Server tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with X-formation perforations. Sportcraft logo features across base of head. Model name feature along shaft.Illustrated dcal of male tennis player features on lower shaft. Sportcraft 'S' trademark features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Glue, Lacquer, Metal, String, Enameltennis

A Sportcraft Super Server tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with X-formation perforations. Sportcraft logo features across base of head. Model name feature along shaft. Illustrated decal of male tennis player features on lower shaft. Sportcraft 'S' trademark features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Glue, Lacquer, Metal, String, Enameltennis

A Sportcraft Super Server tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with X-formation perforations. Sportcraft logo features across base of head. Model name feature along shaft. Illustrated decal of male tennis player features on lower shaft. Sportcraft 'S' trademark features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Glue, Lacquer, Metal, String, Enameltennis

A Davis "Duke" tennis racquet, with aluminium and fibreglass overlays, and leather handle grip with patterned perforations. Davis logo and model name features across base of head and throat. They are surrounded by illustrations of male tennis players amongst ornate floral designs along the shoulders and the shaft. TAD "Kings of the Court" trademark features on lower shaft on reverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on lower shaft on obverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Rubber, Fibreglasstennis

A Regent Junior Pro tennis racquet. Regent logo features across base of head, flanked by two wheat stalks. Model name, and decal illustration of male youth playing tennis, feature on the throat. Photo decal of head of Alex Olmedo, encircled by a wreath, features at base of shaft. Decal of endorsement features along the sides of shaft. Materials: Wood, Nylon, Ribbon, Glue, Lacquer, Metal, Ink, Paint, Leather, Adhesive tape, Cloth, Stringtennis