Colour slide, Kodak, white cardboard of Tram 823, in Riversdale Road, Hawthorn with the destination of Burwood Route 74. Tram has adverts for Chateau Taundra Brandy and ? Slide dated 9-3-1960.Hand writing on rear in ink "9-3-60- Track - Tram 823 Riversdale Road Melbourne"trams, tramways, riversdale rd, burwood, route 74, w5 class, tram 823

Advertisement for T.A.Vickers & Staff, Chemist, 74 Main Street Greensborough, 1964Digital copy of newspaper advertisement.main street greensborough, tom vickers

The photograph shows E class tram No. 42 in Swan St, route 74 to Princes Bridge or City. Route 74 (Burwood - City) was allocated during 1934. The tram was sold to the SECV in 1951 becoming Ballarat No. 39 after being stored following the Second World War.Yields information about the operation of the first E class trams in Swan St.Black and White Photograph with notes on rear.In pencil on the rear "Ex Prahran & Malvern Swan St"tramways, trams, e class, tram 42, swan st

Formerly KV113. The blacksmith's vice firmly holds hot iron while it is hammered, chiseled or twisted. It is the only vice that is designed to take this kind of use day in and day out.Used by blacksmiths in the Kiewa Valley.Formerly KV 113. Large 4 inch and heavy steel blacksmith's vice missing the handle bit that turns around making the jaws go in and out. Ref. Page 74 Tools for all Trades Catalogue.blacksmith's tool, vice, blacksmith's vice

A newspaper article titled 'They want word on the merger'. Pressure is being put on the Minister of Education Mr. Lindsay Thompson to announce the merger of State College of Victoria Bendigo and Bendigo Institute of Technology. 4/5/74.bendigo, education, bit and btc merger, la trobe university bendigo collection, collection, bendigo, education, tertiary education, state college of victoria bendigo, bendigo institute of technology, mr. lindsay thompson, merger

Set of two Black and white negatives by Wal Jack of SW2 432 (City Route 74) arriving Camberwell Junction in Camberwell Road. Photo dated 19-1-1941 Has the ES&A bank in the background.trams, tramways, camberwell junction, camberwell road, sw2 class, route 74, tram 432

Abstract boat scene and boat shedsSignature - Robert W Tantau-74 On plaque - Purchased from Corio Rotary Arts Festival 1974queenscliff, geelong, boats

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Set of two colour prints of Ballarat tram 30 in a park at Kaniva. The tram was recovered by BTPS workers 6/7 July 1974. See Oct. 1974 issue of Trolley Wire) and Feb. 2014 issue of Fares Please! for the trams story. Photographer most likely Bob Lilburn.Yields information about SECV tram 30 at Kaniva.Set of two Colour prints - with photographers notes on the rear.In ink "4-12-73 No. 30" and "To Kaniva 10-2-72, BTPS 7-7-74"tramcars, tramways, tram 30, kaniva

Black and white photographWritten on back of photograph: "Minister for Local Government speaking at 'Back to' Civic Centre, 19/10/74."

Black and white photographWritten on back of photograph: "Mayor S. Morris speaking at 'Back to' at Civic Centre, 19/10/74'.

Black and white photographWritten on back of photograph: "Mayor S. Morris speaking at 'Back to' Civic Centre, 19/10/74."

Oral history about the building and life of 74 Greenhill Road in 1962 by the Petts family.Oral history article, black text and black and white and colour photosoral history, dawn bennetts, petts family, greenhill road greensborough

Note dated Dec 14/74 from Walter Andrew mentioning that he was 18 years old. Occupation - Miner. Residence - Smith St. Birthplace - Ballarat. He was in good health and not married. Signed by Walter Andrew.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, walter andrew

Soft Cover book slightly larger than A5 size, Dark Green spine with an off white cover & pencil drawings of a pig, fruit, seafood, chickens, eggs,sunflower grain, cattle, sheep 74 pages

Eltham Gateway, Unit complex at 72-74 Bridge Street, Eltham at corner of Main RoadTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, bridge street

Eltham Gateway, Unit complex at 72-74 Bridge Street, Eltham at corner of Main RoadTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, bridge street

Eltham Gateway, Unit complex at 72-74 Bridge Street, Eltham at corner of Main RoadTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway

Rectangular storage box with three compartments. May have been used for collar and sleeve cuff studs, or a jewellery or sewing box. Full length hinged lid. Cream in colour. Black lettering on lid. Old box 74.Made in England (on base) stamped into base-RMO in black ink on lid Top RH corner.U2656 written in black oc clear nailpolish on underside top left cornercostume accessories, haberdashery, sewing box

A Bendigo 'Advertiser' article titled 'State College head slates the City Council'. This sentiment was expressed by the Principal of the State College of Victoria (Bendigo) Mr. K. G. Scarrott, in a letter to the Bendigo City Council. 22/1/74.bendigo, education, bit and btc merger, la trobe university bendigo collection, collection, bendigo, education, tertiary education, merger, bendigo teachers' college, mr. k. g. scarrott, amalgamation, la trobe university bendigo, state college of victoria bendigo

Black & white photograph, Bert Graham Collection, in the years 1973-74 this photo was taken of, at back; Mrs. Chalkley, Mrs.Castles, Mrs. Graham, Mrs. Edwards, and at the front are; Ed Stephens, Mrs. Richardson, Frank Chalkley, Mrs. Stephens.bendigo, clubs, bendigo east progress association

Black and white negative, by Wal Jack, of CW5 681, (Burwood, Route 74) in Swan St Burnley, prior to crossing the Yarra River. Photo dated 1-9-1941 in the Wal Jack album along with details of the location.trams, tramways, burnley, cw5 class, swan st, route 74, tram 681

Whole school photo featuring 74 children and three teachers, possibly Kangaroo Ground State SchoolBlack and white photograph print (reproduction) 4x5 large format black and white negative Shire of Eltham stamp schools, school children, school groups