Memo advising agents of alternation in prices for physician blankets. Physician blankets were manufactured by Collins Bros Pty Ltd, established 1874.Cream paper with black printed text and hand written pencil text. Printed: ALTERATION IN PRICES. / 22 May, 1952 ...blankets, physician, collins bros mill pty ltd, manufacturing, geelong, wool, memo

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a paper certificate with a red banner and stamp, printed and hand written text.wool, industry, australia, australian wool board international wool secretariat, factory, training, certificate

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a paper certificate with a red banner and stamp, printed and hand written text.wool, industry, australia, australian wool board international wool secretariat, factory, training, certificate

Journal written by John Fraser. Fraser's family migrated from Scotland in the 1850s on sailing vessel 'Countess of Cawdor' charted by a group of passengers for travel to Australia. John worked at the Victorian Woollen Mill, Geelong, and kept a diary of sample of cloth, people and happenings in Geelong from 1872. John was aged 6 months and 16 years when he began writing the journal. Book has a black cover which no longer covers all pages due to sample cloth and sheets of paper additionally being stuck into the book, making it too large/thick for the cover. Book shows signs of age particularly though fragile spine of the book and the discolouration of the internal pages. Book is starting to split at the spine, particularly from the bottom of the spine up and has visible signs of age on the black cover. Spots of missing leather are particularly visible on the front, centre right portion of the cover. Additional spots of missing leather dot the surrounding portions of the front and rear covers of the book.geelong, wool, textile design

Notes relate to blanket design, marketing, retail and production and repeatedly refer to ‘Phillips’. Refers to Physician Blankets, so possibly related to Collins Brothers Mill Pty Ltd. Note book with black cover, containing notes typed on pink, green and white paper, cut out and sticky taped into note book. Also contains some loose newspaper articles and wool samples. wool, victoria, working life, blankets, correspondence, scrapbook, letters, record keeping, woollen mill, collins bros mill pty ltd

Donated by Dan Clancy. 1 Powlett Street, Kilmore, Mitchell Shire , Victoria, Australia10cm x 20cm black and white photograph of 1 Powlett street, former colonial bank of Australasia. Corner of Powlett Street and Lancefield Road, Kilmore. Reproduction on standard photographic paper, possibly because of damage seen in the reproduction. The image has a low contrast possibly from incorrect development or other damage. Two story light coloured rendered building with blue stone street curbing. Seven figures stand outside of the building, six men and one child. The photograph was take around 1883 and reproduced in 1986.Printed on the back: 104/2.6 200486/2 Colonial Bank of Australia - cnr Powlett & Lancefield Rd. Kilmore Historical Society "In front of this Hotel was a weigh-bridge there was big drain covered with a grating, with the tunnel going across the road diagonally, Kids used to walk under it. The window panes on the corner were curved, as was the door." 2.10/86 Colonial bank of Australia Cnr Lancefield Rd. & Powlett St. C. 1883 (bank oved to opposite Mill St. on that date.) Dan Clancy Collection.hotels, 19th century

Murray Comrie Collection. John Pierce's Southern Cross General Store, a wholesale grocer and spirit merchant was put up for sale after Pierce's death in 1871. It was later incorporated into the Flour Mill complex. De Gruchy & Leigh was a publishing and printing firm operating in Melbourne and regional Victoria from the late 1850s until the mid 1860s. The company published almanacs and guidebooks as well as prints (portraits, views and genre scenes), maps and architectural plans (Source: National Portrait Gallery, Canberra). This is a copy created from another item in the collection - a printed piece of paper which was either a packing label or receipt form used at the company or a brand label for bottles, perhaps for wine made by the proprietor. Copy probably made by Murray Comrie in the 1970s. Monochrome photographic copy of a lithograph. Depicts a building with glass front windows and signage stating 'J. Pierce Wine & Spirit Merchant' and 'Southern Cross General Store, Wholesale and Retail Depot'. In front of building on road are two horses hitched to carts and men standing on cart and in front of store. This store was located on the south-eastern corner of Commercial Road and King Street. The building was later incorporated into the flour mill complex.tarnagulla, commerce, shops, stores, shopping, food, alcohol, horses, transport, buildings, commercial road, main street, john pierce, southern cross general store

Charles E “Ernie” Barrie started constructing a Chaff mill on the corner of Brooklyn and Station road in 1900. It soon became a thriving business and was ideally located close to the railway line. Ernie and his father William and other Barrie brothers had been operated travelling chaff cutters in the district of Melton and Werribee. Within a short time the mill expanded into two big sheds in partnership with his brother James E known as “Ted”. The eldest brother William was in the Manager living in Melton South. In 1906 Ernie applied for a railway crossing on Brooklyn Road to have direct access for railway trucks to be shunted to the mill to be loaded. The Mill was also had the first phone to be connected, No 1, and No’s 2, 3 were the Golden Fleece and Macs Hotels. In 1906 Ernie married Jessie Lang daughter of the Head Teacher at Melton State School No 430 (1896 –1917). The Barrie house on the north side of the mill was completed in August 1906. It survived for almost 60 years until demolition. Chaff mills were very susceptible to fires and often burnt down and would be rebuilt again ready for the peak of the harvesting season. The final demise of the Mill occurred in a spectacular blaze on the night of Friday 2nd December 1977, just before the earth tremor as reported in the local paper. Brian Dobson the local photographer lived close by and captured the night blaze. A video was also taken of the action by the fire brigade. My parents Bon and Edna Barrie were living at 19 First Avenue, and took colour slides of the smouldering ruins in the half -light. Ironically Bon had spent the first year of his life (born in April 1909 and sister Mary born October 1907) at the house beside the mill. Trethowan’s Chaff mill in Brooklyn road was also destroyed by fire, which stated in the evening on Tuesday April 28th 1987. It was established in 1910 by Dixon Brothers, followed by, Ebbot & Kebby, Robinson, Trethowan and Butler and was with the Trethowan family when it burnt down. Melton South was small a community referred to as Melton Railway Station. Member of the community raised the idea to have a public hall. In 1909 Cr Barrie, Mr Nesbitt and Delany formed a committee to build a community hall. Cr Barrie donated the land and The Exford Hall was completed in September 1910 later to be named Victoria Hall. It was demolished in 1992. Colour slide in Barrie archive. In April 1910 the Ernie sold the Mill to Glover Onians (HSK Ward) family moved away to a property in Trundle NSW. Ernie had acquired 640 acres (a square mile) and leased a further 1920 acres of adjoining land. It was the practise of the farmers in the area at the time to buy up or lease the surrounding land from the 640 acre crown land blocks to make up acerage for a viable wheat farm. His wife Jessie found the climate to be very hot and when the Darlingsford property at Melton was put up for sale in the latter part of 1910 and was passed in at the auction. My grandfather saw this an opportunity to return to Melton. The negotiations to Darlingsford were finalised on May 11th 1911. Barrie bothers with connections to Chaff mills and farming in Melton from the 1900s William Henry, Charles Ernest, James Edwin, Samuel John, Robert, Arthur Roger, Albert Walter. Three grandsons and a great-grandson are in business earthmoving and farming in Melton today. (2013) Memoirs by Wendy BarrieEmployees at Chaff Mill, it was located on the corner of Brooklyn and Station Road, Melton South. local identities, agriculture

Set of number decals for tram numbers or numerals or sign. , "1" x 12 copies - 230H x 68W, 400 12 61 numbered on back - 236H x 83W, 400/11/60 - 225H x 68W, 72-2-64 - 194H x 62W, 72/9/59 (2 copies, 1 copy has "48 RG" stamped on back) - 7 unnumbered copies inside paper band with "12" written in blue ink , "2" x 6 copies - 192H x 171W, 2 copies, unnumbered - 195H x 160W, 144/9/56 (4 copies, 2 stamped on back "MILL 630") , "3 x 7 copies - 193H x 163W, one copy stamped "48 RG" on back , "4" x 9 copies - 192H x 183W, one copy with "Tramway Green 388 5175" and "Tramway Cream 388 5176" written on back in red ink , "5" x 14 copies - 191H x 161W, 72/10/54 (8 copies, one copy has "6" written in pencil on front) - 149-3-48 (6 copies) , "6" x 8 copies - 199H x 175W, 2 copies have "six" written on back in blue. One paper band with "6" and "3" written in black on back. 48/3/33. 195H x 165W folded on LHS. 170H x 135W cut out of number. , "7" x 5 copies - 198H x 175W, stamped on back in blue, unreadable. , "8" x 3 copies - 198H x 176W. , "9" x 4 copies - 198H x 159W, 144/10/53 - 197H x 160W, 144/11/49 (2 copies) - 193H x 154W, 72/5/59. , "0" x 3 copies - 195Hx162W, 144/10/53.trams, tramways, decal, numbers, tramcars

Set of 15 colour prints of a tram tours in Melbourne, featuring W5 tramcars, 685 (converted) and 782 (unconverted) mid 1980's to 1990. Photos not well focused. .1 - At Albert Park beach terminus, Mills St. .2 - ditto .3 - ditto .4 - Peel St North Melbourne .5 - ditto .6 - ditto .7 - Ascot Vale Road, Showgrounds loop .8 - ditto .9 - Albert St, South Melbourne Beach Loop .10 - ditto .11 - Fletcher St Essendon. .12 - Fletcher St Essendon .13 - Wellington Parade shunt .14 - ditto .15 - ditto Features advertisements on trams for: Spring Valley drinks, Bank of Melbourne, Fox Radio, UDL drinks, All printed on Kodak paper.trams, tramways, mmtb, tours, albert park, showgrounds, wellington parade, peel st, tram 685, tram 782

A small pink front covered docket book with REF. SD Brand printed at he top and Duplicate Docket Book underneath. A small red seal of quality with Plastibound REG.D Thermoplastic Flexible Binding - Opens flat- 50Pp. Duplicate Numbered 1 to 50. The book was used as a Saw Mill Log Receipt Book. It was used up to receipt no 27 and has a carbon paper sheet included. non-fictionThis Docket Book was used as Saw Millers' Log Receipt book by local workers.dockets, receipts, log books, saw millers, sales records

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah

pencil on paper student's technical drawing of Milling Fixtures Detailstechnical drawing, metallurgy, g. heyes, school of mines ballarat

Letter written to Collins Bros Mills in Geelong from Gum Farinol Company in England. The letter details the instructions, use and benefits of gum farinol in woollen textiles. Letter consisting of two pages of cream paper with printed and typed black text. The second page has hand written text in pencil written on back. Both page show a letter head graphic image of a building with people and vehicles out the front. GUM FARINOL COMPANY / W. G. WEST. / Sole Manufacturers of Gum Farinol. / MILLS: WILSON STREET & PARK STREET / STOCKPORT, / ENGLAND. / Messrs. Collins Bros. Pty. Ltd. / Woollen Manufacturers, / Latrobe Terrace, / Geelong, Victoria, / Australia. / October 4th 1933letter, correspondence, company records, gum farinol company, textile industry, wool industry, wool mills, collins bros mill pty ltd, technology

Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings

Bendigo Amalgamated Goldfields Ltd., in account with Fred. Douglas Jones. Pink paper dated June 6 to Aug 7, 1924. Statement contains details of costs for sale of properties by auction on 27/6/24.the miss g. alice jones collection - statement, bendigo amalgamated goldfields ltd, mrs mcgibbony, t e thomson, t c watts & son, h e jones, mrs cramer, geo pethard, h e bruns, bank of australasia bendigo, fred douglas jones, mr bishop, collman & tacchi, mines department, koch's, great northern, city of bendigo, mr enticknap, garden gully mill, nicholsons, mrs bernau, miss hesse

Thomas Burch Ford (1818-1892) began producing blotting paper and filter papers for personal and industrial use, after taking over Slade's Original Handmade Blotting Company in 1881. John Letts produced the first commercially available diary in 1812. In 1835 the business was taken over by his son Thomas and grandson Charles John joined the company in 1870. In 1881, after a brief hiatus, Charles restarted the business as Charles Letts and Company, the name it retains today. The blotters were included in the diaries as a form of advertising both for Letts and for TB Ford.A Collection of Ford's Blotting Paper: Orange(1), blue(1), green(2), light green(1) yellow(1), light pink(1) and pink(1) coloured blotting paper with blue print. Advertising * Charles Letts's Diary Blotter. An Alliance of Quality Comfort and Economy. Fords Gold medal absorbent Blotting. Ford 428 Mill Made in 22 Colours and white. The very best obtainable Ford's Gold Medal Absorbent Blotting. Box 625T.B. Ford, Ltd. Snakeley Mill, Loudwater, High Wycombe, London Showroom 72 Piccadilly, W.1. Ch.L. - 2- F8064ephemera, mementoes, blotting paper

Soft cover with colour photographic image, white, green, yellow, paper,94pp., includes photographs.wool industry wool sales wool - research wool marketing textile mills textile mills, australian wool corporation, wool industry, wool sales, wool - research, wool marketing, textile mills