Small metal tobacco tin with red, gold and blue hinged lidOn lid: Stone entrance gate inside red and gold semi-circle, "Temple Bar Sweet Slice Tobacco".tobacco tins, smoking equipment

Ex Camp 3 Templers who met up at the Museum in 1991.Colour photograph of Peter and Mrs Hoffmann and Erni Weller from Oakhurst NSW, standing in front of the original Museum. Mr Hoffmann holding a copy of Walls of Wire.Walls of Wire (cover)peter hoffmann, mrs hoffmann, erni weller

photo taken in 1945 inside Templer compound Camp 3 Taturaphoto inside compound B. Row of family huts in 1945, pram on front "verandah" on right, mounted on foam corecamp 3, family huts & gardens, templer compound, compound b, internees, aberle, gerd

These four stamps are from George Temple's Store which was established in Orbost in 1887. George Temple, born in Yorkshire on 26/2/1832 was of the earliest Orbost storekeepers. Temple's Store was on the corner of Ruskin and Nicholson Streets opposite the post office. He packed stores to the Bendoc area goldfields. The store building eventually became part of Herbert's store when he died in 1917.Four rubber stamps. All have wooden handles. Two have metal seals and two have rubber seals. All seals are circular.temple-george stamps-rubber

50th Templer Society reunion. Helmet Glenk was born in 1943 and Rolf 1942,Black and white photograph of Helmut Glenk and Rolf Edelmaier. Both born in Camp 3. . Seated on a concrete base.templer society, german templer society, templer society reunion, helmut glenk, rolf edelmaier

Top of wedding cake for Hilda Temple and Dr James Kerr on 10th November, 1893.Dr James Kerr visited Orbost on a government vaccinating job and settled there the next year. He married Hilda Temple in 1893. He was Orbost's first resident doctor. Glass and wood display case containing a floral arrangement from the top of a wedding cake .Arrangement is handmade.ornament dr-james-kerr handcraft

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Frank Wright in Columbo, Ceyon, 1933 1). Black and white photograph of a man dresses in a suit sitting on a rickshaw being pulled by a man dressed in shorts, short sleeved shirt and sandals. In the background is a two storied building with arched verandahs on both levels. The man is Frank Wright and the place is Columbo, Ceylon (Sri Lanka). 2). Black and white photograph of a man dressed in a suit and carrying a light hat, standing beside two Sinhalese men, one of whom is sitting on the steps of a building whilst the other is looking down. Further along the steps a couple of other men are watching. The man is Frank Wright and the place is the 'native quarter', Columbo, Ceylon (Sri Lanka). 3). Black and white photograph of a man dressed in a suit and carrying a light hat, standing in front of the white dome and spire of a Buddist temple. The man is Frank Wright and the place is Columbo, Ceylon (Sri Lanka).1). Written in pencil on back - Frank Wright in Rickshaw drawn by Dan Barry, Columbo, Ceylon, Sept 1933 2). Written in pencil on back - Frank Wright in native quarter, Columbo, Ceylon, Sept 1933 3). Written in pencil on back - Frank Wright at Buddist temple, Columbo. Ceylon, Sept 1933frank wright, dan barry, rickshaw, columbo, ceylon, buddist temple

Diggers & Mining. Gold. Slide si of a 'joss house' with some Chinese people outside and one in the doorway. A 'joss house' or temple was a feature or many Chinese camps. Markings: 14 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Farmers from the Kiewa Valley drove their cattle up to the Bogong High Plains during summer. Each family had a lease and a hut to stay in. Pack horses were used to carry food and other necessary items for the men while they were away.The Ryder family farmed in the Kiewa Valley and had a grazing lease and hut on the Bogong High Plains where they droe their cattle during summer. Black and white photo with 2 men on horses each followed by two packhorses. Wally Ryder is on the horseman on the right. January 1947. This photo is published on page 114 of 'A History of the Kiewa Valley' by Esther Temple and David Lloyd.On back 'Pack horses leaving Mt Beauty / January 1947 / Suspect Wally Ryder on right.'wally ryder, cattlemen, packhorses

Kazenwadel and Decker family groups, Templer Society members and internees in Camp 3 during WW2.Black and white photograph of 6 adults and one youngster held by her father (probably) and in the front seated 4 youngsters and a mother. The group are in front of a Army hut with a path and huts in the background. Each person is identified and include the Kazenwadel and Decker families.on the left hand side the number 205kazenwadel family, decker family, templer society, internees

Compilation of day to day life of Templers from the Holy Land to an unknown destination and of their internment in AustraliaBlue cover with title printed on, covered by clear plastic on front and white cardboard on back which extends over the spine and onto the front by 1.5 cm. 62 printed pages.1991 bottom of front coverww2 camp 3, transportation of members of the temple society to australia, temple society, diary of transportation of temple society, erhard gohl

camp 3, templers, confirmation classes, jack collection, students

Bendigo Advertiser '' The way we were'' from 2002. Showtime: the thoroughbred, Miss Temple, poses for the camera (above). A certificate for first prize (left) was awarded to a competitor in the Bendigo Agricultural and Horticultural Society Spring Show for 1925. The clip is in a folder.newspaper, bendigo advertiser, the way we were

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This box of cryptomeria bark contains miso produced at the Todai-ji, the ancient and celebrated temple at Nara, for one of its annual festivals. Simply made and labelled, it somehow suggests that it has a long history behind it. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving