Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4318 for a different view. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion." Corio Tce, now Brougham St / Geelong Hist Soc / W F S Collection."trams, tramways, geelong, depot, brougham st, tram 18

32 pages, illustrated.Distributed by WJ and F Barnes Pty, Ltd. 536-556 Swan Street, Burnley, Melbourne. publication, pender bros, bee-keepers, supplies, australasian, victoria, beechworth honey

35 pages, illustratedDistributed by WJ and F Barnes Pty, Ltd. 536-556 Swan Street, Burnley, Melbourne. publication, pender, bee-keepers, supplies, australasian, victoria, beechworth honey, publication, pender, bee-keepers, supplies, australasian, victoria, beechworth honey

cardboard box5409 L/Cpl. S. R. McCarthy 14 BN. A. I. F. 36021/DECD

Silver plated trophyA/C 2 F J HOW RAF Group No. 3 Middle weight championship 1924

Portland City CouncilRetouched black and white portrait of a bearded man in three-quarter view. He is wearing a suit and bow tie, and his hair has a central part. Photograph is framed in an oval burgundy mount with a wooden gold gilt frameFront: F. Schofield Esq., 1881 (engraved on brass panel, lower centre) Back: (no inscriptions)civic photography, civic, councillor

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows two children wearing knitted jumpers.front: [printed] VillaWOOL / 1277 / PRICE / CODE / F / MADE IN AUSTRALIA / 12 PLY / Machinewashknitting, pattern, fashion, knitwear, women, villawool

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a man in a knitted jumper.front: [printed] VillaWOOL / 1276 / PRICE / CODE / F / MADE IN AUSTRALIA / 12 PLY / Machinewashknitting, pattern, fashion, knitwear, women, villawool

Item made by Percy Weymouth VX76127, enlisted 30.3.42 age 30/11- allotted toNo 2 Docks OP COY, emb 15.10.42 New Guinea, diesem Townsville 20.7.43, emb 12.11.43 Buna, Hops Debility 26.5.44 emb Aitape 20.6.45 for Brisbane. Disc 28.11.45 Pte in No 7 Docks OP COy.Ashtray, chrome plated, base air a 25 Pounder shell case with 3 cigarette pieces welded in, stem is a .50 Cal Round with a “Rising Sun” lapel badge wrapped around. On base, “25 PR II, CF, LOT 472 DB/C 1941 F^67memorabilia, trench art

Framed, grayscale photograph with light green mount; brass wall fittings at end endInscribed on mount below photograph: MASTERS / From left: F J C Paton, H Godbehear, Gorge Hay / A Richardson (Headmaster 1924-1932), Miss Leila Smail, Mr Wigan / Mr F L Edmunds

The recording of the funeral service of the late Legatee Frank J Doolan.Significant in that Legatee Doolan was a founding member of Melbourne Legacy and active for many years in different capacities, including the original archive project.Black plastic cassette cover with white plastic cassette with red and white label.Cassette cover, title Funeral Service-late Mr F J Doolan. The words 'realistic low noise 120'. Cassette, Radio Shack, Funeral Service Legatee F J Doolan. Realistic, low noise,120.frank doolan, funeral, founding legatee

Sepia photograph mounted on grey board. Photograph of frame included. 50 bust photographs of males, 2 storey building. 1 larger male bust photo. 1 badge and ribbons, surrounded by cut out mount board. BENDIGO BICYCLE CLUB . On back in biro Mr. L ? E. Wait, 72 Lily Street. Names of people transcribed below Presented to J HEFFERNAN ( as a mark of esteem) L Barnett C Barnett J Butler T W Capewell F Casey H Crowe W Crowley T Doyle F W Drews J Driscoll C Edwards J L Faul Dr B Gaffney J Gould J Grant A Gude J C Hallam J Heffernan A Heine L Herman P F Hogan W Honeybone E Hull T O Hunter A Johnson R Jones D B Lazarus A Magee W Maggs S Marcollo H McAtamney F A Moore E T Morland R Nicolai E J V Nigan T O’Donnell G Pritchard J Purchase C I Rice C E Roberts H Rolfe A Stephenson J Stevens C E H Swyer J Thomas F Vlaeminck C B Walker R Watson W Westphalen H White C E Ward ALAN SPICER Williamson Street BendigoAlan Spicerorganization, club/society, bendigo bicycle club 1898

"BALLARAT, Fri: Two days before Christmas Mr F. C. Clarke, of Victoria st, received from his son, Sapper F. Clarke, a message conveying Christmas and New Year greetings, and the assurance "all well." Mr Clarke has now been officially advised that his son died of wounds in New Guinea on December 24." [The Argus, 1 January 1944] The seat was moved to White Flat from the corner of Ballarat's Barkly and Young Streets around 2008.A digital colour photograph of a timber seat at the White Flat Oval. The seat is under a tree beside the A.E. 'Sonny" Mark Grandstand, and has a plaque fixed to it. It is a memorial to Corporal F.C. Clarke, who died of wounds during World War Two.ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval, cricket, football world war two, world war, f.c. clarke

Image 1a and 1b - Church of Christ, located in Chesterville Road, Cheltenham. Images 2a and 2b - Pioneer Presbyterian Church, Scots Church, located in Charman Road, Cheltenham Images 3a and 3b - Shopping strip located on Charman Road, Cheltenham, c.1918 Images 4a and 4b - A cricket team, located in Cheltenham Images 5a and 5b - Cheltenham Cricket Team, photographed outside St Matthew's Church. Back row: E. McSwain, R. Woff, S. Cullen, F. Bodley, T. Chandler, C. Warne, A. Organ, J Monk. Middle Row: C. Roberts, A. Hewett, S. Chandler, F. Chandler, A. Chandler. Front Row: A. Beulke, F. Groves Images 6a and 6b - Cheltenham Rifle Club Committee Opening Day of the new Butts. Back row: C Irwin, E. W. Proudman (Chemist), F T LePage, Centre: W Lamb Smith (Captain), E T Penny, G. Stayner, One unknown gentleman, Front: John Butler, city inspector, and E C Rippon (Manager of the Cheltenham and District Co-operative). A strip of 35mm black and white negative film of six photographs. rifle club, cricket, cheltenham cricket club, charman rd, church, cricket club, shopping strip, horse, cow, sport, team, cars

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base glazed finish Marked "1" on brown glazed rimflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s.Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Brown salt glaze stoneware bottle None (possibly made by Royal Doulton UK)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, bottle, stoneware bottle, storage, kitchen ware, salt glazed, stoneware, shipwreck coast

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s.Item's significance and origin of manufacture is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past. Stoneware jug badly cracked and repaired with handle and short neckNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, stoneware jug, earthenware jug, kitchen storage

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthenwares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Brown Stoneware jug with short neckThe number "1" under neck flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, stoneware jug, salt glaze

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base. Handholds moulded on each side glazed finish, cracks in base.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware

Bendigo Advertiser '' the way we were'' from Monday, November 25, 2002. Golden days: Eaglehawk Lodge No. 55; circa 1950. Back row from left: E. Bright, E. Grecott, W. R. Jamiesen, R. N. Smith, J. H. Davey, M. J. Powell, A. L. Jenkins, J. D. Cox, F. K. Kitch. Front row F. T. Snell, A. C. Ebden, J. L. Truscott, P. H. Richardson, H. L. Russell, C. W. Parker. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser '' The way we were'' from 2002. Jubilee celebration: Officers of the Zenith Lodge No. 52 in 1926-27. Back J. Michell, W.P. McLean, T. R. Doble, W. Currie, A. Truscott, W. T. Patten, W. Taylor, F. R. Sydes, J. D. Andrew, W. A. Draper, P. H. Seeber. Front: W. J. Parry, C. R. J. Friswell, E. J. Nuttall, L. A. Sonnenberg, W. H. Perrin, W. J. G. Bloomfield, F. Cambridge and A. Dunstan. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Edixa Reflex camera's introduced in 1954 were West Germany's most popular own series of S.L.R. (single lens reflex) with focal plane shutter. Type "B" with aperture release mechanics. The lens is a.Schacht Ulm 112712, with manual focus. Focal length = 50mm. Maximum. aperture = f/2.8, minimum aperture = f/22. Minimum focus 0.5m. It is a standard lens for 35mm cameras in the M42 mount and built for the Wirgin-Edixa cameras during 1950-1970's by Albert Schact in Ulm, W. Germany. A brown case in included.Front: WIRGIN / EDIXA REFLEX - B. Lens: A.SCHACHT ULM. 112712 / EXIDA-TRAVENAR 1:2,8/50 Bottom: WIRGIN WIESBADEN WEST-GERMANYcamera, film, 35mm slr

This appears to be a low production hand assembled book presented to Suppliers of the Beaufort Production Project. This book to F. W. Haig who was the sales executive of Vacuum Oil Company.Black cover book bound with three brass screws, 82 pages with typed text and photo prints glued to each page. Describes the Beaufort Project and organizational structure of the Beaufort Division, Department of Aircraft Production in Victoria and NSW from 1939. Some photo prints have come unstuck and are missing.Gold leaf stamping on front cover reads F.W. Haig & Beaufort Division emblem. Inside front cover hand written and signed "With complements from Clarrie Scott 24-12-44" (company director service)

This is the main street of Halls Gap, with the general Store and petrol station in view. The photo was taken at the time of the flower show; year unknown. A number of the cars are "F series" Holdens.The photo shows a shopping strip with numerous people in front of it, a road with a green car travelling along it (towards camera) and numerous cars and a bus parked on the other side (closest to camera).events, wildflower show, scenery, halls gap