Showing 1179 items
matching moulds
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Montsalvat
Silicon Mould, Untitled
Square silicon mould depicting man raising a goblet.Nonematcham skipper, mould, jewellery, male -
Montsalvat
Plaster Mould, Untitled
Round Plaster Mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude, lovers -
Montsalvat
Resin Mould, Untitled
Oval resin mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude -
Montsalvat
Rubber Mould, Matcham Skipper (1921-2011), Untitled
Rubber mould of a rectangular decorative design with central face. Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Rubber Mould, Matcham Skipper (1921-2011), Untitled
Oval rubber mould depicting a woman playing an instrument.Nonematcham skipper, mould, jewellery, woman, instrument -
Montsalvat
Rubber Mould, Matcham Skipper (1921-2011), Untitled (Dragon)
Oval plaster mould depicting a fire breathing dragonNonematcham skipper, mould, jewellery, dragon -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Silicon mould depicting two winged figures (Angels).Nonematcham skipper, mould, jewellery, angel -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Rectangular silicon mould of two parallel decorative designs.Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Silicon mould of a rectangular Asian decorative design with lizard. Nonematcham skipper, mould, jewellery, decorative design -
Montsalvat
Rubber Mould, Matcham Skipper (1921-2011), Untitled (Mother and Child)
Round rubber mould depicting a mother and child embracing.Nonematcham skipper, mould, jewellery, mother and child -
Montsalvat
Plaster Mould, Matcham Skipper (1921-2011), Untitled
Oval plaster mould depicting two reclining nudes.Nonematcham skipper, mould, jewellery, nude -
Montsalvat
Plaster Mould, Untitled
Round plaster Mould depicting a kneeling mother and child.Nonematcham skipper, mould, jewellery, mother and child -
Montsalvat
Silicon Mould, Untitled (Stallion)
Silicon mould of an oval design depicting a prancing stallion..Nonematcham skipper, mould, jewellery, stallion, horse -
Montsalvat
Plaster Mould, Untitled
Plaster Mould depicting a seated male nude with child.Nonematcham skipper, mould, jewellery, male, nude, child -
Montsalvat
Plaster Mould
Plaster mould of a circular design depicting a female nude. None matcham skipper, mould, jewellery, female, nude -
Montsalvat
Rubber Mould, Untitled
Round rubber mould depicting a male nude with a cross.Nonematcham skipper, mould, rubber, male, cross -
Montsalvat
Plaster Mould, Untitled
Plaster mould containing an octagonal design with nude figure.Nonematcham skipper, mould, plaster, nude -
Montsalvat
Resin Mould and Relief, Untitled
Rectangular mould and relief of a male and female nude embracing. Nonematcham skipper, mould, relief, resin, male, female, nude -
Trafalgar Holden Museum
Container - Glass bottle
Imported to be used in the treatment of horses Ca1900Imported and sold by Holden and FrostSmall glass rectangular bottle with inscription moulded on frontELLIMAN'S EMBROCATION on front, 10476 on the bottomequine, medicine, embrocation -
Queen's College
Faience mould, New Kingdom, 18th Dynasty, 1550-1295 BCE
This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Faience mould for a cornflower with remains of red substance on interior.james dodgson, aquila dodgson, flinders petrie, faience -
Queen's College
Faience mould, New Kingdom, 18th Dynasty, 1550-1295 BCE
This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Faience mould for a square with remains of red substance on interior.james dodgson, aquila dodgson, flinders petrie, faience -
Linton and District Historical Society Inc
Tray, Viner's Silverware, Silver Tray Presented to Mrs Ella Howard, 1988, 1988
Given to Mrs Ella Howard, former librarian at Linton Free Library, in gratitude for her work as Cemetery Trust Secretary.Silver plated, engraved, round tray with moulded edge."1940-1988 Mrs Ella Howard in recognition of outstanding contribution as Secretary The Linton Cemetery Trust".ella howard, linton cemetery trust, trays -
Flagstaff Hill Maritime Museum and Village
Accessory - Grooming set, F.H. FAULDING & CO. LTD, 1930s to 1940s
This gift-boxed grooming set contains men's toiletry and grooming items in a lined and fitted case. The set was made by Fauldings from 193o to 1940 and sold by chemists and department stores throughout Australia. An advertisement promotes a variety of sets as 'Toilet Treasures by Faulding' and pictures several sets called 'caskets', and gives the different combinations a set number. Another advertisement promotes the sets as 'Gifts of Rare Discernment'. The items on offer include After-shave Lotion, a bottle of Brilliantine for hair, and an Old English Lavender shaving stick in a glass container. Some sets have Complexion Soap, a good quality sterilised Shaving Brush and Talcum Powder. A grooming set similar to the one in our collection was priced at 11 shillings in 1936 and would cost approximately AU $90 in 2022. This boxed grooming set is an example of men's toiletries sold from the 1920s to the 1940s in Australia. The supplier, Faulding, brand products have been available since 1845 when Francis Hardy Faulding opened a pharmacy in Adelaide, South Australia. The company has built a reputation for being a trustworthy supplier of pharmacy and healthcare needs for 175 years.Male grooming set; black leather-covered case with green velvet lining and strap with a metal button closure. The lid and front of the base fold out. The case is fitted with straps and a compartment to secure items inside. The set contains men's toiletries and grooming items; a nail file with ebonised handle, an oval bristle brush with shaped ebonised hand grip, and a twelve-sided textured glass bottle with a gold metal lid and a shave stick with silver foil around the base, wrapped in waxed paper. There is also a ten-sided plain glass bottle with silver metal lid, an oval metal soap container with hinged lid and an unused round cake of soap. A light brown leather stropping strap with a metal 'D' ring one end and a punched hole in the other end is fitted onto the folded down side of the case. The shaving stick is Old English Lavender by Faulding and the soap is Christy's. Inscriptions on the shaving stick wrapper, bottle base, label and lid. Shaving stick; "Faulding Old English Lavender Shaving Stick", "Faulding", "Faulding AUSTRALIA" and moulded inscriptions on the base [undecipherable]. Moulded in the soap; 'CHRISTY'S"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, male grooming set, male toiletries, male accessories, faulding, toilet treasures, gift box, casket, shaving toiletries, hair toiletries, christy's, complexion soap, ebonised handles -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Base is uneven. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Montsalvat
Resin Mould, Untitled, 1966-1968
Oval Resin Mould depicting two female nudes. This mould corresponds to a medallion contained upon a silver necklace held in the Powerhouse Museum; object registration 87/684. Nonematcham skipper, mould, jewellery, female, nude -
Donald History and Natural History Group operating the Donald Court House Museum
Aerated Water Bottle
Mr W. H. (Billy) Lewis manufactured soft drinks and cordials of many types in his factory in Woods street south, Donald. An energetic man, Mr. Lewis built up a big business, and supplied surrounding towns and districts as well as shops and customers in the Donald and Watchem areas. In the later stages of operation he was assisted by his son Alf, who died in May, 1952. Mr. W. H. Lewis died in June, 1924. The patronage accorded to the Lewis products enabled Mr Lewis to keep the factory in full production for many years.Aqua codd-neck glass bottle. Four round indents above two neck side crimps. W. H. LEWIS DONALD moulded lengthwise on front. LEMONADE moulded horizontally on back. "M" moulded on base. Glass marble and rubber washer inside. Some inner stain. -
Clunes Museum
Domestic object - SALT AND VINEGAR BOTTLES
.1 SALT BOTTLE - MOULDED GLASS MADE TO APPEAR AS CUT GLASS, METAL TOP WITH HOLES .2 SALT BOTTLE - MOULDED GLASS MADE TO APPEAR AS CUT GLASS. METAL TOP WITH HOLES .3 VINEGAR BOTTLE - MOULDED GLASS MADE TO APPEAR AS CUT GLASS, GLASS STOPPERvinegar bottle, salt bottle -
Linton and District Historical Society Inc
Butter mould
To be used for shaping butter into a cube. Mould is constructed of four pieces of wood joined together to form a rectangular central hollow. Small pieces of timber have been nailed in to reinforce the joins. The hollow would be filled with butter, then either the mould would be tapped sharply on a hard surface to remove the square of butter, or a plunger or other device used to push the butter from the mould. Note: Mould is fairly roughly made, suggesting it is home-made, and the absence of grease etc on inside of mould suggests it may never have been used.butter mould -
Montsalvat
Plaster Mould, Untitled, 1960-1969
Round plaster mould of an octagonal design depicting two lovers. This mould corresponds to the left earring of a pair held in the Powerhouse Museum: object registration 2005/258/1-3Nonematcham skipper, mould, jewellery, nude, lovers -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. White discolouration in a narrow line down the body. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle