Robert Miller, father of Kitty Miller who Kitty Miller Bay is named after.Sepia portrait photograph of Robert Millerrobert miller, kitty miller, kitty miller bay phillip island, lynette carr

Portrait of Mow Fung Deep Lead plus Grave Headstone. In the twentieth Century the Chinese population around Stawell continued to dwindle. One family whose associations with the area was the Mow Fungs. refer Page 117 "Good Country for a Grant" A History of the Stawell Shire. by Robert Kingston. A photograph of a male Chinese with a beard and dressed with a skull cap. The photograph has a blush tint.Mow. Fung... A respected and naturalized Chinese had a store and hotel at Mullock Bank (Morella) and later moved to Deep Lead. Photo 1896stawell chinese mullock bank morella

Portrait of William Henry Rees Senior. One time ships Carpenter. Worked as a builder in Stawell. 1830-1918stawell

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a lady with glasses.Handwritten notation on back of painting - "Jan Sebinski 97295172".

Tyree Mr JamesPortrait of bearded man in suitStawell Photographic Co Close Railway Station C. Hewitt. Managerstawell

Huttley - MartinB/W: Studio PortraitHeath and Bullingham Photographers, 24 George Street, Plymouth. Plese quote this number 44876 when ordering copies. Ernest Abbott Martin ( My Uncle)huttley, martin

Photographic tintype portrait of a woman.fullarton, ballarat, tintype, woman

Photographic tintype portrait of a child.fullarton, ballarat, willetts, child

Photographic tintype portrait of a child.fullarton, ballarat, willetts, man

Photographic tintype portrait of a woman.fullarton, ballarat, woman, willetts, george willets

Photographic tintype portrait of a child.fullarton, ballarat, child, tintype

Photographic portrait of a man in uniform.fullarton, man, uniform, h. moser, creswick, daylesford

Photographic portrait of a man in uniform.fullarton, man, uniform, rockhampton

Photographic portrait of a man in uniform.fullarton, man

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large framed portrait painting. art, artwork, neville bunning, available, portrait

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink portrait of a woman.art, artwork, portrait, woman, neville bunning

Black and white photograph of portrait.Written on back of photograph: "Catherine Rose (1858-1925) married James Keith Turnbull, Ringwood station master"

Portrait of Cpl Marcus Wakely b. 1890 from Yenda NSW part of the garrison at Hay Internment Camp. Sketched while Hofmann was in Camp Hospital, Hay, NSW. 1941.Photocopy of a sketch. Portrait of a soldier in uniform.Robert Hofmann March 41garrison, robert hofmann, wakley, hay

Robert Bayles was born in England in 1864. He commenced his ministry in 1890, was President of the Victoria and Tasmania Conference of the Methodist Church from 1927 - 1928 and died at Burwood in 1928.Black and white head and shoulders studio portrait of Rev. Robert Bayles mounted on grey card. Rev Bayles is facing and looking to his right. He is wearing round eye glasses and his clerical collar. The photograph has white hand writing on the front."REV. ROBERT BAYLES PRESIDENT 1927-8"rev robert bayles president of the methodist conference of victoria and tasmania, rev robert bayles methodist minister.

The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a man in ceremonial regalia.Handwritten notation on back of painting - "Jan Sebinski 97295172".

A sepia coloured portrait of a man on card. On back 'DAVIES & CO/Photographers/5 Collins St. West/ (3 doors from/Elizabeth St.)/MELBOURNE' / 'COPIES MAY BE HAD ON APPLICATION' deaf children australia, victorian deaf and dumb institution, vddi, portrait

A sepia coloured portrait of a man on card. On back 'BATCHELDER & O'NEILL/ARTIST PHOTOGRAPHERS/41 COLLINS ST. EAST,/MELBOURNE/Est 1854' deaf children australia, victorian deaf & dumb institution, vddi, portrait

Wife of Isaac Cook Saddler Main Street Studio portrait of lady in dark clothing

WW1 soldier Great WesternStanding Portrait of Stan Harris. c1910Stan Harrisww1

Sepia Studio Portrait Bella Hartley Bella

Photographic portrait of three seated men.fullarton, men

Framed oil painting of a woman's portraitSigned lower right 'D. Alexander'artist, artwork, david alexander, woman, portrait, available

Jeff WILKINSONLinocut of a portrait of a man wearing a hat.Lino. cut by J. Wilkinsonlinocut, printmaking, alumni, portrait, j. wilkinson, jeff wilkinson, requires framing