Victorian gents. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Victorian grandstand. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photograph"Les.R. Fitzroy Cup"charles marshall, world war 1, victoria

Magazine Issue 1 volume 1 part of " A Marshall Cavendish Collection in association with the Imperial War Museum". Red black and white magazine - cover depicting withdrawal from Dunkirkdunkirk, magazine collection, images of war 1939-1945

Victorian post office. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Victorian country scene. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Yields information about Geelong trams in the late 1940's and the appearance of the Geelong scrubber tram.Set of three Photographs - black and white of the Geelong scrubber tram at the depot. Shows the details of the trams including the front of the tram. Photo dated 29-3-1948. Based on handwriting, photo by Leon Marshall-Wood. Negatives scanned at 3200dpi 9/6/2020 9/6/2020.In pencil and ink on the rear of each print "Geelong Scrubber car at Depot 29/3/1948".trams, tramways, geelong, scrubber tram, depot, scrubber

In 1924, the Methodist Church opened at the corner of River Ave and Yan Yean Road, Plenty. It was a simple weatherboard gabled building. The church developed a strong community life with celebrations as well as worships, Sundays Schools and social events. It closed in 1979. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p113 In 1924, the Methodist Church, (which closed in 1976), opened at the corner of River Avenue and Yan Yean Road. Church members including George Starling and Ernest Osmond, built the simple weatherboard gabled building.3 The church developed a strong community life, with celebrations as well as worship through Sunday School anniversaries, picnics, harvest festivals and youth groups. Many volunteers worked hard for the church - teaching Sunday School and ferrying young people to events, sometimes in the backs of trucks and furniture vans. Children from the Sutherland Homes were brought to church by their Matron – a ‘grim martinet’! Members included the Ashton, Reid, Harris, McLachlan, Hopkin, Rose and Stuchbery families. The first wedding was for Vida McLachlan and Ray Stuchbery.4This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, methodist church, plenty

Black and white photograph of Geelong No. 26. The tram has the destination of East. Photographer - Leon Marshall-Wood, March 1947. The tram has a number of passengers on it. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil "S K, 3/47 L M-W, Owner J.R"?, On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, east, tram 26

A faded, damaged burgundy colour hardcover book with an embossed self pattern on the cover. It's title: The History of Guernsey is printed in gold lettering on the spine with the author's surname Tupper, Second Edition, London and the publisher Simpkin, Marshall at the bottom. Protecting each black and white illustration is a tissue paper page. Pp. 596. At the back there is an Appendix and Index.non-fictionThis book is The History of Guernsey and its Bailiwick; With Occasional Notices of Jersey. The Bailiwick of Guernsey is comprised of the Islands of Guernsey, Alderney, Sark and Herm. Situated 10 to 30 miles off the north-west coast of France, the Channel Islands are not part of the United Kingdom. They are dependent territories of the British Crown, as successor to the Dukes of Normandy.history, history of guernsey, ancient history

Yields information about Geelong trams in the late 1940's and the rear of a bogie tram showing a 22E truck.Photograph - black and white of a Geelong bogie tram, most likely No. 31 given Reg Items 7239 and 7243 showing the detail of a 22E truck and side of the tram. Photo taken at North. Photo dated 29-3-1948. Based on handwriting, photo by Leon Marshall-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.In pencil on the "Geelong Depot 29/3/1948"trams, tramways, geelong, north, maximum traction, brill trucks, tram 31

Stories of Beowulf reinterpreted for children, told by H. E. Marshall & edited by Louey Chisholm. From the childhood collection of Monica Turner, nee Smith, descendant of early Kilmore business families, the Morrisseys and Hartnells.Brown cloth-bound hardcover book, worn at extremities, loss of colour. Missing dust jacket. Binding tight & square. Minor foxing and discolouration throughout. 10 colour plates all present in very good condition. 112 pp. Good condition.Front flyleaf, 'Pip Smith', pencil, cursive.children's literature, turner collection

A black and white photograph of the log cabin at Mount Kitchener House that housed Marshall and Lorna Hull. Marshall Hull was the son of the owners and operators of Mount Kitchener House in Marysville.A black and white photograph of the log cabin at Mount Kitchener House that housed Marshall and Lorna Hull. Marshall Hull was the son of the owners and operators of Mount Kitchener House in Marysville.marysville, victoria, australia, mount kitchener house, mt. kitchener house, kitchener house, accommodation, photograph, marshall hull, lorna hull

Reproduction of a wartime Ration Book from magazine entitled Images of War 1939-1945 The Real Story of World War II - A Marshall Cavendish Collection in association with the Imperial War Museum. Issue 1 Volume 1Yellowing book with seal on top right hand corner saying "Official Paid". "Ration Book Supplement" on top left hand corner.Ministry of Food, Ration Book Supplement in the name William R. Herring, 1 Walton Way Mitcham 7 July 1941. Class & Serial No: RBIPP609997.ration book, wwii, world war 2

Yields information about Geelong trams of an AETA tour of the Geelong system in 1948Photograph - black and white of the Geelong depot with tram 23 during the 1948 AETA tour of Geelong. Has trams 23 and 14 in the depot. Some of the AETA group on the left - the nearest person is not checking his device! Photo dated 29-3-1948. Based on handwriting, photo by Leon Marshall-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.In pencil on the "Geelong Depot 29/3/1948" and in ink "AETA tour"trams, tramways, geelong, depot, aeta, tram 23, tram 14

Black and white photograph of Geelong No. 23 at the Geelong Railway Statin with one of the crew leaning on the bumper bar of the tram. Appears the tram has the destination of Depot. Photographer - Leon Marshall-Wood, March 1947. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019 - two copies added. On rear in pencil "March 1947, S/S, L M-W" and in ink within a red ink stamp "Traction 5566" Also cropping marks along top edge. On rear of small copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, railway station, tram 23

Yields information about the appearance of No. 32, Lydiard St North and Macarthur St intersection in 1960.Digital image from the Wal Jack Ballarat Album of a photograph of No 32 southbound in Lydiard St at the intersection with Macarthur St. Has a Milk Bar - shop on the right hand side and the photograph shows the cutting wall on the east side of the street after the intersection. Photo by Alwyn Marshall. Possibly printed by Wal Jack as it has his handwriting on the rear. See image i2 for rear of photograph.On rear of photograph in ink "SEC, Ballarat No. 32 to Sebastopol in Lydiard St Nth at Macarthur St 1960 A. Marshal Photo."trams, tramways, lydiard st nth, macarthur st, tram 32

Yields information about the appearance of Albert St Sebastopol and the Grey St loop in 1960.Digital image from the Wal Jack Ballarat Album of a photograph of No 32? northbound and No. 27 southbound at the Grey St Loop, Albert St, Sebastopol in 1960. Has one motor car in photo and a lady and gent with a pram on the left hand side of the photograph. Photo by Alwyn Marshall. Possibly printed by Wal Jack as it has his handwriting on the rear. See image i2 for rear of photograph.On rear of photograph in ink "SEC, Ballarat No. 32(?) ex Sebastopol, No. 27 to Sebastopol, Grey St loop, Albert St Sebastopol1960 A. Marshal Photo."trams, tramways, sebastopol, albert st, grey st, tram 32, tram 27

Originally built in the 1850s by Charles Souter from earth excavated from his property. It was a forerunner for a building style that was later to be synonymous with Eltham. The house is historically significant as the oldest mud brick building in the Shire of Nillumbik, as one of less than half a dozen buildings from the 1850s that survive in the Shire. It underwent several additions and alterations between c.1950s-1980s. It is also significant for its associations with Mervyn Skipper from the well-known Eltham family who was one of the founders of the artist's colony at Montsalvat. The house is architecturally significant because its north section was designed by the noted 'Eltham-style' architect, Alistair Knox, and the two long Oregon beams supporting the main floor were added by the noted 'Eltham-style' builder, Horrie Judd who built the southern room. A onetime tenant in the house, Judd built many Eltham houses and was a major builder of Montsalvat. The 1934 flood destroyed the south wall and the house remained unoccupied for some time. Sonia Skipper, one of Montsalvat’s builders who also worked for Alistair Knox oversaw rebuilding it. She employed landscape designer Gordon Ford, artist Peter Glass and Tim Burstall. The house originally had a cellar for making and storing wine, reputedly the first made in the district according to Alistair Knox in his book ‘We are what we stand on’ (p33). Water would seep into the cellar so Sonia’s father and then owner of the house, Mervyn Skipper bulldozed a channel outside to divert it. The Brocksopp family purchased the house in 1950 and added an outside door to the cellar and converted it into a gallery. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p51This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, falkiner street, mud brick building, mudbrick houses, souter house

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

Congratulatory letter sent to F.G. Davey from Air Vice Marshall H.N. Wrigley on the occasion of Davey being awarded the DFC. Enclosed with the letter was a piece of DFC ribbon. Part of the F.G. Davey Collection. See catalogue no. 3536P for his service record.Black and white photocopy of an original letter to F.G. Davey on Commonwealth of Australia and Royal Australian Air Force letterhead. Wording is in black type.Photocopy of original handwritten name: 'Davey' Photocopy of sender's handwritten signature: 'H.N. Wrigley'distinguished flying cross, medals, f.g. davey, letters, raaf

Alan Marshall describes the early European history of the Shire of Eltham, from the first settlers in the area to the painters who have made it their home. Covers Kangaroo Ground, Queenstown, Panton Hill, Christmas Hills, Eltham, Kinglake, Hurstbridge, Warrandyte, Montmorency and Lower Plenty.144 p., illus. (some col.).alan marshall, local history, shire of eltham

Song book with musical score for keyboard including 1200 musical pieces.Sylvia Schultz 581 written on inside front cover. Sticker reading Keswick Book Depot 315 Collins Street Melbourne. On fly leaf stamp reads Post Office Christian Assn. Melb. Branch. In pencil NH12/6 written.books, music, musical books, hymns, ira d. sankey, marshall, morgan, scott ltd, lutheran, song book

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. This book is about Catholic marriage.This grey hard covered book has the title, author and initials of the publisher printed on the spine in black. The dust cover is cream with red and black colour. On the front cover is the title and author (Dr John Marshall) and a picture of the back of a man and a woman holding hands and in the foreground is a nest in the branches of a tree with two birds looking at their eggs. The spine has the title, author and initial of the publisher and the back has a list of other books on marriage. The book is 117 pages longWritten in pencil on fly page - 18/9chatham-holmes family collection, dr john marshall, preparing for marriage

World War One British War Medal and Victory Medal awarded to 9113 Lancer C Marshall 9th Lancersworld war one, wwi, marshall

Colour print of three tramcars (one Melbourne, single trucker. double decker) and a 4-6-0 steam locomotive with a tender on the back lawn of a house at 818 Armstrong St Ballarat with a hand written under "Alwyn Marshall - I made these when I was a teenagers - Back Lawn 818 Armstrong St:. Has been glued to the inside of a green card Christmas card. The collection has a small number of Alywn's photographs in the collection, see Fares Please! March 1989 for an obituary.See abovetrams, tramways, models, armstrong st, enthusiasts

Book - 20 pages including card covers - the history of the Brighton Electric Line by Leon Marshall-Wood, published 1958, 2nd edition. Gives a brief history of the electric tramway operated by the Victorian Railways between St. Kilda Station and the Brighton Beach railway station, that commenced operation in 1905. Published by Traction Publications. Has details of the AETA on the back cover and listing of some publications. See Reg Item 2062 for the 1st edition and 1351 for the 3rd Edition.trams, tramways, vr, melbourne, brighton, st kilda

Marshall White is a former Merri-bek resident and artist. He completed a Fine Art diploma at the National Gallery Art School in 1973. After a severe motorcycle accident left him with quadriplegia in 1977, he returned to university, earning a Master in Painting from what is now the Victorian College of the Arts. White is considered a pioneer of digital art in Victoria. He taught art to inmates at Pentridge Prison, which provided him with access to early computers. Using a Commodore Amiga, Marshall pushed the boundaries of digital art. Strip 1 represents an early contribution to what was, at the time, an emergent art form. Inspired by William Blake and Arthur Boyd, White’s work delves into psychological spaces, addressing themes such as the apocalypse and White’s distain of religion. White's work exemplifies resilience and the transformative power of creativity in the face of challenges.Purchased

Eltham's original Wesleyan Methodist Church Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p97 The pretty Uniting Church building at the corner of John and Main Roads Eltham has served the community since 1881.1 Originally called the Eltham Wesleyan Church, the church became the Eltham Methodist Church in 1902, the year it united with the Primitive Methodists.2 As the church community developed, influencing and being influenced by the wider community, its buildings changed accordingly. Eltham Wesleyans first worshiped together in 1850 at the home of William and Mary Crozier on 24 acres (9.7ha) bounded by Mount Pleasant Road and Pitt Street. From 1855 the Wesleyans worshipped in a slab-and-bark hut; then in 1858 in a chapel on Henry Street close to Maria Street (now Main Road). Meanwhile, in 1860, the Primitive Methodists opened a brick chapel at the corner of Susan and Bridge Streets. The John Street building – in the Early English Gothic style with biochrome brick window frames, buttress heads and pinnacle – was designed by architects Crouch and Wilson. Church member George Stebbing built the church as he did Eltham’s St Margaret’s Anglican Church and Shillinglaw Cottage. The Church Honour Roll is a poignant reminder of how church members have served the wider community: 27 members enlisted and 11 died in World War One. Despite the Great Depression, 1931 was a time of expansion for the church. Its red-brick hall was opened by prominent Methodist and philanthropist F J Cato of the Moran and Cato Grocery chain. The hall enabled the church to attract people from outside through activities like its gymnasium – with 40 boys and youth participating – and the girls’ callisthenics club, which competed at the Ballarat South Street Competitions. The church also held concerts, bazaars, picnics and sports, with badminton and tennis played on the church court at 23 John Street. Two stained-glass windows commemorate tragic events. A dove representing the Holy Spirit and Comforter marked the death in 1936 of member Effie Lowerson from scarlet fever at 14 years. The other depicting the Biblical story A sower went forth to sow, commemorates Ross Gangell, who died in 1961 at 23 years of a rare blood condition. Eltham’s population expanson resulted in the growth of the church and an extension in 1971, designed by member and architect Colin Jones. The church was linked to the hall and additions included a foyer, vestry, meeting room and toilets. The design reflected the Eltham style of the time, with its simplicity, extensive clear glass, reused baked clay-bricks from the 1881 church, heavy ceiling beams and solomite (compressed straw) ceiling. On June 26, 1977 the church became part of the new Uniting Church in Australia consisting of the former Methodist and Congregational and most of the Presbyterian Churches. In 1981 membership peaked at 159 – about 20 years after most Protestant churches – and continued to reach out to the wider community.3 In 1987, 147 children attended Selihoo, the weekly after-school program organised with St Margaret’s Anglican Church. From 1993, the church with other local churches, participated in LINC (Love in the Name of Christ), helping the wider community in various ways including babysitting, transport, gardening and visiting. Despite such initiatives, church numbers declined, and on June 23, 1996, the church merged with the Montmorency Uniting Church.4 However, the church continued to proclaim its message of love in community service and strong social justice action, such as in Jubilee 2000, supporting debt relief to the world’s 45 poorest countries. Some of the many church members who have had an outstanding impact on the wider community include Philip Shillinglaw, farmer and poet, and Arthur Bird (after whom the Arthur Bird Reserve is named), a pioneer orchardist and the Sunday School Superintendent for 33 years. Others were: the Rev Dr Cliff Wright, who established the Methodist Youth Fellowship and was prominent in the World Council of Churches, the Rev Brian Howe, who became Deputy Prime Minister and Tim Marshall, awarded the Order of Australia in 2000 for his work on salinity.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham uniting church, eltham methodist church