Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : Langton Graving Docks"postcards, george and edith weir, the port of liverpool, postcard series -- liverpool (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."To Jack / From Inverness 21-8-1928"postcards, george and edith weir, postcards -- scotland (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Highland Chief"postcards, george and edith weir, postcards --- scotland (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Atlantic Hotel and War Memorial, Newquay, Cornwall. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."Atlantic Hotel and War Memorial, Newquay"postcards, george and edith weir, atlantic hotel - new quay, war memorial - new quay, postcards -- newquay (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Through Wind and Wave. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope.The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. postcards, george and edith weir, river mersey, postcards -- england (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - The End of the Voyage. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - The End of the Voyage"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Outward Bound. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - Outward Bound"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. Colour photographs of Villa Parma, Main Road, Heburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

Other copy similar view with inscription 'The Lakes, Lakes Entrance Vic'Black and white postcard of Reeves Channel Gippsland Lakes, showing Rigby, Fraser and Flannagan Islands opposite the steep shoreline of the mainland. Natural vegetation of Jemmys Point in foreground from which photograph was taken. Lakes Entrance VictoriaKalimna from Jemmys Point Lakes Entranceislands, waterways, topography

Also two other copies 6.5 x 8.5Black and white small format postcard of the Narrows, and Reeves Channel of Lake King, Gippsland Lakes, showing Rigby, Fraser and Flannagan Islands opposite the steep shoreline of the mainland. Taken from Jemmys Point. Lakes Entrance VictoriaThe Narrows from Kalimna Lakes Entranceislands, waterways, fishing industry

Second copyBlack and white photograph showing aerial view of the entrance to the Gippsland Lakes, shows Cunninghame Arm, North Arm, Reeves River and Hopetoun Channel, Rigby Island and Snake Island, the barrier on right foreground. Lakes Entrance Victoriawaterways, islands, aerial photograph, fishing industry, coast

Black and white large format postcard of Kalimna Jetty Gippsland Lakes. It shows the shed on the approach to the jetty and landing, Rigby Island and Entrance in background, steep cliffs at eastern edge of lake. Pioneer Dredge in channel. Lakes Entrance VictoriaKalimna and Entrancejetties, boats and boating, navigation

Original in possession of descendant of Arthur Seagrove, teacher at Johnsonville School 1920c.Black and white photograph of Reeves Channel, Gippsland Lakes, showing a launch in the Narrows below Jemmys Point, Rigby Island and a distant view of Fraser Island and Flannagan Island opposite the steep cliffs of the mainland shore. Lakes Entrance Victoria'To Rit with love from Arthur' on backislands, waterways, topography

Conditions of sale by private contract dated 20th. February, 1926 between R. Rigby and H. A. Wilkinson for land situate in Allingham Street, Golden Square at present occupied by vendor together with 4-roomed weatherboard dwelling for the price of 225 pounds.organization, business, h.a. & s.r wilkinson real estate

Second copyColour aerial photograph of entrance from Bass Strait to Gippsland Lakes including Bullock Island Reeves Channel Rigby Island houses on Kalimna Hill and Princes Highway winding down Jemmys Point hill into township of Lakes Entrance Victoriaaerial photograph, ocean, waterways

Black and white small format postcard of Reeves Channel Gippsland Lakes, taken from Jemmys Point. It shows a glimpse of the Princes Highway, the steep shoreline of the mainland opposite Rigby Island with Fraser Island and Flannagan Island in distance. Lakes Entrance VictoriaKalimna Cove Lakes Entranceislands, waterways, topography

Colour aerial photograph of the land forms around the entrance to the Gippsland Lakes, from Kalimna West to Lakes Entrance, North Arm to the ocean. Shows massive sand buildup between Rigby Island and Kalimna, also Bullock Island. Lakes Entrance Victoriawaterways, navigation

Black and white photograph, showing eastern end of Rigby Island, Snake Island, at Lakes Entrance, Victoria. Reeves Channel below foreground hill, Hopetoun Channel between dunes and islands with fish pens in distance. Two people sitting on hill in foreground.islands, waterways, topography, room display

number in album 03535.01Black and white photograph of Joyce Rigby, Rae Johnston, Eva Cooper, Elaine Lay, Ron Ward and Ron Bennett of Senior Citizens Club taken during a visit to Whiters Holiday Village to learn of the plans of the new owners Lakes Entrance Victoriaclubs, senior citizens

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph Bruce and Jean Hitchens, Noel and Brenda Albury, Jack and Ivy Shaw, Bob West, Pauline Rigby, Lyn Harrison, Harold Harwood, Alf Cam, Marisa Milito. at the final meeting for the year of the Garden Club Lakes Entrance Victoriaclubs, function

Colour photograph of part of township showing Jemmys Point, Mount Barkly, Kalimna Heights, North Arm & old North Arm bridge, looking beyond to Rigby Island. Photo taken from near Telecom Tower on Merrangbaur Hill. Lakes Entrance Victoriatopography, township, waterways, bridges