Double sided Miner's Write (Reg. NO 1729) made out to Mary Westcott of Ballaratf.v. bell, mary westcott, mount pleasant, mt pleasant, miner's right

Patrick and Mary Carroll (nee Fitzgerald) in the garden of their home in Holden Street, North Fitzroy.patrick carroll, mary matilda fitzgerald, mary matildal carroll, holden street north fitzroy, dahlla

Unlined booklet of handwritten notes of nature observations of the birds, animals, reptiles, amphibians, fish, crustaceans and insects. Includes an introduction by A. D. Hardy. Also typed notes of the booklet with annotations by the leading scientist from the Phillip Island Nature Park. Dr. Peter Dann.non-fictionNotes on local flora and faunaanderson family, mary potter, animals, birds, flora, fauna

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton, which dates from 1850s. There are several works of art and photographs of Clifton Banks dating from the late 19th and early 20th centuries. Mary Norman (later known as Mary Norman=Bail) came to Warrnambool in 1901, residing with Canon and Mrs McGeorge. She studied art with Samuel Pearce Fuller and later taught art at Fuller's studio and at a local private school. She produced several seascapes and landscapes while she was in Warrnambool, leaving the town in 1905. She devoted the rest of her life to art as an artist and teacher. In 1922 she married Jess Bail. This art work of Clifton Banks won first prize at the 1902 Annual Ararat Art competitions. It was reported at the time that the work was not a copy but had been drawn from nature. The Warrnambool and District Historical Society has five of Mary Norman-Bail's art work.This is a most significant item as it is one of Mary Norman's art works and she was known in the early 20th century as a competent artist and a member of the Victorian Artists' Society. This art work also has historical significance as one of a number of Clifton Banks representations still surviving. Mary Norman also had an impact on the cultural life of Warrnambool during her short stay in the town. She also returned to teach in the town several times for short periods during the summer vacation times.This is a water colour mounted on art board and with a gilt framed and three outer layers of wooden gilded ornamental frames. The sides of the frames are broken in places and the guided material is somewhat discoloured. There are Les O'Callaghan handwritten notes and some typed material on the back giving information on Mary Norman and the art work. The back is sealed with pasted paper and there are both string and wire attached for hanging the pictureBack of art work: 'Diamond Bros, Photo Enlargers, Importers of Mouldings, Mounting Boards, Albums, Mirrors etc, Picture Framers. Mount Cutters and Plush Workers, Studio - 27 Bridge Road, Melbourne, Factory- 45 and 47 Duke Street, Richmond, Armstrong Street, Ballarat, Pirie Street, Adelaide, Brisbane, & Freemantle W.A.'mary norman, clifton banks, warrnambool

Photo of former St Mary's College library established by the first Principal of the College - Mother Francis Frewin The Collection was later amalgamated with the Newman College Collection to form the Academic Centre Newman/St Mary's.This photo is significant because it shows what the former library of St Mary's College looked like. This is important for new students of the College and also for alumni who might want to reminisce about their time at the college and their days spent studying in the library.It also bears witness to the foresight of the Principal at the time who viewed the library as an important part of the College.Francis Frewin Library St Mary's College, University of Melbourne - interior viewSt Mary's Collegemother francis frewin, st mary's college library

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Queen Mary Author: Sir George Arthur Publisher: Thorton Butterworth Ltd Date: 1935Label on spine cover with typed text PAT 920 MAR Pastedown front endpaper has sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, queen mary, sir george arthur

University of Ballarat is a predecessor institution of Federation University Australia. Portrait of a woman wearing a scarf. She is Dr Mary Bailey, lecturer in Nursing at the University of Ballarat.mary bailey, nursing

White paper music booklet printed in black. Tell Me Tonight and Her Name is Mary10.8.33 J. Devlin Korumburra No 118

Black funeral card for Mary Ann Rathgeber August 5 with writing in Gold lettering. 1900

Black and white photo of Maria Jackschowsky, daughter of August and Wilhelmina Schwerkolt (known as Mary Jack).schwerkolt, johann august, maria catherina wilhelmine, jackschowsky, mary elizabeth, jack, walter

This is the third edition of "Personalities and Stories of Early Orbost which was collected and compiled by Mary Isabelle Gilbert. Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert. She was a teacher historian loved and respected by her family and the wider community This edition was organised by the Orbost & District Tourist Association. Extra photographs in this edition were supplied by the Orbost Historical Society and the Orbost Shire lent money towards the project.This is a significant reference book on the history of the Orbost district.A 141 pp soft-covered bound book with a pale blue cover. On the cover is a b/w photograph of the main street of Orbost, Nicholson Street, in approximately 1890 below the title, "Personalities and Stories of the Orbost District". This is inside a black line frame. On the back cover is a photograph of Mary Isabelle Gilbert (1905-1989). It contains obituaries, newspaper reports, sketches and b/w photographs.orbost-history gilbert-mary

Donated by Cap'n Matheson's daughter.Small black and white photograph in the middle of a cream background of Mary Matheson and her daughter, Marjorie as a baby.matheson, mary, miller, marjorie, strathdon homestead

2 Copies of Black and white photo of Husband, Mary Chalmers Finlay, nee Main 1858 - 1945.husband, mary c, main, mary chalmers finlay

Parents of Kathleen (Carroll) GervasoniPatrick and Mary Carroll (nee Fitzgerald) outside their home at 2 Sumner St, East Brunswick, Victoriapatrick carroll, mary carroll, mary fitzgerald, brunswick, 2 sumner st

Mary was the fifth daughter of Reverend Kerr Johnston and his wife Elizabeth. Mary married Reverend Richard Vallencey Danne (1846-1904), they had 8 children. One of their son Noel also became a reverend. She continued her father's work by becoming part of the Mission's committee in 1905. On 9 November 1906, for King's Birthday, she hosted a sailors' picnic at the property she rented, Glenfern on Inkerman Road (see item 1637), where she was running a school, Newington. She died on the 30th of July 1926 at her residence, Seymour Grove in Camberwell. The plaque was erected on the 9 October 1927 (AR 1927).The Kerr Johnston Family migrated to Tasmania in 1854. The Reverend took up his appointment with the Victorian Bethel Union for Seamen in 1857 and moved all his family in the "floating church", the ex water police hulk Emily, first Chaplain serving the seamen in Hobsons' Bay.Large rectangular brass plaque with smaller plaque mounted onto it of Mission to Seamen insignia. The Larger plaque is mounted to a brick wall.Mission to Seamen. To the glory of God In loving memory of Mary Danne member of the executive committee of the Victoria Missions to Seamen from 1905 to 1920 and daughter of the REv. Kerr -Johnston chaplain of the Victorian Seamen's Mission 1857 to 1883 "The greatest of these is love"mary alice isabelle danne nee johnston, 1851-1926, reverend kerr johnston, reverend richard vallencey danne, 1846-1904, bethel, hulk emily, hobson's bay, glenfern, flinders street, st peter chapel

Black and white print of Mary Jane Chalmers & Family.|Back row left to Theresa Chalmers Hall, Ada Chalmers Runze, Maude Chalmers Murray,|Front row - Edward Chalmers, Mary Jane Smith Chalmers (Mother), Alfred Chalmers (worked for Barelli) - (Not Dated)chalmers, mary jane, smith

Series of nine photographs. Visit to "Woodlands" childhood home of Mary Greene who became lady Mary Stawell by city of Stawell Councillors Staff and Society on 100th anniversary of the death of Sir William Stawell.stawell

Various cards, letters and telegrams received by Mary Elizabeth Holmes on the occasion of her engagement to Philip Chatham in 1956.mary elizabeth holmes, philip chatham, engagement, cards, telegrams, letters, 1956, ascot, launchley

Copy of photo of Mary Jackowski nee Schwerkolt, with Abigail Schwerkolt, wife of Charles Schwerkolt and mother of Rosalie Whalen.jackschowsky, mary elizabeth, schwerkolt, charles clarence victor, abigail emmeline, whalen, rosalie

This is a soft cover book of 304 pages. It has a blue cover with a black and white photograph of Mary Gaunt in an oval shape on the front cover. There is white lettering on the front cover and black lettering in an oval shape on the back cover. The book has an introduction, 35 chapters, acknowledgements, endnotes, a list of publications and an index. It has several illustrations, sketches, maps and black and white and colour photographs,non-fictionBiography of novelist and travel writer, Mary Gaunt (1862-1942)mary gaunt, australian literature, history of warrnambool

See NP4174Black and white photo of Mary Rhodes (nee Rattray) seated on the ground in front of her parents Bess and Dennis Rattray.rhodes mary, rattray bess, rattray dennis

non-fictionkeith oliver, donation

Index, maps, ill, p.239.non-fictionMajor-General Urquhart commanded the 1st British Airborne Division in Operation Market Garden, the greatest airbone assault of World War II, the struggle to capture Arnhem and win control of the bridge across the lower Rhine. The story of the 1st Airborne Division at Arnhem involved not only an Airborne Corps of three Divisions but also the bulk of the British 2nd Army in Europe. Gen. Urquhart has told the story of those fateful nine days clearly, frankly and, despite the terrible circumstances, not without humour. great britain - army - 1st airborne division, battle of arnhem 1944

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single storey, block-fronted Victorian villa. Built c.1890s. Pen and ink architectural drawing on drafting film by Margaret Picken in 1997. By 2020 the house had acquired a large rear and two storey extension. The single garage in the illustration was subsequently removed and a double garage created at the rear of the property68 MARY ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 68 mary street - kew (vic)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 MARY ST, HAWTHORN Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 MARY ST, HAWTHORN Margaret Picken ~92 WOODARDS - HAWTHORNartist - margaret picken 1950-