CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

ORIGINAL PHOTO OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET , CLUNES.1 & .2 BLACK & WHITE PHOTOGRAPH OF "BACK TO CLUNES". HELD IN EITHER GEELONG OR MELBOURNE. TAKEN IN THE MID 1930? CENTRE FRONT ROW IS CLUNES CITIZEN, MAYOR OF CLUNES, MR. WILLIAM BARKELL. PROFESSIONALLY MOUNTED ON CARD .3.4 SEPIA COPIES OF ABOVE .5.6.7 BLACK AND WHITE COPIES OF ABOVEPRINTED ON MATT BOARD OXFORD PHOTOS COMO STREET ALPHINGTON NORTHCOTE (PH.)1656 HANDWRITTEN NOTE ("RSL HALL?)local history, photography, photographs, events and celebrations, back to clunes

This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley

Black & white photo showing part of building on right side with fountain, path with rose garden & statue in foreground. Matt finish photo

Natural timber frame, cherry red matt board. Colour photograp of black dog and handler (armed) and squatting on cleared ground at twilight.tracker dogs, photograph

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection

Other number 03669.3Colour photograph of B grade squash team Squashed, Tamara Daniel, Faye St John, Matt Nichols, Lakes Entrance Victoriasports, squash

Framed copy of original Publican's License*. Printed Licence with hand written details. black fram and buff coloured matt. *as spelt on Licence

Landscape image of two zebras grazing in long yellow grass. Mounted on cream matt, in a wooden frame with glass. Brown and yellow colours.Front: 1/7 (lower left) Africa (centre) Mary Macqueen - 73 (lower right) (pencil)female artist, female artists, women, women artists

UPPER STOREY OF THE HOSPITAL WAS REMOVED DURING THE 1930'S THE BUILDING WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944. PHOTOGRAPH OF THE OLD CLUNES HOSPITAL, BUILD IN 1873. WRITTEN IN INK UNDER PICTURE POINTS OF INTEREST .1 SEPIA PHOTOGRAPH MOUNTED ON MATT BOARD .2 PHOTO PRINT OF ABOVE PHOTO - BLACK AND WHITE .3 PHOTOCOPY ON PHOTO PAPER - BLACK AND WHITE .4 SEPIA PHOTOGRAPH MOUNTED ON MATT BOARD .5 COPY OF SEPIA PHOTOGRAPH MOUNTED ON MASONITETHE HOSPITAL. BEAUCHAMP PHOTO 104 STURT ST BALLARATlocal history, photography, photographs, hospital [old]

UnknownLine drawing of a cheetah reclining and looking over its shoulder to the right. Mounted in pale cream matt. In red wooden frame with glass glazing.Front: M. Macq (lower left, signature)(pencil) Back: "Cheetah" $65 Drawing Mary Macqueen Iowen St East Kew 3102 803155

On disply at History House. Likely reproduced and mounted by the Family History Group Inc.Two black and white photographic reproductions of earlier photographs mounted in oval setting in a burgundy matt. Framed under glass in a black and gold frame.Front: Duncan Munro, 1828 - 1890. Katrina Munro [MacPhee], 1827 - 1901. (top). Duncan and Katrina Munro sailed from the Isle of Skye with their daughters, Christina and Isabella on the 20th May 1854 aboard the ship ARABIAN. Isabella died on board and William was born at sea. They arrived at Portland Bay on 18th (?) September 1845. Their other eight children were born at Portland. (lower centre).

Document. Greeting Cards. Small white card with green, pink white & blue floral border. Inside is a verse from Matt. XIX. 14.person, greeting cards, malone collection, malone collection, greeting cards

Coloured photo in black wooden frame with brown matt board depicting 2 tired soldiers sitting on top of a two-man weapon pit.My Vietnam collection. "Buggered", "Fire support Base Coral - Vietnam 1968 @ Larry Davenport.fire support base - coral

PRESBYTERIAN SUNDAY SCHOOL PICNIC AT MT. BECKWORTH IN APRIL 1902. .1 SEPIA PHOTOGRAPH MOUNTED ON PALE GREY MATT BOARD, LARGE GATHERING OF ADULTS AND CHILDREN AT MOUNT BECKWORTH, IN APRIL 1902. .2 AS ABOVE.1 On Reverse; APRIL 1902. MOUNT BECKWORTH On Front; BAWDEN, PHOTOGRAPHER, CLUNES .2 On Reverse; M Harris Mount Beckworth April 1902 On Front; BAWDEN, PHOTOGRAPHER, CLUNES - Handwritten in pencil names of some attendees, Mrs Weickhardt, Ethel Harris, Jack Campbell bag pipes, Miss Roberts small face, Ernest Harris with beard, Mrs. Fraser?, Alice Harris, Amelia Harris, Olive Cowan, Janet Frazer, Eva Robinsonlocal history, photography, photographs, churches, presbyterian

ULLINA CRICKET CLUB 1908 PHOTOGRAPH OF ULLINA CRICKET TEAM 1908. .1 ORIGINAL PHOTOGRAPH MOUNTED ON MATT BOARD .2 ENLARGEMENT OF PHOTOGRAPH MOUNTED ON BOARD - USED FOR DISPLAYlocal history, photography, photographs, sport, cricket

Unused ticket to a civic charity dinner dance hosted by the City of St Kilda (Mayor Colin Bell) at St Kilda Town Hall on 26 July 1982. Incorporates a detachable numbered table reservation ticket.Card, glossy green on the front and matt white on the back, printed in black. A third of the card has been scored, for easy removal of that section of the ticket.city of st kilda, civic dinners, st kilda mayor colin j bell

Set of two Connies collectable type cards produced for the Moomba 2002 parade, "Roads to Melbourne". .1 - No. 899 W7 Islander Tram" designed by Eve Glenn, No. 3 of 4, photo by Matt Irwin. Features a tram with oars out of a window. .2 - No. 1692, Ventoto Milan Tram, No. 4 of 4, Photo by Greg King. .3 - No. 805 - W5 "Silk Road Tram" - card 1 of 4, photo by Matt Irwin .4 - No. 8, Californian Combination tram - card 2 of 4, Photo by Matt Irwin Both have the City of Melbourne logo on the bottom edge.trams, tramways, moomba, milan, city of melbourne, connies, tram 899, tram 1692

Glenelg Shire Council RecordsColour photograph of Portland Town Council (10 men, 1 woman) in a meeting. Mounted under glass in brown matt and gold-painted wooden frame.Front: Portland Town Council/Meeting of Council on Tuesday, 3rd November 1981. Left to right: Cr. R. Halliday, Cr. K. Wilson, Cr. G. Dawson, Mr. J. Costello (Deputy Town Clerk), Mr. P. Shanahan (Town Clerk), Cr. L. Murrell (Mayor), Mr. P. Cooper (Town Engineer), Mr. N. Buckingham (Deputy Town Engineer), Cr. I. Foley, Cr. L.J. Davis, Cr. J. Patterson. Absent: Cr. M.E. Box and J.H. Templar. Presented at a Special Meeting of Council held on Monday, 16th November, 1981 to mark one hundred and twenty-six years of Local Government in Portland (label, lr centre).

Black and white photograph of a steam ship at sea. Mounted on cream matt, under glass in wooden frame made from teak from the ship's deck.Front: HMAS AUSTRALIA First flagship of the Royal Australian Navy 1913-1920 . Sunk under Terms of the Washington Treaty 12th April 1924. This frame is of teak from her deck (metal plaque, lower centre of frame). Back: (no inscriptions)