One other copy black and white 11.5 x 20 cmSepia postcard showing east and west piers and entrance from ocean - Bass Strait into Gippsland Lakes, at Lakes Entrance, Victoria. Several people on upper deck of eastern pier and on beach and boardwalk.The Piers at Lakes Entrancewaterways, piers, beaches, kiosk

Date made July 1997Colour photograph of the western pier of the entrance to the Gippsland Lakes from Bass Strait, showing surf breaking on offshore bar, signal triangles, walking path and vegetation in foreground. Lakes Entrance VictoriaEntrance (on back) waterways, piers

Also black and white copy 20 x 14 cmBlack and white photograph showing navigational baskets used at entrance to Gippsland Lakes from Bass Strait. Girl sitting on handrail framework, looking at eastern pier and ocean. Lakes Entrance Victoria navigation, ocean

Black and white photograph of a view from Kalimna Heights overlooking township. Shows North Arm, Marine Parade, Cunninghame Arm and sand hummocks with Bass Strait in distance. Lakes Entrance Victoriatownship, waterways

Colour aerial photograph showing the entrance to Gippsland Lakes from Bass Strait westward to Reeves Channel Shaving Point at Metung through Lake King to Tambo River Gippsland Lakes Victoriaaerial photograph, waterways, township, topography, lakes entrance

This program was for an event to celebrate the golden anniversary 950 years) of the official opening of Orbost's Commonwealth Hotel. It was organised by Chas and Una Roberts (nee Marshall) and was a fund-raiser for O.C.C.A. (Orbost Continuing Care}). This group was initiated by Brenda Murray who was the founding chairperson of the Orbost Continuing Care Appeal, which raised money to build an aged persons' facility for Orbost. The evening was compered by Graeme Eddy. The performers included: Victoria Strait, Leslie Strait, Norma Williams, Pauline Strait, Hoard Oberg and Wayne Stuart. All were accomplished musicians from New South Wales. The event took place at 6pm on Saturday September 2 1978.This item is associated with the Commonwealth Hotel which has been operating in Orbost since January 1901.A white paper program with black print.It is one sheet folded.On the back is a picture of the Commonwealth Hotel, Orbost with a brief history of its establishment underneath the photograph. On the front side is the title, "an evening of baroque music and a golden invitation to dinner". There is a stylised drawing of a saxophoene, drum and cello. Inside are details of the program and menu with notes on some of the performers.on front - "MUSEUM".commonwealth-hotel music-concert event-orbost

Colour photograph of Bass Strait, scrub covered coastal dunes, Hopetoun Channel, and southern portion of Rigby Island. Photo taken from sand dunes on Flannagan Island, near Lakes Entrance, Victoria.islands, waterways, topography

Two other copies black and white, 9 x 14cmBlack and white photograph showing piers and entrance to Gippsland Lakes from ocean Bass Strait. Western pier shows concrete extension, eastern pier shows workshed at end. Lakes Entrance Victoriapiers, waterways

Black and white photograph showing Symes boat, Westwind, motoring into the entrance from Bass Strait, Eastern pier on far side of boat, photo taken from western pier, Lakes Entrance, Victoria. waterways, boats and boating, tourism

Colour photograph aerial view of the entrance from Bass Strait to the Gippsland Lakes, Australia. Shows extension to Bullock Island, town of Lakes Entrance, Cunninghame Arm and North Arm. Lakes Entrance Victoriaaerial photograph, islands, waterways, topography, township

photographs showing view of town from across North Arm from western boat ramp east to Orme Street continued from 04216 number 04216.1 and 04216.2 size 10 x 15 cm|. Colour photograph of town from Kalimna Heights showing Hill 60 on Hummocks taken 1975 c printed from slide number 04216.3Colour photograph of western end of town taken from Kalimna Heights showing cars parked near western boat ramp and North Arm, hummocks and Bass Strait in distance, Lakes Entrance Victorialookouts, gippsland lakes, topography, buildings, bullock island

This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan

This volume is a resource for primary schools to investigate the wartime experiences of Aboriginal and Torres Strait Islander people from the First World War to the present.66 pages, colour illustrations, fold out map. Spiral binding with fold around outer cover.world war i, indigenous australians, aborigines, torres strait islanders

This volume is a resource for secondary schools to investigate the wartime experiences of Aboriginal and Torres Strait Islander people from the First World War to the present.66 pages, colour illustrations, fold out map. Spiral binding with fold around outer cover.world war i, indigenous australians, aborigines, torres strait islanders

Card printed by Shire of Tambo for the Centenary 14 June 1989, original photo taken 1910cSepia photograph on card advertising 100 years celebration 1889 - 1989 of opening of the Entrance. Photo shows S S Wyralla going out to Bass Strait and the original wooden piers, at Lakes Entrance, Victoria.The Entrance to the Gippsland Lakes at Lakes Entrancehistoric site, celebration

Black and white photograph showing newly constructed piers at entrance to Gippsland Lakes from ocean Bass Strait. Photo shows distress rocket set up on beach with two people. Lakes Entrance Victoria waterways, piers

Black and white photograph showing wooden piers with newly completed concrete extensions. Rough seas breaking in entrance to Gippsland Lakes from ocean Bass Strait. Kiosk by boardwalk closed. Lakes Entrance Victoriaboardwalk, waterways, beaches, piers

Black and white photograph showing entrance to Gippsland Lakes from ocean Bass Strait. People in 1920s style dress on boardwalk. Kiosk on beach closed. Vegetation either side of boardwalk. Lakes Entrance Victoria waterways, piers, kiosk

Postcard has long personal message on reverse.Colour postcard taken at a bend in the Princes Highway approaching Lakes Entrance, showing a car travelling downhill, two cars parked with five people viewing the entrance from Bass Strait. Lakes Entrance Victoriawaterways, islands

Also two other copies 7 x 11Black and white photograph showing eastern end of Rigby Island, Snake Island, and dunes at Lakes Entrance, Victoria. Reeves River below, foreground bushes, Hopetoun Channel in middle distance, Bass Strait in distance. waterways, topography, islands

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/02/1923. Photo of rocky cliff at Cape Woolamai with Bass Strait in background.Photograph of rocky cliff at Cape Woolamai, Phillip Island.Rose Series P 3439. The Rocky Cliff, Cape Woolamai, Phillip Is., Vic.phillip island, cape woolamai, rocky cliffs at cape woolamai, earl of stradbroke

Colour photograph of side casting sand dredge, April Hamer, working in the channel below Kalimna Hill inside the entrance from Bass Strait. Ocean in background, rock groynes of the entrance visible. Lakes Entrance Victoria waterways, dredging

Second copy 10 x 15 brownish toningBlack and white photograph showing piers at entrance to Gippsland Lakes from ocean Bass Strait. Sailing boat in entrance. Kiosk on sand between eastern pier and boardwalk. Few people on beach. Lakes Entrance VictoriaEntranceboardwalk, waterways, piers, boats and boating

One other copy enlarged 25 x 17.5 cmBlack and white photograph showing tip of western pier and north end of eastern pier at entrance to Gippsland Lakes from ocean Bass Strait. Boardwalk and kiosk on beach, window of kiosk closed. Lakes Entrance Victoria waterways, restaurant, beaches, boardwalk

First ocean going vessel in world built of mild steel. Was known as the "Greyhound of the Pacific". Laid up December 1920 and hull sunk in Bass Strait in 1928.RealismMounted sepia photograph of a painting by A V Gregory of the steam ship S S RotomahanaS S Rotomahana and A V Gregorysepia photograph, a v gregory, ss rotomahana, steam ship

Colour photograph of the entrance from Bass Strait to the Gippsland. It shows the western and of Bullock Island and the built up area below Jemmys Point, all made during dredging operations over many years. Lakes Entrance Victoriafishing industry, islands, waterways

Sepia photograph showing entrance from ocean Bass Strait to Gippsland Lakes. Early wooden piers, trading ship being towed out through entrance by small steamer, beach and boardwalk in foreground. Lakes Entrance VictoriaLakes Entrancejetties, ocean, waterways, public works