Letter dated 27 November 1959 addressed to James G. Gillespie at his place of work from D.J. Cartledge of Login Corporation Pty Ltd (North Sydney), enclosing extracts from Sydney newspapers following the publication of the Savige biography. Cartledge notes that there could have been reference to the book on television and in the Bulletin newspaper, but he has been unable to monitor them. He enclosed a cheque for one pound five shillings for a signed copy of the book.Part of the story of how the book 'There goes a Man' came to be created.Letter head quarto paper with two additional larger plain sheets, newspaper clippings pasted to them.Letter corrected and initialled in blue ink. 00929.2 handwritten in blue ink: "John, Herewith cuttings and reviews of "There goes a man", Kind Regards, Bert Scargand(?)" Annotated "D.M. 7.10.59" in blue inkstamped 7 Oct 1959. 00929.3 Annotated "D.M. 29.9.59" in blue ink, "Mrs Godfrey" in pencilsavige book, biography

There is no indication either of who wrote this, nor whether other chapters were written. Although it covers the same events as "Legacy" by Claude Blatchford, and "The Torch" by M.H. Ellis, it is not a draft for either. The chapter covers events from the inauguration of Legacy in 1923 to a conference of Legacy Clubs held in Melbourne in 1928. The notation H43 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy.A briefer and more readable version of the period described.White quarto paper with black type, 19 pages about the beginning of Legacy, headed Chapter 1.Page 1 "H43" (See Item 00937) and "2"(circled) in blue biro; Page 2 notation in the margin of paragraph #3 "Later", written in blue biro; Page 15, pencilled corrections #1.history, founding legatee

Silver button hook with angel head ornamentation on handle. Used for doing up boots or shoes with buttons.clothing accessories, footwear

North Deborah Mine in Eve Street, Bendigo, operated between 1937 and 1954. In that time it produced 128,000 ounces of gold.Colour photograph of the remains of the Norfth Deborah mine; the rusty poppet head and steel cylinder, concrete foundation.mining, surface equipment, north deborah mine.

The "S" hook buckle was part of the cargo of the vessel Schomberg. "S" hook buckles are used for fastening two ends of fabric together such as harness belts, trouser belts and similar items. The image on the 'S' resembles two heads of a long-necked bird such as a swan, with two leaf images in the centre. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baine’s Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This "S" hook buckle is significant as an example of an item in common use in the mid-19th century and the items carried on ships as cargo. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes. "S" hook buckle: oval silver alloy buckle. Hook has image of a swan or snake head on each end, two leaf images in the centre. The buckle was recovered from the wreck of the Schomberg.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, schomberg, horse harness fitting, harness hardware, "s" hook buckle, belt buckle, fastener, quick release fastener, swan head buckle, snake head buckel

The Great Spotted Woodpecker is found throughout Europe and Asia. They are generally solitary birds and do not migrate unless found in northern climates. They are omnivorous and can extend their tongue when feeding on insects, insect larvae, and seeds, among other things. They generally only stay with the same mating partner for one season and are extremely territorial. The Great Spotted Woodpecker generally has red eyes and a deep red lower belly. The males have a red nape, whereas the females do not. They have a white upper chest and white and black head, back, tail feathers, and wings. Juveniles are less vibrant in colour and their undertails and lower bellies are a dirty pink or brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Great Spotted Woodpecker specimen is a juvenile female. The undertail is a faint pink while the head and neck is black and white. The tail feathers and wings are a faded grey-brown and the underbelly is white. This specimen is standing on a wooden mount with a swing tag attached to its leg.Swing tag: 2e(?). / Great-Spotted Woodpecker / Catalogue page, 66 / Metal tag: 4304 / torn swing tag: (?)s ma(?)- / q. / Nord- Deu(?)- / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, great spotted woodpecker, woodpecker

Item relates to S W Ross VX78589, refer 3147 for his service details..1) War Medal 1939 - 1945. One side has head of George VI, the reverse shows a triumphant lion holding a bird headed monster to the ground. .2) Plain cardboard box to suit. .3) Sheet of paper summarising conditions of award & guidance for wearing..1) Inscription on Medal: VX78589 S W ROSS. .2) Written in blue ink on box: Medals. .3) Handwritten in ink on sheet of paper: Returned from Active Service badge. Total Awards = One VX78589 S W ROSS. Note: 2 numbers shown. Original 12277, then later with a different pen 12274. 12274 is the correct No on the RAS badge.medals, military, containers

Wooden mask carved from log with small hollow at back. Decorated in ochre, yellow, black and white pigment with shells for eyes. Tongue extends from mouth and white tusks stretch between the mouth and the top of the head. Dried plant material covers the top of the head.

Black and white photo by Vincent Kelly Bendigo. Photo shows deposits of scale taken from bottom of jacket when head was removed from the cylinder head of a diesel engine belonging to the Central Nell Gwynne Gold Mining Company. Information typed on the back of the photo.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, central nell gwynne gold mining coy, scalebuoy, vincent kelly

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head and hands and 1 wooden boot covered with brown leather. 1 wooden leg carved as a hoof. Head painted red with white eyes and teeth trimmed in black. dressed in maroon trousers and coat with red and gold trimmings. Black felt collar.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

A Dunlop Fort 'Maxply' model tennis racquet, with whipping on shoulders & shaft, and handle wrapped in perforated leather. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Paint, Adhesive tapetennis

A small steel oval shaped headed bale hook or hand grab with three of nine pointed hooks remaining and a turned smooth wooden handle. The metal head is attached through a hole in the handle with a rivet. It was used to assist with handling bagged goods without causing damage. agricultural equipment, farm equipment, bale hooks, hand grabs

The White-throated Treecreeper is a commonly small bird of the Climacteridae family, that has a loud, piping, whistle-like call. Living in permanent territories and rarely seen on the ground, this species is found in forested areas of south-east and southern mainland Australia. The name tree-creeper comes from their foraging patterns, in which they spiral up the trunk of trees (usually eucalypts for their preferrable rough bark) head-first, probing for ants or nectar with their long, curved beak.The females are distinct from males through orange marks on the sides of their face. The colour of these specimens differ from white-throated tree-creepers, whose plummage on the head and back is usually a dark gray-brown. The beaks of these specimens are also an orange-brown colour whereas these birds usually have a black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This mount includes two White-throated treecreepers secured on a stick, one above the other. The top specimen is female, distinguished by a distinctive orange mark on the sides of its face underneath the eyes. Both specimens have white throat, chest and streaks on the flank. The top of the head and back are both a brown to dark-brown colour, with streaks of those colours on the flank as well. The stick and specimens are mounted on a wooden platform and a swing tag is secured around a part of the stick.Swing tag: 67a. / White-throated treecreeper / See catalogue, page 20 / Wooden Mount: 85taxidermy mount, taxidermy, burke museum, beechworth, bird, treecreeper, australian birds, white-throated, white-throated treecreeper, reynell eveleigh johns

Black and white photograph, copy, of the North Deborah Gold Mine poppet head, possibly taken in the 1940's. The trestle way and sky shaft used to convey ore to the landing brace are visible. Poppet head legs are metal and painted white. Corrugated iron sheds on right and in background. Air raid sirens on the top of the poppet head were used during World War 2 to warn the good citizens of Bendigo of any impending attack.bendigo, mining, north deborah gold mine

An AMF/Head tennis racquet, featuring: twin shaft, aluminium alloy frame; red plastic bridge; nylon net strings; Spalding brand leather handle grip; black plastic shaft casing; and, black plastic butt cap. Head logo features on adhesive label on bridge. No model name visible. Butt cap features AMF/Head logos on an adhesive label. Materials: Metal, Plastic, Nylon, Adhesive tape, Leather, Adhesive labeltennis

A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole

Separator machine. Hand-crank operated milk separator, Crown Separator Co Pty Ltd. Multi-part separator stand with bowls (2) and attachments including a spanner small cone shaped objects on homemade stand. ."42D022" stamped on 2x separator chutes.Manufacture's plate "MADE IN SWEDEN" , "CROWN SEPARATOR / HEAD OFFICE 547 FLINDERS ST MELBOURNE". ."42D022" stamped on 2x separator chutes. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, milk separator, farm machinery, dairy machinery, dairy industry, crown spearator co, cream

Journal issued by Commonwealth General Staff covering various aspects of Military Activities. Used as a training source by Military Servicemen.Brown A.4 size book with 201 pages issued May 1911 whose contents cover various aspects of Military Battlefield Donations. Cover has Commonwealth Emblem, Title, Volume No. and map covering Asian, African and Australian Zones. Military Journal in Red, large metal staples.Headed "The Commonwealth Military Journal Vol 1, May 1911. "Edited by General Staff (Training Branch), Commonwealth Military Forces Melbourne".passchendaele barracks trust, book, military training, ww1

This book was given as a prize in 1892 to Joseph Cassady from the Cassady’s Bridge State School. This school, once located near Cassady’s Bridge on the present-day Caramut Road, was opened on 19th January 1891 and closed in December 1892. The first teacher was Janet Ada McDougall and the teacher when the school closed was J. H. Delahenty. The Cassady family had the farm, Boughton and this was established about 1845 on the Merri River near where the bridge is today. Joseph was born in 1882 to William and Elizabeth Cassady.This book is of considerable importance as it is the only memento we have of Cassady’s Bridge State School. This school only existed for two years.This is a hard cover book of 208 pages. The cover is green with coloured borders and a coloured sketch of a stream and a bridge. The lettering on the front cover and the spine is gold and the pages are gilt-edged. The cover is much faded. Some of the back pages are partly torn away. The book has two black and white sketches at the front of the book and 28 chapters of story. The inscription is handwritten in black ink and the inscription page is stained. ‘State School Cassady’s Bridge Xmas 1892 Presented to Joseph Cassady 3rd Class for Good Progress. J.H. Delahenty Head Teacher’ cassady family, boughton, history of warrnambool

Medal issued by Italian Government to those who served in Ethiopia 1939-45.Round medal - a dark brown heavy medal, black and blue ribbon with bar.Front: D'ITALIA.IMP.DI.ETHIOPIA.VITT.EM.111.RE, Head Profile. Back: AFRICA ORIENTALE. MOLTI NEMICI MOLTO ONORE. Bar on Ribbon - Dagger with laurel.ww2, medal, ethiopia campaign

Certificate, Young Workers patriotic Guild of Australia, various colours, certificate has been cut to shape, top has 3 figures, of women then the heading, two more female figures, under details of the recipient.In black ink, " Margaret Kronk, Sedgewick", School No "935", "H.W.Lawson" Minister, "T Tate" Director, "John A Caulfield 1917" Head Master.certificates, young workers, guilds

Iron wire cutters (double).WYNN TIMMONS - on head. ? iv C206 (C806 or C & 06) - on other side. Symbols below: ?30-7 (broad arrow symbol)wirecutter, fencing

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.)

Photograph of President Chas Wilks receiving a cheque from Permanent Trustees who sponsor the Widows' Newsletter, on 9 August 1989 (from the reference number). The label says: "Thank you. To the Permanent Trustees Company for they kind sponsorship of the Widows' Newsletter. Presenting the cheque to the President of Melbourne Legacy, Chas Wilks, is Mr. Wayne Overall, General Manager of Victoria Permanent Trustees. The proof sheet was in a folio of photos from 1988 and 1989 (see also 001042 to 01049), it is labelled 890809C and is 7 shots of the handover of the cheque.A record of Permanent Trustees donating money to Legacy for the Widows' Newsletter.Black and white photo of President Chas Wilks receiving a cheque, and a proof sheet. White paper label.Stamped on back from Keesing Photographic, reference number 890809C-21A. White paper label with typed story headed Thank you.fundraising, donations

Set of 6 photographs of the Flinders St flyover over Kings St, soon after opening with tramcars and motor vehicles on the streets and bridge. Has the Waterside Hotel on the right side of the photographs. Has the pedestrian crossing traffic lights in the views. Don Storey's tramway history notes - http://www.classicaustraliantv.com/Gunzel.htm accessed 23/6/2019 notes that for 1959 - Temporary track on a new flyover in Flinders Street at King Street was brought into use; the permanent track was completed on June 26, 1960.Photos were contained within an envelope marked "Secretary Head Office MMTB (616 Lt Collins St) and "Please do not fold.trams, tramways, king st, flinders st, bridges, traffic lights

This is a souvenir program made for the musical event, Hiawatha, presented by Orbost Rotary Club on November 28,29 1949. Miss Elsie Lambert was a teacher at Orbost State School for 25 year.This is representative of the entertainment popular in Orbost in the 1940's-1950's.Two small 12 pp cream coloured books with brown print and the head of an American Indian chief in head-dress on the cover. It is titled"Hiawatha" prod. and directed by F.C. Herbert. a musical event presented in Orbost 1949, performed and sponsored by the Orbost Rotary Club. This was a souvenir program.On the back cover 657.1 in ink - E. Lambert.souvenir-program hiawatha musical orbost-rotary

Soldier on the right is Leslie ROBINS of King Street, Bendigo. He enlisted in Bendigo as Machine Gunner?Photo, black / white, head & shoulders portrait of two soldiers. They are dressed in two pocket jackets buttoned up to the neck, no head wear. Soldier on Left has Rising Sun badges on collar. Photo has been touched up. Mounted on white border then cardboard backing.photograph, bendigo