Oval Plaster mould depicting two reclining nudesNonematcham skipper, mould, jewellery, nude

Round Plaster Mould depicting a male and female nudeNonematcham skipper, mould, jewellery, nude

Round plaster mould depicting a kneeling female nudeNonematcham skipper, mould, jewellery, nude

Oval silicon mould depicting a trio of stringed instruments. Nonematcham skipper, mould, jewelllery, stringed instruments

Rectangular silicon mould depicting a male and female nude.Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Square silicon mould depicting man raising a goblet.Nonematcham skipper, mould, jewellery, male

Round Plaster Mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude, lovers

Oval resin mould depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude

Rubber mould of a rectangular decorative design with central face. Nonematcham skipper, mould, jewellery, decorative design

Oval rubber mould depicting a woman playing an instrument.Nonematcham skipper, mould, jewellery, woman, instrument

Oval plaster mould depicting a fire breathing dragonNonematcham skipper, mould, jewellery, dragon

Silicon mould depicting two winged figures (Angels).Nonematcham skipper, mould, jewellery, angel

Rectangular silicon mould of two parallel decorative designs.Nonematcham skipper, mould, jewellery, decorative design

Silicon mould of a rectangular Asian decorative design with lizard. Nonematcham skipper, mould, jewellery, decorative design

Round rubber mould depicting a mother and child embracing.Nonematcham skipper, mould, jewellery, mother and child

Oval plaster mould depicting two reclining nudes.Nonematcham skipper, mould, jewellery, nude

Round plaster Mould depicting a kneeling mother and child.Nonematcham skipper, mould, jewellery, mother and child

Silicon mould of an oval design depicting a prancing stallion..Nonematcham skipper, mould, jewellery, stallion, horse

Plaster Mould depicting a seated male nude with child.Nonematcham skipper, mould, jewellery, male, nude, child

Plaster mould of a circular design depicting a female nude. None matcham skipper, mould, jewellery, female, nude

Round rubber mould depicting a male nude with a cross.Nonematcham skipper, mould, rubber, male, cross

Plaster mould containing an octagonal design with nude figure.Nonematcham skipper, mould, plaster, nude

Rectangular mould and relief of a male and female nude embracing. Nonematcham skipper, mould, relief, resin, male, female, nude

Imported to be used in the treatment of horses Ca1900Imported and sold by Holden and FrostSmall glass rectangular bottle with inscription moulded on frontELLIMAN'S EMBROCATION on front, 10476 on the bottomequine, medicine, embrocation

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Faience mould for a cornflower with remains of red substance on interior.james dodgson, aquila dodgson, flinders petrie, faience

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Faience mould for a square with remains of red substance on interior.james dodgson, aquila dodgson, flinders petrie, faience

Given to Mrs Ella Howard, former librarian at Linton Free Library, in gratitude for her work as Cemetery Trust Secretary.Silver plated, engraved, round tray with moulded edge."1940-1988 Mrs Ella Howard in recognition of outstanding contribution as Secretary The Linton Cemetery Trust".ella howard, linton cemetery trust, trays

Was used by ladies to place loose strands of hair in which came out while brushing their hairMoulded fancy glassware with silver plated lid with handle

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line with a long bump where shoulder meets body. Body tapers inwards to base. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Oval Resin Mould depicting two female nudes. This mould corresponds to a medallion contained upon a silver necklace held in the Powerhouse Museum; object registration 87/684. Nonematcham skipper, mould, jewellery, female, nude