Showing 426 items
matching mask
-
Stawell Historical Society Inc
Memorabilia - Realia, c1990's
Mine Rescue Ventila Equipment with multi gas monitor used in Stawell Gold Mine. Have breathing masks. stawell, mining -
Ambulance Victoria Museum
Oxygen rescuscitation equipment, Automan Mk2
White metal box with rubber attachments and oxygen mask in a black carry case. Yellow instruction booklet inside.Siebe Gorman Automan (on carry case)resuscitator, resuscitation, oxygen -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Necklace from the Sarah Coventry jewellery range, "Astrology Zodiac" collection, c. 1970s - 1980s, "Astrology Zodiac Cancer the Crab"
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the "Astrology Zodiac Cancer the Crab" necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Aztec/Mayan style pendant design, featuring alternating crabs and masks on a long, looped silver toned chain. On makers mark tag: "MADE IN/CANADA". On reverse of tag: "SC".sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces, zodiac -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Rendle's cone, c. 1870
This inhaler appears to be a modification of the original Rendle's inhaler, developed in 1867 by Richard Rendle for use with bichloride of methylene. Rendle's original design was criticised as there was no clear way to regulate the dosage of anaesthetic and it was difficult to clean. Nevertheless, the inhaler was available until 1915. Richard Rendle was the second son of William Rendle (qv), Medical Officer of Health for St George the Martyr, Southwark, London, SE, of whom there is an account in the Dictionary of National Biography. Richard Rendle studied at Guy's Hospital, where he held the posts of House Surgeon, Surgical Registrar, and Demonstrator of Anatomy. He was afterwards House Surgeon at the Seamen's Hospital, Greenwich, and at the Waterloo Road Royal Infirmary for Women and Children, and then Resident Medical Officer at the Brompton Consumption Hospital. Resigning that post, he was put in medical charge of an emigrant ship to Australia, where he remained. He held several posts there: Resident Medical Officer of the Government Hospital, Fremantle; Medical Officer of the Lying-in Hospital and Hospital for Children; also Health Officer at Brisbane. In later years he practised at Taringa, near Brisbane, and died at Taringa, Queensland, on Aug 10th, 1907. The mask for the administration of bichloride of methylene was named after him in the instrument-makers' catalogues. (Source: RCS England, Plarr's Lives of the Fellows)Leather inhalational face mask in a cone shape covered with red flannel on the outside natural coloured linen lining the inside. There is a natural sea sponge inside the cone. A perferated ring sits at the top of the cone, surrounding a circular opening which is formed from metal. There is also a circular opening on the side.richard rendle, bichloride of methylene, guy's hospital, taringa -
Phillip Island and District Historical Society Inc.
Photograph, Fancy Dress Ball 1925, 1925
Cowes Public Hall was formerly the Cowes Mechanics’ Institute and Free Library, established in 1882. Photographer was Oxford Photos, Russell Street, Melbourne.HistoricalLarge, black & white photo of a large crowd of adults and children, some in fancy dress and wearing masks, in a wooden hall.Fancy Dress Ball. Reopening of the Library Hall, Cowes, Vic. 1925fancy dress, cowes library, lifestyle, cowes hall -
Bendigo Military Museum
Equipment - CLIP
Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Grey metal spring loaded clip with serrated jaws. A brass cylinder is attached. The object is possibly part of a gas mask.Stamped on cylinder: A M 6D.526 MKIVgas, masks, military -
Bendigo Military Museum
Equipment - GAS MASK
Gas mask which includes face covering with two eye pieces, metal casing and flexible hose connecting the twomilitary-equipment, military history, protective gear, gas -
Woods' Farming and Heritage Museum
Resuscitator
Carry case containing rubber bag with 2 plastic with rubber seal, face masks. Instuctions and sales docket inclosed.Case - AIR cig VIVA RESUSCITATOR Inside Lid - (Expand photo to read) -
Geoffrey Kaye Museum of Anaesthetic History
De Ford Somniform Inhaler, E. De Trey & Sons Philadelphia, Pennsylvania, USA
The De Ford Inhaler was introduced in 1913 and was designed to allow anaesthesia to continue through the nose while dental surgery was happening.This inhaler is composed of metal and rubber. The oral mask and rubber covered nasal mask are connected to a curved rubber covered support that was placed on the patient's forehead to hold the inhaler in place. The gas was administered via a long tube; the terminus designed to allow for the placement of a vial containing the anaesthetic drug and a rebreather bag mount. Inscribed on the back of the mouth inhaler: 'Dr De Ford's Universal Inhaler for Somniform Nitrous Oxide etc. E. De Trey & Sons Phila. PA U.S. Pat. Pending.'anesthesia, dentistry, somniform, surgery, medical instrument, de ford, 1913, e de trey and sons, vial, rebreathr bag mount, inhaler -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth III, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Glenelg Shire Council Cultural Collection
Card - Card / Photo - Melbourne Photography Company, n.d
Burgundy card with black and white photo attached to front. Young man in formal attire standing next to stone wall, hand on urn. 'Melbourne Photography Company BRIDGE STREET BALLARAT' printed in gold, beneath photBack: Piece of masking tape, top edge of card, with GRANDFATHER VIVIAN' hand printed, blue biro -
Geoffrey Kaye Museum of Anaesthetic History
Kit, Resuscitator, Commonwealth Industrial Gases Ltd, c.1960
Green case with lock at the front and plastic green handle on top with a manufacturer's label stuck on top. Inside the case is divided into three separate section, one containing a clear plastic mask with latex cushioning, the second containing a grey resuscitation bulb and the third containing a smaller clear plastic mask with latex cushioning, still in original packaging.Green manufacturer's label on top of case: THE CIG AIR-VIVA RESUSCITATOR Inside case: Original label 'Operating Instructions'ambu, resuscitator, cig air-viva -
Ballarat Base Hospital Trained Nurses League
Paediatric Oxygen Mask
paediatric, oxygen, mask -
Ballarat Base Hospital Trained Nurses League
CIG, Oxygen Mask
Plasticcig, oxygen, mask -
Ballarat Base Hospital Trained Nurses League
CIG, Oxygen Mask
Plasticcig, oxygen, mask -
Ballarat Base Hospital Trained Nurses League
Anaesthetic Mask - Schimmelbusch
anaesthetic, mask, schimmelbusch -
Ballarat Base Hospital Trained Nurses League
Anaesthetic Mask - Schimmelbusch
anaesthetic, mask, schimmelbusch -
Ballarat Clarendon College
Trophy, House Performing Arts
Trophy awarded to winning house at the House Perfoming Arts festival 2004-2009. Superseded by plaque from 2010.Wooden platform with tall rectangular wooden back to gold coloured plate and gold coloured cast image of two harlequin face masks. Inscribed on tall rectangular plate: 2004 ELLIOTT / 2005 ELLIOTT / 2006 CAIRNS / 2007 CAIRNS / 2008 HENDERSON / 2009 CAIRNShouse-performing-arts, trophy, elliot house, cairns house, henderson house -
Bendigo Military Museum
Essay - GAS MASK
Vinyl gas mask with webbing straps & transparent eye pieces attached to a metal canister. Instructions for use & maintenance are printed on the side of canister.Imprinted into vinyl: “Med Adult” Stamped in black on vinyl: “Lot 21-3-SG”military equipment, passchendaele barracks trust, gas, masks -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph -
Yarra City Council
Sculpture - Figurative, William Eicholtz, Courage, 2014
'Inspired by the iconic character of the Cowardly Lion in the story 'The Wonderful Wizard of Oz' and his contemplation of what it means to possess the courage to be yourself, no matter who you are.''Courage' honours the contribution, culture and diversity of the Gay, Lesbian, Bisexual, Transgender, Intersex and Queer (GLBTIQ) community, and is dedicated to the legacy of Ralph McLean (1957–2010), Australia’s first openly gay elected official (City of Fitzroy, 1982) and Mayor (1984), an advocate for gay rights and social justice, and a champion of the arts.Bronze statue of a male figure half dressed in a lion costume holding a medal of bravery with a lions head/mask resting on his foot. Accompanying plaquelgtbqia+, wizard oz, ralph mclean, eicholtz -
Trafalgar Holden Museum
Functional object - Gas mask bag
Canvas bag used by military to carry gas mask and other equipmentAs made and sold by General Motors Holden in the 1940'sCanvas bag with a flap over five compartments inside bag. Canvas strap attached by rings on side of bagGMH & CO 1942 (Inside flap) 22 (on side)military, bag -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Analgesia, Penthrane
Originally distributed by Abbott Laboratories. This device is used for the self-administration of Penthane, an analgesic. Designed for use in emergency rooms, obstetrics, orthopaedics and surgical outpatients.Wooden box with metal clasp and hinges and two sections inside, divided by balsa wood. One side contains an amber plastic and black rubber facial mask, along with a inhaler tube and felt square. The other side contains a cylindrical metal device with a black plastic handle secured to one end and a portal for attaching the facial mask at the other.penthrane, analgesia, self-administration -
Seaworks Maritime Museum
Kirby Morgan Diving Mask
Diving mask by maker Kirby Morgan, of modern design. Used for all facets of diving, used off shore on oil rig diving and Construction.OCEANEERING Santa Barbara Kirby Morgan New Line California Kirby Morgan TM Diving Systems Int'l 0355 -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Canoe Club, Charles Pont?, 1924
Tiny, badly faded snapshot of Port Melbourne Canoe Club members in canoe with Princes Pier in background; image is in oval mask (see 1313)'Princes Pier' 'Pt Melb Canoe Club'piers and wharves - princes pier, societies clubs unions and other organisations, sport - canoeing, hms hood, port melbourne canoe club -
Port Melbourne Historical & Preservation Society
Print - Wilbraham Liardet by Pamela Horsley, Pamela Horsley
Framed print of original painting by Pamela Horsley of Wilbraham Liardet. Dark Grey frame with beige "mask". Original on exhibition at Gasworks Park, 2014Pamela Horsley Label of authenticity . Title "Wilbraham". from original 2013 acrylic on canvascelebrations fetes and exhibitions, liardet family, wilbraham frederick evelyn liardet, wfe liardet, pamela horsley, liardet anniversary -
Port Melbourne Historical & Preservation Society
Photograph - Swallow and Ariell employees in company yard, 1930s - 1940s
Photo belongs to Charles FORBES, late 30s/early 40s. Came into possession of niece Pat Hamilton GREEN, who donated it to PMH&PS.Faded photo of 5 Swallow & Ariell employees (male) in company yard (cropped by mask on negative into shape of Australia) Bottom left is Charles FORBES.In pencil on back: "Swallows Workers"industry - manufacturing, swallow & ariell ltd, charles forbes -
Coal Creek Community Park & Museum
Pit pony headband
8490.1 - Leather mask cut to fit a small horse with attendant buckles and straps with two large holes cut out for the sake of the horses vision. -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - School 22
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Photo of three second year nurse in Prac. Room setting uo sterile trolleys. All students in full length protective clothing and masks.Practical Class Room Students setting sterile trolleys - 2nd year School 22 ? PTS 1954 *Upstairs Prac Room Pre 1976iv therapy practice, second year nurse -
Bendigo Historical Society Inc.
Photograph - SANDHURST BOYS CENTRE COLLECTION: METAL FINISHING
Sandhurst Boys centre collection: A boy is spray painting a wrought iron object in a workshop. He is wearing a protective mask and using a spray gun.bendigo, institutions, sandhurst boys centre, sandhurst boys centre; occupations; metal work; painting and finishing; workshops