non-fictionA short picture book story about experiences at Bonegilla Reception Centre near Wodonga in Victoria. Coloured illustrations,bonegilla, migrant reception centre, post world war 11 migration

fictionA mystery novel set in Wodonga, Victoria after World War 2. In 1947, two years after witnessing the death of a young Jewish woman in Poland, Charlie Berlin has rejoined the police force a different man. Sent to investigate a spate of robberies in rural Victoria, he soon discovers that World War II has changed even the most ordinary of places and people. Taking a room at the Diggers Rest Hotel in Wodonga, he sets about solving a case that no one else can – with the help of feisty, ambitious journalist Rebecca Green and rookie constable Rob Roberts, the only cop in town he can trust.mystery fiction, wodonga post world war 2

Collection maintained by daughter of original owner.Historical reasonsCollection of items in folder in chronological orderCorrespondence from Government and legal sourceswarrnambool housing post world war twowarrnambool housing post world war two

Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace

The white rubber mask indicates it is a post war / cold war production.Post war production item . Commonly used as dress up or cosplay attire Gas Mask kit complete in carry canister. Includes screw on steel filter canister, cleaning rag. Mask is made from white rubber with glass eye pieces. Drager 65G

Late WW2 or early post-war wire-cutters with webbing pouchKhaki webbing pouch containing a pair of steel wire cutters Wire Cutters marked M R Lwire-cutters, webbing pouch

Dixibelle was a common brand of margarine during post-war twentieth centuryPale green plastic box with white plastic lidDixibelle Table Margarine 1 lb. net, manufactured by Provincial Traders Pty Ltd Australia, moulded into box. Provincial Traders ceased operations on 17/10/1979 in when taken over by Henry Jones (IXL) Limited.dixibelle margarine

Found at Camp 13 POW site post war by Wartime guardMetal cigarette lighter, no stopper in base. No igniter on the top.cigarette lighter, camp 13

Found at Camp 13 site post war by wartime camp guardGlass cylindrical bottle. Summit Ague mixture, registered no. 3159.Summit Ague Mixture India. IFD Co. Made in Germanymedicine, medicine bottle, camp 13 glass bottles, mr darley

1st post war confirmation ( St. Vid ) Podnanos, Markic childrenBlack and white photoconfirmation markic children

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton

These relate to the WW2 and Post War service of VX112283 "Keith Charles Buckley" - Major1. Photo of an Australian Major of RA Sigs - in BCOF signing a document. Beside him is an Australian soldier and an Asian Gentleman. Behind them are cups and saucers. On the table is a round stamp or blotter. The Major is wearing Campaign medals. 2. Photo of the same conference from a different angle. 2 Australians, 5 Asian gentlemen. The Major and the mature Asian Gentleman are signing documents. The Australians are in winter dress. The civilians are in suits with ties, The table is a large square one with turned wooden legs.photos, ww2, signing of documents

Found at POW camp 13 site post war by war time camp guardBrass button with Australian Military Forces around front edge, map of Australia in centre with a crown above. Has a brass loop on the back to attach to clothing. Contained in a black material covered display case with gold around edge.on front: Australian Military Forces and a map of Australia and crown. on back P J King Pty Ltd Melbbrass buttons, camp 13, military uniform accessories

Reminiscences of post-war life in Beattie Street Montmorency, by Dot Jewell as told to June Hall.2p., typescriptmontmorency, dot jewell

Until post war subdivisions much of Balwyn and the eastern sections of Kew were rural farmlandVery large framed photographic enlargement of rural areas of East Kew. farmland (kew), kew farmland, farms, kew

Captain L. Jackson and Lieutenant Colonel J. Allard served in WW11 and in CMF post war.Colour photograph of two former members of 8/13 Victorian Mounted Rifles at 105th Anniversary Parade, Buna Barracks, Albury. 29 April 1990.vmr, allard, jackson, buna barracks, albury

8 Riband bars belongs to Brig Lowen. Brig Lowen served in WWII and post warstrong historical value of these medalsVarious miscellaneous badges and riband bars, all riband bars are original8 riband bars awarded to Brigadier Lowen and various miscellaneous badges5/6 rvr, bhq, brig lowen, 2/5th bn

Newspaper article post war about production during the war years at Fortuna. A photograph of FortunaNewspaper article cut out from a Bendigo Newspaper, yellowed paper Two articles, 1. A Bendigo War Establishment 2. Carto Men do great war job at Fortuna Mansion No credits to authors, No date of publication or page number, No identification of Newspaper. Believed to be from the Bendigo Advertiser c. 1945army survey regiment, army svy regt, fortuna, royal australian survey corps, rasvy, asr

created most likely post-war, contains a range of pictures of aircraft from the Second World Waraircraft, world war two, aircraft recognition

Photograph of the War Memorial at Langensalza. The post card was sent by Ray Membrey from the P.O.W. camp 3.7.1917. Post card of War Memorial at Langensalza set in a grave site.Denkmal, den versiorbenen Gefangenen lm Larger Langensaiza Written on the back of the post card. "3 July 1917 I am doing well. Raymond addressed to Mrs. Membrey Skene St Stawell Victoria Australia." stawell ww1

38 Bn, raised March 1916. Post War it was the Bendigo CMF Unit until 1962. then shut down.1. B & W photo of group of officers and senior NCO's talking and laughing. They are wearing formal mess dress with ribbons WW2. At top right can be seen a photo of a group in front of 38 Bn Banner. 2. B & W photo of four men, 2 officers, 2 Snr NCO's. They are wearing formal mess dress. Photo taken in the Officer/Sgts mess, Drill hall, Mollison St, Bendigo. 3. A formal Army dinner. Held in Officers Mess at the Mollison St Drill Hall. An Officer is standing addressing the group. The group is composed of officers and snr NCO's. The table is set with flowers, cutlery and drinks.38 bn, staff, officers, bendigo

Part of the Rationing system in place during the 2nd WW and post war Australia, this one is June 1944 issue.Clothing ration card, light fawn colour, folding 3 ways No V.A470186, front has details of the person holding the card, rear has directions for use, all print in black type, half has ration coupons tear off, this card only has No’s B- 105 - 111 left, hand written details in black pen.On the front in black pen,”Kathleen Mary Guiney, 126 Sternberg St Bendigo”, then under, “V4, F, 23167”clothing ration, cards, australia 1944

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A pelerine is a small cape that covers the shoulders. It was most popular during the mid- to late nineteenth century. Cream net machine embroidered collar with ruffle of chemical lace. Machine constructed post World War 1. Worn in the evening women's clothing, lace, collars, pelerines