Given as a prize at State School # 502Red Cover with yellow flowers and title in yellowEthel Crothers, Prize for homework, State School No 502 Stawellstawell education

Framed watercolour of a townscapewatercolour, painting, townscape, m. sardinia

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950. This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of Nilsson and Peter Stone on the M/S "Mongabarra" Goteborg from the U.S. to Australia in December 1950. The two men are undertaking ships duties pulling ropes on the deck of the ship.On the back of the photograph is the text "Nilsson & Peter 4/12/49" in blue pen and what looks like "K 9 B" in pencil upside-down.1950, ship, pulley, deck, rope, mongabarra, allan quinn collection, allan quinn, nillson stone, peter stone, railing

Black and white photographWritten on backing sheet, "Jack, Harrold and Mervin Chivers (Armstrong Road)"

To be fashionable, and possibly improve vision at the same time, the pince nez style of glasses became popular. The 'Fits-u' design has a mounting that allowed the bridge to stay solid, whilst the springs in the nose pads allowed for removal (unlike pince nez which had a springs in the bridge). Although complete, this box includes models with different distance dimensions and the height of the bridge, with these figures are etched onto the lenses. An order table is included in the box with the pupillary distance and height so the catalogue number and quality and quantity of each size can be ordered by the dispenser. The pupillary distance is used to design spectacle frames.Canvas box which includes display models of different dimensions of pince nez Handwritten on the back: James Korp Backhouse (?) 1904 Ophthalmic Optician & Optometristassistive devices, american optical company

These hand painted bowls were the work of Ethel Mary Ellen Hose who married Albert Ernest Uebergang in 1917, who was an uncle of Ray and Joyce Uebergang. After leaving the family farm at Cudgee the couple moved to Surrey Hills in Melbourne. [Ref: p.228 The Uebergang Families in Australia] The donor, Heather Mclean, daughter of Charles Henry Uebergang, is a cousin of Ray and Joyce Uebergang. A visitor to the museum in March 2018 advised that the bowl with no 'U' was a replacement piece. It is unsigned and undated.This fruit set indicates the work of amateur china painters and is in pristine condition.Black hand-painted fruit set consisting of a large bowl and six small bowls. Each bowl has an individual fruit design and a gold-painted letter 'U' except one small bowl which only has the fruit design. The bowls have a gold rim.[on base] E M Uebergang/ 8/5/1923 [except for bowl with no 'U']uebergang, ethel mary uebergang, china painting, crockery, allansford, food & drink consumption

Pencil drawings of plans for the Ballarat School of Mines Furnace Sheds.ballarat school of mines, assaying, w.i. framing

Steel upright field cooker with curved hinged lid and handles. comprised cabinet, cooking utensils and petrol operated burner. Catering for fifty personnel355051 8. US Armstrong Products Corp 1967field range m59

Oil on canvas.Signed and dated upper right corner 'Armstrong '76'

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle. Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKEparasol, art deco, printed fabric, 1920s, the armstrong

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" Goteborg in 1950.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg tied up at Port Lincoln in April 1950. The ship is situated on the left-hand side of the photograph with ropes dug into the sand on the right-hand side of the photograph with Port Lincoln in the background.m.s. mongabarra, port lincoln, goteborg

Mabs Younger graduated 1938.1. Post Card Album with slits on each page to fit postcards containing newspaper cuttings (NC) and black and white photographs (not all taken at Burnley). Provenance and date of newspaper cuttings not generally known. See B09.0007B for 20 envelopes containing 35mm colour slides. Photographs taken Dec 1949. Labelled. Most images annotatedmabs younger, female students, newspaper cuttings, students, students working outside, staff, flowers, plants, cartoon, phyllis laing, lily ponds, thrips, horses, ploughing, luffmann ponds, orchard, draught horse, pears, m atkins, j wakeford, m smith, p wilson, t baghel, carol scott, d johnston, e m jelbart, nancy canpbell, gwynneth crouch, alison wilson, bonnie campbell, louise harris, kath pullar, thelma johnson, d barker, agnes armstrong, dahlias, melons, j bacon, a w jessep, f j rae, hay, b levick, brook gipps, graham grant, j leitch, h kirkhope, garden views, royal horticultural society show, uniform, wattle, women gardeners, soldiewr farmers

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Robert M. Young, Mayor of Kew 1869-70. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Robert M. Young, Mayor [of Kew] 1869-70cr. robert m. young, mayors of kew (vic), kew (vic.) — municipal collection

Will require further research to establish details of Magain's work and times.B&W photo (two copies) of Rev. A. W. Pederick with Mr and Mrs Jim Magain. Jim Magain was a carpenter with the Federal Methodist Inland Mission.Rev. A. W. Pederick with F.M.I.M. carpentermagain, jim, federal methodist inland mission, fmim

Hand written indenture between Francis Jago of Ballarat and the Ballarat Fine Art Gallery Association Incorporated relating for a lease of a building in Armstrong Street for use as an art school.ballarat fine art gallery, ballarat fine art public gallery association incorporated, jago's building, francis jago, f.j. morris, e. sheedy, j.a. powell, philately, pearson and mann, legal, lease, art gallery of ballarat, ballarat technical art school, art gallery of ballarat association