This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher

From Chapman Family AlbumSepia Studio Portrait Child standing on chair holding basket. in front of plantAlice Righetti in script. R. Bloomfield Rees Eaglehawk

Vice Chancellor was influential in promoting University of Ballarat in becoming a central player in the Ballarat and Western Victoria region. In 1998 he oversaw the amalgamation of the University with two Tafe institutions, which created the only multi-sectorial regional university in Australia. Professor James was a formal Ballarat City Councillor, the Chairman of the Ballarat Foundation from 2001 to 2008. He was also the recipient of the Centenary Medal in 2003 – an award created by the Centenary of Federation, which recognises the achievements of a cross-section of the Australian community, by honouring people who have contributed to society of government in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed academic portrait of inaugural Univesity of Ballarat Vice-Chancellor David James.Lower RHS M. Henwood 01art, artwork, michael henwood, henwood, david james, vice chancellor, academic portrait, portrait, academic regalia

John SCURRY (26 August 1947- ) Born Melbourne, Victoria John Scurry studied at the Prahran College of Advanced Education, graduating with a Diploma of Art and Design in 1969. In 1971 he gained a Trained Tertiary Certificate from Hawthorn Institute of Education. From 1973 to 1976 Scurry was a Full time Senior Tutor in the Printmaking Department of the Preston Institute of Technology, becoming Acting Head of the Department in 1976. Working as a Lecturer in the Drawing Department of Prahran College of Advanced Education he then became a Lecturer in Printmaking from 1977 to 1978. In 1979 he began teaching as Full time Lecturer in Printmaking at the Victoria College of the Arts, where in the following years he was Senior Lecturer in Charge of Printmaking in the Faculty of Art and Design (1982-1991, Head of Printmaking School of Art (1991-2003) and Senior Lecturer (2003-2007) before retiring to focus his time on his own work. Max Hopper was Director at the Gippsland Institute of Advanced Education from 1979 to 1983.Framed academic portrait of Max Hopper, director at Gippsland from 1970-1983.signed and dated lower left "Scurry '86"artwork, artist, academic portrait, max hopper, john scurry, gippsland campus, churchill

Photograph is part of Old Lintonian collection ; No. 6Portrait of a mature well dressed lady, seated, wearing a hat and holding a book.mrs william hodge, old lintonian collection, mary hodge nee jenkin

Social/ political, legalColour photo, Corner wall and mantel piece of 1886 Buninyong Courthouse. portrait of QEII framed by Australian flag and Union Jack, Victorian State Crest of Arms below portrait, group portaits of Buninyong Councillors on mantel.buninyong, courthouse, buninyong council chamber

Refers to the Service of NR 463 - Norman Bassett 29 Bn WW1.,This is a full length portrait of an Australian soldier. He is wearing a peak cap. He is holding a cane in both his hands. He is wearing puttees and leather boots. The portrait was taken in a studio. The photo is set on a stout cardboard frame.On rear is written in ink: Norman Bassett, son of Samuel Bassett and Margaret Bassett.portrait, ww1

Framed portrait by Margaret Bennett, a former student of Monica Miller at the Ballarat Teachers' College. monica miller, margaret bennett, ballarat teachers' college, portrait, university women

historic, peoplePhotographic portrait, half body, of Christina Hitchcock of Grenville c 1910, in Edwardian dress.christina hitchcock, grenville

Rev. Gillam Albert McConnell Wood (Pat) (1910-1993) OBE OAM was a RAFF Chaplain 1942-49 and Moderator General Australian in 1975.Gloss, black and white, head and shoulders portrait of Rev. Gillam Albert McConnell Wood.rev gillam albert mcconnell (pat) wood, presbyterian moderator general

May Booth was later at IMBROS private hospital. Studio Portrait of Nurse May Booth in uniform standing with arms behing back. c1919To Sam with best love May 26/9/19hospital, ww1, medical, nursing

Mrs. Bow Hutchings as Bride Bridal Portrait of Mrs Bow Hutchings. A Female Standing in Bridal gown holding flowersstawell portrait

Portrait of a seated old man wearing a blue suit and black tie with hands clasped. Signed (L.r) 'Clifton '87'. Inscribed on reverse: (centre) Archibald Prize '87/Mr. Russ Hinze/ By Clifton Pugh/Box 177 Hurstbridge 3099 / Tel 714 8230clifton pugh, painting, portrait, russ hinze, dunmoochin

Portrait of an old man in three quarter view seated in a black chair with hands clasped. Signed (L.r) 'Clifton '68'.clifton pugh, painting, portrait

Typed below picture, "Self portrait of Mr. Pierce Boardman, Manager of Ringwood's main antimony mine. Killed in mine, 1879".

Dina MANN & portrait of her mother, Jerri at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Dina MANN with portrait of her mother, Jerri MANN at the launch of the Women of Port Melbourne exhibition18/10/2005 Dina Mann with portrait of her mother, Jerri Mann.women of port melbourne, dina mann, jerri mann

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) In 1863-4 A.Marion & Co. 23 Soho Square, London, were publishing cartes for Southwell Brothers of 16 & 22 Baker Street W. London, and in c.1866 producing cartes wholesale for Mayall of Regent Street. They appear to have printed numerous cards with a very small name printed onto the lower front. Travelling photographers would purchase the cards and sometimes have their own personlaised details printed onto the back..6) A tintype studio portrait of two seated men in suits, attached to a card, possibly brothers. On lower edge of card "marion Imp. Paris"little gem, tintype, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem

Framed Hand painted portrait Hon. W.D.Beazley, MLA 1889-1912 Founder of Beazley Scholarshipscollingwood technical school, w.d.beazley, beazley scholarships, portraits, mla, nmit

B&W slide negative portrait of Henry Brougham Loch, Governor of Victoria and on the Board of VDDI deaf children australia, portrait, vddi, victorian deaf and dumb institution, henry brougham loch, governor of victoria

Library Committee purchased enlargement 18/8/1919Photographic portrait of John Treweek, Athenaeum Secretary/Librarian in natural oak frame on gold mount

Bandsman William Gray A. I. F. 1914 –1918 The Gray Family respected residents of StawellPortrait photograph of a World War 1 soldier in uniform on an oval shaped image on a post card.No 1301 Bandsman Wm. Gray, B. Company A.I.F. 39th Battalion 10th Infantry Brigade. On Active Service Abroad Grammond Gordon Studios, Stawell.stawell ww1

Black and White portrait of man seated and woman standing. James and Sarah (Prior) Rathgeber. c1900James + Sarah (nee Prior) Rathgeber Concongellaengine, industry, forrest, ww1

Helen Malvira Mackenzie (1865-1956) married Charles Ansell Smith (c1861-1934). He was baptised 23 April 1861 in Tintinhull, Somerset - son of William Maxwell & Louisa Claudina Smith (nee Ansell). His father was curate of the church at the time. Helen Malvira (or Malvena) MacKenzie, known as Nellie, was the second daughter of the John Mackenzie J.P., of Westernport, and Wilcannia, N.S.W., and great granddaughter of the late Admiral Pasco, R.N. They lived at 'Devon', 3 Vincent Street from at least 1910 but perhaps earlier until 1915. Charles Ansell and Helen Malvina Smith’s children: 1. Kenneth Ansell – b 1892 d 3 May 1977 at Lancefield SERN 819 Enlisted AIF on 17/8/1914 giving his occupation as book seller Assigned to 8th Battalion, G company Enlisted 17 August 1914 Embarked A24 Benalla on 19 October 1914 Returned to Australia on 23 October 1918 Obituary describes him as eldest child of the late Charles Ansell & Helen M Smith of Surrey Hills and Lancefield. 2. Stanley Charles – b 1893 (Carlton) - lived Surrey Hills 3. Dorothy Louisa – b 1894 - 1988 4. Harold Maxwell Pasco – b 1897 Oakleigh SERN 3268 Educated Surrey Hills State School Religion Cof E Occupation: Clerk Served with 48th Infantry CMF, Kooyong Enlisted 23 July 1915 – parents living at Vincent Street at the time Assigned to 24th Battalion, 7th Reinforcement Embarked HMAT A73 Commonwealth on 26 November 1915 KIA 4 October 1917 at Passchendaele, Ypres No known grave. Parents at ‘Cloverdale’, Lancefield 5. Francis W D (Frank) – b 1898 – 1972 Obituary: Frank (FWD) Smith on Feb 14 (suddenly) Francis Wm Douglas Smith, son of Charles Ansell & Helen M (Surrey Hills & Lancefield) and brother of Kenneth (Lancefield), Dorothy (Mrs Cromwell), Harold (KIA) Roy & Stanley. 6. Roy MacKenzie – b 1901 – 1988 m Ruby Olive Laity in 1931 So, the children were all born before the family came to Surrey Hills but Vincent Street was where they grew up. Charles and Helen are buried in Box Hill Cemetery (CE-NS-1266) Comment: An early example of a 'traditional' wedding dress.B&W bridal studio portrait of Mrs Helen Malvira Smith in a traditional wedding dress. weddings, wedding dresses, helen malvira mackenzie, helen malvira smith, kenneth ansell smith, stanley charles smith, dorothy louisa smith, harold maxwell pasco smith

Card mounted formal portrait of 16 WW1 soldiers. Names and overseas and Australian places recordedList names distinguishable.

Portrait - Mr Clemesstawell

Portrait - Clemes Familystawell

Portrait of William Tangeystawell

Portrait of W.J. Lambstawell

Portrait - Reuben Goldsworthystawell